James Bowman (UK countertenor)

~ Person

Relationships

students: David Hansen (countertenor) ( – ????)
BBC Music: https://www.bbc.co.uk/music/artists/93ee9c63-90d7-4dcb-bd0d-63956dc6175e [info]
Songkick: https://www.songkick.com/artists/104319 [info]
VIAF ID: VIAF: 113841618 [info]
Wikidata: Q595108 [info]
Wikipedia: en: James Bowman (countertenor) [info]
other databases: http://id.loc.gov/authorities/names/n82145608 [info]
http://snaccooperative.org/ark:/99166/w62f8rwq [info]
https://catalogue.bnf.fr/ark:/12148/cb13891765k [info]
https://d-nb.info/gnd/12373844X [info]
https://www.worldcat.org/identities/lccn-n82145608 [info]
stream for free: https://open.spotify.com/artist/6DygtRG7ud7yoUK2vvQq7m [info]

Appearances

Date Title Attributes Artist Length
vocal
1969-06 – 1969-07 Blow up the trumpet in Sion, Z 10 countertenor vocals Choir of King’s College, Cambridge, Gustav Leonhardt 7:46
1969-06 – 1969-07 Chacony in G minor, Z 730 countertenor vocals Leonhardt Consort, Gustav Leonhardt 5:07
1969-06 – 1969-07 My heart is inditing, Z 30 countertenor vocals Choir of King’s College, Cambridge, Gustav Leonhardt 16:42
1969-06 – 1969-07 O God, Thou art my God, Z 35 countertenor vocals Choir of King’s College, Cambridge, Gustav Leonhardt 4:18
1969-06 – 1969-07 O God, thou hast cast us out, Z 36 countertenor vocals Choir of King’s College, Cambridge, Gustav Leonhardt 4:33
1969-06 – 1969-07 Rejoice in the Lord alway, Z 49 countertenor vocals Choir of King’s College, Cambridge, Gustav Leonhardt 8:56
1969-06 – 1969-07 Remember not, Lord, our offences, Z 50 countertenor vocals Choir of King’s College, Cambridge, Gustav Leonhardt 3:01
1970-09 Matthäus-Passion, BWV 244: Teil II: Aria (Altus 2): Können Tränen meine Wangen countertenor vocals [Altus II] Concentus Musicus Wien, Nikolaus Harnoncourt 7:30
1970-09 Matthäus-Passion, BWV 244: Teil II: Recit (Altus 2): Erbarm' es Gott countertenor vocals [Altus II] Concentus Musicus Wien, Nikolaus Harnoncourt 1:12
1973 Ballade: Mes esperis se combat countertenor vocals Early Music Consort of London, David Munrow 3:37
1973 Double Ballade: Armes, amours - Ô flour des flours countertenor vocals Early Music Consort of London, David Munrow 2:40
1973 Double Ballade: Quant Theseus - Ne quier veoir countertenor vocals Early Music Consort of London, David Munrow 2:08
1973 Motet: De Bon Espoir - Puis que la douce countertenor vocals Early Music Consort of London, David Munrow 2:48
1973 Motet: Hareu! hareu! - Helas! ou sera pris confors countertenor vocals Early Music Consort of London, David Munrow 1:50
1973 Motet: Trop plus est belle - Biaute paree - Je ne sui countertenor vocals Early Music Consort of London, David Munrow 2:18
1973 Rondeau: Quant j'ay l'espart countertenor vocals Early Music Consort of London, David Munrow 3:05
1973 Virelai: Douce dame jolie choir vocals Early Music Consort of London, David Munrow 2:10
1973 Virelai: Quant je sui mis choir vocals Early Music Consort of London, David Munrow ?:??
1974-01 Vespro della Beata Vergine, SV 206: VII. Psalmus 121: Laetatus sum countertenor vocals James Bowman, Jill Gomez, Philip Langridge, Monteverdi Choir, Felicity Palmer, Michael Rippon, John Shirley‐Quirk, Robert Tear, Monteverdi Orchestra, Philip Jones Brass Ensemble, John Eliot Gardiner 8:01
1974-01 Vespro della Beata Vergine, SV 206: XIII. Hymnus: Ave maris stella countertenor vocals James Bowman, Jill Gomez, Philip Langridge, Monteverdi Choir, Felicity Palmer, Michael Rippon, Salisbury Cathedral Boys' Choir, John Shirley‐Quirk, Robert Tear, David Munrow Recorder Ensemble, Monteverdi Orchestra, Philip Jones Brass Ensemble, John Eliot Gardiner 10:10
1974-01 Vespro della Beata Vergine, SV 206: XIX. Fecit potentiam countertenor vocals James Bowman, Monteverdi Orchestra, John Eliot Gardiner 1:00
1974-03-18 – 1974-03-20 Rejoice in the Lamb, Op. 30: For H is a spirit and therefore he is God — countertenor vocals James Bowman, Choir of King’s College, Cambridge, Marcus Creed, Richard Morton, David Corkhill, James Lancelot, Philip Ledger 3:49
1974-03-18 – 1974-03-20 Rejoice in the Lamb, Op. 30: For I am under the same accusation with my Saviour — countertenor vocals James Bowman, Choir of King’s College, Cambridge, Marcus Creed, Richard Morton, David Corkhill, James Lancelot, Philip Ledger 2:26
1974-03-18 – 1974-03-20 Rejoice in the Lamb, Op. 30: For I will consider my Cat Jeoffry — countertenor vocals James Bowman, Choir of King’s College, Cambridge, Marcus Creed, Richard Morton, David Corkhill, James Lancelot, Philip Ledger 2:11
1974-03-18 – 1974-03-20 Rejoice in the Lamb, Op. 30: For the flowers are great blessings — countertenor vocals James Bowman, Choir of King’s College, Cambridge, Marcus Creed, Richard Morton, David Corkhill, James Lancelot, Philip Ledger 2:01
1974-03-18 – 1974-03-20 Rejoice in the Lamb, Op. 30: For the Mouse is a creature of great personal valour — countertenor vocals James Bowman, Choir of King’s College, Cambridge, Marcus Creed, Richard Morton, David Corkhill, James Lancelot, Philip Ledger 0:55
1974-03-18 – 1974-03-20 Rejoice in the Lamb, Op. 30: Hallelujah from the heart of God countertenor vocals James Bowman, Choir of King’s College, Cambridge, Marcus Creed, Richard Morton, David Corkhill, James Lancelot, Philip Ledger 1:12
1974-03-18 – 1974-03-20 Rejoice in the Lamb, Op. 30: Rejoice in God, O ye Tongues — countertenor vocals James Bowman, Choir of King’s College, Cambridge, Marcus Creed, Richard Morton, David Corkhill, James Lancelot, Philip Ledger 3:56
1975-11 Nisi dominus, RV 608: I. Nisi dominus countertenor vocals James Bowman, Academy of Ancient Music, Christopher Hogwood 2:56
1975-11 Nisi dominus, RV 608: II. Vanum est vobis / III. Surgite postquam sederitis countertenor vocals James Bowman, Academy of Ancient Music, Christopher Hogwood 2:55
1975-11 Nisi dominus, RV 608: IV. Cum dederit dilectis suis somnum countertenor vocals James Bowman, Academy of Ancient Music, Christopher Hogwood 4:09
1975-11 Nisi dominus, RV 608: V. Sicut sagittae in manu potentis countertenor vocals James Bowman, Academy of Ancient Music, Christopher Hogwood 1:52
1975-11 Nisi dominus, RV 608: VI. Beatus vir qui implevit countertenor vocals James Bowman, Academy of Ancient Music, Christopher Hogwood 1:20
1975-11 Nisi dominus, RV 608: VII. Gloria Patri et Filio / VIII. Sicut erat in principio / IX. Amen countertenor vocals James Bowman, Academy of Ancient Music, Christopher Hogwood 7:43
1975-11 Stabat Mater, RV 621: I. Stabat Mater dolorosa / II. Cuius animam gementem / III. O quam tristis et afflicta countertenor vocals James Bowman, Academy of Ancient Music, Christopher Hogwood 6:36
