| conducted |
---|
1989 | En Aranjuez con tu amor | | Plácido Domingo, Peter Horton, Eugene Kohn | 2:48 |
1989 | Jealousy Tango | | Plácido Domingo, Eugene Kohn | 2:46 |
1989 | La Golondrina | | Plácido Domingo, Eugene Kohn | 3:07 |
1990 | Quando al soave anelita | | Plácido Domingo, National Philharmonic Orchestra, Eugene Kohn | 3:20 |
1990 | Svegliatevi nel core | | Plácido Domingo, National Philharmonic Orchestra, Eugene Kohn | 4:58 |
1991 | Dies Bildnis ist bezaubernd schön | | Plácido Domingo, Münchner Rundfunkorchester, Eugene Kohn | 3:52 |
1991 | Don Giovanni, K. 527: Act II, Scene II. "Il mio tesoro" | | Plácido Domingo, Münchner Rundfunkorchester, Eugene Kohn | 4:08 |
1991 | Un’aura amorosa | | Plácido Domingo, Münchner Rundfunkorchester, Eugene Kohn | 4:11 |
| 'O sole mio | | Plácido Domingo, Eugene Kohn | 2:57 |
| All I Ask of You (From the Phantom of the Opera With Rebeccaluker) | | Plácido Domingo | 5:12 |
| All the Things You Are (From Very Warm for May) | | Plácido Domingo | 3:52 |
| Alzira: Atto II. “Amici! - ebben?” | | Plácido Domingo, Thomas Hampson, Philharmonia Orchestra, Eugene Kohn | 3:41 |
| Alzira: Atto II. “Irne lungi ancor dovrei” … “Non di codarde lagrime” | | Plácido Domingo, Thomas Hampson, Philharmonia Orchestra, Eugene Kohn | 6:41 |
| Astro del cielo | | Plácido Domingo, Czech National Symphony Orchestra, Eugene Kohn | 3:19 |
| Attila: Atto I. “Ella in poter del barbaro!” … “Cara patria già madre e reina” | | Plácido Domingo, National Philharmonic Orchestra, Eugene Kohn | 5:10 |
| Attila: Atto I. “Oh, tutto di navicelle” | | Ambrosian Opera Chorus, Plácido Domingo, National Philharmonic Orchestra, Eugene Kohn | 2:11 |
| Bésame mucho | | Plácido Domingo with Chris Botti | 3:44 |
| Bésame mucho / Solamente una vez | | Plácido Domingo, Paloma San Basilio | 5:29 |
| Canción para una reina | | Plácido Domingo | 3:43 |
| Celos (Jalousie) | | Plácido Domingo | 3:44 |
| Come What May (from Moulin Rouge) | | Plácido Domingo with Katherine Jenkins | 4:35 |
| Così fan tutte, K. 588: Act I, Scene XII. "Un'aura amorosa" | | Plácido Domingo, Münchner Rundfunkorchester, Eugene Kohn | 4:12 |
| Così fan tutte: "Un'aura amorosa" (Atto I) | | Plácido Domingo, Münchner Rundfunkorchester, Eugene Kohn | 4:11 |
| Così fan tutte: Atto II. “Un aura amorosa” | | Plácido Domingo, Münchner Rundfunkorchester, Eugene Kohn | 4:11 |
| Don Giovanni, K. 527: Act I, Scene III. "Dalla sua pace" | | Plácido Domingo, Münchner Rundfunkorchester, Eugene Kohn | 3:53 |
| Don Pasquale: “Quel guardo il cavaliere” | | Ana Panagulias, Symphonic Orchestra of Miami, Eugene Kohn | 5:32 |
| El cóndor pasa | | Plácido Domingo | 3:01 |
| El coro de los vareadores | | Plácido Domingo | 3:50 |
| El día que me quieras | | Plácido Domingo, Paloma San Basilio | 4:53 |
| El gato montés | | Plácido Domingo, Ana Panagulias, Symphonic Orchestra of Miami, Eugene Kohn | 3:46 |
| En Aranjuez con tu amor | | Plácido Domingo | 2:47 |
| Eternally (from Charlie Chaplin’s Limelight) | | Plácido Domingo | 3:20 |
| From This Moment On | | Plácido Domingo with Susan Boyle | 4:46 |
| Giulio Cesare in Eggito, HWV 17: Act I, Scene IV. "Svegliatevi nel core" | | Plácido Domingo, National Philharmonic Orchestra, Eugene Kohn | 4:58 |
| Granada | | Plácido Domingo | 4:35 |
| Granada | | Plácido Domingo, Miami Symphony Orchestra, Eugene Kohn | 3:52 |
| Granada | | Plácido Domingo | 3:52 |
| Il mio cuore va (My Heart Will Go On) | | Plácido Domingo with Megan Hilty | 4:41 |
| Jealousy Tango | | Plácido Domingo | 2:46 |
| L’Africaine: “O Paradis” | | Plácido Domingo, Symphonic Orchestra of Miami, Eugene Kohn | 3:17 |
| L’elisir d’amore: “Esulti pur la barbara” (with reprise) | | Plácido Domingo, Ana Panagulias, Symphonic Orchestra of Miami, Eugene Kohn | 8:21 |
| La boda de Luis Alonso: Intermedio | | Symphonic Orchestra of Miami, Eugene Kohn | 5:29 |
| La Chanson des vieux amants | | Plácido Domingo with Zaz | 4:42 |
| La del manojo de rosas: “Madrileña bonita” | | Plácido Domingo, Symphonic Orchestra of Miami, Eugene Kohn | 2:41 |
| La golondrina | | Plácido Domingo | 3:06 |
