| vocals |
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| 1965-08-25 – 1965-08-27 | Dido and Aeneas, Z 626: Act I, Scene 2: The Cave of the Sorceress. “Ruin'd ere the set of sun?” (1st & 2nd Witches, Sorceress, Chorus) | mezzo-soprano vocals [Sorceress] | John McCarthy, Ambrosian Singers, Patricia Johnson, Sybil Michelow, Clare Walmseley, Raymond Leppard, English Chamber Orchestra, Sir John Barbirolli | 1:36 |
| 1965-08-25 – 1965-08-27 | Dido and Aeneas, Z 626: Act I, Scene 2: The Cave of the Sorceress. “The Queen of Carthage, whom we hate” (Sorceress, Chorus) | mezzo-soprano vocals [Sorceress] | John McCarthy, Ambrosian Singers, Patricia Johnson, Raymond Leppard, English Chamber Orchestra, Sir John Barbirolli | 0:47 |
| 1965-08-25 – 1965-08-27 | Dido and Aeneas, Z 626: Act I, Scene 2: The Cave of the Sorceress. “Wayward sisters” (Sorceress, First Witch) | mezzo-soprano vocals [Sorceress] | Patricia Johnson, Clare Walmseley, Raymond Leppard, English Chamber Orchestra, Sir John Barbirolli | 3:13 |
| 1965-08-25 – 1965-08-27 | Dido and Aeneas, Z 626: Act III: The Harbour at Carthage. “Our next notion must be to storm her lover” (Sorceress) | mezzo-soprano vocals [Sorceress] | Patricia Johnson, Raymond Leppard, English Chamber Orchestra, Sir John Barbirolli | 0:40 |
| 1965-08-25 – 1965-08-27 | Dido and Aeneas, Z 626: Act III: The Harbour at Carthage. “See, see the flags and streamers curling” (Sorceress, 1st & 2nd Witches) | mezzo-soprano vocals [Sorceress] | Patricia Johnson, Sybil Michelow, Clare Walmseley, Raymond Leppard, English Chamber Orchestra, Sir John Barbirolli | 1:01 |
| 1968-02 | Lulu: Zweiter Akt: »Er lässt auf sich warten wie ein Kapellmeister« | mezzo-soprano vocals [Gräfin Geschwitz] | Dietrich Fischer‐Dieskau, Josef Greindl, Donald Grobe, Patricia Johnson, Evelyn Lear, Orchester der Deutschen Oper Berlin, Karl Böhm | 4:28 |
| 1968-02 | Lulu: Zweiter Akt: »Sie glauben nicht, wie ich mich darauf freue« | mezzo-soprano vocals [Gräfin Geschwitz] | Dietrich Fischer‐Dieskau, Josef Greindl, Donald Grobe, Patricia Johnson, Evelyn Lear, Orchester der Deutschen Oper Berlin, Karl Böhm | 5:36 |
| 1968-02 | Lulu: Zweiter Akt: Arietta »Du kannst mich nicht dem Gericht ausliefern!« | mezzo-soprano vocals [Gräfin Geschwitz] | Dietrich Fischer‐Dieskau, Josef Greindl, Donald Grobe, Patricia Johnson, Evelyn Lear, Orchester der Deutschen Oper Berlin, Karl Böhm | 1:05 |
| 1968-02 | Lulu: Zweiter Akt: Introduktion »Wo ist der denn hin?« / Fünfstrophige Arie »Du Kreatur, die mich durch den Straßenkot zum Martertode schleift!« | mezzo-soprano vocals [Gräfin Geschwitz] | Dietrich Fischer‐Dieskau, Josef Greindl, Donald Grobe, Patricia Johnson, Evelyn Lear, Orchester der Deutschen Oper Berlin, Karl Böhm | 2:56 |
| 1968-02 | Lulu: Zweiter Akt: V. Strophe der Arie des Dr. Schön »Nieder, Mörderin! In die Knie!« | mezzo-soprano vocals [Gräfin Geschwitz] | Dietrich Fischer‐Dieskau, Josef Greindl, Donald Grobe, Patricia Johnson, Evelyn Lear, Orchester der Deutschen Oper Berlin, Karl Böhm | 2:56 |
| 1968-03 | Le nozze di Figaro, K. 492: Act I, Scene IV. No. 5 Duettino "Via, resti servita, madama brillante" (Marcellina, Susanna) | mezzo-soprano vocals | Chor der Deutschen Oper Berlin, Patricia Johnson, Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm | 4:01 |
| 1968-03 | Le nozze di Figaro, K. 492: Act III, Scene VIII. No. 18 Sestetto "Riconosci in questo amplesso" (Marcellina, Figaro, Bartolo, Don Curzio, Il Conte, Susanna) | mezzo-soprano vocals | Dietrich Fischer‐Dieskau, Gundula Janowitz, Patricia Johnson, Peter Lagger, Edith Mathis, Hermann Prey, Martin Vantin, Orchester der Deutschen Oper Berlin, Karl Böhm | 6:25 |
| 1968-03 | Le nozze di Figaro, K. 492: Act IV, Scene VI. No. 24 Aria "Il capro e la capretta" (Marcellina) | mezzo-soprano vocals | Patricia Johnson, Orchester der Deutschen Oper Berlin, Karl Böhm | 5:29 |
