Cantata: Iphigenia in Brooklyn | | | | Cantata | | | |
Cantata: Iphigenia in Brooklyn: Aria | | | | | | | |
Cantata: Iphigenia in Brooklyn: Aria | | | | | | | |
Cantata: Iphigenia in Brooklyn: Ground | | | | | | | |
Cantata: Iphigenia in Brooklyn: Recitative | | | | | | | |
Cantata: Iphigenia in Brooklyn: Recitative | | | | | | | |
Carmina Burana: II. In Taberna: XII. Olim lacus colueram | | | | | | | |
Diverse Ayres on Sundrie Notions, S. 99 44/100: “Do you suffer?” | | | | | | | |
Diverse Ayres on Sundrie Notions, S. 99 44/100: “Hear me through” | | | | | | | |
Diverse Ayres on Sundrie Notions, S. 99 44/100: Sinfonia | | | | | | | |
Echo Sonata for Two Unfriendly Groups of Instruments | | | | Sonata | | | |
Hansel and Gretel and Ted and Alice | | | | Opera | | | |
Hansel and Gretel and Ted and Alice: Aria: “Et expecto” | | | | Aria | | | |
Hansel and Gretel and Ted and Alice: Aria: “I hope you’ll take this friendly advice” | | | | Aria | | | |
Hansel and Gretel and Ted and Alice: Aria: “I’m the village idiot” | | | | Aria | | | |
Hansel and Gretel and Ted and Alice: Aria: “Like a lonely pilgrim” | | | | Aria | | | |
Hansel and Gretel and Ted and Alice: Aria: “Teddy Nice is my name” | | | | Aria | | | |
Hansel and Gretel and Ted and Alice: Aria: “There’s something about a monk” | | | | Aria | | | |
Hansel and Gretel and Ted and Alice: Duet: “Do you love me?” | | | | | | | |
Hansel and Gretel and Ted and Alice: Duet: “Jump not to conclusions” | | | | | | | |
Hansel and Gretel and Ted and Alice: Finale: “Just tell me what your name is” | | | | | | | |
Hansel and Gretel and Ted and Alice: Interlude: Medical examination | | | | | | | |
Hansel and Gretel and Ted and Alice: Overture | | | | Overture | | | |
Oratorio: “The Seasonings” | | - Lorna Haywood, Marlene Kleinman, John Ferrante, William Woolf, The Okay Chorale, John Nelson, Royal P.D.Q. Bach Festival Orchestra, Jorge Mester
- Lorna Haywood, Marlena Kleinman, John Ferrante, William Woolf, The Okay Chorale, John Nelson, The Royal P.D.Q. Bach Festival Orchestra, Jorge Mester
| | Oratorio | | | |
Oratorio: “The Seasonings”: Duet: “Bide thy thyme” | | | | | | | |
Oratorio: “The Seasonings”: Recitative: “And there were in the same country” | | | | | | | |
Oratorio: “The Seasonings”: Recitative: “So saying” | | | | | | | |
Oratorio: “The Seasonings”: Recitative: “Then asked he” | | | | | | | |
Oratorio: “The Seasonings”: Recitative: “Then she gave in” | | | | | | | |
The Art of the Ground Round for three baritones and discontinuo | | | | Suite | | | |
The Art of the Ground Round for three baritones and discontinuo: Golly golly oh | | | | | | | |
The Art of the Ground Round for three baritones and discontinuo: Jane, my Jane | | | | | | | |
The Art of the Ground Round for three baritones and discontinuo: Loving is as easy | | | | | | | |
The Art of the Ground Round for three baritones and discontinuo: Nelly is a nice girl | | | | | | | |
The Art of the Ground Round for three baritones and discontinuo: Please, kind sir | | | | | | | |
The Stoned Guest | | | | Opera | | | |
The Stoned Guest: Aria: “Let’s face it—I’m lost” | | | | Aria | | | |
The Stoned Guest: Aria: “Look at me” | | | | Aria | | | |
The Stoned Guest: Aria: “Now is the season” | | | | Aria | | | |
The Stoned Guest: Duet: “Woe” | | | | | | | |
The Stoned Guest: Finale: “O saviour” | | - Marlene Kleinman, John Ferrante, Lorna Haywood, Bernice, Prof. Peter Schickele, The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company, John Nelson
- Marlene Kleinman, Lorna Haywood, John Ferrante, Bernice, Prof. Peter Schickele, The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company, John Nelson
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The Stoned Guest: Overture | | | | Overture | | | |
The Stoned Guest: Quartet: “Don Octave” | | - Marlene Kleinman, John Ferrante, Lorna Haywood, Bernice, Prof. Peter Schickele, The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company, John Nelson
- Prof. Peter Schickele, John Ferrante, Lorna Haywood, Marlene Kleinman, The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company, John Nelson
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The Stoned Guest: Recitative: “Boy!” | | | | | | | |
The Stoned Guest: Recitative: “Gesundheit!” | | | | | | | |
The Stoned Guest: Recitative: “Hark!” | | | | | | | |
The Stoned Guest: Recitative: “I hate to interrupt” | | - Marlene Kleinman, John Ferrante, Lorna Haywood, Bernice, Prof. Peter Schickele, The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company, John Nelson
- Marlene Kleinman, John Ferrante, Lorna Haywood, Bernice, The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company, John Nelson
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The Stoned Guest: Recitative: “That’s the end” | | | | | | | |
The Stoned Guest: Trio: “I’m sure I’d be” | | | | | | | |
Traumarei for unaccompanied piano, S. 13 | | | | | | | |
Two Madrigals from The Triumphs of Thusnelda, S. 1601: 1. “The queen to me a royal pain doth give” | | | | Madrigal | | | |
Two Madrigals from The Triumphs of Thusnelda, S. 1601: 2. “My bonnie lass she smelleth” | | | | Madrigal | | | |