| chorus master |
|---|
| Symphony No. 9 in D minor, Op. 125 "Choral": IV. Finale (excerpt) | | James Morris, Westminster Choir, The Philadelphia Orchestra, Sir Adrian Boult | 3:21 |
| vocals |
|---|
| 1973 | I vespri siciliani: Atto I. “A te, ciel natio” | bass vocals [Roberto] | Kenneth Collins, The John Alldis Choir, James Morris, New Philharmonia Orchestra, James Levine | 3:57 |
| 1973 | I vespri siciliani: Atto I. “Assai nappi vuotammo” | bass vocals [Roberto] | Martina Arroyo, Kenneth Collins, Maria Ewing, James Morris, New Philharmonia Orchestra, James Levine | 1:09 |
| 1973 | I vespri siciliani: Atto I. “Egli! Oh, ciel!” | bass vocals [Roberto] | Martina Arroyo, Kenneth Collins, Plácido Domingo, Leo Goeke, The John Alldis Choir, James Morris, New Philharmonia Orchestra, James Levine | 0:37 |
| 1973 | I vespri siciliani: Atto I. “In alto mare”; “Deh! tu calma, O Dio possente” | bass vocals [Roberto] | Martina Arroyo, Kenneth Collins, Maria Ewing, Leo Goeke, James Morris, New Philharmonia Orchestra, James Levine | 6:19 |
| 1973 | I vespri siciliani: Atto II. “La vaghe spose” | bass vocals [Roberto] | Kenneth Collins, Maria Ewing, The John Alldis Choir, James Morris, Ruggero Raimondi, New Philharmonia Orchestra, James Levine | 0:46 |
| 1973 | I vespri siciliani: Atto II. “Viva la guerra” | bass vocals [Roberto] | Kenneth Collins, The John Alldis Choir, James Morris, New Philharmonia Orchestra, James Levine | 1:49 |
| 1974-09 – 1975-07 | Maria Stuarda: Atto I. "Ah! dal cielo discenda un raggio" (Elisabetta) | baritone vocals [Lord Guglielmo Cecil, Gran Tesoriere] | Leone Magiera, Coro del Teatro Comunale di Bologna, James Morris, Huguette Tourangeau, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | 3:22 |
| 1974-09 – 1975-07 | Maria Stuarda: Atto I. "Fra voi perché non veggio il Conte?" (Elisabetta) | baritone vocals [Lord Guglielmo Cecil, Gran Tesoriere] | Leone Magiera, James Morris, Luciano Pavarotti, Huguette Tourangeau, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | 1:30 |
| 1974-09 – 1975-07 | Maria Stuarda: Atto I. "In tal giorno di contendo" (Talbot) | baritone vocals [Lord Guglielmo Cecil, Gran Tesoriere] | Leone Magiera, Coro del Teatro Comunale di Bologna, James Morris, Roger Soyer, Huguette Tourangeau, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | 1:26 |
| 1974-09 – 1975-07 | Maria Stuarda: Atto II. "(E'sempre la stessa)" (Elisabetta) | baritone vocals [Lord Guglielmo Cecil, Gran Tesoriere] | Leone Magiera, James Morris, Luciano Pavarotti, Roger Soyer, Joan Sutherland, Huguette Tourangeau, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | 2:28 |
| 1974-09 – 1975-07 | Maria Stuarda: Atto II. "Deh! l'accogli... Morta al mondo, e morta al trono" (Leicester, Maria) | baritone vocals [Lord Guglielmo Cecil, Gran Tesoriere] | Leone Magiera, Coro del Teatro Comunale di Bologna, James Morris, Luciano Pavarotti, Roger Soyer, Joan Sutherland, Huguette Tourangeau, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | 7:51 |
