| Die Fledermaus: Act II. "Genug damit, genug" (Orlofsky, Chorus, Eisenstein, Frank, Rosalinde, Adele, Ida, Falke) | Helmuth Froschauer, Wolfgang Brendel, Olaf Bär, Brigitte Fassbaender, Karin Göttling, Edita Gruberová, Tom Krause, Kiri Te Kanawa, Wiener Staatsopernchor, Wiener Philharmoniker, André Previn | | | 5:11 | |
| Die Fledermaus: Act II. "Herr, Chevalier, ich grüße Sie!" (Eisenstein, Frank, Falke, Rosalinde, Adele, Orlofsky, Chorus) | Helmuth Froschauer, Wolfgang Brendel, Olaf Bär, Brigitte Fassbaender, Edita Gruberová, Tom Krause, Kiri Te Kanawa, Wiener Staatsopernchor, Wiener Philharmoniker, André Previn | | | 5:57 | |
| Die Fledermaus: Act III. "Ein fideles Gefängnis" (Frosch, Alfred, Frank, Adele, Ida) - No. 13 Melodrama | Karin Göttling, Edita Gruberová, Tom Krause, Richard Leech, Wiener Philharmoniker, André Previn | | | 8:13 | |
| Die Fledermaus: Act III. No. 14 Couplets "Spiel' ich die Unschuld vom Lande" (Adele, Ida, Frank) | Karin Göttling, Edita Gruberová, Tom Krause, Wiener Philharmoniker, André Previn | | | 8:07 | |
| Die Forelle | Franz Schubert, Kathleen Ferrier, Helen Watts, Hermann Prey, Margaret Price, Stuart Burrows & Tom Krause | | | 1:45 | |
| Die Zauberflöte, K. 620: "Bei Männern, welche Liebe fühlen" | Lucia Popp, Tom Krause, Vienna Haydn Orchestra, István Kertész | | | 3:05 | |
| Die Zauberflöte, K. 620: Act I. "Der Vogelfänger bin ich ja" | Tom Krause, Wiener Haydn‐Orchester, István Kertész | | | 2:37 | |
| Die Zauberflöte: Der Vogelfänger bin ich ja | Tom Krause | | | 2:37 | |
| Don Giovanni, K. 527: Act I. "Fin ch'han dal vino" | Tom Krause, Wiener Haydn‐Orchester, István Kertész | | | 1:25 | |
| Don Giovanni: “La ci darem la mano” | Tom Krause, Lucia Popp, Wiener Haydn‐Orchester, István Kertész | | | 3:20 | |
| Don Giovanni: Fin ch’han dal vino | Tom Krause, Wiener Haydn‐Orchester, István Kertész | | | 1:26 | |
| Don Giovanni: Finch’han dal vino | Tom Krause | | | 1:26 | |
| Don Giovanni: Là ci darem la mano | Tom Krause, Lucia Popp, Vienna Haydn Orchestra, István Kertész | | | 3:23 | |
| Don Giovanni: Là ci darem la mano | Lucia Popp, Tom Krause, Wiener Haydn‐Orchester, István Kertész | | | 3:22 | |
| Don Giovanni: Là ci darem la mano | Lucia Popp, Tom Krause, Wiener Haydn‐Orchester, István Kertész | | | 3:22 | |
| Don Pasquale: Atto I, Scena 2. “Un foco insolito" (Don Pasquale) | Fernando Corena, Tom Krause, Orchester der Wiener Staatsoper, István Kertész | | | 2:19 | |
| Don Pasquale: Atto I. “Bella siccome un angelo” | Fernando Corena, Tom Krause, Orchester der Wiener Staatsoper, István Kertész | | | 4:13 | |
| Don Pasquale: Atto I. “E il dottor non si vede!” | Tom Krause, Graziella Sciutti, Orchestra dell’Opera di Vienna, István Kertész | | | 2:22 | |
| Don Pasquale: Atto I. “E il dottor non si vede!” (Norina, Malatesta) | Tom Krause, Graziella Sciutti, Orchester der Wiener Staatsoper, István Kertész | | | 5:44 | |
| Don Pasquale: Atto I. “Pronta io son” | Tom Krause, Graziella Sciutti, Orchestra dell’Opera di Vienna, István Kertész | | | 3:23 | |
