| vocals |
|---|
| 1995-08-16 | Requiem der Versöhnung: III. Sequentia: “Dies irae, dies illa” | solo and tenor vocals | Gächinger Kantorei Stuttgart, Krakauer Kammerchor, Israel Philharmonic Orchestra, Helmuth Rilling | 11:02 |
| 1995-08-16 | Requiem der Versöhnung: V. Sequentia: Juste judex ultionis | solo and tenor vocals | Gächinger Kantorei Stuttgart, Krakauer Kammerchor, Israel Philharmonic Orchestra, Helmuth Rilling | 5:48 |
| 1995-08-16 | Requiem der Versöhnung: X. Agnus Dei | solo and tenor vocals | Gächinger Kantorei Stuttgart, Krakauer Kammerchor, Israel Philharmonic Orchestra, Helmuth Rilling | 7:36 |
| 1995-08-16 | Requiem der Versöhnung: XIII. Responsorium “Libera me, Domine, de morte aeterna” | solo and tenor vocals | Gächinger Kantorei Stuttgart, Krakauer Kammerchor, Israel Philharmonic Orchestra, Helmuth Rilling | 12:26 |
| 1997-09-18 – 1997-09-20 | Aria: Thou Shalt Break Them (Tenor) | solo and tenor vocals | Thomas Randle, BBC Philharmonic, Harry Christophers | 1:56 |
| 1997-09-18 – 1997-09-20 | Duet: O Death, Where Is Thy Sting? (Contralto, Tenor) & Chorus: But Thanks Be To God | solo and tenor vocals | Huddersfield Choral Society, Thomas Randle, Catherine Wyn‐Rogers, BBC Philharmonic, Harry Christophers | 3:55 |
| 1997-09-18 – 1997-09-20 | Messiah: Accompagnato: Comfort ye (tenor) | solo and tenor vocals | Thomas Randle, BBC Philharmonic, Harry Christophers | 2:59 |
| 1997-09-18 – 1997-09-20 | Messiah: Aria: Ev'ry valley (tenor) | solo and tenor vocals | Thomas Randle, BBC Philharmonic, Harry Christophers | 3:07 |
| 1997-09-18 – 1997-09-20 | Messiah: Aria: Rejoice greatly (tenor) | solo and tenor vocals | Thomas Randle, BBC Philharmonic, Harry Christophers | 4:12 |
| 1997-09-18 – 1997-09-20 | Recitative: He That Dwelleth In Heaven (Tenor) | solo and tenor vocals | Thomas Randle, BBC Philharmonic, Harry Christophers | 0:13 |
| 1997-10-03 – 1997-10-04 | A Cotswold Romance: 1. The Men of Cotsall | tenor vocals | Matthew Brook, London Philharmonic Choir, Rosa Mannion, Thomas Randle, London Symphony Orchestra, Richard Hickox | 3:47 |
| 1997-10-03 – 1997-10-04 | A Cotswold Romance: 2. Sweet Little Linnet | tenor vocals | Matthew Brook, London Philharmonic Choir, Rosa Mannion, Thomas Randle, London Symphony Orchestra, Richard Hickox | 1:28 |
| 1997-10-03 – 1997-10-04 | A Cotswold Romance: 3. Hugh’s Song of the Road | tenor vocals | Matthew Brook, London Philharmonic Choir, Rosa Mannion, Thomas Randle, London Symphony Orchestra, Richard Hickox | 4:07 |
| 1997-10-03 – 1997-10-04 | A Cotswold Romance: 4. Love at First Sight | tenor vocals | Matthew Brook, London Philharmonic Choir, Rosa Mannion, Thomas Randle, London Symphony Orchestra, Richard Hickox | 6:05 |
| 1997-10-03 – 1997-10-04 | A Cotswold Romance: 5. The Best Man in England | tenor vocals | Matthew Brook, London Philharmonic Choir, Rosa Mannion, Thomas Randle, London Symphony Orchestra, Richard Hickox | 2:22 |
| 1997-10-03 – 1997-10-04 | A Cotswold Romance: 6. Alone and Friendless | tenor vocals | Matthew Brook, London Philharmonic Choir, Rosa Mannion, Thomas Randle, London Symphony Orchestra, Richard Hickox | 2:24 |
| 1997-10-03 – 1997-10-04 | A Cotswold Romance: 7. The Fight and its Sequel | tenor vocals | Matthew Brook, London Philharmonic Choir, Rosa Mannion, Thomas Randle, London Symphony Orchestra, Richard Hickox | 4:47 |
| 1997-10-03 – 1997-10-04 | A Cotswold Romance: 8. Hugh in the Stocks | tenor vocals | Matthew Brook, London Philharmonic Choir, Rosa Mannion, Thomas Randle, London Symphony Orchestra, Richard Hickox | 1:50 |
