Preparation for the Final Mystery: Part One: Universe. Flamboyant | | | | | | | |
Preparation for the Final Mystery: Part One: Universe. Lent, impérieux | | | | | | | |
Preparation for the Final Mystery: Part One: Universe. Ondoyant - le rêve prend forme | | | | | | | |
Preparation for the Final Mystery: Part One: Universe. Più mosso - de plus en plus triomphant | | | | | | | |
Preparation for the Final Mystery: Part One: Universe. Volando | | | | | | | |
Preparation for the Final Mystery: Part Three: Transfiguration. Allegro con collera - lento timidamente - febbrilmente | | | | | | | |
Preparation for the Final Mystery: Part Three: Transfiguration. Avec un intense désir | | | | | | | |
Preparation for the Final Mystery: Part Three: Transfiguration. Calme - extatique | | | | | | | |
Preparation for the Final Mystery: Part Three: Transfiguration. Comtemplatif - supplicare - con lagrime - devoto | | | | | | | |
Preparation for the Final Mystery: Part Three: Transfiguration. Con timidezza - con agitazione - con ira - con rabbia | | | | | | | |
Preparation for the Final Mystery: Part Three: Transfiguration. Infernale | | | | | | | |
Preparation for the Final Mystery: Part Three: Transfiguration. Lent, vague, indécis | | | | | | | |
Preparation for the Final Mystery: Part Three: Transfiguration. Misterioso, avec une ardeur profonde et voilée | | | | | | | |
Preparation for the Final Mystery: Part Three: Transfiguration. Per enigme, inafferrando | | | | | | | |
Preparation for the Final Mystery: Part Three: Transfiguration. Sublime | | | | | | | |
Preparation for the Final Mystery: Part Three: Transfiguration. Très lent, contemplatif | | | | | | | |
Preparation for the Final Mystery: Part Two: Mankind. Con timidezza - misterioso, concentré - avec une volupté radieuse - très dansant | | | | | | | |
Preparation for the Final Mystery: Part Two: Mankind. Déchirant - dedicazione | | | | | | | |
Preparation for the Final Mystery: Part Two: Mankind. Giubiloso, extatique | | | | | | | |
Preparation for the Final Mystery: Part Two: Mankind. Grandiose et énigmatique | | | | | | | |
Preparation for the Final Mystery: Part Two: Mankind. Religioso - mystérieusement - fermamente luminoso | | | | | | | |
Preparation for the Final Mystery: Part Two: Mankind. Solennemente, rituale | | | | | | | |
Prometheus, S. 99 | | | | | | | |
Psalm 24: The Earth Is the Lord's | | | | | | | |
Requiem, op. 9: V. Pie Jesu | | - Atlanta Symphony Orchestra Chorus, Atlanta Symphony Orchestra, Robert Shaw
- Béatrice Uria‐Monzon, Eric Lebrun, François Poly, Michel Piquemal
- Jean Sourisse, Chœur de l'Orchestre Colonne, Ensemble Vocal “Audite Nova” de Paris, Philippe Corboz, Orchestre Colonne, Michel Corboz
- Ann Murray, Thomas Trotter, Matthew Best
- (show 15 more)
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Ride of the Valkyries from “Die Walküre” | | | | | | | |
Rienzi, der letzte der Tribunen, WWV 49: Ouvertüre | | | | Overture | | | |
Scherzo, op. 2 | | | | | | | |
Sonate "Der 94. Psalm" in c-Moll | | | | Sonata | | | |
Suite pour Orgue: I. Introduction et variations | | | | | | | |
Suite pour Orgue: II. Scherzo | | | | | | | |
Suite pour Orgue: III. Choral | | | | | | | |
Suite, op. 5: I. Prélude | | | | | | | |
Suite, op. 5: II. Sicilienne | | | | | | | |
Suite, op. 5: III. Toccata | | | | | | | |
