| Giovanna d’Arco: Prologo. “V'ha dunque un loco simile” (Carlo, Borghigiani, Ufficiali) | Ambrosian Opera Chorus, London Symphony Orchestra, James Levine | | | 2:38 | |
| Giuditta: In einem Meer von Liebe | Ambrosian Opera Chorus, Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner | | | 5:04 | |
| Giuditta: Meine Lippen, sie küssen so heiß | Ambrosian Opera Chorus, Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner | | | 5:25 | |
| Give Me Jesus | Jessye Norman & Ambrosian Singers | | | 4:35 | |
| Gloria - Graduale: Propter Veritatem | The London Ambrosian Singers, Les Menestrels, John McCarthy | | | 10:33 | |
| Gloria in D major, RV 588: Cum Sancto Spiritu | Ambrosian Singers, I Solisti Veneti, Claudio Scimone | | | 2:50 | |
| Gloria in D major, RV 588: Domine Deus, Agnus Dei | Ambrosian Singers, Margarita Zimmermann, I Solisti Veneti, Claudio Scimone | | | 1:21 | |
| Gloria in D major, RV 588: Domini Fili unigenite | Ambrosian Singers, I Solisti Veneti, Claudio Scimone | | | 0:47 | |
| Gloria in D major, RV 588: Et in terra pax hominibus | Ambrosian Singers, I Solisti Veneti, Claudio Scimone | | | 5:07 | |
| Gloria in D major, RV 588: Gloria in excelsis Deo | Ambrosian Singers, I Solisti Veneti, Claudio Scimone | | | 2:31 | |
| Gloria in D major, RV 588: Gratias agimus tibi | Ambrosian Singers, I Solisti Veneti, Claudio Scimone | | | 1:31 | |
| Gloria in D major, RV 588: Qui tollis peccata mundi | Ambrosian Singers, I Solisti Veneti, Claudio Scimone | | | 1:54 | |
| Gloria in D major, RV 588: Quoniam tu solus Sanctus | Ambrosian Singers, I Solisti Veneti, Claudio Scimone | | | 1:15 | |
| Gloria in D major, RV 589: Domine Deus, Agnus Dei | Ambrosian Singers, Margarita Zimmermann, I Solisti Veneti, Claudio Scimone | | | 5:33 | |
| Gloria in D major, RV 589: Domini Fili unigenite | Ambrosian Singers, I Solisti Veneti, Claudio Scimone | | | 2:26 | |
| Gloria in D major, RV 589: Et in terra pax hominibus | Ambrosian Singers, I Solisti Veneti, Claudio Scimone | | | 4:27 | |
| Gloria in D major, RV 589: Gloria in excelsis Deo | Ambrosian Singers, I Solisti Veneti, Claudio Scimone | | | 2:16 | |
| Gloria in D major, RV 589: Gratias agimus tibi / Propter magnam Gloriam | Ambrosian Singers, I Solisti Veneti, Claudio Scimone | | | 1:28 | |
| Gloria in D major, RV 589: Qui tollis peccata mundi | Ambrosian Singers, I Solisti Veneti, Claudio Scimone | | | 1:34 | |
| Gloria in D major, RV 589: Quoniam tu solus Sanctus / Cum Sancto Spiritu | Ambrosian Singers, I Solisti Veneti, Claudio Scimone | | | 3:22 | |
| God Rest Ye Merry Gentlemen | London Festival Chorus and The Ambrosian Singers | | | 1:00 | |
| God Rest Ye Merry Gentlemen | London Festival Orchestra &Ambrosian Singers | | | 0:59 | |
| God Rest Ye Merry, Gentlemen | The Ambrosian Singers, Leonard Raver | | | 3:54 | |
| Goin' Home | The Ambrosian Singers, Stuart Burrows, Martin Neary, Wyn Morris | | | 6:25 | |
| Good Christian Men, Rejoice! | Ambrosian Singers, with Organ and Chimes | | | 2:11 | |
| Good Christian Men, Rejoice! | London Festival Orchestra &Ambrosian Singers | | | 0:46 | |
| Good King Wenceslas | The Ambrosian Singers | | | 3:39 | |