| 1968-03 | Le nozze di Figaro: Atto I. 5. Duettino: “Via, resti servita” (Marcellina, Susanna) | mezzo-soprano vocals [Marcellina] | Orchester der Deutschen Oper Berlin, Karl Böhm | 2:20 |
| 1968-03 | Le nozze di Figaro: Atto I. Recitativo: “Ed aspettaste il giorno” (Bartolo, Marcellina) | mezzo-soprano vocals [Marcellina] | Orchester der Deutschen Oper Berlin, Karl Böhm | 1:03 |
| 1968-03 | Le nozze di Figaro: Atto I. Recitativo: “Tutto ancor no ho perso” (Marcellina, Susanna) | mezzo-soprano vocals [Marcellina] | Orchester der Deutschen Oper Berlin, Karl Böhm | 0:47 |
| 1968-03 | Le nozze di Figaro: Atto II. 15. Finale: “Voi signor, che giusto siete” (Marcellina, Basilio, Bartolo, Conte, Susanna, Contessa, Figaro) | mezzo-soprano vocals [Marcellina] | Orchester der Deutschen Oper Berlin, Karl Böhm | 4:01 |
| 1968-03 | Le nozze di Figaro: Atto III. “Eccovi, o caro amico” (Marcellina, Bartolo, Susanna, Figaro) | mezzo-soprano vocals [Marcellina] | Orchester der Deutschen Oper Berlin, Karl Böhm | 1:01 |
| 1968-03 | Le nozze di Figaro: Atto III. 18. Sestetto: “Riconosci in questo amplesso” (Marcellina, Figaro, Bartolo, Don Curzio, Conte, Susanna) | mezzo-soprano vocals [Marcellina] | Orchester der Deutschen Oper Berlin, Karl Böhm | 4:48 |
| 1968-03 | Le nozze di Figaro: Atto III. Recitativo: “È decisa la lite” (Don Curzio, Marcellina, Figaro, Conte, Bartolo) | mezzo-soprano vocals [Marcellina] | Orchester der Deutschen Oper Berlin, Karl Böhm | 1:47 |
| 1968-03 | Le nozze di Figaro: Atto IV. 24. Aria: “Il capro e la capretta” (Marcellina) | mezzo-soprano vocals [Marcellina] | Orchester der Deutschen Oper Berlin, Karl Böhm | 3:39 |
| 1968-03 | Le nozze di Figaro: Atto IV. Recitativo: “Barbarina, cos’hai?” (Figaro, Barbarina, Marcellina) | mezzo-soprano vocals [Marcellina] | Orchester der Deutschen Oper Berlin, Karl Böhm | 2:17 |
| 1968-03 | Le nozze di Figaro: Atto IV. Recitativo: “Signora, ella mi disse” (Susanna, Marcellina, Contessa, Figaro) | mezzo-soprano vocals [Marcellina] | Orchester der Deutschen Oper Berlin, Karl Böhm | 0:50 |
| Careless Rapture: Why Is There Ever Goodbye? | | Patricia Johnson, New World Show Orchestra, Kenneth Alwyn | 3:44 |
| Dido and Aeneas, Z. 626: Act 2. "Prelude for…" / "Harms our…" / "The Queen" / "Ho, ho, ho" | mezzo-soprano vocals [Sorceress] | Jürgen Jürgens, Margaret Baker, Patricia Johnson, Kammerorchester des Norddeutschen Rundfunks, Charles Mackerras | 2:38 |
| Dido and Aeneas, Z. 626: Act 2. "Ruin'd ere the set of sun" … "But ere we this perform" | mezzo-soprano vocals [Sorceress] | Jürgen Jürgens, Margaret Baker, Patricia Johnson, Margaret Lensky, Kammerorchester des Norddeutschen Rundfunks, Charles Mackerras | 2:44 |
| Dido and Aeneas, Z. 626: Act 2. "Then since our charms have sped" - A Dance - The Groves Dance | mezzo-soprano vocals [Sorceress] | Jürgen Jürgens, Margaret Baker, Patricia Johnson, Margaret Lensky, Kammerorchester des Norddeutschen Rundfunks, Charles Mackerras | 1:47 |
| Dido and Aeneas, Z. 626: Act 3. "Our next motion" - "Destruction's our delight" | mezzo-soprano vocals [Sorceress] | Jürgen Jürgens, Patricia Johnson, Kammerorchester des Norddeutschen Rundfunks, Charles Mackerras | 1:21 |
| Dido and Aeneas, Z. 626: Act 3. The Sailors' Dance - "See the flags and streamers curling" | mezzo-soprano vocals [Sorceress] | Jürgen Jürgens, Margaret Baker, Patricia Johnson, Margaret Lensky, Kammerorchester des Norddeutschen Rundfunks, Charles Mackerras | 1:53 |
| Glamorous Night: Shanty Town | | Patricia Johnson, New World Show Orchestra, Kenneth Alwyn | 3:57 |
| vocals |
|---|
| Der junge Lord | mezzo-soprano vocals | Henze; Mathis, Grobe, McDaniel, Johnson, Driscoll, von Dohnányi | |