| 1974-09 – 1975-07 | Maria Stuarda: Atto II. "Qual loco è questo?" (Elisabetta) | baritone vocals [Lord Guglielmo Cecil, Gran Tesoriere] | Leone Magiera, James Morris, Luciano Pavarotti, Roger Soyer, Huguette Tourangeau, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | 2:16 |
| 1974-09 – 1975-07 | Maria Stuarda: Atto II. "Va, preparati, furente" (Elisabetta) | baritone vocals [Lord Guglielmo Cecil, Gran Tesoriere] | Leone Magiera, Coro del Teatro Comunale di Bologna, Margreta Elkins, James Morris, Luciano Pavarotti, Roger Soyer, Huguette Tourangeau, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | 1:56 |
| 1974-09 – 1975-07 | Maria Stuarda: Atto III, Scene I. "Ah, deh! per pietà sospendi" (Leicester) | baritone vocals [Lord Guglielmo Cecil, Gran Tesoriere] | Leone Magiera, James Morris, Luciano Pavarotti, Huguette Tourangeau, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | 3:13 |
| 1974-09 – 1975-07 | Maria Stuarda: Atto III, Scene I. "E pensi? e tardi?" (Cecil) | baritone vocals [Lord Guglielmo Cecil, Gran Tesoriere] | Leone Magiera, James Morris, Huguette Tourangeau, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | 3:17 |
| 1974-09 – 1975-07 | Maria Stuarda: Atto III, Scene I. "Quella vita a me funesta" (Elisabetta) | baritone vocals [Lord Guglielmo Cecil, Gran Tesoriere] | Leone Magiera, James Morris, Luciano Pavarotti, Huguette Tourangeau, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | 4:41 |
| 1974-09 – 1975-07 | Maria Stuarda: Atto III, Scene I. "Vanne, indegno; t'appare nel volto" (Elisabetta) | baritone vocals [Lord Guglielmo Cecil, Gran Tesoriere] | Leone Magiera, James Morris, Luciano Pavarotti, Huguette Tourangeau, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | 1:26 |
| 1974-09 – 1975-07 | Maria Stuarda: Atto III, Scene II. "La perfida insultarmi volea nel mio sepolcro" (Maria) | baritone vocals [Lord Guglielmo Cecil, Gran Tesoriere] | Leone Magiera, James Morris, Joan Sutherland, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | 3:48 |
| 1974-09 – 1975-07 | Maria Stuarda: Atto III, Scene III. "Ah! se un giorno da queste ritorte" (Maria) | baritone vocals [Lord Guglielmo Cecil, Gran Tesoriere] | Leone Magiera, Coro del Teatro Comunale di Bologna, Margreta Elkins, James Morris, Luciano Pavarotti, Roger Soyer, Joan Sutherland, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | 4:46 |
| 1974-09 – 1975-07 | Maria Stuarda: Atto III, Scene III. "Giunge il Conte" (Talbot) | baritone vocals [Lord Guglielmo Cecil, Gran Tesoriere] | Leone Magiera, Coro del Teatro Comunale di Bologna, James Morris, Luciano Pavarotti, Roger Soyer, Joan Sutherland, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | 2:00 |
| 1974-09 – 1975-07 | Maria Stuarda: Atto III, Scene III. "O colpo!... E' già vicino del tuo morrir l'istante" (Famigliari, Cecil) | baritone vocals [Lord Guglielmo Cecil, Gran Tesoriere] | Leone Magiera, Coro del Teatro Comunale di Bologna, James Morris, Joan Sutherland, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | 1:31 |