| Good King Wenceslas | The Ambrosian Singers, Patricia Clarke, Joan Sutherland, Valda Aveling, Philharmonia Orchestra, Richard Bonynge | | | 2:58 | |
| Good King Wenceslas | Joan Sutherland, Valda Aveling, Patricia Clarke, The Ambrosian Singers, Philharmonia Orchestra, Richard Bonynge | | | 2:59 | |
| Gounod: Faust / Act 4 - "Déposons les armes" (Soldiers' Chorus) | Ambrosian Singers | | | 3:14 | |
| Greensleeves | The Ambrosian Singers, Jessye Norman, Royal Philharmonic Orchestra, Sir Alexander Gibson | | | 3:54 | |
| Greensleeves (What Child Is This ?) | Jessye Norman / The Ambrosian Singers / Royal Philharmonic Orchestra / Alexander Gibson | | | 3:44 | |
| Greet for Me My Vienna | Plácido Domingo, The Ambrosian Singers, English Chamber Orchestra, Julius Rudel | | | 5:32 | |
| Grieg: Peer Gynt, Op. 23, Act 2: No. 7, In the Hall of the Mountain King | Sir Neville Marriner, Academy of St Martin in the Fields, Ambrosian Singers & Lucia Popp | | | 2:43 | |
| Guglielmo Tell: Atto I, Scena I. “È il ciel sereno, seren il giorno” | Ambrosian Opera Chorus, National Philharmonic Orchestra, Riccardo Chailly | | | 4:31 | |
| Guglielmo Tell: Atto I, Scena I. “Oh! quale alta d’intorno” | Ambrosian Opera Chorus, Elizabeth Connell, Della Jones, Sherrill Milnes, Luciano Pavarotti, Cesar Antonio Suarez, John Tomlinson, National Philharmonic Orchestra, Riccardo Chailly | | | 6:37 | |
| Guglielmo Tell: Atto I, Scena II. “Al fremer del torrente” | Ambrosian Opera Chorus, National Philharmonic Orchestra, Riccardo Chailly | | | 2:38 | |
| Guglielmo Tell: Atto I, Scena VI. “O smania!” | Ambrosian Opera Chorus, Della Jones, Sherrill Milnes, Luciano Pavarotti, Cesar Antonio Suarez, John Tomlinson, National Philharmonic Orchestra, Riccardo Chailly | | | 4:08 | |
| Guglielmo Tell: Atto I, Scena VIII. “Cinto il crine di bei fiori” | Ambrosian Opera Chorus, National Philharmonic Orchestra, Riccardo Chailly | | | 4:24 | |
| Guglielmo Tell: Atto I, Scena VIII. “Ecco là, tremante, e reggendosi appena” | Richard van Allan, Ambrosian Opera Chorus, Elizabeth Connell, Della Jones, Sherrill Milnes, Cesar Antonio Suarez, John Tomlinson, National Philharmonic Orchestra, Riccardo Chailly | | | 3:47 | |
| Guglielmo Tell: Atto I, Scena VIII. “Gloria e onore al giovinetto” | Ambrosian Opera Chorus, Elizabeth Connell, Della Jones, National Philharmonic Orchestra, Riccardo Chailly | | | 3:50 | |
| Guglielmo Tell: Atto I, Scena XI. “Che sento!.. ohimè!” | Ambrosian Opera Chorus, Elizabeth Connell, Della Jones, Piero de Palma, Cesar Antonio Suarez, John Tomlinson, National Philharmonic Orchestra, Riccardo Chailly | | | 2:46 | |
| Guglielmo Tell: Atto I, Scena XI. “Ciò ch’ei fece l’oserebbe” | Ambrosian Opera Chorus, Elizabeth Connell, Della Jones, Piero de Palma, Cesar Antonio Suarez, John Tomlinson, National Philharmonic Orchestra, Riccardo Chailly | | | 4:10 | |
| Guglielmo Tell: Atto I, Scena XI. “Nume pietoso, Dio di bontà!” | Ambrosian Opera Chorus, Elizabeth Connell, Della Jones, Piero de Palma, John Tomlinson, National Philharmonic Orchestra, Riccardo Chailly | | | 3:13 | |
| Guglielmo Tell: Atto II, Scena I. “Qual silvestre metro intorno” | Ambrosian Opera Chorus, National Philharmonic Orchestra, Riccardo Chailly | | | 4:03 | |
