| balance engineered |
|---|
| 1974-07 | Piano Sonata in C-sharp minor, Hob. XVI:36: 1. Moderato | | | Christoph Eschenbach | 5:07 |
| 1974-07 | Piano Sonata in C-sharp minor, Hob. XVI:36: 2. Scherzando (Allegro con brio) | | | Christoph Eschenbach | 2:45 |
| 1974-07 | Piano Sonata in C-sharp minor, Hob. XVI:36: 3. Menuetto | | | Christoph Eschenbach | 3:44 |
| 1974-07 | Piano Sonata in C, Hob. XVI:35: 1. Allegro con brio | | | Christoph Eschenbach | 5:25 |
| 1974-07 | Piano Sonata in C, Hob. XVI:35: 2. Adagio | | | Christoph Eschenbach | 3:47 |
| 1974-07 | Piano Sonata in C, Hob. XVI:35: 3. Finale (Allegro) | | | Christoph Eschenbach | 3:23 |
| 1974-07 | Piano Sonata in D, Hob. XVI:37: 1. Allegro con brio | | | Christoph Eschenbach | 3:58 |
| 1974-07 | Piano Sonata in D, Hob. XVI:37: 2. Largo e sostenuto | | | Christoph Eschenbach | 3:42 |
| 1974-07 | Piano Sonata in D, Hob. XVI:37: 3. Finale (Presto, ma non troppo) | | | Christoph Eschenbach | 2:42 |
| 1974-07 | Piano Sonata in E minor, Hob. XVI:34: 1. Presto | | | Christoph Eschenbach | 3:38 |
| 1974-07 | Piano Sonata in E minor, Hob. XVI:34: 2. Adagio | | | Christoph Eschenbach | 5:18 |
| 1974-07 | Piano Sonata no. 37: III. Vivace Molto, Innocentemente | | | Christoph Eschenbach | 3:04 |
| 1977-06 | La fanciulla del West: Atto I. “Andiamo, ragazzi! Un po’ di calma” (Rance) | | | Chorus of the Royal Opera House, Covent Garden, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 1:01 |
| 1977-06 | La fanciulla del West: Atto I. “Che faranno i vecchi miei” (Jake Wallace) | | | Chorus of the Royal Opera House, Covent Garden, Francis Egerton, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 3:43 |
| 1977-06 | La fanciulla del West: Atto I. “Chi c’è per farmi i ricci?” (Johnson) | | | Plácido Domingo, Sherrill Milnes, Carol Neblett, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 1:45 |
| 1977-06 | La fanciulla del West: Atto I. “Come voi, leggermi in cor non so” (Minnie) | | | Plácido Domingo, Francis Egerton, Carol Neblett, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 2:30 |
| 1977-06 | La fanciulla del West: Atto I. “Dove eravamo?” (Minnie) | | | Paul Crook, John Dobson, Francis Egerton, Paul Hudson, Robin Leggate, Carol Neblett, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 4:11 |
| 1977-06 | La fanciulla del West: Atto I. “Hello, Minnie!” (Tutti) | | | Chorus of the Royal Opera House, Covent Garden, Carol Neblett, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 3:46 |
| 1977-06 | La fanciulla del West: Atto I. “Hello, Nick!” (Harry, Joe, Bello, Minatori) | | | Chorus of the Royal Opera House, Covent Garden, Paul Crook, John Dobson, Francis Egerton, Malcolm King, Robin Leggate, Tom McDonnell, Sherrill Milnes, Jonathan Summers, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 3:46 |
| 1977-06 | La fanciulla del West: Atto I. “Io non son che una povera fanciulla” (Minnie) | | | Carol Neblett, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 1:32 |
| 1977-06 | La fanciulla del West: Atto I. “Jim, perché piangi?” (Trin, Harry, Joe, Sonora, Bello, Happy, Minatori) | | | Chorus of the Royal Opera House, Covent Garden, Paul Crook, John Dobson, William Elvin, Malcolm King, Robin Leggate, Robert Lloyd, Tom McDonnell, Sherrill Milnes, Jonathan Summers, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 2:42 |
| 1977-06 | La fanciulla del West: Atto I. “La posta!” (Nick, Minatori) | | | Chorus of the Royal Opera House, Covent Garden, Francis Egerton, Robert Lloyd, Carol Neblett, Handel Owen, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 2:47 |
| 1977-06 | La fanciulla del West: Atto I. “Laggiù nel Soledad” (Minnie) | | | Plácido Domingo, Sherrill Milnes, Carol Neblett, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 2:42 |
| 1977-06 | La fanciulla del West: Atto I. “Minnie, dalla mia casa son partito” (Rance) | | | Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 2:23 |
| 1977-06 | La fanciulla del West: Atto I. “Mister Johnson, siete rimasto indietro” (Minnie) | | | Plácido Domingo, Carol Neblett, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 4:11 |
| 1977-06 | La fanciulla del West: Atto I. “Mister Johnson, un valzer?” (Harry) | | | Chorus of the Royal Opera House, Covent Garden, Paul Crook, Plácido Domingo, Carol Neblett, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 4:41 |
| 1977-06 | La fanciulla del West: Atto I. “Mister Johnson, voi m’avete seccato!” (Rance) | | | Chorus of the Royal Opera House, Covent Garden, Plácido Domingo, Sherrill Milnes, Carol Neblett, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 1:13 |
| 1977-06 | La fanciulla del West: Atto I. “Mistress Rance, fra poco” (Rance) | | | Sherrill Milnes, Jonathan Summers, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 1:02 |
| 1977-06 | La fanciulla del West: Atto I. “Oh, non temete, nessuno ardirà!” (Johnson) | | | Plácido Domingo, Carol Neblett, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 5:41 |
| 1977-06 | La fanciulla del West: Atto I. “Quello che tacete” (Johnson) | | | Plácido Domingo, Francis Egerton, Carol Neblett, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 1:04 |
| 1977-06 | La fanciulla del West: Atto I. “Ti voglio bene, Minnie” (Rance) | | | Sherrill Milnes, Carol Neblett, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 2:00 |
| 1977-06 | La fanciulla del West: Atto I. “Un poker! Nick, gettoni!” (Rance) | | | Chorus of the Royal Opera House, Covent Garden, Robert Lloyd, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 1:47 |
| 1977-06 | La fanciulla del West: Atto I. “Vi ricordate di me?” (Johnson) | | | Plácido Domingo, Carol Neblett, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 1:41 |
| 1977-06 | La fanciulla del West: Atto I. Introduzione | | | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 2:57 |
| 1977-06 | La fanciulla del West: Atto II. “… lo so, lo so! Ma non vi avrei rubato!” (Johnson) | | | Plácido Domingo, Carol Neblett, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 3:30 |
| 1977-06 | La fanciulla del West: Atto II. “Billy, è fissato?… Domani” (Minnie, Billy) | | | Paul Hudson, Carol Neblett, Anne Wilkens, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 1:40 |
| 1977-06 | La fanciulla del West: Atto II. “Che c’è di nuovo, Jack?” (Minnie) | | | Sherrill Milnes, Carol Neblett, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 3:43 |
| 1977-06 | La fanciulla del West: Atto II. “È là! è là!… Ah, no… non voglio!” (Rance, Minnie) | | | Sherrill Milnes, Carol Neblett, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 2:10 |