| 1997-10-03 – 1997-10-04 | A Cotswold Romance: 9. Mary Escapes | tenor vocals | Matthew Brook, London Philharmonic Choir, Rosa Mannion, Thomas Randle, London Symphony Orchestra, Richard Hickox | 4:28 |
| 1997-10-03 – 1997-10-04 | A Cotswold Romance: 10. Freedom at Last | tenor vocals | Matthew Brook, London Philharmonic Choir, Rosa Mannion, Thomas Randle, London Symphony Orchestra, Richard Hickox | 7:51 |
| Credo: “Qui propter nos homines” / “Et incarnatus est” (opening) | tenor vocals | Juliane Banse, Milagro Vargas, Thomas Randle, Thomas Quasthoff, Oregon Bach Festival Orchestra, Oregon Bach Festival Choir, Helmuth Rilling | 2:15 |
| Credo: I. Credo in unum deum | | Juliane Banse, Oregon Bach Festival Choir, Thomas Quasthoff, Thomas Randle, Marietta Simpson, Milagro Vargas, Oregon Bach Festival Orchestra, Helmuth Rilling | 6:07 |
| Credo: II. Qui propter nos homines / III. Et incarnatus est | | Juliane Banse, Oregon Bach Festival Choir, Thomas Quasthoff, Thomas Randle, Marietta Simpson, Milagro Vargas, Oregon Bach Festival Orchestra, Helmuth Rilling | 9:28 |
| Credo: IV. Crucifixus | | Juliane Banse, Oregon Bach Festival Choir, Thomas Quasthoff, Thomas Randle, Marietta Simpson, Milagro Vargas, Oregon Bach Festival Orchestra, Helmuth Rilling | 14:39 |
| Credo: V. Et resurrexit tertia die | | Juliane Banse, Oregon Bach Festival Choir, Thomas Quasthoff, Thomas Randle, Marietta Simpson, Milagro Vargas, Oregon Bach Festival Orchestra, Helmuth Rilling | 9:07 |
| Credo: VI. Et in spiritum sanctum / VII. Et vitam venturi saeculi | | Juliane Banse, Oregon Bach Festival Choir, Thomas Quasthoff, Thomas Randle, Marietta Simpson, Milagro Vargas, Oregon Bach Festival Orchestra, Helmuth Rilling | 11:46 |
| Samson, HWV 57: Act One, Scene 1. No. 6 Air: "Torments, alas! are not confined" (Samson) | tenor vocals [Samson] | George Frideric Handel | 3:57 |
| Samson, HWV 57: Act One, Scene 1. Recitative: "Why by an angel was my birth foretold" (Samson) | tenor vocals [Samson] | George Frideric Handel | 0:52 |
| Samson, HWV 57: Act One, Scene 2. No. 8 Air: "Total eclipse! no sun, no moon, all dark" (Samson) | tenor vocals [Samson] | George Frideric Handel | 3:29 |
| Samson, HWV 57: Act One, Scene 2. Recitative: "Whom have I to complain of but myself" (Samson, Micah) | tenor vocals [Samson] | George Frideric Handel | 2:36 |
| Samson, HWV 57: Act One, Scene 2. Recitative: "Ye see, my friends, how woes enclose me round" (Samson, Micah) | tenor vocals [Samson] | George Frideric Handel | 2:00 |
| Samson, HWV 57: Act One, Scene 3. No. 16 Accompagnato: "My griefs for this forbid mine eyes to close" (samson) | tenor vocals [Samson] | George Frideric Handel | 0:54 |
| Samson, HWV 57: Act One, Scene 3. No. 17 Air: "Why does the God of Israel sleep?" (Samson) | tenor vocals [Samson] | George Frideric Handel | 4:35 |
| Samson, HWV 57: Act One, Scene 3. Recitative: "For thee, my dearest son" (Manoa, Samson) | tenor vocals [Samson] | George Frideric Handel | 2:57 |
| Samson, HWV 57: Act One, Scene 3. Recitative: "Justly these evils have befall'n thy son" (Samson, Manoa) | tenor vocals [Samson] | George Frideric Handel | 1:36 |
| Samson, HWV 57: Act Three, Scene 1. No. 42 Air: "Thus when the sun from's wat'ry bed" (Samson) | tenor vocals [Samson] | George Frideric Handel | 3:54 |
| Samson, HWV 57: Act Three, Scene 1. Recitative: "Be of good courage" (Samson, Micah, Harapha) | tenor vocals [Samson] | George Frideric Handel | 2:24 |