1975-11 Stabat Mater, RV 621: IV. Quis est homo / V. Quis non posset contristari / VI. Pro peccatis suae gentis countertenor vocals James Bowman, Academy of Ancient Music, Christopher Hogwood 6:26
1975-11 Stabat Mater, RV 621: VII. Eia Mater, fons amoris / VIII. Fac ut ardeat cor meum / IX. Amen countertenor vocals James Bowman, Academy of Ancient Music, Christopher Hogwood 6:00
1983-06 Carmina burana: II In taberna: XII. Olim lacus colueram countertenor vocals Ernst Senff, James Bowman, Rundfunkchor Berlin, Deutsches Symphonie‐Orchester Berlin, Riccardo Chailly 3:21
1987-05-14 – 1987-05-15 Ah, heav'n! What is't I hear? countertenor vocals James Bowman, Michael Chance, Alison Crum, Robert King, David Miller 3:22
1987-05-14 – 1987-05-15 Bonduca, or The British Heroine, Z574 (Duet: Sing, sing ye druids) countertenor vocals James Bowman, Michael Chance, Alison Crum, Robert King, Catherine Latham, David Miller, Marion Scott 2:43
1987-05-14 – 1987-05-15 Come ye sons of Art, away Z323 (Movement 3: Sound the trumpet, 'til around) countertenor vocals James Bowman, Michael Chance, Alison Crum, Robert King, David Miller 2:27
1987-05-14 – 1987-05-15 Hail! bright Cecilia Z328 (Movement 10: In vain the Am'rous Flute and soft Guitar ) countertenor vocals James Bowman, Michael Chance, Alison Crum, Robert King, Catherine Latham, David Miller, Marion Scott 6:07
1987-05-14 – 1987-05-15 O dive custos Auriacae domus 'An elegy upon the death of Queen Mary' Z514 countertenor vocals James Bowman, Michael Chance, Alison Crum, Robert King 7:04
1987-05-14 – 1987-05-15 O solitude, my sweetest choice! Z406 countertenor vocals James Bowman, Robert King, David Miller 5:44
1987-05-14 – 1987-05-15 Ode on the death of Mr Henry Purcell (Mark how the Lark and Linnet Sing) countertenor vocals James Bowman, Michael Chance, Alison Crum, Robert King, Catherine Latham, David Miller, Marion Scott 22:06
1987-05-14 – 1987-05-15 The maid's Last Prayer, or Any rather than Fail, Z601 (Duet: No, resistance is but vain) countertenor vocals James Bowman, Michael Chance, Alison Crum, Robert King, David Miller 4:40
1987-05-14 – 1987-05-15 Timon of Athens Z632 (Duet: Hark how the songsters) countertenor vocals James Bowman, Michael Chance, Alison Crum, Robert King, Catherine Latham, David Miller, Marion Scott 3:06
1988-04 Messiah: Part I: But Who May Abide the Day of His Coming countertenor vocals James Bowman, Taverner Choir & Players, Andrew Parrott 4:26
1988-04 Messiah: Part I: He Shall Feed His Flock Like a Shepherd countertenor vocals James Bowman, Emma Kirkby, Taverner Choir & Players, Andrew Parrott 4:59
1988-04 Messiah: Part I: Then Shall the Eyes of the Blind Be Open’d countertenor vocals James Bowman, Taverner Choir & Players, Andrew Parrott 0:22
1988-04 Messiah: Part II: Thou Art Gone Up on High countertenor vocals James Bowman, Taverner Choir & Players, Andrew Parrott 3:16
1988-04 Messiah: Part III: O Death, Where Is Thy Sting countertenor vocals James Bowman, Joseph Cornwell, Taverner Choir & Players, Andrew Parrott 1:12
1988-04 Messiah: Part III: Then Shall Be Brought to Pass the Saying countertenor vocals James Bowman, The Taverner Choir, Consort & Players, Andrew Parrott 0:18
1988-08 Stabat Mater: I. Stabat Mater countertenor vocals Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood 4:29
1988-09-05 – 1988-09-07 Cantata, BWV 54 "Widerstehe doch der Sünde": I. Aria "Widerstehe doch der Sünde" countertenor vocals James Bowman, The King’s Consort, Robert King 8:23
1988-09-05 – 1988-09-07 Cantata, BWV 54 "Widerstehe doch der Sünde": II. Recitativo "Die Art verruchter Sünden" countertenor vocals James Bowman, The King’s Consort, Robert King 1:02
1988-09-05 – 1988-09-07 Cantata, BWV 54 "Widerstehe doch der Sünde": III. Aria "Wer Sünde tut, der ist vom Teufel" countertenor vocals James Bowman, The King’s Consort, Robert King 3:16
1988-09-05 – 1988-09-07 Cantata, BWV 169 "Gott soll allein mein Herze haben": II. Arioso und Recitativo "Gott soll allein mein Herze haben" countertenor vocals James Bowman, The King’s Consort, Robert King 2:31
1988-09-05 – 1988-09-07 Cantata, BWV 169 "Gott soll allein mein Herze haben": III. Aria "Gott soll allein mein Herze haben" countertenor vocals James Bowman, The King’s Consort, Robert King 6:20
1988-09-05 – 1988-09-07 Cantata, BWV 169 "Gott soll allein mein Herze haben": IV. Recitativo "Was ist die Liebe Gottes" countertenor vocals James Bowman, The King’s Consort, Robert King 0:41
1988-09-05 – 1988-09-07 Cantata, BWV 169 "Gott soll allein mein Herze haben": V. Aria "Stirb in mir" countertenor vocals James Bowman, The King’s Consort, Robert King 4:49
1988-09-05 – 1988-09-07 Cantata, BWV 169 "Gott soll allein mein Herze haben": VI. Recitativo "Doch meint es auch dabei" countertenor vocals James Bowman, The King’s Consort, Robert King 0:25
1988-09-05 – 1988-09-07 Cantata, BWV 170 "Vergnügte Ruh', beliebte Seelenlust": I. Aria "Vergnügte Ruh, beliebte Seelenlust" countertenor vocals James Bowman, The King’s Consort, Robert King 6:33
1988-09-05 – 1988-09-07 Cantata, BWV 170 "Vergnügte Ruh', beliebte Seelenlust": II. Recitativo "Die Welt, das Sündenhaus" countertenor vocals James Bowman, The King’s Consort, Robert King 1:17
1988-09-05 – 1988-09-07 Cantata, BWV 170 "Vergnügte Ruh', beliebte Seelenlust": III. Aria "Wie jammern mich doch die verkehrten Herzen" countertenor vocals James Bowman, The King’s Consort, Robert King 6:45
1988-09-05 – 1988-09-07 Cantata, BWV 170 "Vergnügte Ruh', beliebte Seelenlust": IV. Recitativo "Wer sollte sich demnach wohl hier zu leben wünschen" countertenor vocals James Bowman, The King’s Consort, Robert King 1:17
1988-09-05 – 1988-09-07 Cantata, BWV 170 "Vergnügte Ruh', beliebte Seelenlust": V. Aria "Mir ekelt mehr zu leben" countertenor vocals James Bowman, The King’s Consort, Robert King 6:27
1988-10 Salve Regina, RV 616: Allegro countertenor vocals James Bowman, Ensemble Jean-Walter Audoli, Jean-Walter Audoli 1:28
1988-10 Salve Regina, RV 616: Allegro ma poco countertenor vocals James Bowman, Ensemble Jean-Walter Audoli, Jean-Walter Audoli 1:39
1988-10 Salve Regina, RV 616: Andante countertenor vocals James Bowman, Ensemble Jean-Walter Audoli, Jean-Walter Audoli 2:59
1988-10 Salve Regina, RV 616: Andante countertenor vocals James Bowman, Ensemble Jean-Walter Audoli, Jean-Walter Audoli 3:42
1988-10 Salve Regina, RV 616: Andante molto countertenor vocals James Bowman, Ensemble Jean-Walter Audoli, Jean-Walter Audoli 2:12
1988-10 Salve Regina, RV 616: Larghetto countertenor vocals James Bowman, Ensemble Jean-Walter Audoli, Jean-Walter Audoli 4:38
1989-01-18 – 1989-01-20 Ode, Z 328 "Hail! bright Cecilia": II. (Soloists and Chorus) "Hail! bright Cecilia" countertenor vocals Henry Purcell 4:11
1989-01-18 – 1989-01-20 Ode, Z 328 "Hail! bright Cecilia": III. Aria (Alto, Bass) "Hark, each Tree its silence breaks" countertenor vocals Henry Purcell 4:14