| Don Pasquale: Atto I. “Son nov’ore” | Fernando Corena, Tom Krause, Orchester der Wiener Staatsoper, István Kertész | | | 2:55 | |
| Don Pasquale: Atto I. “Un foco insolito” | Fernando Corena, Tom Krause, Orchestra dell’Opera di Vienna, István Kertész | | | 4:49 | |
| Don Pasquale: Atto I. “Vado, corro al gran cimento” | Tom Krause, Graziella Sciutti, Orchestra dell’Opera di Vienna, István Kertész | | | 3:53 | |
| Don Pasquale: Atto I. Part 1. “Son nov'ore …” | Fernando Corena, Tom Krause, Juan Oncina, Graziella Sciutti, Orchestra dell’Opera di Vienna, István Kertész | | | ?:?? | |
| Don Pasquale: Atto I. Part 2 Conclusion “E il dottor non si vede …“ | Fernando Corena, Tom Krause, Juan Oncina, Graziella Sciutti, Orchestra dell’Opera di Vienna, István Kertész | | | ?:?? | |
| Don Pasquale: Atto II, Scena 2. “Quando avrete introdotto” (Don Pasquale) - Scene 3. “Via, da brava” (Malatesta, Norina, Don Pasquale) | Fernando Corena, Tom Krause, Graziella Sciutti, Orchester der Wiener Staatsoper, István Kertész | | | 5:35 | |
| Don Pasquale: Atto II, Scena 3. “Non abbiate paura” (Malatesta, Norina, Don Pasquale) | Fernando Corena, Tom Krause, Graziella Sciutti, Orchester der Wiener Staatsoper, István Kertész | | | 4:13 | |
| Don Pasquale: Atto II, Scena 4. “Fra da una parte” (Malatesta, Notaro, Don Pasquale) | Fernando Corena, Tom Krause, Orchester der Wiener Staatsoper, István Kertész | | | 8:42 | |
| Don Pasquale: Atto II, Scena 5. “É rinasto là impietrato” (Malatesta, Norina, Ernesto) | Fernando Corena, Tom Krause, Juan Oncina, Graziella Sciutti, Orchester der Wiener Staatsoper, István Kertész | | | 2:47 | |
| Don Pasquale: Atto II. “Fra da una parte etcetera” | Fernando Corena, Tom Krause, Angelo Mercuriale, Orchestra dell’Opera di Vienna, István Kertész | | | 3:12 | |
| Don Pasquale: Atto II. “Non abbiate paura” | Fernando Corena, Tom Krause, Graziella Sciutti, Orchestra dell’Opera di Vienna, István Kertész | | | 4:14 | |
| Don Pasquale: Atto II. “Pria di partir, signore” | Fernando Corena, Tom Krause, Juan Oncina, Graziella Sciutti, Orchestra dell’Opera di Vienna, István Kertész | | | 1:58 | |
| Don Pasquale: Atto II. “Riunita immantinente” | Fernando Corena, Tom Krause, Graziella Sciutti, Orchestra dell’Opera di Vienna, István Kertész | | | 2:56 | |
| Don Pasquale: Atto II. “Siete marito e moglie” | Fernando Corena, Tom Krause, Angelo Mercuriale, Juan Oncina, Graziella Sciutti, Orchestra dell’Opera di Vienna, István Kertész | | | 6:20 | |
| Don Pasquale: Atto II. “Son tradito, beffeggiato” | Fernando Corena, Tom Krause, Juan Oncina, Graziella Sciutti, Orchestra dell’Opera di Vienna, István Kertész | | | 2:44 | |
| Don Pasquale: Atto II. “Via, da brava” | Fernando Corena, Tom Krause, Graziella Sciutti, Orchestra dell’Opera di Vienna, István Kertész | | | 4:10 | |
| Don Pasquale: Atto II. Part 1. “Povero Ernesto …“ | Fernando Corena, Tom Krause, Juan Oncina, Graziella Sciutti, Orchestra dell’Opera di Vienna, István Kertész | | | ?:?? | |