| 1977-06 | La fanciulla del West: Atto II. “Hello!… Chiamano” (Nick, Johnson) | | | Plácido Domingo, Francis Egerton, Robert Lloyd, Sherrill Milnes, Carol Neblett, Jonathan Summers, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 4:32 |
| 1977-06 | La fanciulla del West: Atto II. “Il mio bimbo è grande e piccino” (Wowkle) | | | Paul Hudson, Anne Wilkens, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 1:54 |
| 1977-06 | La fanciulla del West: Atto II. “L’han ferito… Che importa?” (Minnie) | | | Plácido Domingo, Carol Neblett, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 2:14 |
| 1977-06 | La fanciulla del West: Atto II. “Oh, se sapeste” (Minnie) | | | Plácido Domingo, Carol Neblett, Anne Wilkens, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 5:04 |
| 1977-06 | La fanciulla del West: Atto II. “Ugh… Neve!… Va! Riposati sul fieno” (Wowkle, Minnie) | | | Plácido Domingo, Carol Neblett, Anne Wilkens, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 7:21 |
| 1977-06 | La fanciulla del West: Atto II. “Una partita a poker!” (Minnie) | | | Sherrill Milnes, Carol Neblett, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 6:41 |
| 1977-06 | La fanciulla del West: Atto II. “Vieni fuori!” (Minnie) | | | Plácido Domingo, Carol Neblett, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 1:13 |
| 1977-06 | La fanciulla del West: Atto II. “Voglio vestirmi tutta” (Minnie) | | | Plácido Domingo, Carol Neblett, Anne Wilkens, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 3:57 |
| 1977-06 | La fanciulla del West: Atto III. “Ah!… Ah!… È Minnie!” (Minnie, Minatori) | | | Chorus of the Royal Opera House, Covent Garden, Sherrill Milnes, Carol Neblett, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 1:55 |
| 1977-06 | La fanciulla del West: Atto III. “Ah!… Ah!… Urrah! ragazzi” (Voci lontane, Ashby) | | | Chorus of the Royal Opera House, Covent Garden, Robert Lloyd, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 4:16 |
| 1977-06 | La fanciulla del West: Atto III. “Basta! quando per voi” (Minnie) | | | Carol Neblett, Jonathan Summers, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 2:39 |
| 1977-06 | La fanciulla del West: Atto III. “Ch’ella mi creda libero e lontano” (Johnson) | | | Plácido Domingo, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 2:49 |
| 1977-06 | La fanciulla del West: Atto III. “E anche tu lo vorrai, Joe” (Minnie) | | | Chorus of the Royal Opera House, Covent Garden, Carol Neblett, Jonathan Summers, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 3:32 |
| 1977-06 | La fanciulla del West: Atto III. “E così, Mister Johnson, come va?” (Rance) | | | Plácido Domingo, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 2:04 |
| 1977-06 | La fanciulla del West: Atto III. “Le tue parole sono di Dio” (Sonora) | | | Chorus of the Royal Opera House, Covent Garden, Plácido Domingo, Carol Neblett, Jonathan Summers, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 2:23 |
| 1977-06 | La fanciulla del West: Atto III. “Maledetto cane!” (Rance) | | | Francis Egerton, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 1:57 |
| 1977-06 | La fanciulla del West: Atto III. “Risparmiate lo scherno” (Johnson) | | | Chorus of the Royal Opera House, Covent Garden, Plácido Domingo, Sherrill Milnes, Jonathan Summers, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 2:18 |
| 1977-06 | La fanciulla del West: Atto III. “Sceriffo Rance! Consegno a voi quest’uomo” (Ashby) | | | Chorus of the Royal Opera House, Covent Garden, Plácido Domingo, Robert Lloyd, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 0:30 |
| 1977-06 | La fanciulla del West: Atto III. “Ve lo giuro, sceriffo” (Nick) | | | Francis Egerton, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 2:02 |
| 1977-09 | Fantasia cromatica | | organ [Arp Schnitger Organ] | Helmut Walcha | 7:43 |
| 1979-01 | Winterreise, D 911: 1. Gute Nacht | | | Dietrich Fischer‐Dieskau, Daniel Barenboim | 5:18 |
| 1979-01 | Winterreise, D 911: 2. Die Wetterfahne | | | Dietrich Fischer‐Dieskau, Daniel Barenboim | 1:50 |
| 1979-01 | Winterreise, D 911: 3. Gefor'ne Tränen | | | Dietrich Fischer‐Dieskau, Daniel Barenboim | 2:16 |
| 1979-01 | Winterreise, D 911: 4. Erstarrung | | | Dietrich Fischer‐Dieskau, Daniel Barenboim | 2:55 |
| 1979-01 | Winterreise, D 911: 5. Der Lindenbaum | | | Dietrich Fischer‐Dieskau, Daniel Barenboim | 4:48 |
| 1979-01 | Winterreise, D 911: 6. Wasserflut | | | Dietrich Fischer‐Dieskau, Daniel Barenboim | 4:35 |
| 1979-01 | Winterreise, D 911: 7. Auf dem Flusse | | | Dietrich Fischer‐Dieskau, Daniel Barenboim | 3:31 |
| 1979-01 | Winterreise, D 911: 8. Rückblick | | | Dietrich Fischer‐Dieskau, Daniel Barenboim | 2:29 |
| 1979-01 | Winterreise, D 911: 9. Irrlicht | | | Dietrich Fischer‐Dieskau, Daniel Barenboim | 2:31 |
| 1979-01 | Winterreise, D 911: 10. Rast | | | Dietrich Fischer‐Dieskau, Daniel Barenboim | 3:06 |
| 1979-01 | Winterreise, D 911: 11. Frühlingstraum | | | Dietrich Fischer‐Dieskau, Daniel Barenboim | 4:08 |
| 1979-01 | Winterreise, D 911: 12. Einsamkeit | | | Dietrich Fischer‐Dieskau, Daniel Barenboim | 2:47 |
| 1979-01 | Winterreise, D 911: 13. Die Post | | | Dietrich Fischer‐Dieskau, Daniel Barenboim | 2:10 |
| 1979-01 | Winterreise, D 911: 14. Der greise Kopf | | | Dietrich Fischer‐Dieskau, Daniel Barenboim | 3:20 |
| 1979-01 | Winterreise, D 911: 15. Die Krähe | | | Dietrich Fischer‐Dieskau, Daniel Barenboim | 2:22 |
| 1979-01 | Winterreise, D 911: 16. Letze Hoffnung | | | Dietrich Fischer‐Dieskau, Daniel Barenboim | 2:02 |
| 1979-01 | Winterreise, D 911: 17. Im Dorfe | | | Dietrich Fischer‐Dieskau, Daniel Barenboim | 3:38 |
| 1979-01 | Winterreise, D 911: 18. Der stürmische Morgen | | | Dietrich Fischer‐Dieskau, Daniel Barenboim | 0:54 |
| 1979-01 | Winterreise, D 911: 19. Täuschung | | | Dietrich Fischer‐Dieskau, Daniel Barenboim | 1:35 |
| 1979-01 | Winterreise, D 911: 20. Der Wegweiser | | | Dietrich Fischer‐Dieskau, Daniel Barenboim | 4:05 |
| 1979-01 | Winterreise, D 911: 21. Das Wirtshaus | | | Dietrich Fischer‐Dieskau, Daniel Barenboim | 4:26 |
| 1979-01 | Winterreise, D 911: 22. Mut | | | Dietrich Fischer‐Dieskau, Daniel Barenboim | 1:27 |
| 1979-01 | Winterreise, D 911: 23. Die Nebensonnen | | | Dietrich Fischer‐Dieskau, Daniel Barenboim | 2:44 |
| 1979-01 | Winterreise, D 911: 24. Der Leiermann | | | Dietrich Fischer‐Dieskau, Daniel Barenboim | 4:09 |
| 1979-03 | Concerto in G major, op. 2 no. 3: I. Adagio - Allegro | | | The English Concert, Trevor Pinnock | 4:05 |
| 1979-03 – 1979-06 | Lulu: I. Akt, Dritte Szene. »Über die ließe sich freilich eine interessante Oper schreiben« (Alwa) / Choral: »Ich hatte bei Herrn Dr. Schön das Vergnügen« (Prinz, Alwa) / Ragtime (Trio): »Sie hatte einen Ohnmachtsanfall« (Garderobiere, Alwa, Theaterdirektor, Prinz, Lulu, Dr. Schön) / Sextett: »Das hättest du dir besser erspart« (Alwa, Dr. Schön, Lulu, Garderobiere, Theaterdirektor, Prinz) | | | Jules Bastin, Franz Mazura, Helmut Pampuch, Kenneth Riegel, Hanna Schwarz, Teresa Stratas, Orchestre de l’Opéra de Paris, Pierre Boulez | 4:29 |