| Guglielmo Tell: Atto II, Scena VI. “De’ prodi, ascolta, è già compiuto il patto” | Ambrosian Opera Chorus, Nicolaï Ghiaurov, Sherrill Milnes, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | | | 2:48 | |
| Guglielmo Tell: Atto II, Scena VI. “Domo, o ciel, da un stranier” | Ambrosian Opera Chorus, Nicolaï Ghiaurov, Sherrill Milnes, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | | | 4:50 | |
| Guglielmo Tell: Atto II, Scena VII. “Giuriam, giuriam pei nostri danni…” | Ambrosian Opera Chorus, Nicolaï Ghiaurov, Sherrill Milnes, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | | | 3:26 | |
| Guglielmo Tell: Atto II, Scena VII. “La valanga che volve dalla cima dei monti” | Ambrosian Opera Chorus, Nicolaï Ghiaurov, Sherrill Milnes, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | | | 3:21 | |
| Guglielmo Tell: Atto III, Scena II. “Gloria al poter supremo!” | Ambrosian Opera Chorus, Ferruccio Mazzoli, National Philharmonic Orchestra, Riccardo Chailly | | | 7:12 | |
| Guglielmo Tell: Atto III, Scena II. “Quell’ agil piè ch’egual non ha” | Ambrosian Opera Chorus, National Philharmonic Orchestra, Riccardo Chailly | | | 9:30 | |
| Guglielmo Tell: Atto III, Scena III. “Corri alla madre” | Ambrosian Opera Chorus, Della Jones, Ferruccio Mazzoli, Sherrill Milnes, National Philharmonic Orchestra, Riccardo Chailly | | | 6:18 | |
| Guglielmo Tell: Atto III, Scena III. “Inchinati, superbo” | Ambrosian Opera Chorus, Ferruccio Mazzoli, Sherrill Milnes, Piero de Palma, National Philharmonic Orchestra, Riccardo Chailly | | | 2:20 | |
| Guglielmo Tell: Atto III, Scena III. “Quel fasto m’offende” | Ambrosian Opera Chorus, Della Jones, Ferruccio Mazzoli, Sherrill Milnes, Piero de Palma, National Philharmonic Orchestra, Riccardo Chailly | | | 3:06 | |
| Guglielmo Tell: Atto III, Scena III. “Vittoria! vittoria!” | Ambrosian Opera Chorus, Mirella Freni, Della Jones, Ferruccio Mazzoli, Sherrill Milnes, Piero de Palma, National Philharmonic Orchestra, Riccardo Chailly | | | 5:25 | |
| Guglielmo Tell: Atto III, Scena IV. “…è il suo destin segnato” | Ambrosian Opera Chorus, Mirella Freni, Della Jones, Ferruccio Mazzoli, Sherrill Milnes, Piero de Palma, National Philharmonic Orchestra, Riccardo Chailly | | | 2:09 | |
| Guglielmo Tell: Atto III, Scena IV. “Anàtema a Gessler” | Ambrosian Opera Chorus, Mirella Freni, Della Jones, Ferruccio Mazzoli, Sherrill Milnes, Piero de Palma, National Philharmonic Orchestra, Riccardo Chailly | | | 2:01 | |
| Guglielmo Tell: Atto IV, Scena II. “Muto asil del pianto” | Ambrosian Opera Chorus, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | | | 9:33 | |
| Guglielmo Tell: Atto IV, Scena III. “Resta omai! ah, ti perde il duolo” | Ambrosian Opera Chorus, Elizabeth Connell, Della Jones, National Philharmonic Orchestra, Riccardo Chailly | | | 2:19 | |
| Guglielmo Tell: Atto IV, Scena V. “Tu che l’appogio del debol sei” | Ambrosian Opera Chorus, Elizabeth Connell, Mirella Freni, National Philharmonic Orchestra, Riccardo Chailly | | | 2:59 | |