| 1975-02-26 | La favorita: Atto I. “E fia ver? Son desto o vaneggio?” (Baldassarre, Fernando) | bass-baritone vocals [Baldassare] | Alfredo Kraus, James Morris, American Opera Society Orchestra, Eve Queler | 4:07 |
| 1975-02-26 | La favorita: Atto I. “Parla, figlio! Una vergine, un angel di Dio” (Fernando, Baldassarre) | bass-baritone vocals [Baldassare] | Alfredo Kraus, James Morris, American Opera Society Orchestra, Eve Queler | 2:54 |
| 1975-02-26 | La favorita: Atto I. “Quella preghiera non odi tu?” (Baldassarre, Fernando) | bass-baritone vocals [Baldassare] | Alfredo Kraus, James Morris, American Opera Society Orchestra, Eve Queler | 1:35 |
| 1975-02-26 | La favorita: Atto II. “Ah, paventa il furor” (Baldassarre, Leonora, Alfonso, Don Gasparo, Cortigiani) | bass-baritone vocals [Baldassare] | Brooklyn College Chorus, Pablo Elvira, James Morris, Jonathan Rigg, Shirley Verrett, American Opera Society Orchestra, Eve Queler | 3:06 |
| 1975-02-26 | La favorita: Atto II. “Ah, Sire! Che mai fu?” (Don Gasparo, Alfonso, Leonora, Baldassarre, Cortigiani) | bass-baritone vocals [Baldassare] | Brooklyn College Chorus, Pablo Elvira, James Morris, Jonathan Rigg, Shirley Verrett, American Opera Society Orchestra, Eve Queler | 2:59 |
| 1975-02-26 | La favorita: Atto II. “Voi tutti che m'udite” (Baldassarre, Leonora, Alfonso, Cortigiani, Ines, Don Gasparo) | bass-baritone vocals [Baldassare] | Brooklyn College Chorus, Pablo Elvira, Barbara Hendricks, James Morris, Jonathan Rigg, Shirley Verrett, American Opera Society Orchestra, Eve Queler | 5:57 |
| 1975-02-26 | La favorita: Atto III. “Per me del ciel si despiega il favor” (Fernando, Don Gasparo, Cortigiani, Baldassare) | bass-baritone vocals [Baldassare] | Brooklyn College Chorus, Alfredo Kraus, James Morris, Jonathan Rigg, American Opera Society Orchestra, Eve Queler | 3:36 |
| 1975-02-26 | La favorita: Atto IV. “Favorita del re!” (Baldassarre, Fernando) | bass-baritone vocals [Baldassare] | Alfredo Kraus, James Morris, American Opera Society Orchestra, Eve Queler | 0:46 |
| 1975-02-26 | La favorita: Atto IV. “Figlio, deh, vien!” (Baldassarre, Fernando) | bass-baritone vocals [Baldassare] | Alfredo Kraus, James Morris, American Opera Society Orchestra, Eve Queler | 1:54 |
| 1975-02-26 | La favorita: Atto IV. Preludio - “Fratelli! Fratelli andiam” (Monaci, Suore, Baldassarre) | bass-baritone vocals [Baldassare] | Brooklyn College Chorus, James Morris, American Opera Society Orchestra, Eve Queler | 8:31 |
| 1986-06 | Les Contes d'Hoffmann : Acte III. Finale: Scène "Mon enfant ! ma fille !" (Crespel, Antonia, Nicklausse, Hoffmann, Miracle) | bass-baritone vocals | Plácido Domingo, Claudia Eder, Edita Gruberová, James Morris, Harald Stamm, Orchestre national de France, Seiji Ozawa | 2:45 |
| 1986-06 | Les Contes d'Hoffmann : Acte III. Finale: Trio "Tu ne chanteras plus ?" (Miracle, Antonia, la voix de la mère d'Antonia) | bass-baritone vocals | Edita Gruberová, Christa Ludwig, James Morris, Orchestre national de France, Seiji Ozawa | 9:10 |
