Kwangchul Youn (operatic bass)

~ Person

Works

WorkWritersArtistsISWCTypeLyrics languagesAttributesRating
Daphne, op. 82: "Allüberall blüht Dionysos"
  • German
Daphne, op. 82: "Furchtbare Schmach dem Gotte!"
  • German
Daphne, op. 82: "Ich grüsse dich, weiser, erfahrener Fischer"
  • German
Daphne, op. 82: "Seid ihr um mich, ihr Hirten alle?"
  • German
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina)
Aria
  • Italian
Fidelio, op. 72: Act II, Scene II, no. 16b. "Des besten Königs Wink und Wille" (Don Fernando, Chorus, Rocco, Pizarro, Leonore, Marzelline)
    Fidelio, op. 72: Act II, Scene II, no. 16c. "Bestrafet sei der Bösewicht" (Chorus & Don Fernando)
      Fidelio, op. 72: Act II, Scene II, no. 16d. "Du schlossest auf des Edlen Grab (Don Fernando)
        Fidelio, op. 72: Act II, Scene II, no. 16e. "O Gott! O welch ein Augenblick!" (Chor, Leonore, Marzelline, Florestan, Don Fernando, Rocco)
          Fidelio, op. 72: Act II, Scene II, no. 16f. "Wer ein holdes Weib errungen" (Don Fernando, Florestan, Leonore, Marzelline, Rocco, Jaquino)
            Requiem in D minor, K. 626 (original version, fragment)
            Mass
            • Latin
            • D minor (Key)
            Requiem in D minor, K. 626: III. Sequenz: b. Tuba mirum (Süßmayr Edition; soprano, alto, tenor, bass solos)
            • Latin
            Requiem in D minor, K. 626: III. Sequenz: d. Recordare, Jesu pie (Süßmayr Edition; soprano, alto, tenor, bass solos)
            • Latin
            Requiem in D minor, K. 626: IV. Offertorium: a. Domine Jesu Christie (Süßmayr Edition; choir with solo quartet)
            • Latin
            Requiem in D minor, K. 626: V. Sanctus: b. Benedictus (Süßmayr Edition; solo quartet, then choir)
            • Latin
            Stiffelio: Atto III. “Lina, pensai che un angelo” (Stankar) / “Ah, si finisca” (Stankar, Jorg)
            • Italian
            Stiffelio: Atto III. “Non allo sposo volgomi” (Lina, Stiffelio) / “Egli un patto proponeva” (Lina, Stiffelio, Stankar, Jorg)
            • Italian
            Stiffelio: Atto III. Scena e duetto: “Ah, sì, voliamo al tempio” (Stiffelio, Lina)
            • Italian
            Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: b. Imple superna gratia (7 Soli, Chor)
              Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: c. Infirma nostri corporis (7 Soli, Chor)
                Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: e. Infirma nostri corporis (7 Soli)
                  Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: f. Accende lumen sensibus, infunde amorem cordibus (7 Soli, Chor, Knaben Chor)
                    Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: g. Veni creator spiritus (reprise) (7 Soli, Chor, Knaben Chor)
                      Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: h. Gloria sit Patri Domino (7 Soli, Chor, Knaben Chor)
                        Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: e. Wie Felsenabgrund mir zu Füssen (Pater Profundus)
                          Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists)
                            Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
                            • German