| Guglielmo Tell: Atto IV, Scena VII. “Io ti rivedo” | Ambrosian Opera Chorus, Elizabeth Connell, Mirella Freni, Nicolaï Ghiaurov, Della Jones, Ferruccio Mazzoli, Sherrill Milnes, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | | | 3:17 | |
| Guglielmo Tell: Atto IV, Scena X. “Tutto cangia, il ciel si abbella” | Ambrosian Opera Chorus, Elizabeth Connell, Mirella Freni, Nicolaï Ghiaurov, Della Jones, Sherrill Milnes, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | | | 3:07 | |
| Guillaume Tell : Acte I, scène 1. « On entend des montagnes » (Chorus, Jemmy, Hedwige, Fisherman, Tell, Arnold, Melchthal) | Ambrosian Opera Chorus, Gabriel Bacquier, Charles Burles, Nicolai Gedda, Gwynne Howell, Mady Mesplé, Jocelyne Taillon, Royal Philharmonic Orchestra, Lamberto Gardelli | | | 2:15 | |
| Guillaume Tell : Acte I, scène 1. No. 1 : « Quel jour serein le ciel présage ! » (Chorus) | Ambrosian Opera Chorus, Royal Philharmonic Orchestra, Lamberto Gardelli | | | 4:12 | |
| Guillaume Tell : Acte I, scène 2. « Pasteurs, que vos accents s'unissent » (Melchthal, Chorus, Arnold, Fisherman, Tell) | Ambrosian Opera Chorus, Gabriel Bacquier, Charles Burles, Nicolai Gedda, Gwynne Howell, Royal Philharmonic Orchestra, Lamberto Gardelli | | | 2:47 | |
| Guillaume Tell : Acte I, scène 2. « Près des torrents qui grondent » (Chorus) | Ambrosian Opera Chorus, Gwynne Howell, Royal Philharmonic Orchestra, Lamberto Gardelli | | | 2:49 | |
| Guillaume Tell : Acte I, scène 6. No. 3 : « Quand le Ciel entend votre promesse » (Melchthal, Tell, Chorus, Arnold) | Ambrosian Opera Chorus, Gabriel Bacquier, Nicolai Gedda, Gwynne Howell, Jocelyne Taillon, Royal Philharmonic Orchestra, Lamberto Gardelli | | | 3:27 | |
| Guillaume Tell : Acte I, scène 8. « Gloire, honneur au fils de Tell ... Enfants de la nature » (Chorus, Jemmy, Hedwige) | Ambrosian Opera Chorus, Mady Mesplé, Jocelyne Taillon, Royal Philharmonic Orchestra, Lamberto Gardelli | | | 3:48 | |
| Guillaume Tell : Acte I, scène 8. No. 4 : « Hyménée, ta journée fortunée luit pour nous » (Chorus) | Ambrosian Opera Chorus, Royal Philharmonic Orchestra, Lamberto Gardelli | | | 5:07 | |
| Guillaume Tell : Acte I, scène 10. « Arnold a disparu » (Tell, Chorus, Leuthold, Hedwige) | Ambrosian Opera Chorus, Gabriel Bacquier, Nicolas Christou, Jocelyne Taillon, Royal Philharmonic Orchestra, Lamberto Gardelli | | | 1:24 | |
| Guillaume Tell : Acte I, scène 11. Final « Ce qu'il a fait, tous, nous l'aurions dû faire » (Jemmy, Hedwige, Rodolphe, Chorus, Fisherman, Melchthal) | Ambrosian Opera Chorus, Charles Burles, Ricardo Cassinelli, Gwynne Howell, Mady Mesplé, Jocelyne Taillon, Royal Philharmonic Orchestra, Lamberto Gardelli | | | 4:16 | |
| Guillaume Tell : Acte I, scène 11. Final « Ils vont parler » (Chorus, Rodolphe, Jemmy, Hedwige, Melchthal) | Ambrosian Opera Chorus, Ricardo Cassinelli, Gwynne Howell, Mady Mesplé, Jocelyne Taillon, Royal Philharmonic Orchestra, Lamberto Gardelli | | | 2:27 | |
| Guillaume Tell : Acte I, scène 11. No. 7 : Final « Dieu de bonté, Dieu tout-puissant » (Chorus, Rodolphe, Jemmy, Hedwige, Melchthal) | Ambrosian Opera Chorus, Ricardo Cassinelli, Gwynne Howell, Mady Mesplé, Jocelyne Taillon, Royal Philharmonic Orchestra, Lamberto Gardelli | | | 3:05 | |