| 1979-03 – 1979-06 | Lulu: I. Akt, Dritte Szene. Ragtime: »Seit ich für die Bühne arbeite« (Alwa, Lulu) / (English Waltz): »Noch etwas, bitte« (Lulu, Alwa) | | | Kenneth Riegel, Orchestre de l’Opéra de Paris, Pierre Boulez | 3:53 |
| 1979-03 – 1979-06 | Lulu: I. Akt, Dritte Szene. Sonaten‐Durchführung: »Wie kannst du die Szene gegen mich ausspielen?« (Dr. Schön, Lulu) / (Letzte‐Sonaten-Reprise): »Mein Alter! Meine Welt!« (Dr. Schön, Lulu) / (Seitenthema — Briefduett): »Sehr geehrtes Fräulein…« (Lulu, Dr. Schön) | | | Franz Mazura, Teresa Stratas, Orchestre de l’Opéra de Paris, Pierre Boulez | 7:13 |
| 1979-03 – 1979-06 | Lulu: I. Akt, Erste Szene. »Darf ich eintreten?« — »Mein Sohn!« (Alwa, Dr. Schön, Lulu) / Introduktion (zum Canon): »Gnädige Frau… Frau Medizinalrat« (Maler, Lulu) / Canon: »Sie bekommen mich noch lange nicht« (Lulu, Maler) / Coda: »Wie ist dir?« (Maler, Lulu) | | | Franz Mazura, Kenneth Riegel, Teresa Stratas, Robert Tear, Orchestre de l’Opéra de Paris, Pierre Boulez | 5:09 |
| 1979-03 – 1979-06 | Lulu: I. Akt, Erste Szene. Melodram: »Machen Sie auf!« / Canzonetta: »Auf einmal springt er auf« (Lulu) / Rezitativ: »Noch nich wieder zur Besinnung gekommen?« (Maler, Lulu) / Duett: »Kannst du die Wahrheit sagen?« (Maler, Lulu) / Arioso: »Ich möchte tauschen mit dir, du Toter!« (Maler) / Interludium und Trio: Canon / Verwandlungsmusik / »Wollen Sie mir zuhaken« (Lulu) | | | Teresa Stratas, Robert Tear, Orchestre de l’Opéra de Paris, Pierre Boulez | 9:06 |
| 1979-03 – 1979-06 | Lulu: I. Akt, Zweite Szene. »Eva!« — »Befehlen?« (Maler, Lulu) / Duettino: »Ich finde, du siehst heute reizend aus« (Maler, Lulu) | | | Teresa Stratas, Robert Tear, Orchestre de l’Opéra de Paris, Pierre Boulez | 3:35 |
| 1979-03 – 1979-06 | Lulu: I. Akt, Zweite Szene. (Es läutet auf dem Korridor.) »Ich darf mich jetzt hier nicht sehen lassen« (Dr. Schön, Lulu, Alwa) | | | Franz Mazura, Kenneth Riegel, Teresa Stratas, Orchestre de l’Opéra de Paris, Pierre Boulez | 3:54 |
| 1979-03 – 1979-06 | Lulu: I. Akt, Zweite Szene. (Lulu, Wieder Allein) / 1. Kammermusik (Nonett für Holzbläser): »Den hab’ ich mir auch ganz anders vorgestellt« (Schigolch, Lulu) | | | Toni Blankenheim, Teresa Stratas, Orchestre de l’Opéra de Paris, Pierre Boulez | 4:27 |
| 1979-03 – 1979-06 | Lulu: I. Akt, Zweite Szene. (Schigolch geht eilig, aber umständlich ab.) »Was tut denn Ihr Vater da?« (Dr. Schön, Lulu) / Sonate: »Wenn ich Ihr Mann wäre« (Dr. Schön, Lulu, Maler) | | | Franz Mazura, Teresa Stratas, Robert Tear, Orchestre de l’Opéra de Paris, Pierre Boulez | 7:03 |
| 1979-03 – 1979-06 | Lulu: I. Akt, Zweite Szene. Monoritmica: »Nun?« — »Du hast eine halbe Million geheiratet« (Maler, Dr. Schön, Lulu) | | | Franz Mazura, Teresa Stratas, Robert Tear, Orchestre de l’Opéra de Paris, Pierre Boulez | 5:03 |
| 1979-03 – 1979-06 | Lulu: I. Akt, Zweite Szene. Verwandlungsmusik | | | Orchestre de l’Opéra de Paris, Pierre Boulez | 3:07 |
| 1979-03 – 1979-06 | Lulu: II. Akt, Erste Szene. »Die Matinée wird, wie ich mir denke, bei elektrischem Licht stattfinden« (Alwa, Lulu, Kammerdiener, Dr. Schön) | | | Franz Mazura, Helmut Pampuch, Kenneth Riegel, Teresa Stratas, Orchestre de l’Opéra de Paris, Pierre Boulez | 6:15 |
| 1979-03 – 1979-06 | Lulu: II. Akt, Erste Szene. »Sie glauben nicht, wie ich mich darauf freue« (Gräfin Geschwitz, Dr. Schön, Lulu) / Kavatine: »Könntest du dich für heute nachmittag nicht freimachen?« (Lulu, Dr. Schön) | | | Franz Mazura, Yvonne Minton, Teresa Stratas, Orchestre de l’Opéra de Paris, Pierre Boulez | 5:26 |
| 1979-03 – 1979-06 | Lulu: II. Akt, Erste Szene. (Leere Bühne. Gräfin Geschwitz öffnet vorsichtig die Mitteltür) »Gott sei dank, daß wir endlich zuhause sind« (Schigolch, Rodrigo, Gymnasiast, Lulu) / (Canon): »Er hat sie nämlich ursprünglich heiraten wollen« (Rodrigo, Schigolch, Gymnasiast, Lulu) / »Hast oben abgeschlossen?« (Schigolch, Lulu, Rodrigo, Kammerdiener, Gymnasiast) | | | Toni Blankenheim, Gerd Nienstedt, Helmut Pampuch, Hanna Schwarz, Teresa Stratas, Orchestre de l’Opéra de Paris, Pierre Boulez | 5:40 |
| 1979-03 – 1979-06 | Lulu: II. Akt, Erste Szene. (Rodrigo steckt den Kopf aus den Gardinen.) »Sein Vater!« — »In Paris ist Revolution ausgebrochen« (Lulu, Dr. Schön, Alwa, Rodrigo) / Introduktion: »Wo ist denn der hin?« (Dr. Schön, Lulu) / (Fünfstrophige Arie): »Du Kreatur, die mich durch den Straßenkot zum Martertode schleift!« (Dr. Schön, Lulu, Gräfin Geschwitz) | | | Franz Mazura, Yvonne Minton, Gerd Nienstedt, Kenneth Riegel, Teresa Stratas, Orchestre de l’Opéra de Paris, Pierre Boulez | 3:45 |
| 1979-03 – 1979-06 | Lulu: II. Akt, Erste Szene. Lied der Lulu: »Wenn sich die Menschen um meinetwillen umgebracht haben« (Lulu) / (V. Strophe der Arie des Dr. Schön): »Nieder, Mörderin! In die Knie!« (Dr. Schön, Lulu, Gymnasiast, Alwa, Gräfin Geschwitz) / Arietta: »Du kannst mich nicht dem Gericht ausliefern!« (Lulu, Alwa, Gräfin Geschwitz, Gymnasiast) | | | Franz Mazura, Yvonne Minton, Kenneth Riegel, Hanna Schwarz, Teresa Stratas, Orchestre de l’Opéra de Paris, Pierre Boulez | 6:13 |
| 1979-03 – 1979-06 | Lulu: II. Akt, Erste Szene. Ostinato: Verwandlung (Filmmusik) | | | Orchestre de l’Opéra de Paris, Pierre Boulez | 2:49 |
| See all 1,507 relationships |
| edited |
|---|
| »O Jesu Christ, meins Lebens Licht« BWV 118b: Motet | | | English Baroque Soloists, Sir John Eliot Gardiner | 9:21 |
| 40 Mélodies no. 6. Komm (eigentlich: Du schönes Fischermädchen) | | | Anne Sofie von Otter, Melvyn Tan | 2:20 |
| 40 Mélodies no. 12. Mina (Lied des venezianischen Gondoliers) | | | Anne Sofie von Otter, Melvyn Tan | 1:49 |
| 40 Mélodies no. 16. Ma barque légère | | | Anne Sofie von Otter, Melvyn Tan | 3:54 |
| 40 Mélodies no. 20. La Fille de l'air | | | Anne Sofie von Otter, Melvyn Tan | 3:24 |
| 40 Mélodies no. 27. Sicilienne | | | Anne Sofie von Otter, Melvyn Tan | 3:38 |
| 40 Mélodies no. 28. Prière d'enfants | | | Kristina Hammarström, Christina Högman, Anne Sofie von Otter | 2:00 |
| 40 Mélodies no. 29. Le Vœu pendant l'orage | | | Anne Sofie von Otter, Melvyn Tan | 6:33 |
| Actus tragicus, BWV 106: No. 2a Chorus & Solos: »Gottes Zeit ist die allerbeste Zeit« / No. 2b Arioso (Tenor): »Ach, Herr, lehre uns bedenken« / No. 2c Aria (Bass): »Bestelle dein Haus« / No. 2d Chorus & Arioso (Soprano): »Es ist der alte Bund« | | | English Baroque Soloists, Sir John Eliot Gardiner | 7:54 |
| Adelaide, op. 46 | | | Anne Sofie von Otter, Melvyn Tan | 5:15 |