| 1986-06 | Les Contes d'Hoffmann : Acte III. Scène "Qu'as-tu donc ?" (Hoffmann, Antonia, Crespel, Frantz, Miracle)n | bass-baritone vocals | Plácido Domingo, Edita Gruberová, James Morris, Harald Stamm, Michel Sénéchal, Orchestre national de France, Seiji Ozawa | 2:29 |
| 1986-06 | Les Contes d'Hoffmann : Acte III. Trio "Pour conjurer le danger" (Miracle, Hoffmann, Crespel) | bass-baritone vocals | Plácido Domingo, James Morris, Harald Stamm, Orchestre national de France, Seiji Ozawa | 6:27 |
| 1987-02-14 – 1987-02-15 | Requiem in D minor, K. 626 (Süßmayr completion): IIIb. Sequenz: "Tuba mirum" | bass vocals and solo | Berliner Philharmoniker, Riccardo Muti | 3:57 |
| 1987-02-14 – 1987-02-15 | Requiem in D minor, K. 626 (Süßmayr completion): IIId. Sequenz: "Recordare" | bass vocals and solo | Berliner Philharmoniker, Riccardo Muti | 5:33 |
| 1987-02-14 – 1987-02-15 | Requiem in D minor, K. 626 (Süßmayr completion): IVa. Offertorium: "Domine Jesu" | bass vocals and solo | Berliner Philharmoniker, Riccardo Muti | 4:07 |
| 1987-02-14 – 1987-02-15 | Requiem in D minor, K. 626 (Süßmayr completion): VI. "Benedictus" | bass vocals and solo | Berliner Philharmoniker, Riccardo Muti | 5:18 |
| 1987-04 | Die Walküre: Act II, Scene I. "Der alte Sturm, die alte Müh'!" (Wotan, Fricka) | bass vocals [Wotan] | Metropolitan Opera Orchestra, James Levine | 5:01 |
| 1987-04 | Die Walküre: Act II, Scene I. "Heiaha! Heiaha! Hojotoho!" (Brünnhilde, Fricka, Wotan) | bass vocals [Wotan] | Metropolitan Opera Orchestra, James Levine | 4:05 |
| 1987-04 | Die Walküre: Act II, Scene I. "So ist es denn aus mit den ewigen Göttern" - "Heraus sagt' ich's; traf ich den Sinn?" (Fricka, Wotan) | bass vocals [Wotan] | Metropolitan Opera Orchestra, James Levine | 12:06 |
| 1987-04 | Die Walküre: Act II, Scene II. "Als junger Liebe Lust mir verblich" (Wotan, Brünnhilde) | bass vocals [Wotan] | Metropolitan Opera Orchestra, James Levine | 5:25 |
| 1987-04 | Die Walküre: Act II, Scene II. "Ein andres ist's: achte es wohl" (Wotan, Brünnhilde) | bass vocals [Wotan] | Metropolitan Opera Orchestra, James Levine | 6:22 |
| 1987-04 | Die Walküre: Act II, Scene II. "Schlimm, fürcht ich, schloß der Streit" (Brünnhilde, Wotan) | bass vocals [Wotan] | Metropolitan Opera Orchestra, James Levine | 6:24 |
| 1987-04 | Die Walküre: Act II, Scene II. "So nimm meinen Segen, Niblungensohn!" (Wotan, Brünnhilde) | bass vocals [Wotan] | Metropolitan Opera Orchestra, James Levine | 5:14 |
| 1987-04 | Die Walküre: Act II, Scene II. "So nimmst du von Siegmund den Sieg?" (Brünnhilde, Wotan) | bass vocals [Wotan] | Metropolitan Opera Orchestra, James Levine | 4:20 |
| 1987-04 | Die Walküre: Act II, Scene V. "Wehwalt! Wehwalt!" (Hunding, Siegmund, Sieglinde, Brünnhilde, Wotan) | bass vocals [Wotan] | Metropolitan Opera Orchestra, James Levine | 5:35 |
| 1987-04 | Die Walküre: Act II. Prelude / Act II, Scene I. "Nun zäume dein Ross, reisige Maid!" (Wotan) | bass vocals [Wotan] | Metropolitan Opera Orchestra, James Levine | 2:30 |