| Guillaume Tell : Acte II, scène 1. « Quel est ce bruit ? » (Hunter, Chorus) | Ambrosian Opera Chorus, Leslie Fyson, Royal Philharmonic Orchestra, Lamberto Gardelli | | | 2:45 | |
| Guillaume Tell : Acte II, scène 1. No. 8 : « Quelle sauvage harmonie » (Chorus) | Ambrosian Opera Chorus, Royal Philharmonic Orchestra, Lamberto Gardelli | | | 1:48 | |
| Guillaume Tell : Acte II, scène 6. « De prompts effets la promesse est suivie » (Tell, Arnold, Walter, Chorus) | Ambrosian Opera Chorus, Gabriel Bacquier, Nicolai Gedda, Kolos Kováts, Royal Philharmonic Orchestra, Lamberto Gardelli | | | 2:48 | |
| Guillaume Tell : Acte II, scène 6. « En ces temps de malheurs » (Chorus) | Ambrosian Opera Chorus, Royal Philharmonic Orchestra, Lamberto Gardelli | | | 3:33 | |
| Guillaume Tell : Acte II, scène 6. « On pardonne la crainte à de si grands malheurs » (Tell, Arnold, Walter, Chorus) | Ambrosian Opera Chorus, Gabriel Bacquier, Nicolai Gedda, Kolos Kováts, Royal Philharmonic Orchestra, Lamberto Gardelli | | | 0:56 | |
| Guillaume Tell : Acte II, scène 7. « L'avalanche roulant du haut de nos montagnes » (Tell, Arnold, Walter, Chorus) | Ambrosian Opera Chorus, Gabriel Bacquier, Nicolai Gedda, Kolos Kováts, Royal Philharmonic Orchestra, Lamberto Gardelli | | | 3:10 | |
| Guillaume Tell : Acte II, scène 7. Serment « Jurons, jurons par nos dangers » (Tell, Arnold, Walter, Chorus) | Ambrosian Opera Chorus, Gabriel Bacquier, Nicolai Gedda, Kolos Kováts, Royal Philharmonic Orchestra, Lamberto Gardelli | | | 3:30 | |
| Guillaume Tell : Acte II, scènes 4-5. No. 12 : « Des profondeurs du bois immense » (Tell, Arnold, Walter, Chorus) | Ambrosian Opera Chorus, Gabriel Bacquier, Nicolai Gedda, Kolos Kováts, Royal Philharmonic Orchestra, Lamberto Gardelli | | | 3:43 | |
| Guillaume Tell : Acte III, scène 2. « Toi que l'oiseau ne suivrait pas » (Chorus) / Dance | Ambrosian Opera Chorus, Royal Philharmonic Orchestra, Lamberto Gardelli | | | 4:53 | |
| Guillaume Tell : Acte III, scène 2. « Vainement dans son insolence » (Gessler, Chorus) | Ambrosian Opera Chorus, Louis Hendrickx, Royal Philharmonic Orchestra, Lamberto Gardelli | | | 4:01 | |
| Guillaume Tell : Acte III, scène 2. No. 14 : "Gloire au pouvoir suprême ! » (Chorus) | Ambrosian Opera Chorus, Royal Philharmonic Orchestra, Lamberto Gardelli | | | 2:59 | |
| Guillaume Tell : Acte III, scène 2. Tyrolienne « Toi que l'oiseau ne suivrait pas » (Chorus) | Ambrosian Opera Chorus, Royal Philharmonic Orchestra, Lamberto Gardelli | | | 1:15 | |
| Guillaume Tell : Acte III, Scène 2. Tyrolienne « Toi que l'oiseau ne suivrait pas » (Chorus) | Ambrosian Opera Chorus, Royal Philharmonic Orchestra, Lamberto Gardelli | | | 2:50 | |
| Guillaume Tell : Acte III, scène 3. « Audacieux, incline-toi ! » (Rodolphe, Tell, Chorus, Gessler) | Ambrosian Opera Chorus, Gabriel Bacquier, Ricardo Cassinelli, Louis Hendrickx, Royal Philharmonic Orchestra, Lamberto Gardelli | | | 2:07 | |
| Guillaume Tell : Acte III, scène 3. « C'est là cet archer redoutable » (Soldiers, Gessler, Tell, Rodolphe, Jemmy) | Ambrosian Opera Chorus, Gabriel Bacquier, Ricardo Cassinelli, Louis Hendrickx, Mady Mesplé, Royal Philharmonic Orchestra, Lamberto Gardelli | | | 3:27 | |