| La paloma | | Paloma San Basilio | 3:02 |
| La revoltosa | | Plácido Domingo, Paloma San Basilio | 5:38 |
| Labios silencio (from "La viuda alegre') | | Plácido Domingo, Paloma San Basilio | 3:10 |
| Los nardos | | Paloma San Basilio | 3:03 |
| Love Is Here to Stay (From the Goldenage Follies) | | Plácido Domingo | 3:13 |
| Love Story | | Plácido Domingo | 4:24 |
| Lucia di Lammermoor: “Fra poco a me ricovero” | | Plácido Domingo, Symphonic Orchestra of Miami, Eugene Kohn | 7:27 |
| Luisa Fernanda: Los vareadores | | Plácido Domingo, Symphonic Orchestra of Miami, Eugene Kohn | 3:51 |
| Madrileña bonita | | Plácido Domingo | 2:39 |
| Manon Lescaut: Intermezzo | | Symphonic Orchestra of Miami, Eugene Kohn | 4:50 |
| Nerone: Act III. "Vergini, Muse... Quando al soave anelito" | | Plácido Domingo, National Philharmonic Orchestra, Eugene Kohn | 3:20 |
| New York, New York | | Paloma San Basilio | 3:06 |
| No llores por me Argentina | | Paloma San Basilio | 6:38 |
| Oh, What a Beautiful Mornin' (From Oklahoma) | | Plácido Domingo | 2:57 |
| Oh! What a Beautiful Mornin’ | | Plácido Domingo | 2:58 |
| Over There (From George M) | | Plácido Domingo | 2:32 |
| Parla più piano (theme from The Godfather) | | Plácido Domingo | 3:44 |
| Popurri: América tiene amores / La flor de la canela / La ruana / Alfonsina y el mar / Alma llanera / Guantanamera / América tiene amores | | Paloma San Basilio | 15:53 |
| Send in the Clowns (From a Little Night Music) | | Plácido Domingo | 3:48 |
| Siboney | | Plácido Domingo | 2:48 |
| So in Love (From Kiss Me Kate) | | Plácido Domingo | 5:21 |
| Somewhere | | Plácido Domingo, Paloma San Basilio | 2:23 |
| Somewhere (From West Side Story) | | Plácido Domingo | 4:39 |
| Somewhere, My Love | | Plácido Domingo | 4:08 |
| Sous le ciel de Paris | | Plácido Domingo with Josh Groban | 3:39 |
| Spanish Eyes | | Plácido Domingo | 3:07 |
| Stormy Weather | | Paloma San Basilio | 2:59 |
| The Girl from Ipanema | | Plácido Domingo | 3:22 |
| The Last Night of the World | | Plácido Domingo, Carly Simon | 5:08 |
| The Last Night of the World (From Miss Saigon With Carly Simon) | | Plácido Domingo | 5:10 |
| Time After Time | | Plácido Domingo with Harry Connick, Jr. | 2:49 |
| Tonight (From West Side Story) | | Plácido Domingo | 2:48 |
| Tosca: “E lucevan le stelle” | | Plácido Domingo, Symphonic Orchestra of Miami, Eugene Kohn | 2:50 |
| Tosca: Act I. "Recondita armonia" | | Plácido Domingo, National Philharmonic Orchestra, Eugene Kohn | 2:59 |
| Tosca: Act I. "Recondita armonia" (Cavaradossi) | | Plácido Domingo, National Philharmonic Orchestra, Eugene Kohn | 2:58 |
| Try to Remember (From the Fantasticks) | | Plácido Domingo | 4:15 |
| Un uomo tra la folla | | Plácido Domingo | 2:39 |
| Valencia | | Plácido Domingo | 2:47 |
| What a Wonderful World | | Plácido Domingo mit Xavier Naidoo | 3:58 |
| What a Wonderful World | | Plácido Domingo with Plácido Domingo Jr. | 3:57 |
| What a Wonderful World (sung in Italian) | | Plácido Domingo, Eugene Kohn & Francesco Renga | ?:?? |
| What Kind of Fool Am I (From Stop the World - I Want to Get Off) | | Plácido Domingo | 2:54 |
| You'll Never Walk Alone (From Carousel) | | Plácido Domingo | 3:40 |
| Younger Than Springtime (From South Pacific) | | Plácido Domingo | 3:51 |
| instruments |
---|
1971-03 | Norma: Atto I. “Casta diva”: Master Class Pamela Hebert | piano | Maria Callas, Pamela Hebert, Eugene Kohn | 10:12 |
1971-11 | Il barbiere di Siviglia: Atto I. “Una voce poco fa” | piano | Maria Callas, Syble Young, Eugene Kohn | 15:57 |
1972-02 | Fidelio: Akt I. “Abscheulicher! Wo eilst du hin?”: Master Class Pamela Hebert | piano | Maria Callas, Pamela Hebert, Eugene Kohn | 17:07 |
1972-02 | La Bohème: “Sì. Mi chiamano Mimì” | piano | Maria Callas, Kyu Do Park, Eugene Kohn | 14:02 |
1972-02 | Madama Butterfly: Atto II. “Che tua madre dovrà”: Master Class Akiko Ikuo Hayashi | piano | Maria Callas, Akiko Ikuo Hayashi, Eugene Kohn | 10:49 |
1972-02 | Rigoletto: Atto II. “Cortigiani, vil razza dannata”: Master Class Sung Kil Kim | piano | Maria Callas, Sung Kil Kim, Eugene Kohn | 13:53 |