| Samson, HWV 57: Act Three, Scene 1. Recitative: "More trouble is behind: for Harapha" (Micah, Samson, Harapha) | tenor vocals [Samson] | George Frideric Handel | 1:24 |
| Samson, HWV 57: Act Three, Scene 1. Recitative: "Reflect then, Samson" (Micah, Samson) | tenor vocals [Samson] | George Frideric Handel | 0:51 |
| Samson, HWV 57: Act Two, Scene 1. Recitative: "Despair not thus!" (Manoa, Samson) | tenor vocals [Samson] | George Frideric Handel | 1:26 |
| Samson, HWV 57: Act Two, Scene 1. Recitative: "My evils hopeless are!" (Samson, Micah) | tenor vocals [Samson] | George Frideric Handel | 0:46 |
| Samson, HWV 57: Act Two, Scene 2. No. 26 Air: "Your charms to ruin led the way" (Samson | tenor vocals [Samson] | George Frideric Handel | 3:37 |
| Samson, HWV 57: Act Two, Scene 2. No. 30 Duet: "Traitor to love! I'll sue no more" (Dalila, Samson) | tenor vocals [Samson] | George Frideric Handel | 1:57 |
| Samson, HWV 57: Act Two, Scene 2. Recitative: "But who is this?" (Micah, Samson, Dalila) | tenor vocals [Samson] | George Frideric Handel | 3:16 |
| Samson, HWV 57: Act Two, Scene 2. Recitative: "Ne'er think of that!" (Samson, Dalila) | tenor vocals [Samson] | George Frideric Handel | 1:27 |
| Samson, HWV 57: Act Two, Scene 3. Recitative: "Favour'd of heav'n" (Samson) | tenor vocals [Samson] | George Frideric Handel | 0:22 |
| Samson, HWV 57: Act Two, Scene 4. No. 34 Air: "My strength is from the living God"(Samson) | tenor vocals [Samson] | George Frideric Handel | 2:54 |
| Samson, HWV 57: Act Two, Scene 4. Recitative: "No words of peace" (Micah, Harapha, Samson) | tenor vocals [Samson] | George Frideric Handel | 1:38 |
| Samson, HWV 57: Act Two, Scene 4. Recitative: "Put on your arms" (Samson) | tenor vocals [Samson] | George Frideric Handel | 0:11 |
| Samson, HWV 57: Act Two, Scene 4. Recitative: "With thee! a man condemn'd" (Harapha, Samson) | tenor vocals [Samson] | George Frideric Handel | 0:42 |
| War Requiem: Agnus Dei | tenor vocals | Thomas Randle, Lynda Russell, Scottish Festival Chorus, St. Mary's Episcopal Cathedral Choristers, Michael Volle, George McPhee, BBC Scottish Symphony Orchestra, Martyn Brabbins | 3:12 |
| War Requiem: Dies irae | tenor vocals | Thomas Randle, Lynda Russell, Scottish Festival Chorus, St. Mary's Episcopal Cathedral Choristers, Michael Volle, George McPhee, BBC Scottish Symphony Orchestra, Martyn Brabbins | 27:45 |
| War Requiem: Libera me | tenor vocals | Thomas Randle, Lynda Russell, Scottish Festival Chorus, St. Mary's Episcopal Cathedral Choristers, Michael Volle, George McPhee, BBC Scottish Symphony Orchestra, Martyn Brabbins | 23:10 |
| War Requiem: Offertorium | tenor vocals | Thomas Randle, Lynda Russell, Scottish Festival Chorus, St. Mary's Episcopal Cathedral Choristers, Michael Volle, George McPhee, BBC Scottish Symphony Orchestra, Martyn Brabbins | 9:55 |
| War Requiem: Requiem aeternam | tenor vocals | Thomas Randle, Lynda Russell, Scottish Festival Chorus, St. Mary's Episcopal Cathedral Choristers, Michael Volle, George McPhee, BBC Scottish Symphony Orchestra, Martyn Brabbins | 9:24 |
| War Requiem: Sanctus | tenor vocals | Thomas Randle, Lynda Russell, Scottish Festival Chorus, St. Mary's Episcopal Cathedral Choristers, Michael Volle, George McPhee, BBC Scottish Symphony Orchestra, Martyn Brabbins | 11:00 |
| vocals |
|---|
| Credo | tenor vocals | Krzysztof Penderecki; Oregon Bach Festival Orchestra & Choir, Helmuth Rilling | |