| Guillaume Tell : Acte III, scène 3. « Victoire ! victoire ! » (Chorus, Jemmy, Tell, Gessler, Mathilde) | Ambrosian Opera Chorus, Gabriel Bacquier, Montserrat Caballé, Louis Hendrickx, Mady Mesplé, Royal Philharmonic Orchestra, Lamberto Gardelli | | | 2:56 | |
| Guillaume Tell : Acte III, scène 4. « Anathème à Gessler ! » (Tell, Rodolphe, Soldiers, Gessler) | Ambrosian Opera Chorus, Gabriel Bacquier, Ricardo Cassinelli, Louis Hendrickx, Royal Philharmonic Orchestra, Lamberto Gardelli | | | 1:58 | |
| Guillaume Tell : Acte III, scène 4. « Quand l'orgueil les égare » (Mathilde, Rodolphe, Soldiers, Gessler, Jemmy, Tell) | Ambrosian Opera Chorus, Gabriel Bacquier, Montserrat Caballé, Ricardo Cassinelli, Louis Hendrickx, Mady Mesplé, Royal Philharmonic Orchestra, Lamberto Gardelli | | | 1:54 | |
| Guillaume Tell : Acte IV, scène 1. « Vengeance ! Vengeance ! » (Arnold) | Ambrosian Opera Chorus, Nicolai Gedda, Royal Philharmonic Orchestra, Lamberto Gardelli | | | 2:22 | |
| Guillaume Tell : Acte IV, scène 2. « Amis, amis, secondez ma vengeance » (Chorus, Arnold) | Ambrosian Opera Chorus, Nicolai Gedda, Royal Philharmonic Orchestra, Lamberto Gardelli | | | 3:33 | |
| Guillaume Tell : Acte IV, scène 3. « Où vas-tu? Ta douleur t'égare » (Chorus, Hedwige, Jemmy) | Ambrosian Opera Chorus, Mady Mesplé, Jocelyne Taillon, Royal Philharmonic Orchestra, Lamberto Gardelli | | | 1:56 | |
| Guillaume Tell : Acte IV, scène 5. Prière : « Toi, qui du faible est l'espérance » (Hedwige, Mathilde, Chorus) | Ambrosian Opera Chorus, Montserrat Caballé, Jocelyne Taillon, Royal Philharmonic Orchestra, Lamberto Gardelli | | | 2:42 | |
| Guillaume Tell : Acte IV, scène 8. « Je te revois ! » (Hedwige, Jemmy, Tell, Soldiers, Gessler, Chorus, Mathilde) | Ambrosian Opera Chorus, Gabriel Bacquier, Montserrat Caballé, Louis Hendrickx, Mady Mesplé, Jocelyne Taillon, Royal Philharmonic Orchestra, Lamberto Gardelli | | | 0:40 | |
| Guillaume Tell : Acte IV, scène 9. « En vain il veut nous fuir » (Walter, Tell, Jemmy, Hedwige, Mathilde, Chorus, Arnold) | Ambrosian Opera Chorus, Gabriel Bacquier, Montserrat Caballé, Nicolai Gedda, Kolos Kováts, Mady Mesplé, Jocelyne Taillon, Royal Philharmonic Orchestra, Lamberto Gardelli | | | 1:22 | |
| Guillaume Tell : Acte IV, scène 10. « À ces signaux de flamme enfin cessons de craindre » (Walter, Tell, Jemmy, Hedwige, Mathilde, Chorus, Arnold) | Ambrosian Opera Chorus, Gabriel Bacquier, Montserrat Caballé, Nicolai Gedda, Kolos Kováts, Mady Mesplé, Jocelyne Taillon, Royal Philharmonic Orchestra, Lamberto Gardelli | | | 1:21 | |
| Guillaume Tell : Acte IV, scène 11. « Pourquoi ta présence, ô mon père ! » ... « Tout change et grandit en ce lieux ! » (Arnold, Tell, Hedwige, Jemmy, Chorus) | Ambrosian Opera Chorus, Gabriel Bacquier, Nicolai Gedda, Mady Mesplé, Jocelyne Taillon, Royal Philharmonic Orchestra, Lamberto Gardelli | | | 3:36 | |
| Guillaume Tell: Acte II. « L'avalanche roulant du haut de nos montagnes » (Tell, Arnold, Walter, Chorus) | Ambrosian Opera Chorus, Gabriel Bacquier, Nicolai Gedda, Kolos Kováts, Royal Philharmonic Orchestra, Lamberto Gardelli | | | 6:38 | |