| Als die Geliebte sich trennen wollte (Empfindungen bei Lydiens Untreue), WoO 132 | | | Anne Sofie von Otter, Melvyn Tan | 1:45 |
| An die Geliebte, WoO 140 (2. Fassung) | | | Anne Sofie von Otter, Melvyn Tan | 1:15 |
| Anhang: Der Herbst: Einleitung, gekürzte Fassung / Rezitativ: »Was durch seine Blüte« (Hanne, Lukas, Simon) | | | Barbara Bonney, Anthony Rolfe Johnson, Andreas Schmidt, English Baroque Soloists, John Eliot Gardiner | 2:15 |
| Anhang: Der Winter: Einleitung, gekürzte Fassung / Rezitativ: »Nun senket sich das blasse Jahr« (Simon, Hanne) | | | Barbara Bonney, Andreas Schmidt, English Baroque Soloists, John Eliot Gardiner | 4:58 |
| Arietta (Der Kuß), op. 128 | | | Anne Sofie von Otter, Melvyn Tan | 1:59 |
| Der Frühling: Nr. 1. Einleitung. Largo - Vivace / Rezitativ: »Seht, wie der strenge Winter flieht« (Simon, Lukas, Hanne) | | | Barbara Bonney, Anthony Rolfe Johnson, Andreas Schmidt, English Baroque Soloists, John Eliot Gardiner | 5:44 |
| Der Frühling: Nr. 2. Chor: »Komm, holder Lenz!« | | | Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | 3:20 |
| Der Frühling: Nr. 3. Rezitativ: »Vom Widder strahlet jetzt« (Simon) | | | Andreas Schmidt, English Baroque Soloists, John Eliot Gardiner | 0:27 |
| Der Frühling: Nr. 4. Arie: »Schon eilet froh der Ackermann« (Simon) | | | Andreas Schmidt, English Baroque Soloists, John Eliot Gardiner | 3:25 |
| Der Frühling: Nr. 5. Rezitativ: »Der Landmann hat sein Werk vollbracht« (Lukas) | | | Anthony Rolfe Johnson, English Baroque Soloists, John Eliot Gardiner | 0:28 |
| Der Frühling: Nr. 6. Terzett und Chor - Bittgesang: »Sei nun gnädig, milder Himmel!« (Lukas, Chor, Simon, Hanne) | | | Barbara Bonney, Monteverdi Choir, Anthony Rolfe Johnson, Andreas Schmidt, English Baroque Soloists, John Eliot Gardiner | 4:58 |
| Der Frühling: Nr. 7. Rezitativ: »Erhört ist unser Flehn« (Hanne) | | | Barbara Bonney, English Baroque Soloists, John Eliot Gardiner | 1:00 |
| Der Frühling: Nr. 8. Freudenlied: »O wie lieblich ist der Anblick« (Hanne, Lukas, Chor, Simon) | | | Barbara Bonney, Monteverdi Choir, Anthony Rolfe Johnson, Andreas Schmidt, English Baroque Soloists, John Eliot Gardiner | 9:54 |
| Der Herbst: Nr. 19. Einleitung. Allegretto / Rezitativ: »Was durch seine Blüte« (Hanne) / Rezitativ: »Den reichen Vorrat fährt er nun« (Lukas, Simon) | | | Barbara Bonney, Anthony Rolfe Johnson, Andreas Schmidt, English Baroque Soloists, John Eliot Gardiner | 2:50 |
| Der Herbst: Nr. 20. Terzett mit Chor: »So lohnet die Natur den Fleiss« (Simon, Hanne, Lukas, Chor) | | | Barbara Bonney, Monteverdi Choir, Anthony Rolfe Johnson, Andreas Schmidt, English Baroque Soloists, John Eliot Gardiner | 5:53 |
| Der Herbst: Nr. 21. Rezitativ: »Seht, wie zum Haselbusche dort« (Hanne, Simon, Lukas) | | | Barbara Bonney, Anthony Rolfe Johnson, Andreas Schmidt, English Baroque Soloists, John Eliot Gardiner | 1:00 |
| Der Herbst: Nr. 22. Duett: »Irh Schönen aus der Stadt, kommt her!« (Lukas, Hanne) | | | Barbara Bonney, Anthony Rolfe Johnson, English Baroque Soloists, John Eliot Gardiner | 7:47 |
| Der Herbst: Nr. 23. Rezitativ: »Nun zeiget das entblösste Feld« (Simon) | | | Andreas Schmidt, English Baroque Soloists, John Eliot Gardiner | 0:54 |
| Der Herbst: Nr. 24. Arie: »Seht auf die breiten Wiesen hin!« (Simon) | | | Andreas Schmidt, English Baroque Soloists, John Eliot Gardiner | 3:05 |
| Der Herbst: Nr. 25. Rezitativ: »Hier treibt ein dichter Kreis« (Lukas) | | | Anthony Rolfe Johnson, English Baroque Soloists, John Eliot Gardiner | 0:37 |
| Der Herbst: Nr. 26. Chor des Landvolks und der Jäger: »Hört, hört das laute Getön« | | | Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | 4:08 |
| Der Herbst: Nr. 27. Rezitativ: »Am Rebenstocke blinket jetzt« (Hanne, Simon, Lukas) | | | Barbara Bonney, Anthony Rolfe Johnson, Andreas Schmidt, English Baroque Soloists, John Eliot Gardiner | 0:56 |
| Der Herbst: Nr. 28. Chor: »Juchhe! Juchhe! Der Wein ist da« | | | Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | 5:47 |
| Der Sommer: Nr. 9. Einleitung (Adagio) / Rezitativ: »In grauem Schleier rückt heran« (Lukas, Simon) | | | Anthony Rolfe Johnson, Andreas Schmidt, English Baroque Soloists, John Eliot Gardiner | 4:19 |
| Der Sommer: Nr. 10. Arie: »Der munt’re Hirt versammelt nun« (Simon) / Rezitativ: »Die Morgenröte bricht hervor« (Hanne) | | | Barbara Bonney, Andreas Schmidt, English Baroque Soloists, John Eliot Gardiner | 2:32 |
| Der Sommer: Nr. 11. Terzett und Chor: »Sie steigt herauf, die Sonne« / »Heil! O Sonne Heil!« (Hanne, Lukas, Simon, Chor) | | | Barbara Bonney, Monteverdi Choir, Anthony Rolfe Johnson, Andreas Schmidt, English Baroque Soloists, John Eliot Gardiner | 4:24 |
| Der Sommer: Nr. 12. Rezitativ: »Nun regt und bewegt sich alles umher" (Simon) / Rezitativ: "Die Mittagssonne brennet jetzt« (Lukas) | | | Anthony Rolfe Johnson, Andreas Schmidt, English Baroque Soloists, John Eliot Gardiner | 1:41 |
| Der Sommer: Nr. 13. Kavatine: »Dem Druck erlieget die Natur« (Lukas) | | | Anthony Rolfe Johnson, English Baroque Soloists, John Eliot Gardiner | 4:31 |
| Der Sommer: Nr. 14. Rezitativ: »Willkommen jetzt, o dunkler Hain« (Hanne) | | | Barbara Bonney, English Baroque Soloists, John Eliot Gardiner | 3:11 |
| Der Sommer: Nr. 15. Arie: »Welche Labung für die Sinne!« (Hanne) | | | Barbara Bonney, English Baroque Soloists, John Eliot Gardiner | 4:15 |
| Der Sommer: Nr. 16. Rezitativ: »O seht! Es steiget in der schwülen Luft« (Simon, Lukas, Hanne) | | | Barbara Bonney, Anthony Rolfe Johnson, Andreas Schmidt, English Baroque Soloists, John Eliot Gardiner | 2:32 |
| Der Sommer: Nr. 17. Chor: »Ach, das Ungewitter naht!« | | | Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | 3:38 |
| Der Sommer: Nr. 18. Terzett und Chor: »Die düstren Wolken trennen sich« (Lukas, Hanne, Simon, Chor) | | | Barbara Bonney, Monteverdi Choir, Anthony Rolfe Johnson, Andreas Schmidt, English Baroque Soloists, John Eliot Gardiner | 4:07 |
| Der Winter: Nr. 29. Einleitung. Adagio ma non troppo / Rezitativ: »Nun senket sich das blasse Jahr« (Simon, Hanne) | | | Barbara Bonney, Andreas Schmidt, English Baroque Soloists, John Eliot Gardiner | 6:12 |
| Der Winter: Nr. 30. Kavatine: »Licht und Leben sind geschwächet« (Hanne) | | | Barbara Bonney, English Baroque Soloists, John Eliot Gardiner | 2:08 |
| Der Winter: Nr. 31. Rezitativ: »Gefesselt steht der breite See« (Lukas) | | | Anthony Rolfe Johnson, English Baroque Soloists, John Eliot Gardiner | 1:55 |
| Der Winter: Nr. 32. Arie: »Hier steht der Wand’rer nun« (Lukas) | | | Anthony Rolfe Johnson, English Baroque Soloists, John Eliot Gardiner | 3:44 |
| Der Winter: Nr. 33. Rezitativ: »So wie er naht« (Lukas, Hanne, Simon) | | | Barbara Bonney, Anthony Rolfe Johnson, Andreas Schmidt, English Baroque Soloists, John Eliot Gardiner | 1:05 |