| Don Pasquale: Atto II. Part 2 Conclusion “Non abbiate paura … ” | Vienna State Opera Chorus, Fernando Corena, Tom Krause, Angelo Mercuriale, Juan Oncina, Graziella Sciutti, Orchestra dell’Opera di Vienna, István Kertész | | | ?:?? | |
| Don Pasquale: Atto III, Scena 4. “Siamo intesi - Sta bene” (Malatesta, Ernesto) | Tom Krause, Juan Oncina, Orchester der Wiener Staatsoper, István Kertész | | | 3:10 | |
| Don Pasquale: Atto III, Scena 6. “Eccoli: attenti ben” (Don Pasquale, Malatesta) | Fernando Corena, Tom Krause, Graziella Sciutti, Orchester der Wiener Staatsoper, István Kertész | | | 3:42 | |
| Don Pasquale: Atto III, Scena 6. “La morale in tutto questo” (Norina) | Chor des Wiener Opernhauses, Fernando Corena, Tom Krause, Juan Oncina, Graziella Sciutti, Orchester der Wiener Staatsoper, István Kertész | | | 2:52 | |
| Don Pasquale: Atto III. “Aspetta, aspetta” | Fernando Corena, Tom Krause, Orchestra dell’Opera di Vienna, István Kertész | | | 2:53 | |
| Don Pasquale: Atto III. “Bravo, bravo Don Pasquale” | Coro dell’Opera di Vienna, Fernando Corena, Tom Krause, Juan Oncina, Graziella Sciutti, Orchestra dell’Opera di Vienna, István Kertész | | | 2:57 | |
| Don Pasquale: Atto III. “Cheti cheti immantinente” | Fernando Corena, Tom Krause, Orchestra dell’Opera di Vienna, István Kertész | | | 3:46 | |
| Don Pasquale: Atto III. “Siamo intesi” | Tom Krause, Juan Oncina, Orchestra dell’Opera di Vienna, István Kertész | | | 3:11 | |
| Don Pasquale: Atto III. Duetto “Cheti, cheti immantinente …” (Malatesta, Pasquale) | Fernando Corena, Tom Krause, Orchester der Wiener Staatsoper, István Kertész | | | 6:42 | |
| Don Pasquale: Atto III. Part 1. “I diamanti, presto, presto …” | Vienna State Opera Chorus, Fernando Corena, Tom Krause, Juan Oncina, Graziella Sciutti, Orchestra dell’Opera di Vienna, István Kertész | | | ?:?? | |
| Don Pasquale: Atto III. Part 2 Conclusion “Parto adunque … Para pure …” | Vienna State Opera Chorus, Fernando Corena, Tom Krause, Juan Oncina, Graziella Sciutti, Orchestra dell’Opera di Vienna, István Kertész | | | ?:?? | |
| Du Bist Die Ruh' | Franz Schubert, Kathleen Ferrier, Helen Watts, Hermann Prey, Margaret Price, Stuart Burrows & Tom Krause | | | 4:25 | |
| Ein Deutsches Requiem: Denn wir haben hier keine bleibende Statt | Tom Krause, Wiener Philharmoniker, Bernard Haitink | | | 11:05 | |
| Ein Deutsches Requiem: Herr, lehre doch mich | Tom Krause, Wiener Philharmoniker, Bernard Haitink | | | 10:30 | |
| Elektra: "Du wirst es tun? Allein?" (Elektra, Orest) | Tom Krause, Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti | | | 1:34 | |
| Elektra: "Elektra! Elektra" (Orest) | Tom Krause, Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti | | | 1:36 | |
| Elektra: "Orest!" (Elektra) | Tom Krause, Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti | | | 10:12 | |
| Elektra: "Was willst du, fremder Mensch?" (Elektra) | Tom Krause, Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti | | | 6:56 | |
