Carmen : "L'amour est un oiseau rebelle" | Ambrosian Singers, Teresa Berganza, London Symphony Orchestra, Claudio Abbado | | | 4:26 | |
Carmen : « C'est toi ? C'est moi » | Ambrosian Singers, Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado | | | 9:23 | |
Carmen : « L'amour est un oiseau rebelle » (Habanera) | Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | | | 4:26 | |
Carmen : « Les voici! Voici la quadrille! » | Ambrosian Singers, London Symphony Orchestra, Claudio Abbado | | | 3:50 | |
Carmen : Acte I. “Voici la cloche qui sonne, mon lieutenant ” … “La cloche a sonné” | Patrick Criswell, John McCarthy, Ambrosian Singers, Plácido Domingo, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | | | 5:12 | |
Carmen : Acte I. « L'amour est un oiseau rebelle » | Ambrosian Singers, Teresa Berganza, London Symphony Orchestra, Claudio Abbado | | | 4:26 | |
Carmen : Acte I. « Mais nous ne voyons pas la Carmencita » (Chœur, Carmen) | Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | | | 1:11 | |
Carmen : Acte I. Habanera « La voilà » … « L’amour est un oiseau rebelle » | Ambrosian Opera Chorus, Elena Obraztsova, Philharmonia Orchestra, Giuseppe Patanè | | | 5:24 | |
Carmen : Acte I. Havanaise « L’amour est un oiseau rebelle » | Ambrosian Singers, Teresa Berganza, London Symphony Orchestra, Claudio Abbado | | | 5:38 | |
Carmen : Acte II. « Votre Toast… » (Air du Toréador) | Ambrosian Singers, London Symphony Orchestra | | | 5:14 | |
Carmen : Acte II. Couplets “Votre toast, je peux vous le rendre” | Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, Yvonne Kenny, Jean Lainé, Robert Lloyd, Sherrill Milnes, Alicia Nafé, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | | | 5:12 | |
Carmen : Acte III, Nº 25. Chœur et Scène « Les voici, voici le quadrille » (Chœur) | Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, Sherrill Milnes, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | | | 3:52 | |
Carmen : Acte IV, Nº 26. Duo final « C’est toi ? » / « C’est‐moi ! » (Carmen, Don José, Chœur) | Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, Plácido Domingo, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | | | 9:23 | |
Carmen : Acte IV. « Si tu m’aimes, Carmen » (Escamillo, Carmen, Frasquita, Mercédès) | Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, Plácido Domingo, Yvonne Kenny, Sherrill Milnes, Alicia Nafé, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | | | 3:20 | |
Carmen : Acte IV. Chœur et scène « Si tu m’aimes, Carmen » / Duo final « C’est toi – c’est moi » | Ambrosian Singers, Teresa Berganza, Plácido Domingo, Sherrill Milnes, London Symphony Orchestra, Claudio Abbado | | | 12:46 | |
Carmen: « Avec la garde montante » (March and Chorus of Urchins) | Ambrosian Singers, Plácido Domingo, Stuart Harling, Robert Lloyd, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado, Patrick Criswell, John McCarthy | | | 4:58 | |
Carmen: « Les voici ! Voici la quadrille ! » (Entry of the Toreadors) | Ambrosian Singers, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado, Patrick Criswell, John McCarthy | | | 3:59 | |
Carmen: »Avec la garde montante« (Marsch und Chor der Gassenjungen) | Patrick Criswell, John McCarthy, The Ambrosian Singers, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | | | 4:52 | |