| Der Winter: Nr. 34. Lied mit Chor: »Knurre, schnurre, knurre« (Chor, Hanne) | | | Barbara Bonney, Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | 2:36 |
| Der Winter: Nr. 35. Rezitativ: »Abgesponnen ist des Flachs« (Lukas) | | | Anthony Rolfe Johnson, English Baroque Soloists, John Eliot Gardiner | 0:21 |
| Der Winter: Nr. 36. Lied mit Chor: »Ein Mädchen, das auf Ehre hielt« (Hanne, Chor) | | | Barbara Bonney, Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | 3:22 |
| Der Winter: Nr. 37. Rezitativ: »Vom dürren Osten dringt« (Simon) | | | Andreas Schmidt, English Baroque Soloists, John Eliot Gardiner | 0:37 |
| Der Winter: Nr. 38. Arie: »Erblicke hier, betörter Mensch« (Simon) / Rezitativ: »Die bleibt allein« (Simon) | | | Andreas Schmidt, English Baroque Soloists, John Eliot Gardiner | 4:39 |
| Der Winter: Nr. 39. Terzett und Doppelchor: »Dann bricht der grosse Morgen an« (Simon, Lukas, Chor, Hanne) | | | Barbara Bonney, Monteverdi Choir, Anthony Rolfe Johnson, Andreas Schmidt, English Baroque Soloists, John Eliot Gardiner | 6:10 |
| Des Schäfers Lied (Hirtenlied) | | | Anne Sofie von Otter, Eric Hoeprich, Melvyn Tan | 5:46 |
| In questa tomba oscura, WoO 133 (2. Fassung) | | | Anne Sofie von Otter, Melvyn Tan | 3:27 |
| Maigesang, op. 52, no. 4 | | | Anne Sofie von Otter, Melvyn Tan | 2:13 |
| Sechs Deutsche Lieder, op. 154: 1. Abend-Feier | | | Anne Sofie von Otter, Nils‐Erik Sparf, Melvyn Tan | 2:09 |
| Sechs Deutsche Lieder, op. 154: 2. Jagdlied | | | Anne Sofie von Otter, Nils‐Erik Sparf, Melvyn Tan | 2:02 |
| Sechs Deutsche Lieder, op. 154: 3. Töne | | | Anne Sofie von Otter, Nils‐Erik Sparf, Melvyn Tan | 1:57 |
| Sechs Deutsche Lieder, op. 154: 4. Erlkönig | | | Anne Sofie von Otter, Nils‐Erik Sparf, Melvyn Tan | 3:20 |
| Sechs Deutsche Lieder, op. 154: 5. Der Spielmann und seine Geige | | | Anne Sofie von Otter, Nils‐Erik Sparf, Melvyn Tan | 2:48 |
| Sechs Deutsche Lieder, op. 154: 6. Abendstille | | | Anne Sofie von Otter, Nils‐Erik Sparf, Melvyn Tan | 2:15 |
| Sehnsucht, WoO 146 | | | Anne Sofie von Otter, Melvyn Tan | 2:11 |
| Seufzer eines Ungeliebten / Gegenliebe, WoO 118 | | | Anne Sofie von Otter, Melvyn Tan | 5:29 |
| Symphony No. 9: I. Andante comodo | | | Chicago Symphony Orchestra, Pierre Boulez | 29:17 |
| Symphony No. 9: II. Im Tempo eines gemählichen Ländlers. Etwas täppisch und sehr derb | | | Chicago Symphony Orchestra, Pierre Boulez | 16:03 |
| Symphony No. 9: III. Rondo-Burleske. Allegro assai. Sehr trotzig | | | Chicago Symphony Orchestra, Pierre Boulez | 12:38 |
| Symphony No. 9: IV. Adagio. Sehr langsam und noch zurückhaltend | | | Chicago Symphony Orchestra, Pierre Boulez | 21:25 |
| T'intendo sì, mio cor, op. 82 no. 2 | | | Anne Sofie von Otter, Melvyn Tan | 3:03 |
| The Desert Music: I. Fast | | | Steve Reich | 7:54 |
| The Desert Music: II. Moderate | | | Steve Reich | 6:59 |
| The Desert Music: III. Part One: Slow | | | Steve Reich | 7:00 |
| The Desert Music: III. Part Three: Slow | | | Steve Reich | 5:55 |
| The Desert Music: III. Part Two: Moderate | | | Steve Reich | 5:53 |
| The Desert Music: IV. Moderate | | | Steve Reich | 3:35 |
| The Desert Music: V. Fast | | | Steve Reich | 10:48 |
| engineered |
|---|
| 1981-05 | Nocturne no. 11 in G minor, op. 37 no. 1: Andante sostenuto | | | Daniel Barenboim | 5:46 |
| 1981-05 | Nocturne no. 21 in C minor, B. 108 | | | Daniel Barenboim | 3:24 |
| Nocturne in F-sharp major, op. 15 no. 2 | | | Daniel Barenboim | 3:56 |
| Nocturne no. 1 in B-flat minor, op. 9 no. 1: Larghetto | | | Daniel Barenboim | 5:43 |
| Nocturne no. 2 in E-flat major, op. 9 no. 2 | | | Daniel Barenboim | 4:34 |
| Nocturne no. 3 in B major, op. 9 no. 3: Allegretto | | | Daniel Barenboim | 7:16 |
| Nocturne no. 4 in F major, op. 15 no. 1: Andante cantabile | | | Daniel Barenboim | 4:31 |
| Nocturne no. 6 in G minor, op. 15 no. 3: Lento | | | Daniel Barenboim | 3:58 |
| Nocturne no. 7 in C-sharp minor, op. 27 no. 1: Larghetto | | | Daniel Barenboim | 4:57 |
| Nocturne no. 8 in D-flat major, op. 27 no. 2: Lento sostenuto | | | Daniel Barenboim | 6:30 |
| Nocturne no. 9 in B major, op. 32 no. 1: Andante sostenuto | | | Daniel Barenboim | 5:22 |
| Nocturne no. 10 in A-flat major, op. 32 no. 2: Lento | | | Daniel Barenboim | 5:40 |
| Nocturne no. 12 in G major, op. 37 no. 2: Andantino | | | Daniel Barenboim | 5:47 |
| Nocturne no. 19 in E minor, op. 72 no. 1: Andante | | | Daniel Barenboim | 4:23 |
| Nocturne no. 20 in C-sharp minor, B. 49: Lento con Gran Espressione | | | Daniel Barenboim | 4:36 |
| Orchestral Suite No. 2, BWV 1067 - 'Badinerie' | | | The English Concert, Trevor Pinnock | 1:35 |
| Orchestral Suite No.3, BWV 1068 - 'Air on a G string' | | | The English Concert, Trevor Pinnock | 4:55 |
| Piano Concerto No. 2 in F minor, Op. 21: I Maestoso | | | Fryderyk Chopin | 14:03 |
| Piano Concerto No. 2 in F minor, Op. 21: II Larghetto | | | Fryderyk Chopin | 8:50 |
| Piano Concerto No. 2 in F minor, Op. 21: III Allegro Vivace | | | Fryderyk Chopin | 7:58 |
| Piano Concerto no. 9 in E-flat major, K. 271: I. Allegro | | | Malcolm Bilson, English Baroque Soloists, Sir John Eliot Gardiner | 10:01 |
| Piano Concerto no. 9 in E-flat major, K. 271: II. Andantino | | | Malcolm Bilson, English Baroque Soloists, Sir John Eliot Gardiner | 11:11 |
| Piano Concerto no. 9 in E-flat major, K. 271: III. Rondeau. Presto - Menuetto - Tempo primo | | | Malcolm Bilson, English Baroque Soloists, Sir John Eliot Gardiner | 9:48 |
| mixed |
|---|
| The Desert Music: I. Fast | | | Steve Reich | 7:54 |
| The Desert Music: II. Moderate | | | Steve Reich | 6:59 |
| The Desert Music: III. Part One: Slow | | | Steve Reich | 7:00 |
| The Desert Music: III. Part Three: Slow | | | Steve Reich | 5:55 |
| The Desert Music: III. Part Two: Moderate | | | Steve Reich | 5:53 |
| The Desert Music: IV. Moderate | | | Steve Reich | 3:35 |
| The Desert Music: V. Fast | | | Steve Reich | 10:48 |
| produced |
|---|
| 1990-06 | Idomeneo, Act II: “Qual nuovo terrore” | | | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | 3:42 |
| 1995-02 | Die Schöpfung, Hob. XXI:2, Erster Teil: 14.Chor und Terzett: “Die Himmel erzählen die Ehre Gottes” / “Dem kommenden Tage sagt es der Tag” | | | Sylvia McNair, Michael Schade, Gerald Finley, English Baroque Soloists, Sir John Eliot Gardiner, Monteverdi Choir | 3:46 |
| “Ah! Perfido” - “Per pietà”, op. 65: Scena ed aria per soprano ed orchestra | | | Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | 12:41 |
| »Dans un bois solitaire« | | | Anne Sofie von Otter, Melvyn Tan | 2:54 |
| »Haugtussa«, op. 67: 1. Det Syng | | | Anne Sofie von Otter, Bengt Forsberg | 3:51 |