Symphonie pour orgue N° 6 en Sol mineur, op. 42 N° 2: I. Allegro | | | | | | | |
Te Deum in G major | | | | | | | |
The Darkness Is No Darkness | | | | | | | |
The Lord ascendeth up on high | | - Choir of St John’s College, Cambridge, Brian Runnett, George Guest
- Choir of St John’s College, Cambridge, Jonathan Bielby, London Brass Players, George Guest
- Choir of King’s College, Cambridge, Thomas Trotter, Philip Ledger
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The Nutcracker: Danse des mirlitons | | | | | | | |
The Nutcracker: Ouverture miniature | | | | | | | |
The Nutcracker: Valse des fleurs | | | | | | | |
The Secret Garden | | | | | | | |
The Typewriter | | | | | | | 5 |
Thou wilt keep him in perfect peace | | | | | | | |
Three Choral Hymns: Hymn for a Musician | | | | | | | |
Three Choral Hymns: Hymn to the Stars | | | | | | | |
Three Choral Hymns: Morning and Evening | | | | | | | |
Three Songs of Praise: A Poet's Hymn | | | | | | | |
Three Songs of Praise: Lauds | | | | | | | |
Three Songs of Praise: Praise | | | | | | | |
Toccata Festiva, op. 36 | | | | | | | |
Triosonate für Orgel Nr. 1 Es-Dur, BWV 525: I. (Allegro) | | | | | | | |
Triosonate für Orgel Nr. 1 Es-Dur, BWV 525: II. Adagio | | | | | | | |
Triosonate für Orgel Nr. 1 Es-Dur, BWV 525: III. Allegro | | | | | | | |
Trois danses: Deuils | | | | | | | |
Trois danses: Joies | | | | | | | |
Trois danses: Luttes | | | | | | | |
Variations on a Theme by Paganini (A Study for the Pedals) | | | | | | | |
Variations sur un thème de Clement Janequin | | | | | | | |
Vesper Voluntaries, op. 14: I. Introduction and Andante | | | | | | | |
Vesper Voluntaries, op. 14: II. Allegro | | | | | | | |
Vesper Voluntaries, op. 14: III. Andantino | | | | | | | |
Vesper Voluntaries, op. 14: IV. Allegretto piacevole (Intermezzo) | | | | | | | |
Vesper Voluntaries, op. 14: V. Poco lento | | | | | | | |
Vesper Voluntaries, op. 14: VI. Moderato | | | | | | | |
Vesper Voluntaries, op. 14: VII. Allegretto pensoso | | | | | | | |
Vesper Voluntaries, op. 14: VIII. Poco allegro and Coda | | | | | | | |
Via Crucis, S. 53: Einleitung. Vexilla regis | | | | | | | |
Via Crucis, S. 53: Station I: Jesus wird zum Tode verdammt | | | | | | | |
Via Crucis, S. 53: Station II: Jesus trägt sein Kreuz | | | | | | | |
Via Crucis, S. 53: Station III: Jesus fällt zum ersten Mal | | | | | | | |
Via Crucis, S. 53: Station IV: Jesus begegnet seiner Heiligen Mutter | | | | | | | |
Via Crucis, S. 53: Station IX: Jesus fällt zum dritten Mal | | | | | | | |
Via Crucis, S. 53: Station V: Simon von Kyrene hilft Jesus das Kreuz zu tragen | | | | | | | |
Via Crucis, S. 53: Station VI: Sancta Veronica | | | | | | | |
Via Crucis, S. 53: Station VII: Jesus fällt zum zweiten Mal | | | | | | | |
Via Crucis, S. 53: Station VIII: Die Frauen von Jerusalem | | | | | | | |
Via Crucis, S. 53: Station X: Jesus wird entkleidet | | | | | | | |
Via Crucis, S. 53: Station XI: Jesus wird ans Kreuz geschlagen | | | | | | | |
Via Crucis, S. 53: Station XII: Jesus stirbt am Kreuze | | | | | | | |
Via Crucis, S. 53: Station XIII: Jesus wird vom Kreuz genommen | | | | | | | |
Via Crucis, S. 53: Station XIV: Jesus wird ins grab gelegt | | | | | | | |
Weinen, Klagen, Sorgen, Zagen, Präludium nach Johann Sebastian Bach, S. 179 | | | | | | | |
William Tell: Overture | | | | Overture | | | |