| Erlkönig | Franz Schubert, Kathleen Ferrier, Helen Watts, Hermann Prey, Margaret Price, Stuart Burrows & Tom Krause | | | 3:47 | |
| Erloschen | Tom Krause, Irwin Gage | | | 2:59 | |
| Fågellek, op. 17 no. 3 | Tom Krause, Irwin Gage | | | 1:48 | |
| Fidelio: Act II. "Des besten Königs Wink und Wille" (Fernando, People, Prisoners, Rocco, Pizarro, Marzelline) | Konzertvereinigung Wiener Staatsopernchor, Tom Krause, Kurt Rydl, Falk Struckmann, Hartmut Welker, Ruth Ziesak, Wiener Philharmoniker, Christoph von Dohnányi | | | 7:58 | |
| Fiesta Popular | La Bronce, Chœur du Grand Théâtre de Genève, Gómez de Jerez, Tom Krause, Regina Resnik, Manolo Sevilla, Orchestre de la Suisse Romande, Thomas Schippers, Antonio Gades and Ballet | | | 6:29 | |
| Flickan kom ifrån sin älsklings möte, op. 37 no. 5 | Tom Krause, Pentti Koskimies | | | 3:02 | |
| Flickan kom ifran sin äsklings möte (The Tryst), op. 37, no. 5 | Tom Krause, Pentti Koskimies | | | 3:00 | |
| Gretchen Am Spinnrade | Franz Schubert, Kathleen Ferrier, Helen Watts, Hermann Prey, Margaret Price, Stuart Burrows & Tom Krause | | | 3:11 | |
| h-Moll-Messe, BWV 232: Credo: Et in Spiritum Sanctum | Tom Krause, Stuttgarter Kammerorchester, Karl Münchinger | | | 5:43 | |
| h-Moll-Messe, BWV 232: Gloria: Quoniam tu solus Sanctus | Tom Krause, Stuttgarter Kammerorchester, Karl Münchinger | | | 4:46 | |
| Heidenöslein | Franz Schubert, Kathleen Ferrier, Helen Watts, Hermann Prey, Margaret Price, Stuart Burrows & Tom Krause | | | 1:30 | |
| Heimliche Aufforderung, op. 27, no. 3 | Tom Krause, Pentti Koskimies | | | 3:08 | |
| Hennes budskap, op. 90, no. 2 (Her Message) | Tom Krause, Pentti Koskimies | | | 1:34 | |
| Höstkväll, op. 38 no. 1 | Tom Krause, Pentti Koskimies | | | 4:16 | |
| Höstkväll, op. 38, no. 1 (Autumn Evening) | Tom Krause, Pentti Koskimies | | | 4:12 | |
| Hymn to Thais | Tom Krause, Irwin Gage | | | 1:49 | |
| I systrar, i bröder, i älskande par, op. 86, no. 6 (O Sisters, O Brothers, O Loving Couples!) | Tom Krause, Pentti Koskimies | | | 1:45 | |
| Im Abendroth | Franz Schubert, Kathleen Ferrier, Helen Watts, Hermann Prey, Margaret Price, Stuart Burrows & Tom Krause | | | 4:22 | |
| Jag är ett träd, op. 57, no. 5 (I Am A Tree) | Tom Krause, Pentti Koskimies | | | 2:27 | |
| Jägargossen, op. 13, no. 7 (The Young Huntsman) | Tom Krause, Pentti Koskimies | | | 2:51 | |
| Kantate / “Wohlan, ihr Brüder … Lange sollen” | Tom Krause, Werner Krenn, London Symphony Orchestra, István Kertész | | | 5:10 | |
| Kom nu hit, död! (Come away, death!), op. 60, no. 1 | Tom Krause, Pentti Koskimies | | | 2:34 | |
| Kullervo Symphony, op. 7: Kullervon valitus | Tom Krause, Pentti Koskimies | | | 2:35 | |
| Kullervon valitus | Tom Krause, Pentti Koskimies | | | 2:41 | |
| La ci darem la mano | Lucia Popp & Tom Krause | | | 3:20 | |
| Lacrimosa from "Requiem" | Robert Shaw, Arleen Augér, Delores Ziegler, Jerry Hadley & Tom Krause | | | 3:26 | |