| »Haugtussa«, op. 67: 2. Veslemøy | | | Anne Sofie von Otter, Bengt Forsberg | 2:30 |
| »Haugtussa«, op. 67: 3. Blåbær-Li | | | Anne Sofie von Otter, Bengt Forsberg | 2:44 |
| »Haugtussa«, op. 67: 4. Møte | | | Anne Sofie von Otter, Bengt Forsberg | 3:04 |
| »Haugtussa«, op. 67: 5. Elsk | | | Anne Sofie von Otter, Bengt Forsberg | 2:16 |
| »Haugtussa«, op. 67: 6. Killingdans | | | Anne Sofie von Otter, Bengt Forsberg | 1:41 |
| »Haugtussa«, op. 67: 7. Vond Dag | | | Anne Sofie von Otter, Bengt Forsberg | 2:30 |
| »Haugtussa«, op. 67: 8. Ved Gjætle-Bekken | | | Anne Sofie von Otter, Bengt Forsberg | 6:17 |
| »Hjertets Melodier« af H. C. Andersen, op. 5: 1. To brune Øjne | | | Anne Sofie von Otter, Bengt Forsberg | 1:05 |
| »Hjertets Melodier« af H. C. Andersen, op. 5: 3. Jeg elsker Dig | | | Anne Sofie von Otter, Bengt Forsberg | 1:38 |
| »Komm, liebe Zither« | | | Anne Sofie von Otter, Melvyn Tan | 1:53 |
| »O Jesu Christ, meins Lebens Licht« BWV 118b: Motet | Recording Engineer Karl-August Naegler | | English Baroque Soloists, Sir John Eliot Gardiner | 9:21 |
| »Oiseaux, si tous les ans« | | | Anne Sofie von Otter, Melvyn Tan | 1:21 |
| »She never told her love« | | | Anne Sofie von Otter, Melvyn Tan | 3:32 |
| 5 Rückert-Lieder: I. Ich atmet’ einen Linden Duft | | | Anne Sofie von Otter, NDR Sinfonieorchester, Sir John Eliot Gardiner | 2:26 |
| 5 Rückert-Lieder: II. Blicke mir nicht in die Lieder | | | Anne Sofie von Otter, NDR Sinfonieorchester, Sir John Eliot Gardiner | 1:19 |
| 5 Rückert-Lieder: III. Liebst du um Schönheit | | | Anne Sofie von Otter, NDR Sinfonieorchester, Sir John Eliot Gardiner | 2:28 |
| 5 Rückert-Lieder: IV. Um Mitternacht | | | Anne Sofie von Otter, NDR Sinfonieorchester, Sir John Eliot Gardiner | 6:08 |
| 5 Rückert-Lieder: V. Ich bin der Welt abhanden gekommen | | | Anne Sofie von Otter, NDR Sinfonieorchester, Sir John Eliot Gardiner | 7:18 |
| 40 Mélodies no. 6. Komm (eigentlich: Du schönes Fischermädchen) | | | Anne Sofie von Otter, Melvyn Tan | 2:20 |
| 40 Mélodies no. 12. Mina (Lied des venezianischen Gondoliers) | | | Anne Sofie von Otter, Melvyn Tan | 1:49 |
| 40 Mélodies no. 16. Ma barque légère | | | Anne Sofie von Otter, Melvyn Tan | 3:54 |
| 40 Mélodies no. 20. La Fille de l'air | | | Anne Sofie von Otter, Melvyn Tan | 3:24 |
| 40 Mélodies no. 27. Sicilienne | | | Anne Sofie von Otter, Melvyn Tan | 3:38 |
| 40 Mélodies no. 28. Prière d'enfants | | | Kristina Hammarström, Christina Högman, Anne Sofie von Otter | 2:00 |
| 40 Mélodies no. 29. Le Vœu pendant l'orage | | | Anne Sofie von Otter, Melvyn Tan | 6:33 |
| A Pastoral Song | | | Anne Sofie von Otter, Melvyn Tan | 3:29 |
| Abendempfindung an Laura | | | Anne Sofie von Otter, Melvyn Tan | 4:53 |
| Actus tragicus, BWV 106: No. 2a Chorus & Solos: »Gottes Zeit ist die allerbeste Zeit« / No. 2b Arioso (Tenor): »Ach, Herr, lehre uns bedenken« / No. 2c Aria (Bass): »Bestelle dein Haus« / No. 2d Chorus & Arioso (Soprano): »Es ist der alte Bund« | Recording Engineer Karl-August Naegler | | English Baroque Soloists, Sir John Eliot Gardiner | 7:54 |
| Adelaide, op. 46 | | | Anne Sofie von Otter, Melvyn Tan | 5:15 |
| Af lotusdoft och månens sken | | | Anne Sofie von Otter, Bengt Forsberg | 1:04 |
| Afskedet | | | Anne Sofie von Otter, Bengt Forsberg | 1:56 |
| Alceste: "Non vi turbate" (Alceste) | | | Anne Sofie von Otter, The English Concert, Trevor Pinnock | 4:00 |
| Als die Geliebte sich trennen wollte (Empfindungen bei Lydiens Untreue), WoO 132 | | | Anne Sofie von Otter, Melvyn Tan | 1:45 |
| Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte | | | Anne Sofie von Otter, Melvyn Tan | 1:46 |
| Also sprach Zarathustra: Das Grablied | | | Chicago Symphony Orchestra, Pierre Boulez | 2:03 |
| Also sprach Zarathustra: Das Tanzlied | | | Chicago Symphony Orchestra, Pierre Boulez | 7:49 |
| Also sprach Zarathustra: Der Genesende | | | Chicago Symphony Orchestra, Pierre Boulez | 5:10 |
| Also sprach Zarathustra: Einleitung | | | Chicago Symphony Orchestra, Pierre Boulez | 2:01 |
| Also sprach Zarathustra: Nachtwandlerlied | | | Chicago Symphony Orchestra, Pierre Boulez | 4:26 |
| Also sprach Zarathustra: Von den Freuden und Leidenschaften | | | Chicago Symphony Orchestra, Pierre Boulez | 1:47 |
| Also sprach Zarathustra: Von den Hinterweltlern | | | Chicago Symphony Orchestra, Pierre Boulez | 4:03 |
| Also sprach Zarathustra: Von der großen Sehnsucht | | | Chicago Symphony Orchestra, Pierre Boulez | 2:00 |
| Also sprach Zarathustra: Von der Wissenschaft | | | Chicago Symphony Orchestra, Pierre Boulez | 4:13 |
| An Chloe | | | Anne Sofie von Otter, Melvyn Tan | 2:20 |
| An die Geliebte, WoO 140 (2. Fassung) | | | Anne Sofie von Otter, Melvyn Tan | 1:15 |
| Anhang: Der Herbst: Einleitung, gekürzte Fassung / Rezitativ: »Was durch seine Blüte« (Hanne, Lukas, Simon) | | | Barbara Bonney, Anthony Rolfe Johnson, Andreas Schmidt, English Baroque Soloists, John Eliot Gardiner | 2:15 |
| Anhang: Der Winter: Einleitung, gekürzte Fassung / Rezitativ: »Nun senket sich das blasse Jahr« (Simon, Hanne) | | | Barbara Bonney, Andreas Schmidt, English Baroque Soloists, John Eliot Gardiner | 4:58 |
| Arabeske in C major, Op. 18: 1. Leicht unt Zart | | | Maria João Pires | 0:55 |
| Arabeske in C major, Op. 18: 2. Minore I | | | Maria João Pires | 3:03 |
| Arabeske in C major, Op. 18: 3. Minore II | | | Maria João Pires | 1:40 |
| Arabeske in C major, Op. 18: 4. Zum Schluss | | | Maria João Pires | 1:31 |
| Arcana | | | Chicago Symphony Orchestra, Pierre Boulez | 19:52 |
| Arianna a Naxos | | | Anne Sofie von Otter, Melvyn Tan | 17:20 |
| Arietta (Der Kuß), op. 128 | | | Anne Sofie von Otter, Melvyn Tan | 1:59 |
| Aspåkers-polska | | | Anne Sofie von Otter, Bengt Forsberg | 1:29 |
| Återkomst | | | Anne Sofie von Otter, Bengt Forsberg | 2:07 |
| Aus! Aus! | | | Anne Sofie von Otter, Ralf Gothóni | 2:12 |
| Barnlige Sange, op. 61: 3. Lok | | | Anne Sofie von Otter, Bengt Forsberg | 0:46 |
| Bluebeard's Castle, Sz. 48 (op. 11): "Az utolsót nem nyitom ki" (Bluebeard) | | | László Polgár, Chicago Symphony Orchestra, Pierre Boulez | 4:10 |
| Bluebeard's Castle, Sz. 48 (op. 11): "Ez a Kékszakállú véra?" (Judith) | | | Jessye Norman, Chicago Symphony Orchestra, Pierre Boulez | 5:16 |
| Bluebeard's Castle, Sz. 48 (op. 11): "Nagy csukott ajtókat" (Judith) | | | Jessye Norman, Chicago Symphony Orchestra, Pierre Boulez | 5:23 |
| Bluebeard's Castle, Sz. 48 (op. 11): "Tudom, tudom, Kékszakállú" (Judith) | | | Jessye Norman, Chicago Symphony Orchestra, Pierre Boulez | 3:24 |
| Bluebeard's Castle, Sz. 48 (op. 11): Door 1. "Jaj!" "Mit látsz? Mit látsz?" "Láncok, kések" (Judith) | | | Jessye Norman, Chicago Symphony Orchestra, Pierre Boulez | 4:25 |