Carmen: »Les voici! Voici la quadrille« (Einzug des Toreros) | Patrick Criswell, John McCarthy, The Ambrosian Singers, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado | | | 3:52 | |
Carmen: Act I, IV. Havanaise. "L'amour est un oiseau rebelle" (Carmen, Chœur) | The Ambrosian Singers, Teresa Berganza, London Symphony Orchestra, Claudio Abbado | | | 4:25 | |
Carmen: Habanera | Ambrosian Singers, Teresa Berganza, London Symphony Orchestra, Claudio Abbado | | | 4:25 | |
Carmen: Habañera | Ambrosian Opera Chorus, Elena Obraztsova, Philharmonia Orchestra, Giuseppe Patanè | | | 5:28 | |
Carol of the Bells | The Ambrosian Singers | | | 2:01 | |
Carol of the Bells | The Ambrosian Singers, Leonard Raver | | | 2:10 | |
Casanova: Nonnenchor | Ambrosian Singers, Joan Sutherland, Philharmonia Orchestra, Richard Bonynge | | | 3:43 | |
Casanova: Nonnenchor und Lied der Laura | Ambrosian Opera Chorus, Lucia Popp, Andrew Lucas, Academy of St Martin in the Fields, Sir Neville Marriner | | | 4:22 | |
Casanova: Nuns' Chorus | Ambrosian Light Opera Chorus, Joan Sutherland, New Philharmonia Orchestra, Richard Bonynge | | | 3:49 | |
Casanova: Nuns’ Chorus | Dame Joan Sutherland, Ambrosian Light Opera Chorus, New Philharmonia Orchestra, Richard Bonynge | | | 3:57 | |
Casanova: Nuns’ Chorus & Laura’s Aria | John McCarthy, Ambrosian Opera Chorus, Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner | | | 4:27 | |
Casanova: The Nuns' Chorus and Laura's Song | The Ambrosian Singers, Marilyn Hill Smith, Chandos Concert Orchestra, Stuart Barry | | | 4:17 | |
Casanova: The Nuns’ Chorus / Laura’s Song | Chandos Concert Orchestra, The Ambrosian Singers, John McCarthy, Marilyn Hill Smith | | | 4:16 | |
Casta diva (from Norma, Act I) | Ambrosian Opera Chorus, Renata Scotto, National Philharmonic Orchestra, James Levine | | | 5:31 | |
Casta Diva (Norma) | Ambrosian Opera Chorus, Leontyne Price, Philharmonia Orchestra, Henry Lewis | | | 7:16 | |
Cavalleria rusticana: “A casa, a casa, amici” | Ambrosian Opera Chorus, José Carreras, Julia Hamari, Philharmonia Orchestra, Riccardo Muti | | | 2:50 | |
Cavalleria rusticana: “A casa, a casa, amici” (peasants, Turiddu, Lola) | Plácido Domingo, Isola Jones, Ambrosian Opera Chorus, John McCarthy, National Philharmonic Orchestra, James Levine | | | 2:27 | |
Cavalleria rusticana: “A voi tutti salute!” (Alfio, peasants, Turiddu, Lola) | John McCarthy, Ambrosian Opera Chorus, Plácido Domingo, Pablo Elvira, Isola Jones, National Philharmonic Orchestra, James Levine | | | 1:56 | |
Cavalleria rusticana: “A voi tutti, salute!” | Ambrosian Opera Chorus, Julia Hamari, Matteo Manuguerra, Philharmonia Orchestra, Riccardo Muti | | | 4:56 | |
Cavalleria rusticana: “Gli aranci olezzano…” (Donne) | John McCarthy, Ambrosian Opera Chorus, National Philharmonic Orchestra, James Levine | | | 9:37 | |
Cavalleria rusticana: “Gli aranci olezzano” | Ambrosian Opera Chorus, Philharmonia Orchestra, Riccardo Muti | | | 7:58 | |
Cavalleria rusticana: “Il cavallo scalpita” | John McCarthy, Ambrosian Opera Chorus, Matteo Manuguerra, Philharmonia Orchestra, Riccardo Muti | | | 2:41 | |
Cavalleria rusticana: “Il cavallo scalpita” | Ambrosian Opera Chorus, Matteo Manuguerra, Philharmonia Orchestra, Riccardo Muti | | | 2:46 | |
Cavalleria rusticana: “Il cavallo scalpita” (Alfio, Coro) | John McCarthy, Ambrosian Opera Chorus, Pablo Elvira, National Philharmonic Orchestra, James Levine | | | 2:08 | |