1989-01-18 – 1989-01-20 Ode, Z 328 "Hail! bright Cecilia": IV. Aria (Alto) "'Tis Nature's Voice" countertenor vocals Henry Purcell 4:03
1989-01-18 – 1989-01-20 Ode, Z 328 "Hail! bright Cecilia": VII. Aria (Alto, Tenor, Bass) "With that sublime Celestial Lay" countertenor vocals Henry Purcell 3:11
1989-01-18 – 1989-01-20 Ode, Z 328 "Hail! bright Cecilia": X. Aria (Alto, Tenor) "In vain the Am'rous Flute" countertenor vocals Henry Purcell 5:56
1989-01-18 – 1989-01-20 Ode, Z 328 "Hail! bright Cecilia": XIII. (Soloists and Chorus) "Hail! bright Cecilia" countertenor vocals Henry Purcell 4:22
1989-01-18 – 1989-01-20 Ode, Z 342 "Who can from joy refrain": II. Aria (Alto) "Who can from joy refrain" countertenor vocals Henry Purcell 5:12
1989-03 – 1990-07 Orlando: Act Three XXIII. "Trionfa oggi'l mio cor" (Orlando, Angelica, Medoro, Dorinda, tutti) countertenor vocals James Bowman, Arleen Augér, Catherine Robbin, The Academy of Ancient Music, Christopher Hogwood 2:08
1990-02-05 – 1990-02-12 Author of light, revive my dying sprite countertenor vocals James Bowman, Mark Caudle, David Miller 2:57
1990-02-05 – 1990-02-12 Awake, sweet love, thou art returned countertenor vocals James Bowman, David Miller 2:39
1990-02-05 – 1990-02-12 Can she excuse my wrongs? countertenor vocals James Bowman, Richard Boothby, Mark Caudle, Wendy Gillespie, William Hunt, David Miller 3:01
1990-02-05 – 1990-02-12 Come tread the paths of pensive pangs countertenor vocals James Bowman, Richard Boothby, Mark Caudle, Wendy Gillespie, William Hunt 3:47
1990-02-05 – 1990-02-12 Eliza is the fairest Queen countertenor vocals James Bowman, Richard Boothby, Mark Caudle, Wendy Gillespie, William Hunt 2:02
1990-02-05 – 1990-02-12 Eyes, look no more countertenor vocals James Bowman, Mark Caudle, David Miller 4:24
1990-02-05 – 1990-02-12 Flow, my tears, fall from your springs countertenor vocals James Bowman, Mark Caudle, David Miller 3:41
1990-02-05 – 1990-02-12 Go nightly cares, the enemy to rest countertenor vocals James Bowman, Mark Caudle, Wendy Gillespie, David Miller 7:04
1990-02-05 – 1990-02-12 I die whenas I do not see countertenor vocals James Bowman, David Miller 1:52
1990-02-05 – 1990-02-12 In terrors trapp'd with thraldom thrust countertenor vocals James Bowman, Richard Boothby, Mark Caudle, Wendy Gillespie, William Hunt 3:54
1990-02-05 – 1990-02-12 Now, o now I needs must part countertenor vocals James Bowman, David Miller 5:19
1990-02-05 – 1990-02-12 Oft have I sigh'd for him that hears me not countertenor vocals James Bowman, Mark Caudle, David Miller 2:37
1990-02-05 – 1990-02-12 Say, Love, if ever thou didst find countertenor vocals James Bowman, David Miller 2:04
1990-02-05 – 1990-02-12 Since first I saw your face countertenor vocals James Bowman, David Miller 2:36
1990-02-05 – 1990-02-12 Sorrow, stay, lend true repentant tears countertenor vocals James Bowman, Mark Caudle, David Miller 3:22
1990-02-05 – 1990-02-12 Tell me, true Love countertenor vocals James Bowman, Richard Boothby, Mark Caudle, Wendy Gillespie, William Hunt, David Miller 4:34
1990-02-05 – 1990-02-12 Thou pretty bird, how do I see countertenor vocals James Bowman, Mark Caudle, David Miller 1:27
1990-07-31 – 1990-08-05 Joshua: Act I. "Awful, pleasing being, say" countertenor vocals [Othniel] James Bowman, The King’s Consort, Robert King 2:42
1990-07-31 – 1990-08-05 Joshua: Act I. "But who is he?" countertenor vocals [Othniel] James Bowman, The King’s Consort, Robert King 0:52
1990-07-31 – 1990-08-05 Joshua: Act I. "In these blest scenes" countertenor vocals [Othniel] James Bowman, Emma Kirkby, The King’s Consort, Robert King 3:48
1990-07-31 – 1990-08-05 Joshua: Act I. "O Achsah, form'd for ev'ry chaste delight" countertenor vocals [Othniel] James Bowman, The King’s Consort, Robert King 0:53
1990-07-31 – 1990-08-05 Joshua: Act I. "Our limpid streams with freedom flow" countertenor vocals [Othniel] Emma Kirkby, James Bowman, The King’s Consort, Robert King 3:09
1990-07-31 – 1990-08-05 Joshua: Act I. "The trumpet calls" countertenor vocals [Othniel] James Bowman, The King’s Consort, Robert King 0:31
1990-07-31 – 1990-08-05 Joshua: Act II. "Heroes when with glory burning" countertenor vocals [Othniel] James Bowman, The King’s Consort, Robert King 3:48
1990-07-31 – 1990-08-05 Joshua: Act II. "Nations, who in future story" countertenor vocals [Othniel] James Bowman, The King’s Consort, Robert King 3:07
1990-07-31 – 1990-08-05 Joshua: Act II. "Now give the army breath" countertenor vocals [Othniel] James Bowman, The King’s Consort, Robert King 0:25
1990-07-31 – 1990-08-05 Joshua: Act II. "Sure I'm deceiv'd" countertenor vocals [Othniel] Michael George, James Bowman, The King’s Consort, Robert King 1:25
1990-07-31 – 1990-08-05 Joshua: Act III. "O Caleb, fear'd by foes" countertenor vocals [Othniel] James Bowman, Michael George, The King’s Consort, Robert King 1:13
1990-07-31 – 1990-08-05 Joshua: Act III. "O peerless maid" countertenor vocals [Othniel] James Bowman, Emma Kirkby, The King’s Consort, Robert King 2:26
1990-07-31 – 1990-08-05 Joshua: Act III. "Welcome! my son" countertenor vocals [Othniel] Michael George, James Bowman, Emma Kirkby, The King’s Consort, Robert King 0:47
1990-07-31 – 1990-08-05 Joshua: Act III. "While life shall last" countertenor vocals [Othniel] James Bowman, The King’s Consort, Robert King 0:15
1990-07 Belshazzar: Act 1, Scene 1, Air "Lament not thus, oh Queen, in vain!" (Daniel) contralto vocals [Daniel] James Bowman, The English Concert, Trevor Pinnock 4:55
1990-07 Belshazzar: Act 1, Scene 1, Recitativo "The fate of Babylon, I fear, is nigh" (Nitocris, Daniel) contralto vocals [Daniel] Arleen Auger, James Bowman, The English Concert, Trevor Pinnock 1:15
1990-07 Belshazzar: Act 1, Scene 3, Accompagnato "Rejoice, my countrymen"; Air "Thus saith the Lord to Cyrus" (Daniel) contralto vocals [Daniel] James Bowman, The English Concert, Trevor Pinnock 3:00
1990-07 Belshazzar: Act 1, Scene 3, Air "Oh sacred oracles of Truth!" (Daniel) contralto vocals [Daniel] James Bowman, The English Concert, Trevor Pinnock 5:14
1990-07 Belshazzar: Act 2, Scene 2, Accompagnato "Yet, to obey his dread command" (Daniel) contralto vocals [Daniel] James Bowman, The English Concert, Trevor Pinnock 3:13
1990-07 Belshazzar: Act 2, Scene 2, Air "No! to thyself thy trifles be" (Daniel) contralto vocals [Daniel] James Bowman, The English Concert, Trevor Pinnock 1:31
1990-07 Belshazzar: Act 3, Scene 1, Air "Can the black Aethiop change his skin?" (Daniel) contralto vocals [Daniel] James Bowman, The English Concert, Trevor Pinnock 2:26