| Bluebeard's Castle, Sz. 48 (op. 11): Door 2. "Mit látsz?" "Százkegyetlen szörnyü fegyver" (Bluebeard) | | | László Polgár, Chicago Symphony Orchestra, Pierre Boulez | 3:55 |
| Bluebeard's Castle, Sz. 48 (op. 11): Door 3. "Oh, be sok kincs! Oh, be sok kincs!" (Judith) | | | Jessye Norman, Chicago Symphony Orchestra, Pierre Boulez | 2:25 |
| Bluebeard's Castle, Sz. 48 (op. 11): Door 4. "Oh! virágok! Oh! ilatoskert!" (Judith) | | | Jessye Norman, Chicago Symphony Orchestra, Pierre Boulez | 4:18 |
| Bluebeard's Castle, Sz. 48 (op. 11): Door 5. Kékszakállú: "Nézd hogy derül már a váram" (Bluebeard) | | | László Polgár, Chicago Symphony Orchestra, Pierre Boulez | 6:35 |
| Bluebeard's Castle, Sz. 48 (op. 11): Door 6. "Csendes fehér tavat látok" (Judith) | | | Jessye Norman, Chicago Symphony Orchestra, Pierre Boulez | 4:32 |
| Bluebeard's Castle, Sz. 48 (op. 11): Door 7. "Lásd a régi aszszonyokat" (Bluebeard) | | | László Polgár, Chicago Symphony Orchestra, Pierre Boulez | 8:31 |
| Bluebeard's Castle, Sz. 48 (op. 11): Prologue - Opening Scene. "Megérkeztünk" | | | Chicago Symphony Orchestra, Pierre Boulez | 5:06 |
| Böljeby-vals | | | Anne Sofie von Otter, Bengt Forsberg | 2:59 |
| Bön till natten | | | Anne Sofie von Otter, Bengt Forsberg | 2:55 |
| Canon libre à la quinte, H. 14 | | | Anne Sofie von Otter, Françoise Pollet, Cord Garben | 3:38 |
| Cantata for Mixed Chorus and Orchestra, Op. 112 "Meeresstille und glückliche Fahrt": I. Meeresstille. Sostenuto "Tiefe Stille herrscht im Wasser" Sostenuto / II. Glückliche Fahrt. Allegro vivace "Die Nebel zerreißen" | | | Orchestre Révolutionnaire et Romantique, Monteverdi Choir, John Eliot Gardiner | 7:19 |
| Cantata Profana “The Enchanted Stags”, Sz. 94: I. There was once an old man | | | Margaret Hillis, John Aler, Chicago Symphony Chorus, John Tomlinson, Chicago Symphony Orchestra, Pierre Boulez | 6:59 |
| Cantata Profana “The Enchanted Stags”, Sz. 94: II. But their father grew impatient | | | Margaret Hillis, John Aler, Chicago Symphony Chorus, John Tomlinson, Chicago Symphony Orchestra, Pierre Boulez | 8:00 |
| Cantata Profana “The Enchanted Stags”, Sz. 94: III. There was once an old man | | | Margaret Hillis, John Aler, Chicago Symphony Chorus, John Tomlinson, Chicago Symphony Orchestra, Pierre Boulez | 3:17 |
| Cantata, BWV 36 "Schwingt freudig euch empor": Aria (Baritone) "Willkommen, werter Schatz!" | | | Olaf Bär, English Baroque Soloists, John Eliot Gardiner | 3:32 |
| Cantata, BWV 36 "Schwingt freudig euch empor": Aria (Soprano) "Auch mit gedämpften, schwachen Stimmen" | | | Nancy Argenta, English Baroque Soloists, John Eliot Gardiner | 8:54 |
| Cantata, BWV 36 "Schwingt freudig euch empor": Aria (Tenor) "Die Liebe zieht mit sanften Schritten" | | | English Baroque Soloists, John Eliot Gardiner | 4:50 |
| Cantata, BWV 36 "Schwingt freudig euch empor": Chorale "Lob sei Gott, dem Vater, g'ton" | | | English Baroque Soloists, John Eliot Gardiner | 0:47 |
| Cantata, BWV 36 "Schwingt freudig euch empor": Chorale "Zwingt die Saiten" | | | English Baroque Soloists, John Eliot Gardiner | 1:19 |
| Cantata, BWV 36 "Schwingt freudig euch empor": Chorale (Tenors) "Der du bist dem Vater gleich" | | | English Baroque Soloists, John Eliot Gardiner | 1:44 |
| Cantata, BWV 36 "Schwingt freudig euch empor": Chorale-Duet (Soprano, Mezzo-soprano) "Nun komm, der Heiden Heiland" | | | English Baroque Soloists, John Eliot Gardiner | 3:21 |
| Cantata, BWV 61 "Nun komm, der Heiden Heiland": Aria (Soprano) "Öffne dich, mein ganzes Herze" | | | English Baroque Soloists, John Eliot Gardiner | 3:47 |
| Cantata, BWV 61 "Nun komm, der Heiden Heiland": Aria (Tenor) "Komm, Jesu, komm zu deiner Kirche" | | | English Baroque Soloists, John Eliot Gardiner | 4:17 |
| Cantata, BWV 61 "Nun komm, der Heiden Heiland": Chorale "Amen" | | | English Baroque Soloists, John Eliot Gardiner | 0:54 |
| Cantata, BWV 61 "Nun komm, der Heiden Heiland": Ouverture (Chorus) "Nun komm, der Heiden Heiland" | | | English Baroque Soloists, John Eliot Gardiner | 2:48 |
| Cantata, BWV 61 "Nun komm, der Heiden Heiland": Recitative (Baritone) "Siehe, ich stehe vor der Tür" | | | English Baroque Soloists, John Eliot Gardiner | 1:08 |
| Cantata, BWV 61 "Nun komm, der Heiden Heiland": Recitative (Tenor): "Der Heiland ist gekommen" | | | English Baroque Soloists, John Eliot Gardiner | 1:20 |
| Cantata, BWV 62 "Nun komm, der Heiden Heiland": Aria (Baritone) "Streite, siege, starker Held!" | | | English Baroque Soloists, John Eliot Gardiner | 5:21 |
| Cantata, BWV 62 "Nun komm, der Heiden Heiland": Aria (Tenor) "Bewundert, o Menschen" | | | English Baroque Soloists, John Eliot Gardiner | 6:20 |
| Cantata, BWV 62 "Nun komm, der Heiden Heiland": Chorale "Lob sei Gott, dem Vater, g'ton" | | | English Baroque Soloists, John Eliot Gardiner | 0:40 |
| Cantata, BWV 62 "Nun komm, der Heiden Heiland": Recitative (Baritone) "So geht aus Gottes Herrlichkeit" | | | English Baroque Soloists, John Eliot Gardiner | 0:40 |
| Cantata, BWV 62 "Nun komm, der Heiden Heiland": Recitative (Soprano, Mezzo-soprano) "Wir ehren diese Herrlichkeit" | | | Nancy Argenta, Petra Lang, English Baroque Soloists, John Eliot Gardiner | 0:49 |
| See all 1,445 relationships |
| recording engineer for |
|---|
| 1980-08 – 1982-04 | Tristan und Isolde: Isoldes Liebestod | | | Margaret Price, Staatskapelle Dresden, Carlos Kleiber | 7:27 |
| 1984-05-18 | L'Oiseau de feu Suite (1919 version): Finale | Karl‐August Naegler | | Israel Philharmonic Orchestra, Leonard Bernstein | 3:34 |
| 1984-05-18 | L'Oiseau de feu Suite (1919 version): Infernal Dance of King Kashchei | Karl‐August Naegler | | Israel Philharmonic Orchestra, Leonard Bernstein | 4:19 |
| 1984-05-18 | L'Oiseau de feu Suite (1919 version): Introduction | Karl‐August Naegler | | Israel Philharmonic Orchestra, Leonard Bernstein | 3:35 |
| 1984-05-18 | L'Oiseau de feu Suite (1919 version): Lullaby | Karl‐August Naegler | | Israel Philharmonic Orchestra, Leonard Bernstein | 3:54 |
| 1984-05-18 | L'Oiseau de feu Suite (1919 version): The Firebird and its Dance | Karl‐August Naegler | | Israel Philharmonic Orchestra, Leonard Bernstein | 0:15 |
| 1984-05-18 | L'Oiseau de feu Suite (1919 version): The Princensess' Round | Karl‐August Naegler | | Israel Philharmonic Orchestra, Leonard Bernstein | 5:34 |
| 1984-05-18 | L'Oiseau de feu Suite (1919 version): Variation of the Firebird | Karl‐August Naegler | | Israel Philharmonic Orchestra, Leonard Bernstein | 1:19 |
| 1984-05-18 | Pulcinella Suite: I. Sinfonia (Ouverture): Allegro moderato | Karl‐August Naegler | | Israel Philharmonic Orchestra, Leonard Bernstein | 2:14 |
| 1984-05-18 | Pulcinella Suite: II. Serenata: Larghetto | Karl‐August Naegler | | Israel Philharmonic Orchestra, Leonard Bernstein | 2:57 |