Cavalleria rusticana: “Inneggiamo il Signor non è morto” | Ambrosian Opera Chorus, Montserrat Caballé, Astrid Varnay, Philharmonia Orchestra, Riccardo Muti | | | ?:?? | |
Cavalleria rusticana: “Intanto amici … Viva il vino spumeggiante” | John McCarthy, Ambrosian Singers, José Carreras, Astrid Varnay, Philharmonia Orchestra, Riccardo Muti | | | 3:09 | |
Cavalleria rusticana: “Intanto amici” … “Viva il vino spumeggiante” | Ambrosian Opera Chorus, José Carreras, Astrid Varnay, Philharmonia Orchestra, Riccardo Muti | | | ?:?? | |
Cavalleria rusticana: “Intanto, amici, qua, beviamone un bicchiere” (peasants, Lola, Turiddu) | John McCarthy, Ambrosian Opera Chorus, Plácido Domingo, Isola Jones, National Philharmonic Orchestra, James Levine | | | 2:43 | |
Cavalleria rusticana: “Mamma quel vino è generoso” | Ambrosian Opera Chorus, Montserrat Caballé, José Carreras, Astrid Varnay, Philharmonia Orchestra, Riccardo Muti | | | 5:41 | |
Cavalleria rusticana: “Mamma, quel vino è generoso” | John McCarthy, Ambrosian Singers, José Carreras, Astrid Varnay, Philharmonia Orchestra, Riccardo Muti | | | 3:42 | |
Cavalleria rusticana: “Mamma, quel vino è generoso” | Ambrosian Opera Chorus, José Carreras, Astrid Varnay, Philharmonia Orchestra, Riccardo Muti | | | 5:35 | |
Cavalleria rusticana: “Mamma, quel vino è generoso” | Ambrosian Opera Chorus, José Carreras, Astrid Varnay, Philharmonia Orchestra, Riccardo Muti | | | ?:?? | |
Cavalleria rusticana: “No, no, Turridu, rimani, rimani ancora” | Ambrosian Opera Chorus, Montserrat Caballé, José Carreras, Philharmonia Orchestra, Riccardo Muti | | | 5:31 | |
Cavalleria rusticana: “Regina coeli laetare – Alleluja!” (Coro, Santuzza, Lucia) | John McCarthy, Ambrosian Opera Chorus, Jean Kraft, Renata Scotto, National Philharmonic Orchestra, James Levine | | | 6:14 | |
Cavalleria rusticana: “Regina Coeli” | Ambrosian Opera Chorus, Philharmonia Orchestra, Riccardo Muti | | | 8:05 | |
Cavalleria rusticana: “Viva il vino spumeggiante” | John McCarthy, Ambrosian Opera Chorus, José Carreras, Julia Hamari, Philharmonia Orchestra, Riccardo Muti | | | 2:50 | |
Cavalleria rusticana: “Viva il vino spumeggiante” | Ambrosian Opera Chorus, José Carreras, Julia Hamari, Philharmonia Orchestra, Riccardo Muti | | | 2:44 | |
Cavalleria rusticana: ”Innegiammo, il Signor non è morto” | Ambrosian Opera Chorus, Montserrat Caballé, Astrid Varnay, Philharmonia Orchestra, Riccardo Muti | | | 4:14 | |
Cavalleria rusticana: ”Regina Coeli, laetare; Alleluja!” | Ambrosian Opera Chorus, Philharmonia Orchestra, Riccardo Muti | | | 2:18 | |
Cavalleria rusticana: Intanto amici … Viva il vino spumeggiante | John McCarthy, Ambrosian Opera Choir, José Carreras, Astrid Varnay, Philharmonia Orchestra, Riccardo Muti | | | 3:13 | |
Cavalleria rusticana: Paaskoor (“Gli aranci olezzano”) | The Ambrosian Opera Chorus, National Philharmonic Orchestra, James Levine | | | 7:54 | |
Cavalleria Rusticana: Regina Coeli, Laetare - Alleluja! | John Mc Carthy, Ambrosian Singers, Renata Scotto, National Philharmonic Orchestra, James Levine | | | 6:20 | |
Cavalleria rusticana: Regina Coeli… Inneggiamo, il Signor non è morto | John McCarthy, Ambrosian Opera Chorus, Montserrat Caballé, Astrid Varnay, Philharmonia Orchestra, Riccardo Muti | | | 6:37 | |
Choral “Jesu bleibet meine Freude”, BWV 147 | Ambrosian Singers, National Philharmonic Orchestra, Charles Gerhardt | | | 3:52 | |