1990-07 Belshazzar: Act 3, Scene 1, Recitativo "Fain would I hope" (Nitocris, Daniel) contralto vocals [Daniel] Arleen Auger, James Bowman, The English Concert, Trevor Pinnock 0:22
1990-07 Belshazzar: Act 3, Scene 3, Recitativo "Say, venerable prophet" (Cyrus, Daniel) contralto vocals [Daniel] James Bowman, Catherine Robbin, The English Concert, Trevor Pinnock 0:56
1990-07 Belshazzar: Act 3, Scene 3, Soli & Chorus "I will magnify thee" (Daniel, Nitocris, Chorus) contralto vocals [Daniel] Arleen Auger, James Bowman, The English Concert Choir, The English Concert, Trevor Pinnock 5:27
1990-09 An Filius non est Dei countertenor vocals James Bowman, Max van Egmond, Ian Honeyman, Ricercar Consort 13:09
1990-09 Erbarm dich mein, o Herre Gott countertenor vocals James Bowman, Max van Egmond, Ian Honeyman, Greta de Reyghere, Ricercar Consort 18:42
1992-02 Johannes-Passion: Air (Altus): Von den Stricken meiner Sünden alto vocals James Bowman, Orchestra of the Eighteenth Century, Frans Brüggen 4:46
1992-02 Johannes-Passion: Aria (Altus): Es ist vollbracht! alto vocals James Bowman, Orchestra of the Eighteenth Century, Frans Brüggen 5:46
1992-03-14 – 1992-03-22 Judas Maccabaeus: Act II. Recitative "O Judas, o my brethren!" (Messenger) countertenor vocals The King’s Consort, Robert King, James Bowman 0:44
1992-03-14 – 1992-03-22 Judas Maccabaeus: Act III. Air "Father of Heav'n!" (Priest) countertenor vocals The King’s Consort, Robert King, James Bowman 7:26
1992-03-14 – 1992-03-22 Judas Maccabaeus: Act III. Recitative "From Capharsalama on eagle wings" (Messengers) countertenor vocals The King’s Consort, Robert King, Simon Birchall, James Bowman 1:10
1993-07-24 – 1993-08-04 Deborah: Act I, Scene I, No. II. Recitative "O Barak, favour’d of the skies" (Deborah, Barak) countertenor vocals [Barak] Yvonne Kenny, James Bowman, The King’s Consort, Robert King 0:38
1993-07-24 – 1993-08-04 Deborah: Act I, Scene I, No. III. Duet "Where do thy ardours raise me?" (Barak, Deborah) countertenor vocals [Barak] James Bowman, Yvonne Kenny, The King’s Consort, Robert King 4:12
1993-07-24 – 1993-08-04 Deborah: Act I, Scene I, No. V. Recitative "Since Heav’n has thus his will express’d" (Barak) countertenor vocals [Barak] James Bowman, The King’s Consort, Robert King 0:30
1993-07-24 – 1993-08-04 Deborah: Act I, Scene I, No. VI. Soli & Chorus "For ever to the voice of pray’r" countertenor vocals Susan Gritton, James Bowman, Mark Milhofer, Colin Campbell, Choir of New College Oxford, Choristers of Salisbury Cathedral, The King’s Consort, Robert King 1:49
1993-07-24 – 1993-08-04 Deborah: Act I, Scene I, No. XI. Recitative "To whomsoe’er his fate the tyrant owes" (Barak) countertenor vocals [Barak] James Bowman, The King’s Consort, Robert King 0:35
1993-07-24 – 1993-08-04 Deborah: Act I, Scene I, No. XII. Air "How lovely is the blooming fair" (Barak) countertenor vocals James Bowman, The King’s Consort, Robert King 1:55
1993-07-24 – 1993-08-04 Deborah: Act I, Scene III, No. III. Recitative "I go where Heav’n and duty call" (Barak) countertenor vocals [Barak] James Bowman, The King’s Consort. Robert King 0:10
1993-07-24 – 1993-08-04 Deborah: Act I, Scene III, No. VI. Air "All danger disdaining" (Barak) countertenor vocals [Barak] James Bowman, The King’s Consort. Robert King 4:12
1993-07-24 – 1993-08-04 Deborah: Act I, Scene IV. Recitative "My charge is to declare" (Herald) / Act I, Scene V, No. I. "Let him approach..." (Deborah, Barak) countertenor vocals [Barak] Mark Milhofer, Yvonne Kenny, James Bowman, The King’s Consort, Robert King 1:19
1993-07-24 – 1993-08-04 Deborah: Act II, No. VIII. Air "Impious mortal, cease to brave us" (Barak) countertenor vocals [Barak] James Bowman, The King’s Consort, Robert King 2:44
1993-07-24 – 1993-08-04 Deborah: Act II, No. XV. Recitative "Great prophetess, my soul's on fire" (Barak) countertenor vocals [Barak] James Bowman, The King’s Consort, Robert King 0:18
1993-07-24 – 1993-08-04 Deborah: Act II, No. XVI. Air "In the battle, fame pursuing" (Barak) countertenor vocals [Barak] James Bowman, The King’s Consort, Robert King 6:05
1993-07-24 – 1993-08-04 Deborah: Act II, No. XXIV. Duet "Smiling freedom, lovely guest" (Deborah, Barak) countertenor vocals [Barak] Yvonne Kenny, James Bowman, The King’s Consort, Robert King 4:17
1993-07-24 – 1993-08-04 Deborah: Act III, Scene II, No. I. Recitative "My pray'rs are heard, the blessings of this day" (Abinoam, Barak) countertenor vocals [Barak] Michael George, James Bowman, The King’s Consort, Robert King 0:38
1993-07-24 – 1993-08-04 Deborah: Act III, Scene III, No. IV. Recitative "I saw the tyrant breathless in her tent" (Barak, Jael) countertenor vocals [Barak] James Bowman, Susan Gritton, The King’s Consort, Robert King 1:57
1993-07-24 – 1993-08-04 Deborah: Act III, Scene III, No. IX. Air "Low at her feet he bow'd, he fell" (Barak) countertenor vocals [Barak] James Bowman, The King’s Consort, Robert King 3:07
1993-07-24 – 1993-08-04 Deborah: Act III, Scene III, No. VIII. Recitative "May heav'n, with kind profusion, shed" (Barak) countertenor vocals [Barak] James Bowman, The King’s Consort, Robert King 0:14
1995-01-15 Hail, Bright Cecilia: 'Tis Nature's voice countertenor vocals The King’s Consort, Robert King 3:52
1995-01-15 Hail, Bright Cecilia: Hail! bright Cecilia countertenor vocals The King’s Consort, Robert King 3:48
1995-01-15 Hail, Bright Cecilia: Hail! bright Cecilia countertenor vocals The King’s Consort, Robert King 4:22
1995-01-15 Hail, Bright Cecilia: Hark each tree countertenor vocals The King’s Consort, Robert King 4:03
1995-01-15 Hail, Bright Cecilia: In vain the am'rous flute countertenor vocals The King’s Consort, Robert King 5:19
1995-01-15 Hail, Bright Cecilia: Let these amongst themselves contest countertenor vocals The King’s Consort, Robert King 2:43
1995-01-15 Hail, Bright Cecilia: Soul of the world countertenor vocals The King’s Consort, Robert King 2:29
1995-01-15 Hail, Bright Cecilia: Symphony countertenor vocals The King’s Consort, Robert King 7:26
1995-01-15 Hail, Bright Cecilia: The airy violin countertenor vocals The King’s Consort, Robert King 1:23
1995-01-15 Hail, Bright Cecilia: The fife and all the harmony of war countertenor vocals The King’s Consort, Robert King 3:01
1995-01-15 Hail, Bright Cecilia: Thou tun'st this world countertenor vocals The King’s Consort, Robert King 3:19
1995-01-15 Hail, Bright Cecilia: With that sublime celestial lay countertenor vocals The King’s Consort, Robert King 2:45
1995-01-15 Hail, Bright Cecilia: Wondrous machine! countertenor vocals The King’s Consort, Robert King 2:34
1996-02-12 – 1996-02-14 Clarae stellae, scintillate, RV625: I. Clarae stellae, scintillate countertenor vocals James Bowman, The King’s Consort, Robert King 5:22