| 1987-04 | Die Walküre: Act III, Scene I. "Steh, Brünnhild'!" (Wotan, 8 Walküren, Brünnhilde) / Act III, Scene II. "Wo ist Brünnhild', wo die Verbrecherin?" (Wotan, 8 Walküren) | bass vocals [Wotan] | Metropolitan Opera Orchestra, James Levine | 5:51 |
| 1987-04 | Die Walküre: Act III, Scene II. "Hier bin ich, Vater: gebiete die Strafe!" (Brünnhilde, Wotan, 8 Walküren) | bass vocals [Wotan] | Metropolitan Opera Orchestra, James Levine | 8:49 |
| 1987-04 | Die Walküre: Act III, Scene III. "Deinen leichten Sinn lass dich denn leiten" (Wotan, Brünnhilde) | bass vocals [Wotan] | Metropolitan Opera Orchestra, James Levine | 4:37 |
| 1987-04 | Die Walküre: Act III, Scene III. "Der Augen leuchtendes Paar" (Wotan) | bass vocals [Wotan] | Metropolitan Opera Orchestra, James Levine | 8:11 |
| 1987-04 | Die Walküre: Act III, Scene III. "Du zeugtest ein edles Geschlecht" (Brünnhilde, Wotan) | bass vocals [Wotan] | Metropolitan Opera Orchestra, James Levine | 5:58 |
| 1987-04 | Die Walküre: Act III, Scene III. "Leb wohl, du kühnes, herrliches Kind!" (Wotan) | bass vocals [Wotan] | Metropolitan Opera Orchestra, James Levine | 5:27 |
| 1987-04 | Die Walküre: Act III, Scene III. "Loge, hör! Lausche hieher!" (Wotan) | bass vocals [Wotan] | Metropolitan Opera Orchestra, James Levine | 1:04 |
| 1987-04 | Die Walküre: Act III, Scene III. "War es so schmählich, was ich verbrach" (Brünnhilde, Wotan) | bass vocals [Wotan] | Metropolitan Opera Orchestra, James Levine | 14:10 |
| 1988-04 | Symphony No. 9 in D minor, Op. 125 "Choral": IV. Recitative. (Presto - Allegro ma non troppo - Vivace - Adagio cantabile - Allegro assai - Presto "O Freunde") - Allegro assai "Freude, schöner Götterfunken" - Alla marcia - Allegro assai vivace "Froh, ... | bass vocals | James Morris, Peter Seiffert, Cheryl Studer, Westminster Choir, Delores Ziegler, The Philadelphia Orchestra, Riccardo Muti | 24:32 |
| 1988-04 – 1988-05 | Das Rheingold: Act I, Scene III. "Hehe! Hehe! Hieher! Hieher! Tückischer Zwerg!" (Alberich, Mime, Loge, Wotan) | bass vocals [Wotan] | Metropolitan Opera Orchestra, James Levine | 2:53 |
| 1988-04 – 1988-05 | Das Rheingold: Act I, Scene III. "Nibelheim hier" (Loge, Mime, Wotan) | bass vocals [Wotan] | Metropolitan Opera Orchestra, James Levine | 1:28 |
| 1988-04 – 1988-05 | Das Rheingold: Scene II. "Dir's zu melden gelobt' ich den Mädchen" | bass vocals [Wotan] | Metropolitan Opera Orchestra, James Levine | 9:12 |
| 1988-04 – 1988-05 | Das Rheingold: Scene II. "Endlich, Loge!" | bass vocals [Wotan] | Metropolitan Opera Orchestra, James Levine | 3:55 |
| 1988-04 – 1988-05 | Das Rheingold: Scene II. "Sanft schloss Schlaf dein Aug'" | bass vocals [Wotan] | Metropolitan Opera Orchestra, James Levine | 9:38 |
| 1988-04 – 1988-05 | Das Rheingold: Scene II. "Wotan, Gemahl, unsel'ger Mann!" | bass vocals [Wotan] | Metropolitan Opera Orchestra, James Levine | 5:18 |
| 1988-04 – 1988-05 | Das Rheingold: Scene II. "Wotan! Gemahl! Erwache!" | bass vocals [Wotan] | Metropolitan Opera Orchestra, James Levine | 10:37 |
| 1988-04 – 1988-05 | Das Rheingold: Scene III. "Auf wonnigen Höhn" | bass vocals [Wotan] | Metropolitan Opera Orchestra, James Levine | 6:20 |