Chorus of Hebrew Slaves (Va, pensiero) from ‘Nabucco’ | Ambrosian Singers, The National Philharmonic Orchestra, Charles Gerhardt | | | 4:58 | |
Chorus of the Hebrew Slaves | Ambrosian Singers | | | 4:56 | |
Chorus of the Hebrew Slaves (Va, Pensiero) from "Nabucco" | The Ambrosian Singers | | | 4:58 | |
Com'e gentil | Ambrosian Singers, Luciano Pavarotti, Philharmonia Orchestra, Leone Magiera | | | 3:40 | |
Compagnoni di Parigi - Verrà pur troppo il giorno (Un giorno di regno, Act 1) | Ingvar Wixell, Vicente Sardinero, Wladimiro Ganzarolli, William Elvin, Ambrosian Singers, Royal Philharmonic Orchestra & Lamberto Gardelli | | | 5:11 | |
Così fan tutte KV 588: Terzett "Soave sia il vento" | Ambrosian Opera Chorus, New Philharmonia Orchestra, Erich Leinsdorf | | | 3:22 | |
Così fan tutte: Atto I. “Bella vita militar!” (Chorus) | Ambrosian Opera Chorus, New Philharmonia Orchestra, Erich Leinsdorf | | | 1:32 | |
Così fan tutte: Atto I. “Di scrivermi ogni giorno” (Quintet) | Ambrosian Opera Chorus, Ezio Flagello, Sherrill Milnes, Leontyne Price, George Shirley, Tatiana Troyanos, New Philharmonia Orchestra, Erich Leinsdorf | | | 2:54 | |
Così fan tutte: Atto II. “Benedetti i doppi coniugi” | Ambrosian Opera Chorus, Sherrill Milnes, Leontyne Price, George Shirley, Tatiana Troyanos, New Philharmonia Orchestra, Erich Leinsdorf | | | 6:52 | |
Così fan tutte: Atto II. “Fate presto, o cari amici” (Finale) | Ambrosian Opera Chorus, Ezio Flagello, Judith Raskin, New Philharmonia Orchestra, Erich Leinsdorf | | | 1:51 | |
Così fan tutte: Atto II. “Miei signori, tutto e fatto” | Ambrosian Opera Chorus, Ezio Flagello, Sherrill Milnes, Leontyne Price, Judith Raskin, George Shirley, Tatiana Troyanos, New Philharmonia Orchestra, Erich Leinsdorf | | | 3:30 | |
Così fan tutte: Atto II. “Sani e salvi” | Ambrosian Opera Chorus, Ezio Flagello, Sherrill Milnes, Leontyne Price, Judith Raskin, George Shirley, Tatiana Troyanos, New Philharmonia Orchestra, Erich Leinsdorf | | | 9:50 | |
Così fan tutte: Atto II. “Secondate, aurette amiche” (Duet with Chorus) | Ambrosian Opera Chorus, Sherrill Milnes, George Shirley, New Philharmonia Orchestra, Erich Leinsdorf | | | 3:01 | |
Coventry Carol | The Ambrosian Singers, Leonard Raver | | | 3:23 | |
Credo - Offertorium: Assumpta Est Maria | The London Ambrosian Singers, Les Menestrels, John McCarthy | | | 8:17 | |
Cucu, cucu | The Ambrosian Singers & Players, Denis Stevens | | | 1:08 | |
Deck the Halls | John McCarthy, The Ambrosian Singers, Joan Sutherland, New Philharmonia Orchestra, Richard Bonynge | | | 1:19 | |
Deck The Halls | Joan Sutherland / Ambrosian Singers / National Philharmonic Orchestra / Richard Bonynge | | | 1:16 | |
Déposons les armes | Ambrosian Opera Chorus | | | 6:25 | |
Der Fliegende Holländer: Act II. Sentas Ballade „Johohoe! Traft ihr das Schiff“ | Ambrosian Singers, Jessye Norman, London Philharmonic Orchestra, Klaus Tennstedt | | | 8:37 | |
Der Opernball: Im chambre séparée | Ambrosian Light Opera Chorus, Joan Sutherland, New Philharmonia Orchestra, Richard Bonynge | | | 4:13 | |
Der Troubadour: Chor der Schmiedgesellen | Ambrosian Opera Chorus, Philharmonia Orchestra, Zubin Mehta | | | 2:51 | |
Di Madride Noi Siam Mattadori | Suso Mariategui, Ambrosian Opera Chorus | | | 2:52 | |