1996-02-12 – 1996-02-14 Clarae stellae, scintillate, RV625: II. Coeli repleti iam novo splendore countertenor vocals James Bowman, The King’s Consort, Robert King 0:42
1996-02-12 – 1996-02-14 Clarae stellae, scintillate, RV625: III. Nunc iubilare countertenor vocals James Bowman, The King’s Consort, Robert King 2:21
1996-02-12 – 1996-02-14 Clarae stellae, scintillate, RV625: IV. Alleluia countertenor vocals James Bowman, The King’s Consort, Robert King 2:24
1996-02-12 – 1996-02-14 Filiae maestae Jerusalem, RV638: I. Filiae maestae Jerusalem countertenor vocals James Bowman, The King’s Consort, Robert King 2:08
1996-02-12 – 1996-02-14 Filiae maestae Jerusalem, RV638: II. Sileant zephyri countertenor vocals James Bowman, The King’s Consort, Robert King 4:36
1996-02-12 – 1996-02-14 Filiae maestae Jerusalem, RV638: III. Sed tenebris diffusis countertenor vocals James Bowman, The King’s Consort, Robert King 0:53
1996-10-11 – 1996-10-13 Four Choruses From Songs of Troubled Times: The Ikon countertenor vocals James Bowman, Holst Singers, Stephen Layton 5:13
1996-10-11 – 1996-10-13 The Creed countertenor vocals James Bowman, Holst Singers, Stephen Layton 4:22
1996-10-11 – 1996-10-13 Three Choruses from Tolstoy's Tsar Feodor Iannovich: Prayer countertenor vocals James Bowman, Holst Singers, Stephen Layton 3:56
1998-11 Strastnaya Sed'mitsa 'Holy Week', Op. 58: III. Vo tsarstvii Tvoyem (In Thy Kingdom) countertenor vocals James Bowman, Holst Singers, Stephen Layton 7:32
"Erbarme dich" from St Matthew Passion countertenor vocals The King’s Consort, Robert King 6:33
A Midsummer Night’s Dream: I Know a Bank countertenor vocals Benjamin Britten 4:30
Agnus Dei countertenor vocals James Bowman, Choir of King’s College, Cambridge, Christopher Keyte, Ian Partridge, English Chamber Orchestra, Sir David Willcocks 2:55
Ah stigie larve countertenor vocals James Bowman, Academy of Ancient Music, Christopher Hogwood 8:21
Alcina, HWV 34: "Verdi prati" (Ruggiero) countertenor vocals James Bowman, The King’s Consort, Robert King 3:46
Amadigi di Gaula, HWV 11: "Pena tiranna" (Dardano) countertenor vocals James Bowman, Paul Goodwin, Jeremy Ward, The King’s Consort, Robert King 5:49
An Evening Hymn countertenor vocals Henry Purcell 3:56
Ariodante, HWV 33: "E vivo ancora?" / "Scherza infida" (Ariodante) countertenor vocals James Bowman, Jeremy Ward, The King’s Consort, Robert King 10:11
Biance flour countertenor vocals Early Music Consort of London 1:57
Bonduca: Divine Andate, presidents of war countertenor vocals [1st Druid] Andrew Parrott, James Bowman, Martyn Hill, Christopher Keyte, Taverner Choir, Academy of Ancient Music, Christopher Hogwood 5:53
Bringt her dem Herrn countertenor vocals James Bowman, David Lumsden 3:45
Cantata No. 169, "Gott soll allein mein Herze haben," BWV 169 (BC A143), VI. "Stirb in mir, Welt und alle deine Liebe", Aria for alto alto vocals James Bowman, The King’s Consort 4:53
Cantata no. 170, BWV 170: Vergnugte Ruh', beliebte Seelenlust (Contented Rest Beloved Heart's Desire) countertenor vocals James Bowman, The King’s Consort, Robert King 6:34
Cantate de Pâques: Weg mit Sodoms gift'gen countertenor vocals James Bowman, The King’s Consort, Robert King 4:33
Canticle II: Abraham and Isaac, Op. 51 countertenor vocals and solo James Bowman, Robert Tear, Philip Ledger 15:36
Cara mie donna countertenor vocals Early Music Consort of London 3:57
Celia's Fond countertenor vocals James Bowman, The King’s Consort, Robert King 1:45
Chon brachi assai countertenor vocals Early Music Consort of London 3:25
Christe, qui lux es James Bowman, Charles Brett, Early Music Consort of London, David Munrow 4:14
Come Tread the Paths of Pensive Pangs, song for voice & lute alto vocals James Bowman, The King’s Consort 3:48
Come ye sons of art, ode for Queen Mary (1694): Come ye sons of art solo James Bowman, Orchestra of the Age of Enlightenment, Gustav Leonhardt 1:46
Come ye sons of art, ode for Queen Mary (1694): Strike the viols, touch the lute solo James Bowman, Orchestra of the Age of Enlightenment, Gustav Leonhardt 4:27
Come, Ye Sons Of Art - Symphony - Come, Ye Sons Of Art, Away- Sound The Trumpet - Come, Ye Sons of Art countertenor vocals Julia Gooding, Christopher Robson, James Bowman, Christopher Robson, David Wilson‐Johnson, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment, Gustav Leonhardt 8:58
Come, Ye Sons of Art, Away, Z. 323: "Sound the trumpet" countertenor vocals Michael Chance, James Bowman, Jane Coe, David Miller, Robert King 2:34
Complaint countertenor vocals David Munrow & the Early Music Consort of London 3:24
Con dolce brama countertenor vocals Early Music Consort of London 1:53
Dà, dà, a chi avaregia countertenor vocals Early Music Consort of London 3:46
De! Dinmi tu countertenor vocals Early Music Consort of London 2:49
Deborah, oratorio, HWV 51, Act II, "Impious mortal, cease to brave us!", Air (Barak) alto vocals James Bowman, The King’s Consort 2:44
Donna ’l tuo partimento countertenor vocals James Bowman, Early Music Consort of London, David Munrow 1:45
Donna'l tuo partimento countertenor vocals Early Music Consort of London 1:40
Due saltarelli countertenor vocals Early Music Consort of London 3:04
E’ questa la mercede countertenor vocals James Bowman, Academy of Ancient Music, Christopher Hogwood 4:41
Ecco la primavera countertenor vocals Early Music Consort of London 1:16
Ego flos campi countertenor vocals James Bowman, David Lumsden 4:04
Esther, oratorio, HWV 50b, Act I, "Tune your harps to cheerful strains", Air (Femme israelite) alto vocals James Bowman, The King’s Consort 5:05
Eternal Source of Light Divine: "Eternal Source of Light Divine" countertenor vocals James Bowman, Choir of New College Oxford, The King’s Consort, Crispian Steele‐Perkins, Robert King 3:23
Eternal Source of Light Divine: "Kind Health Descends on Downy Wings" countertenor vocals James Bowman, Choir of New College Oxford, Gillian Fisher, The King’s Consort, Robert King 4:44
Eternal Source of Light Divine: "Let Flocks and Herds Their Fear Forget" countertenor vocals James Bowman, Choir of New College Oxford, The King’s Consort, Robert King 2:38
Eternal Source of Light Divine: "Let Rolling Streams Their Gladness Show" countertenor vocals James Bowman, Choir of New College Oxford, Michael George, The King’s Consort, Robert King 2:42
Eternal Source of Light Divine: "The Day That Gave Great Anna Birth" countertenor vocals James Bowman, Choir of New College Oxford, Gillian Fisher, The King’s Consort, Robert King 1:44
Eternal Source of Light Divine: "The Day That Gave Great Anna Birth" countertenor vocals James Bowman, Choir of New College Oxford, The King’s Consort, Robert King 2:45
Eternal Source of Light Divine: "United Nations Shall Combine" countertenor vocals James Bowman, Choir of New College Oxford, The King’s Consort, Robert King 3:18