| 1988-04 – 1988-05 | Das Rheingold: Scene III. "Ohe! Ohe! Schreckliche Schlange" | bass vocals [Wotan] | Metropolitan Opera Orchestra, James Levine | 7:20 |
| 1988-04 – 1988-05 | Das Rheingold: Scene III. "Was wollt ihr hier?" | bass vocals [Wotan] | Metropolitan Opera Orchestra, James Levine | 4:27 |
| 1988-04 – 1988-05 | Das Rheingold: Scene III. "Wer hälfe mir?" | bass vocals [Wotan] | Metropolitan Opera Orchestra, James Levine | 6:48 |
| 1988-04 – 1988-05 | Das Rheingold: Scene IV. "Abendlich strahlt der Sonne Auge" | bass vocals [Wotan] | Metropolitan Opera Orchestra, James Levine | 4:13 |
| 1988-04 – 1988-05 | Das Rheingold: Scene IV. "Bin ich nun frei?" | bass vocals [Wotan] | Metropolitan Opera Orchestra, James Levine | 4:15 |
| 1988-04 – 1988-05 | Das Rheingold: Scene IV. "Da, Vetter, sitze du fest!" | bass vocals [Wotan] | Metropolitan Opera Orchestra, James Levine | 5:35 |
| 1988-04 – 1988-05 | Das Rheingold: Scene IV. "Fasolt und Fafner nahen von fern" | bass vocals [Wotan] | Metropolitan Opera Orchestra, James Levine | 8:31 |
| 1988-04 – 1988-05 | Das Rheingold: Scene IV. "Freia, die schöne, schau' ich nicht mehr" | bass vocals [Wotan] | Metropolitan Opera Orchestra, James Levine | 2:54 |
| 1988-04 – 1988-05 | Das Rheingold: Scene IV. "Gezahlt hab' ich: nun lasst mich ziehn!" | bass vocals [Wotan] | Metropolitan Opera Orchestra, James Levine | 6:07 |
| 1988-04 – 1988-05 | Das Rheingold: Scene IV. "Halt, du Gieriger!" | bass vocals [Wotan] | Metropolitan Opera Orchestra, James Levine | 4:45 |
| 1988-04 – 1988-05 | Das Rheingold: Scene IV. "Rheingold! Rheingold! Reines Gold!" | bass vocals [Wotan] | Metropolitan Opera Orchestra, James Levine | 3:33 |
| 1988-04 – 1988-05 | Das Rheingold: Scene IV. "Weiche, Wotan, weiche!" | bass vocals [Wotan] | Metropolitan Opera Orchestra, James Levine | 8:01 |
| 1988-04 – 1988-05 | Siegfried: Act I, Scene II. "Auf wolkigen Höh'n wohnen die Götter" (Wanderer, Mime) | bass vocals [Der Wanderer] | Metropolitan Opera Orchestra, James Levine | 14:01 |
| 1988-04 – 1988-05 | Siegfried: Act I, Scene II. "Heil dir, weiser Schmied!" (Wanderer, Mime) | bass vocals [Der Wanderer] | Metropolitan Opera Orchestra, James Levine | 11:09 |
| 1988-04 – 1988-05 | Siegfried: Act II, Scene I. "Durch Vertrages Treuerunen band er dich Bösen mir nicht" (Wanderer, Alberich, Fafner) | bass vocals [Der Wanderer] | Metropolitan Opera Orchestra, James Levine | 13:26 |
| 1988-04 – 1988-05 | Siegfried: Act II, Scene I. "In Wald und Nacht vor Neidhöhl' halt' ich Wacht" (Alberich, Wanderer) | bass vocals [Der Wanderer] | Metropolitan Opera Orchestra, James Levine | 6:08 |
| 1988-04 – 1988-05 | Siegfried: Act III, Scene I. "Dir Unweisen ruf' ich ins Ohr" (Wanderer) | bass vocals [Der Wanderer] | Metropolitan Opera Orchestra, James Levine | 4:17 |
| 1988-04 – 1988-05 | Siegfried: Act III, Scene I. "Stark ruft das Lied" (Erda, Wanderer) | bass vocals [Der Wanderer] | Metropolitan Opera Orchestra, James Levine | 11:05 |