Dido and Aeneas, Z 626: Act I, Scene 1: Dido's Court. “Banish sorrow, banish care” (Chorus) | John McCarthy, Ambrosian Singers, Raymond Leppard, English Chamber Orchestra, Sir John Barbirolli | | | 0:37 | |
Dido and Aeneas, Z 626: Act I, Scene 1: Dido's Court. “Cupid only throws the dart” (Chorus) | John McCarthy, Ambrosian Singers, Raymond Leppard, English Chamber Orchestra, Sir John Barbirolli | | | 0:43 | |
Dido and Aeneas, Z 626: Act I, Scene 1: Dido's Court. “Fear no danger to ensue” (Belinda, 2nd Woman, Chorus) | John McCarthy, Ambrosian Singers, Heather Harper, Raymond Leppard, English Chamber Orchestra, Sir John Barbirolli | | | 1:45 | |
Dido and Aeneas, Z 626: Act I, Scene 1: Dido's Court. “The the hills and the vales” (Chorus) | John McCarthy, Ambrosian Singers, Raymond Leppard, English Chamber Orchestra, Sir John Barbirolli | | | 1:24 | |
Dido and Aeneas, Z 626: Act I, Scene 1: Dido's Court. “When monarchs unite” (Chorus) | John McCarthy, Ambrosian Singers, Raymond Leppard, English Chamber Orchestra, Sir John Barbirolli | | | 0:16 | |
Dido and Aeneas, Z 626: Act I, Scene 2: The Cave of the Sorceress. “Harm's our delight and mischief all our skill” (Chorus) | John McCarthy, Ambrosian Singers, Raymond Leppard, English Chamber Orchestra, Sir John Barbirolli | | | 0:17 | |
Dido and Aeneas, Z 626: Act I, Scene 2: The Cave of the Sorceress. “In our deep vaulted cell” (Chorus) | John McCarthy, Ambrosian Singers, Raymond Leppard, English Chamber Orchestra, Sir John Barbirolli | | | 1:40 | |
Dido and Aeneas, Z 626: Act I, Scene 2: The Cave of the Sorceress. “Ruin'd ere the set of sun?” (1st & 2nd Witches, Sorceress, Chorus) | John McCarthy, Ambrosian Singers, Patricia Johnson, Sybil Michelow, Clare Walmseley, Raymond Leppard, English Chamber Orchestra, Sir John Barbirolli | | | 1:36 | |
Dido and Aeneas, Z 626: Act I, Scene 2: The Cave of the Sorceress. “The Queen of Carthage, whom we hate” (Sorceress, Chorus) | John McCarthy, Ambrosian Singers, Patricia Johnson, Raymond Leppard, English Chamber Orchestra, Sir John Barbirolli | | | 0:47 | |
Dido and Aeneas, Z 626: Act II: A Grove during the middle of a Hunt. “Haste, haste to town” (Belinda, Chorus) | John McCarthy, Ambrosian Singers, Heather Harper, Raymond Leppard, English Chamber Orchestra, Sir John Barbirolli | | | 0:53 | |
Dido and Aeneas, Z 626: Act II: A Grove during the middle of a Hunt. “Thanks to these lonesome vales” (Belinda, Chorus) | John McCarthy, Ambrosian Singers, Heather Harper, Raymond Leppard, English Chamber Orchestra, Sir John Barbirolli | | | 1:37 | |
Dido and Aeneas, Z 626: Act III: The Harbour at Carthage. “Come away, fellow sailors” (Sailor, Chorus) | John McCarthy, Ambrosian Singers, Robert Tear, Raymond Leppard, English Chamber Orchestra, Sir John Barbirolli | | | 1:43 | |
Dido and Aeneas, Z 626: Act III: The Harbour at Carthage. “Destruction's our delight” (Chorus) | John McCarthy, Ambrosian Singers, Raymond Leppard, English Chamber Orchestra, Sir John Barbirolli | | | 0:46 | |
Dido and Aeneas, Z 626: Act III: The Palace. “Great minds against themselves conspire” (Chorus) | John McCarthy, Ambrosian Singers, Raymond Leppard, English Chamber Orchestra, Sir John Barbirolli | | | 1:26 | |
Dido and Aeneas, Z 626: Act III: The Palace. “With drooping wings ye Cupids come” (Chorus) | John McCarthy, Ambrosian Singers, Raymond Leppard, English Chamber Orchestra, Sir John Barbirolli | | | 3:09 | |