Fac ut portem countertenor vocals James Bowman, Academy of Ancient Music, Christopher Hogwood 3:37
Fenice fu' e vissi countertenor vocals Early Music Consort of London 2:46
Giulio Cesare in Egitto, HWV 17: "Al lampo dell'armi" (Cesare) countertenor vocals James Bowman, The King’s Consort, Robert King 3:27
Giulio Cesare in Egitto, HWV 17: "Va tacito e nascosto" (Cesare) countertenor vocals James Bowman, Andrew Clark, The King’s Consort, Robert King 7:03
Giulio Cesare: Deep within my bosom burning solo James Bowman, English National Opera Orchestra, Charles Mackerras 3:21
Giunta vaga bitta countertenor vocals James Bowman, Early Music Consort of London, David Munrow 3:24
Giustino, HWV 37: "Se parla nel mio cor" (Giustino) countertenor vocals James Bowman, The King’s Consort, Robert King 4:52
Giustino, HWV 37: "Zeffiretto, che scorre nel prato" (Giustino) countertenor vocals James Bowman, The King’s Consort, Robert King 9:33
Hail, Bright Cecilia, Z. 328: "With rapture of delight... Hail bright Cecilia" countertenor vocals Choir of New College Oxford, Choir of the King’s Consort, The King’s Consort, Robert King 2:11
Heroes, When With Glory Burning countertenor vocals James Bowman, The King’s Consort, Robert King 3:50
Hohe Messe in b moll (BWV 232) / Aria (alto): Agnus Dei alto vocals Orchestra of the Sixteen, Harry Christophers 5:37
Hohe Messe in b moll (BWV 232) / Credo: Duet (soprano I, alto): Et in unum Dominum alto vocals Orchestra of the Sixteen, Harry Christophers 4:22
Hohe Messe in b moll (BWV 232) / Credo: Duet (soprano I, alto): Et in unum Dominum countertenor vocals Orchestra of the Sixteen, Harry Christophers 4:22
Hohe Messe in b moll (BWV 232) / Gloria: Aria (alto) - Qui sedes at dexteram Patris alto vocals Orchestra of the Sixteen, Harry Christophers 4:17
I miei subiti sdegni incoronazione di poppea a2 - Hickocks Richard countertenor vocals James Bowman ?:??
Impious Mortal countertenor vocals George Frideric Handel 2:39
Israel in Egypt: Part I, Exodus: 1. Now there arose a new king (tenor recitative) / 2. And the children of Israel (alto & chorus) alto vocals James Bowman, Christ Church Cathedral Choir, Oxford, Ian Partridge, English Chamber Orchestra, Simon Preston 4:37
Israel in Egypt: Part I, Exodus: 5. Their land brought forth frogs (alto) alto vocals James Bowman, Christ Church Cathedral Choir, Oxford, English Chamber Orchestra, Simon Preston 2:24
Istampita ghaetta countertenor vocals Early Music Consort of London 3:58
Ja nus hons pris countertenor vocals James Bowman, Early Music Consort of London, David Munrow 2:32
Jules César, air de Ptolémée : "Upstart, barbarian and traitor" countertenor vocals James Bowman, English National Opera Orchestra, Charles Mackerras 3:41
King Arthur, or The British Worthy, Z. 628: Aria "Fairest isle, all isles excelling" countertenor vocals James Bowman, The King’s Consort, Robert King 4:02
La bionda treçça countertenor vocals Early Music Consort of London 1:31
La manfredina countertenor vocals Early Music Consort of London 1:40
Lamento di Tristano countertenor vocals Early Music Consort of London 2:50
Let Mine Eyes Run Down With Tears, Z. 024 countertenor vocals Choir of New College Oxford, Choir of the King’s Consort, The King’s Consort, Robert King 5:43
Li noviaus tens countertenor vocals James Bowman, Early Music Consort of London, David Munrow 3:14
Lucidissima face countertenor vocals James Bowman, London Philharmonic Orchestra, Raymond Leppard 3:11
Messiah: Behold, a Virgin Shall Conceive countertenor vocals James Bowman, Academy of St Martin in the Fields, Sir David Willcocks 0:32
Messiah: He Shall Feed His Flock countertenor vocals James Bowman, Academy of St Martin in the Fields, Sir David Willcocks 4:53
Messiah: He Was Despised countertenor vocals James Bowman, Academy of St Martin in the Fields, Sir David Willcocks 11:12
Messiah: How Beautiful Are the Feet countertenor vocals James Bowman, Academy of St Martin in the Fields, Sir David Willcocks 2:23
Messiah: O Thou That Tellest countertenor vocals James Bowman, Academy of St Martin in the Fields, Sir David Willcocks 3:57
Messiah: Then Shall the Eyes countertenor vocals James Bowman, Academy of St Martin in the Fields, Sir David Willcocks 0:30
Music for a While countertenor vocals James Bowman, Academy of Ancient Music, Christopher Hogwood 3:47
Nisi Dominus, RV 608: I. Nisi Dominus countertenor vocals James Bowman, Academy of Ancient Music, Christopher Hogwood 2:55
Nisi Dominus, RV 608: II. Vanum est vobis / III. Surgite postquam sederitis countertenor vocals James Bowman, Academy of Ancient Music, Christopher Hogwood 2:54
Nisi Dominus, RV 608: IV. Cum dederit dilectis suis somnum countertenor vocals James Bowman, Academy of Ancient Music, Christopher Hogwood 4:09
Nisi Dominus, RV 608: V. Sicut sagittae in manu potentis countertenor vocals James Bowman, Academy of Ancient Music, Christopher Hogwood 1:52
Nisi Dominus, RV 608: VI. Beatus vir qui implevit countertenor vocals James Bowman, Academy of Ancient Music, Christopher Hogwood 1:19
Nisi Dominus, RV 608: VII. Gloria Patri et Filio / VIII. Sicut erat in pricipio / IX. Amen countertenor vocals James Bowman, Academy of Ancient Music, Christopher Hogwood 7:51
Now does the glorious day appear (Ode for Queen Mary's Birthday), for soloists, chorus, violins & continuo, Z. 332, No. 7a, "By beauteous softness" (alto) alto vocals James Bowman, The King’s Consort 4:03
Now that the sun hath veiled his light, sacred song for soprano & continuo ("An Evening Hymn"), Z. 193 alto vocals James Bowman, The King’s Consort 4:02
O magnum mysterium, motet for 8 voices alto vocals James Bowman, The King’s Consort 3:11
O praise God in His holiness, anthem for alto, tenor, 2 basses, chorus, 2 violins, viola & organ, Z. 42: Praise him in his noble acts countertenor vocals Henry Purcell 3:26
O praise God in His holiness, anthem for alto, tenor, 2 basses, chorus, 2 violins, viola & organ, Z. 42: Praise him upon the well-tuned cymbals countertenor vocals Henry Purcell 2:10
O praise God in His holiness, anthem for alto, tenor, 2 basses, chorus, 2 violins, viola & organ, Z. 42: Symphony; O praise God in His holiness countertenor vocals Henry Purcell 2:44
O sing unto the Lord, anthem for soprano, alto, tenor, 2 basses, chorus, 2 violins, viola & organ, Z. 44: O sing unto the Lord a new song countertenor vocals Henry Purcell 1:51
O sing unto the Lord, anthem for soprano, alto, tenor, 2 basses, chorus, 2 violins, viola & organ, Z. 44: O worship the Lord in the beauty of holiness countertenor vocals Henry Purcell 1:47
O sing unto the Lord, anthem for soprano, alto, tenor, 2 basses, chorus, 2 violins, viola & organ, Z. 44: Sing unto the Lord, and praise him countertenor vocals Henry Purcell 2:31