| Langsamt som kvällskyn, op. 61 no. 1 | Tom Krause, Pentti Koskimies | | | 2:34 | |
| Langsamt som kvällskyn, op. 61, no. 1 (As Slowly As The Evening Sky) | Tom Krause, Pentti Koskimies | | | 2:31 | |
| Längtan heter min arvedel, op. 86 no. 2 | Tom Krause, Pentti Koskimies | | | 2:55 | |
| Längtan heter min arvedel, op. 86, no. 2 (My Heritage Is Called Longing) | Tom Krause, Pentti Koskimies | | | 2:51 | |
| Lastu lainehilla | Tom Krause, Gustav Djupsjöbacka | | | 1:11 | |
| Lastu lainehilla, op. 17, no. 7 (Driftwood) | Tom Krause, Pentti Koskimies, John Williams | | | 0:58 | |
| Le nozze di Figaro, K. 492: Act I. "Cosa sento! tosto andate" | Tom Krause, Werner Krenn, Lucia Popp, Wiener Haydn‐Orchester, István Kertész | | | 4:12 | |
| Le nozze di Figaro, K. 492: Act I. "Non più andrai" | Tom Krause, Wiener Haydn‐Orchester, István Kertész | | | 3:53 | |
| Le nozze di Figaro, K. 492: Act III. "Crudel! perchè finora" | Tom Krause, Lucia Popp, Wiener Haydn‐Orchester, István Kertész | | | 2:44 | |
| Le nozze di Figaro: Non più andrai, farfallone amoroso | Tom Krause | | | 3:50 | |
| Les Trois Sœurs aveugles | Tom Krause, Irwin Gage | | | 3:26 | |
| Marssnön, op. 36, no. 5 (March Snow) | Tom Krause, Pentti Koskimies | | | 1:25 | |
| Mass in B-flat major 'Theresienmesse', Hob.XXII:12, Ed. Thomas: I. Kyrie | Erna Spoorenberg, Bernadette Greevy, John Mitchinson, Tom Krause, Brian Runnett, Choir of St John’s College, Cambridge, Academy of St Martin in the Fields, George Guest | | | 5:13 | |
| Mass in B-flat major 'Theresienmesse', Hob.XXII:12, Ed. Thomas: II. Gloria | Erna Spoorenberg, Bernadette Greevy, John Mitchinson, Tom Krause, Brian Runnett, Choir of St John’s College, Cambridge, Academy of St Martin in the Fields, George Guest | | | 12:51 | |
| Mass in B-flat major 'Theresienmesse', Hob.XXII:12, Ed. Thomas: III. Credo | Erna Spoorenberg, Bernadette Greevy, John Mitchinson, Tom Krause, Brian Runnett, Choir of St John’s College, Cambridge, Academy of St Martin in the Fields, George Guest | | | 10:03 | |
| Mass in B-flat major 'Theresienmesse', Hob.XXII:12, Ed. Thomas: IV. Sanctus | Erna Spoorenberg, Bernadette Greevy, John Mitchinson, Tom Krause, Brian Runnett, Choir of St John’s College, Cambridge, Academy of St Martin in the Fields, George Guest | | | 2:05 | |
| Mass in B-flat major 'Theresienmesse', Hob.XXII:12, Ed. Thomas: V. Benedictus | Erna Spoorenberg, Bernadette Greevy, John Mitchinson, Tom Krause, Brian Runnett, Academy of St Martin in the Fields, George Guest | | | 6:56 | |
| Mass in B-flat major 'Theresienmesse', Hob.XXII:12, Ed. Thomas: VI. Agnus Dei | Erna Spoorenberg, Bernadette Greevy, John Mitchinson, Tom Krause, Brian Runnett, Choir of St John’s College, Cambridge, Academy of St Martin in the Fields, George Guest | | | 6:53 | |
| Mass in C major, Op. 86: I. Kyrie | Susan Dunn, Tom Krause, RIAS Kammerchor, Margarita Zimmermann, Deutsches Symphonie‐Orchester Berlin, Riccardo Chailly, Bruno Beccaria | | | 4:52 | |