| 1988-04 – 1988-05 | Siegfried: Act III, Scene I. "Wache, Wala! Wala! Erwach!" (Wanderer) | bass vocals [Der Wanderer] | Metropolitan Opera Orchestra, James Levine | 2:13 |
| 1988-04 – 1988-05 | Siegfried: Act III, Scene II. "Bleibst du mir stumm, störrischer Wicht?" (Siegfried, Wanderer) | bass vocals [Der Wanderer] | Metropolitan Opera Orchestra, James Levine | 3:17 |
| 1988-04 – 1988-05 | Siegfried: Act III, Scene II. "Dort seh' ich Siegfried nahn" (Wanderer, Siegfried) | bass vocals [Der Wanderer] | Metropolitan Opera Orchestra, James Levine | 8:22 |
| 1988-04 – 1988-05 | Siegfried: Act III, Scene II. "Zieh hin! Ich kann dich nicht halten!" (Wanderer, Siegfried) | bass vocals [Der Wanderer] | Metropolitan Opera Orchestra, James Levine | 4:05 |
| 1990-11 | Salome, op. 54: "Ah! Du wolltest mich nicht deinen Mund küssen lassen" | bass-baritone vocals [Jochanaan] | James Morris, Jessye Norman, Staatskapelle Dresden, Seiji Ozawa | 11:54 |
| 1990-11 | Salome, op. 54: "Du bist verflucht" | bass-baritone vocals [Jochanaan] | James Morris, Staatskapelle Dresden, Seiji Ozawa | 4:27 |
| 1990-11 | Salome, op. 54: "Eine Menge Menschen wird sich gegen sie sammeln" | bass-baritone vocals [Jochanaan] | James Morris, Kerstin Witt, Staatskapelle Dresden, Seiji Ozawa | 2:07 |
| 1990-11 | Salome, op. 54: "Jauchze nicht, du Land Palästina" | bass-baritone vocals [Jochanaan] | Richard Leech, Annette Markert, James Morris, Jessye Norman, Staatskapelle Dresden, Seiji Ozawa | 2:22 |
| 1990-11 | Salome, op. 54: "Jochanaan! Ich bin verliebt in deinen Leib" | bass-baritone vocals [Jochanaan] | James Morris, Jessye Norman, Staatskapelle Dresden, Seiji Ozawa | 4:39 |
| 1990-11 | Salome, op. 54: "Lass mich deinen Mund küssen, Jochanaan" | bass-baritone vocals [Jochanaan] | James Morris, Jessye Norman, Staatskapelle Dresden, Seiji Ozawa | 1:04 |
| 1990-11 | Salome, op. 54: "Nach mir wird Einer kommen" | bass-baritone vocals [Jochanaan] | Jürgen Commichau, Matthias Henneberg, Richard Leech, Annette Markert, James Morris, Rolf Tomaszewski, Staatskapelle Dresden, Seiji Ozawa | 2:39 |
| 1990-11 | Salome, op. 54: "Sieh', die Zeit ist gekommen" | bass-baritone vocals [Jochanaan] | James Morris, Jessye Norman, Kerstin Witt, Staatskapelle Dresden, Seiji Ozawa | 0:52 |
| 1990-11 | Salome, op. 54: "Siehe, der Herr ist gekommen" | bass-baritone vocals [Jochanaan] | Richard Leech, James Morris, Jessye Norman, Andreas Schmidt, Staatskapelle Dresden, Seiji Ozawa | 1:39 |
| 1990-11 | Salome, op. 54: "Siehe, der Tag ist nahe" | bass-baritone vocals [Jochanaan] | Andreas Conrad, James Morris, Harry Peeters, Walter Raffeiner, Frank Schiller, Kerstin Witt, Staatskapelle Dresden, Seiji Ozawa | 3:00 |
| 1990-11 | Salome, op. 54: "Tanz für mich, Salome" | bass-baritone vocals [Jochanaan] | James Morris, Jessye Norman, Walter Raffeiner, Kerstin Witt, Staatskapelle Dresden, Seiji Ozawa | 4:13 |
| 1990-11 | Salome, op. 54: "Wer ist dies Weib, das mich ansieht?" | bass-baritone vocals [Jochanaan] | James Morris, Jessye Norman, Staatskapelle Dresden, Seiji Ozawa | 2:43 |
| See all 171 relationships |