O sing unto the Lord, anthem for soprano, alto, tenor, 2 basses, chorus, 2 violins, viola & organ, Z. 44: Symphony countertenor vocals Henry Purcell 2:05
O sing unto the Lord, anthem for soprano, alto, tenor, 2 basses, chorus, 2 violins, viola & organ, Z. 44: Tell it out among the heathen that the Lord is king countertenor vocals Henry Purcell 2:53
O sing unto the Lord, anthem for soprano, alto, tenor, 2 basses, chorus, 2 violins, viola & organ, Z. 44: The Lord is great, and cannot worthily be praised countertenor vocals Henry Purcell 2:15
O solitude, my sweetest choice, song, Z. 406 alto vocals James Bowman, The King’s Consort 5:50
Occasional Oratorio, HWV 62, Act III, "Thou shalt bring them in", Air for soprano alto vocals James Bowman, The King’s Consort 3:10
Ode for the Birthday of Queen Anne countertenor vocals George Frideric Handel 3:18
Ode for the Birthday of Queen Anne (Eternal Source of Light Divine), HWV 74, I. Largo: Eternal source of light divine! alto vocals James Bowman, The King’s Consort 3:26
Ode, Z 324 "Fly, bold rebellion": VII. Aria (Alto) - Ritornello " Be welcome then, great Sir" countertenor vocals James Bowman, The King’s Consort, Robert King 3:34
Oedipus: Music for a while countertenor vocals James Bowman, Members of the Academy of Ancient Music, Christopher Hogwood 3:46
Ombra Mai Fu countertenor vocals James Bowman, The King’s Consort, Robert King 3:24
On the brow of Richmond Hill, song, Z. 405 alto vocals James Bowman, The King’s Consort 1:37
Orlando: Act One II. "Stimolato dalla gloria" (Orlando) countertenor vocals James Bowman, The Academy of Ancient Music, Christopher Hogwood 1:50
Orlando: Act One IX. "Itene pur tremendo" (Orlando, Dorinda) countertenor vocals James Bowman, Emma Kirkby, The Academy of Ancient Music, Christopher Hogwood 0:39
Orlando: Act One VI. "Imagini funeste" (Orlando) countertenor vocals James Bowman, The Academy of Ancient Music, Christopher Hogwood 1:17
Orlando: Act One VII. "Non fu già men forte Alcide" (Orlando) countertenor vocals James Bowman, The Academy of Ancient Music, Christopher Hogwood 5:24
Orlando: Act One XIX. "T'ubbidirò…Fammi combattere" (Orlando) countertenor vocals James Bowman, The Academy of Ancient Music, Christopher Hogwood 3:40
Orlando: Act Three V. "Unisca amor in noi" (Orlando, Dorinda) countertenor vocals James Bowman, Emma Kirkby, The Academy of Ancient Music, Christopher Hogwood 2:18
Orlando: Act Three VI. "Già lo stringo" (Orlando) countertenor vocals James Bowman, The Academy of Ancient Music, Christopher Hogwood 2:19
Orlando: Act Three XIV. "Vieni - Vanne precipitando…Già per la mano d'Orlando" (Orlando, Angelica) countertenor vocals James Bowman, Arleen Augér, The Academy of Ancient Music, Christopher Hogwood 1:42
Orlando: Act Three XIX. "Dormo ancora" (Orlando, Dorinda) countertenor vocals James Bowman, Emma Kirkby, The Academy of Ancient Music, Christopher Hogwood 1:07
Orlando: Act Three XV. "Già l'ebro mio ciglio" (Orlando) countertenor vocals James Bowman, The Academy of Ancient Music, Christopher Hogwood 4:28
Orlando: Act Three XX. "Per far mia diletta" (Orlando) countertenor vocals James Bowman, The Academy of Ancient Music, Christopher Hogwood 1:00
Orlando: Act Three XXI. "Che vedo, oh dei!" (Orlando) countertenor vocals James Bowman, The Academy of Ancient Music, Christopher Hogwood 1:07
Orlando: Act Three XXII. "Vinse incanti" (Orlando, gli altri) countertenor vocals James Bowman, The Academy of Ancient Music, Christopher Hogwood 0:35
Orlando: Act Two II. "Perché, gentil Dorinda" (Orlando, Dorinda) countertenor vocals James Bowman, Emma Kirkby, The Academy of Ancient Music, Christopher Hogwood 1:37
Orlando: Act Two IV. "E' questa la mercede…Cielo! Se tu il consenti" (Orlando) countertenor vocals James Bowman, The Academy of Ancient Music, Christopher Hogwood 4:35
Orlando: Act Two X. "Dove, dove guidate…Verdi piante" (Orlando, Angelica) countertenor vocals James Bowman, Arleen Augér, The Academy of Ancient Music, Christopher Hogwood 8:40
Orlando: Act Two XI. "Ah perfida, qui sei!" (Orlando, Angelica) countertenor vocals James Bowman, Arleen Augér, The Academy of Ancient Music, Christopher Hogwood 0:52
Orlando: Act Two XII. "Ah Stigie larve!" (Orlando) countertenor vocals James Bowman, The Academy of Ancient Music, Christopher Hogwood 2:22
Orlando: Act Two XIII. "Già latra Cerbero" (Orlando) countertenor vocals James Bowman, The Academy of Ancient Music, Christopher Hogwood 1:46
Orlando: Act Two XIV. "Vaghe pupille, non piangete, no" (Orlando) countertenor vocals James Bowman, The Academy of Ancient Music, Christopher Hogwood 4:12
Ottone, re di Germania, HWV 15: "Io son tradito" / "Tanti affanni" (Ottone) countertenor vocals James Bowman, The King’s Consort, Robert King 9:51
Palastinalied countertenor vocals Early Music Consort of London 3:15
Palestinalied countertenor vocals James Bowman, Early Music Consort of London, David Munrow 3:22
Parti de mal countertenor vocals James Bowman, Early Music Consort of London, David Munrow 1:57
Power of Solomon countertenor vocals George Frideric Handel 2:45
Première Leçon de Ténèbres, for treble voice & continuo,VII. Jerusalem, convertere alto vocals James Bowman, The King’s Consort 3:10
Quan ye voy le duç countertenor vocals Early Music Consort of London 2:22
Questa fanicull' amor countertenor vocals Early Music Consort of London 4:33
Qui es promesses de fortune James Bowman, Charles Brett, David Munrow, Early Music Consort of London 1:56
Rejoice in the Lord Always, Z. 049 countertenor vocals Choir of New College Oxford, Choir of the King’s Consort, The King’s Consort, Robert King 8:18
Rinaldo, HWV 7: "Cara sposa" (Rinaldo) countertenor vocals James Bowman, The King’s Consort, Robert King 9:19
Rinaldo, HWV 7: "Or la tromba" (Rinaldo) / Battaglia countertenor vocals James Bowman, The King’s Consort, Robert King 5:47
Rinaldo, HWV 7: "Venti turbini" (Rinaldo) countertenor vocals James Bowman, Catherine Mackintosh, Jeremy Ward, The King’s Consort, Robert King 3:46
Rinaldo, opera, HWV 7, Act 3. Scene 9. Aria. Or la tromba in suon festante mi richiama a trionfar alto vocals James Bowman, The King’s Consort 4:00
Rosetta countertenor vocals Early Music Consort of London 2:33
Salve Regina countertenor vocals James Bowman, The King’s Consort, Robert King 3:39
She, Who My Poor Heart Possesses countertenor vocals James Bowman, The King’s Consort, Robert King 1:47
Since First I Saw Your Face, song for 4 voices & instruments alto vocals James Bowman, The King’s Consort 2:37
Sing Unto God: "Sing Unto God" countertenor vocals James Bowman, Choir of New College Oxford, The King’s Consort, Robert King 3:06
Six Songs: Not all my torments countertenor vocals James Bowman, Graham Johnson 2:45
Sol da te, mio dolce amore countertenor vocals James Bowman, The King’s Consort, Robert King 8:51
Solomon, oratorio, HWV 67, Act I, "Almighty pow'r! who rul'st the earth and skies", Recitative (Solomon) alto vocals James Bowman, The King’s Consort 2:51
Solomon, oratorio, HWV 67, Act I, "Welcome as the dawn of day to the pilgrim on his way", Duet (Reine, Solomon) alto vocals James Bowman, The King’s Consort 3:39
Sono liete, Fortunate countertenor vocals George Frideric Handel 2:16
Sono liete, fortunate, duet for soprano, alto & continuo, HWV 194, II. "Crudelta ne lontananza", Duet for soprano & alto alto vocals James Bowman, The King’s Consort 2:21
St. John Passion, BWV 245: Teil I, No. 7 "Von der Stricken meiner Sünden" (Alto, Oboe obbligati) countertenor vocals Collegium Novum, Edward Higginbottom 4:28
St. John Passion, BWV 245: Teil II, No. 30 "Es ist vollbracht" (Alto, Gamba obbligato) alto vocals Collegium Novum, Edward Higginbottom 4:47
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b), No. 39, "Erbarme dich, meine Gott", Aria for alto ["Have mercy, Lord"] alto vocals James Bowman, The King’s Consort 6:35
Stabat mater dolorosa countertenor vocals James Bowman, Academy of Ancient Music, Christopher Hogwood 3:03
Stabat Mater: II. Cujus animam gementem countertenor vocals Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood 2:09
Stabat Mater: III. O quam tristis et afflicta countertenor vocals Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood 2:17
Stabat Mater: IV. Quae moerebat et dolebat countertenor vocals Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood 2:15
Stabat Mater: IX. Sancta mater countertenor vocals Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood 4:47
Stabat Mater: V. Quis est homo countertenor vocals Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood 2:57
Stabat Mater: VI. Vidit suum dulcem Natum countertenor vocals Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood 3:48
Stabat Mater: VII. Eja, Mater countertenor vocals Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood 2:26
Stabat Mater: VIII. Fac ut ardeat cor meum countertenor vocals Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood 2:16
Stabat Mater: X. Fac ut portem countertenor vocals Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood 3:30
Stabat Mater: XI. Inflammatus et accencus countertenor vocals Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood 2:08
Stabat Mater: XII. Quando corpus countertenor vocals Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood 4:30
Sweeter than roses countertenor vocals James Bowman, Benjamin Britten 3:33
Sweeter Than Roses countertenor vocals James Bowman, Benjamin Britten 3:33
Sylvia, Now Your Scorn Give Over countertenor vocals James Bowman, The King’s Consort, Robert King 0:31
Te Deum and Jubilate Deo in D major, for soloists, chorus & instruments, Z. 232, No. 1, "Te Deum laudamus" (The Song of St. Ambroise): k, "Vouchsafe, O Lord, to keep us this day" (alto) countertenor vocals James Bowman, The King’s Consort 3:32
Te Deum and Jubilate Deo in D major, for soloists, chorus & instruments, Z. 232, No. 1, "Te Deum laudamus" (The Song of St. Ambroise): k, "Vouchsafe, O Lord, to keep us this day" (alto) alto vocals James Bowman, The King’s Consort 3:32
Te Deum in D major: "Vouchsafe, O Lord, To Keep Us This Day Without Sin" countertenor vocals James Bowman, Choir of New College Oxford, The King’s Consort, Robert King 1:39
Te Deum in D major: "We Praise Thee O God" countertenor vocals John Mark Ainsley, James Bowman, Choir of New College Oxford, Michael George, The King’s Consort, Robert King 1:55
Te Deum in D major: "When Thou Tookest Upon Thee to Deliver Man" countertenor vocals James Bowman, Choir of New College Oxford, The King’s Consort, Neil McLaren, Robert King 3:05
The Choice of Hercules, oratorio, HWV 69, No. 15, "Yet, can I hear that dulcet lay", Air (Hercules) alto vocals James Bowman, The King’s Consort 3:57
The Choice of Hercules, oratorio, HWV 69, No. 15, "Yet, can I hear that dulcet lay", Air (Hercules) countertenor vocals James Bowman, The King’s Consort 3:57
The Choice of Hercules: Yet, can I hear that dulcet lay solo James Bowman, Academy of St Martin in the Fields, Philip Ledger 3:43
The Knotting Song countertenor vocals James Bowman, Graham Johnson 2:08
The Occasional Oratorio countertenor vocals George Frideric Handel 3:05
Their Land Brought Forth Frogs countertenor vocals James Bowman, English Chamber Orchestra, Simon Preston 2:30
Thou Shalt Bring Them In countertenor vocals James Bowman, English Chamber Orchestra, Simon Preston 3:54
Three Divine Hymns: We sing to him countertenor vocals James Bowman, Graham Johnson 1:59
Trotto countertenor vocals Early Music Consort of London 1:47
Tune Your Harps countertenor vocals George Frideric Handel 5:00
Was hast du verwirket countertenor vocals James Bowman, David Lumsden 4:27
Welcome wanderer act1songe nuit d'ete op64 - Watson Nicholas countertenor vocals James Bowman ?:??
Why, why are all the muses mute? (Welcome Song for James II), for soloists, chorus & instruments, Z. 343, No. 5a, "Britain, thou now art great" (alto) alto vocals James Bowman, The King’s Consort 3:45
Your Sacred Songs Awhile Forbear countertenor vocals James Bowman, Choir of New College Oxford, Academy of Ancient Music, Christopher Hogwood 6:47
1988-05-14 – 1988-05-16 Royal and Ceremonial Odes countertenor vocals Henry Purcell; The King’s Consort, Robert King
Awake, Sweet Love... countertenor vocals James Bowman, David Miller, The King’s Consort
Cantatas BWV 54 / BWV 169 / BWV 170 countertenor vocals Bach; James Bowman, The King’s Consort, Robert King
Death in Venice Britten
Israel in Egypt / Chandos Anthem No. 10 (Simon Preston) alto vocals Georg Friedrich Händel
Ode for the Birthday of Queen Anne / Anthem for the Foundling Hospital countertenor vocals Handel; Choir of Christ Church Cathedral, Oxford, The Academy Of Ancient Music, Simon Preston
Pergolesi: Stabat Mater / Pergolesi: Salve Regina / Vivaldi: Stabat Mater countertenor vocals Giovanni Battista Pergolesi, Antonio Vivaldi
Stabat Mater / Nisi Dominus countertenor vocals Vivaldi; James Bowman, Academy of Ancient Music, Christopher Hogwood
Stabat Mater / Salve Regina countertenor vocals Pergolesi; Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood
Sweeter than Roses Henry Purcell
Vêpres pour la Nativité de la Vierge countertenor vocals Antonio Vivaldi; La Maîtrise Boréale, La Grande Écurie et la Chambre du Roy, Jean‐Claude Malgoire
Vêpres pour la Nativité de la Vierge countertenor vocals Antonio Vivaldi; La Maîtrise Boréale, La Grande Écurie et la Chambre du Roy, Jean‐Claude Malgoire