| 1984-05-18 | Pulcinella Suite: III. Scherzino / Allegro / Andantino | Karl‐August Naegler | | Israel Philharmonic Orchestra, Leonard Bernstein | 4:42 |
| 1984-05-18 | Pulcinella Suite: IV. Tarantella (88 bpm) | Karl‐August Naegler | | Israel Philharmonic Orchestra, Leonard Bernstein | 1:59 |
| 1984-05-18 | Pulcinella Suite: V. Toccata: Allegro | Karl‐August Naegler | | Israel Philharmonic Orchestra, Leonard Bernstein | 0:59 |
| 1984-05-18 | Pulcinella Suite: VI. Gavotta: Allegro moderato / Variazione Ia. Allegretto / Variazione IIa. Allegro piú tosto moderato | Karl‐August Naegler | | Israel Philharmonic Orchestra, Leonard Bernstein | 4:07 |
| 1984-05-18 | Pulcinella Suite: VII. Vivo | Karl‐August Naegler | | Israel Philharmonic Orchestra, Leonard Bernstein | 1:27 |
| 1984-05-18 | Pulcinella Suite: VIII. Minuetto / Finale | Karl‐August Naegler | | Israel Philharmonic Orchestra, Leonard Bernstein | 4:17 |
| 1985-10 | English Suite No. 2 in A minor, BWV 807: I. Prélude | | | Ivo Pogorelich | 6:39 |
| 1985-10 | English Suite No. 2 in A minor, BWV 807: II. Allemande | | | Ivo Pogorelich | 4:09 |
| 1985-10 | English Suite No. 2 in A minor, BWV 807: III. Courante | | | Ivo Pogorelich | 1:46 |
| 1985-10 | English Suite No. 2 in A minor, BWV 807: IV. Sarabande | | | Ivo Pogorelich | 7:52 |
| 1985-10 | English Suite No. 2 in A minor, BWV 807: V. Bourrée I & II | | | Ivo Pogorelich | 5:19 |
| 1985-10 | English Suite No. 2 in A minor, BWV 807: VI. Gigue | | | Ivo Pogorelich | 3:03 |
| 1985-10 | English Suite No. 3 in G minor, BWV 808: I. Prélude | | | Ivo Pogorelich | 5:14 |
| 1985-10 | English Suite No. 3 in G minor, BWV 808: II. Allemande | | | Ivo Pogorelich | 4:34 |
| 1985-10 | English Suite No. 3 in G minor, BWV 808: III. Courante | | | Ivo Pogorelich | 2:53 |
| 1985-10 | English Suite No. 3 in G minor, BWV 808: IV. Sarabande | | | Ivo Pogorelich | 7:52 |
| 1985-10 | English Suite No. 3 in G minor, BWV 808: V. Gavotte I & II | | | Ivo Pogorelich | 4:31 |
| 1985-10 | English Suite No. 3 in G minor, BWV 808: VI. Gigue | | | Ivo Pogorelich | 2:22 |
| 1985-12-19 – 1985-12 | L'Orfeo: Atto terzo. Sinfonia / "Scorto da te, mio Nume" / "Ecco l'atra palude" / "Dove, ah dove ten vai" | | | John Eliot Gardiner, The English Baroque Soloists, Anthony Rolfe Johnson, Mary Nichols | 6:29 |
| 1985-12 | L'Orfeo: Ahi, vista troppo dolce | | | John Eliot Gardiner, The English Baroque Soloists; Anthony Rolfe Johnson, Julianne Baird, Howard Milner | 2:34 |
| 1985-12 | L'Orfeo: Atto primo. "In questo lieto e fortunato giorno" / "Vieni, Imeneo" / "Muse, onor di Parnaso" | | | John Eliot Gardiner, The English Baroque Soloists, The Monteverdi Choir, Nancy Argenta, Mark Tucker | 3:28 |
| 1985-12 | L'Orfeo: Atto primo. "Ma se il nostro gioir" / "Ecco Orfeo, cui pur" | | | John Eliot Gardiner, The English Baroque Soloists, The Monteverdi Choir, Nancy Argenta, Mark Tucker, Nigel Robson, Michael Chance, Simon Birchall | 5:09 |
| 1985-12 | L'Orfeo: Atto primo. Balletto. "Lasciate i monti" / "Ma tu, gentil cantor" | | | John Eliot Gardiner, The English Baroque Soloists, The Monteverdi Choir, Michael Chance | 2:34 |
| 1985-12 | L'Orfeo: Atto quarto. "È la virtute un raggio" (Coro di spiriti) | | | John Eliot Gardiner, The English Baroque Soloists, The Monteverdi Choir | 2:29 |
| 1985-12 | L'Orfeo: Atto quarto. "Pietade, oggi, e amore" / "Ecco il gentil cantor" | | | John Eliot Gardiner, The English Baroque Soloists, The Monteverdi Choir, Howard Milner | 0:40 |
| 1985-12 | L'Orfeo: Atto quarto. "Signor, quel infelice" / "Benché severo" / "O degli abitator" / "Quali grazie ti rendo" / "Tue soavi parole" | | | John Eliot Gardiner, The English Baroque Soloists, Diana Montague, Willard White, Howard Milner, Nicolas Robertson | 6:54 |
| 1985-12 | L'Orfeo: Atto quinto. "Questi i campi di Tracia" (Orfeo, Eco) | | | John Eliot Gardiner, The English Baroque Soloists, Anthony Rolfe Johnson, Mark Tucker | 8:09 |
| 1985-12 | L'Orfeo: Atto quinto. Sinfonia / "Perché a lo sdegno" | | | John Eliot Gardiner, The English Baroque Soloists, Anthony Rolfe Johnson, Nigel Robson | 5:47 |
| 1985-12 | L'Orfeo: Atto secondo. "Ahi, caso acerbo" / "In un fiorito prato" | | | Michael Chance, Anne Sofie von Otter, Nigel Robson, Anthony Rolfe Johnson, Mark Tucker, English Baroque Soloists, Sir John Eliot Gardiner | 9:28 |
| 1985-12 | L'Orfeo: Atto secondo. "Ahi, caso acerbo" / "Ma io, che in questa lingua" | | | Monteverdi Choir, Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner | 2:49 |
| 1985-12 | L'Orfeo: Atto secondo. "Vi ricorda, o bosch'ombrosi" (Orfeo, Pastore I) | | | John Eliot Gardiner, The English Baroque Soloists, Anthony Rolfe Johnson | 2:51 |
| 1985-12 | L'Orfeo: Atto secondo. Sinfonia / "Chi ne consola, ahi lassi?" / "Ahi, caso acerbo" / "Ma dove, ah dove" / "Ahi, caso acerbo" | | tenor vocals [Pastore I] | Monteverdi Choir, Nigel Robson, Mark Tucker, English Baroque Soloists, Sir John Eliot Gardiner | 7:09 |
| 1985-12 | L'Orfeo: Atto terzo. "Ben mi lusinga" | | | John Eliot Gardiner, Anthony Rolfe Johnson, Nicolas Robertson | 5:21 |
| 1985-12 | L'Orfeo: Atto terzo. "Nulla impresa per uom" (Coro di spiriti) | | | John Eliot Gardiner, The English Baroque Soloists, The Monteverdi Choir | 2:48 |
| 1985-12 | L'Orfeo: Atto terzo. "O tu, ch'inanzi morte" (Caronte) | | | The English Baroque Soloists, John Tomlinson | 2:13 |
| 1985-12 | L'Orfeo: Mira cha sé nalletta | | | John Eliot Gardiner, The English Baroque Soloists, The Monteverdi Choir, Mark Tucker, Nigel Robson | 2:15 |
| 1985-12 | L'Orfeo: Prologo. "Dal mio Permesso" (La Musica) | | | John Eliot Gardiner, The English Baroque Soloists, Lynne Dawson | 5:44 |
| 1985-12 | L'Orfeo: Qual onor di te fia degno | | | John Eliot Gardiner, The English Baroque Soloists, Anthony Rolfe Johnson, John Tomlinson | 3:15 |
| 1985-12 | L'Orfeo: Rosa del ciel | | | John Eliot Gardiner, The English Baroque Soloists, The Monteverdi Choir, Anthony Rolfe Johnson, Julianne Baird | 4:27 |
| 1985-12 | L'Orfeo: Sinfonia... Ecco pur ch'a voi ritorno | | | John Eliot Gardiner, The English Baroque Soloists, Anthony Rolfe Johnson | 0:49 |
| 1985-12 | Orfeo, Akt III: "Possente spirto" | | | Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | 8:23 |
| 1987-03 | Piano Quartet in E-flat major, K. 493: I. Allegro | | | Malcolm Bilson, Elizabeth Wilcock, Jan Schlapp, Timothy Mason | 14:56 |
| 1987-03 | Piano Quartet in E-flat major, K. 493: II. Larghetto | | | Malcolm Bilson, Elizabeth Wilcock, Jan Schlapp, Timothy Mason | 10:22 |
| 1987-03 | Piano Quartet in E-flat major, K. 493: III. Allegretto | | | Malcolm Bilson, Elizabeth Wilcock, Jan Schlapp, Timothy Mason | 8:53 |
| 1987-03 | Piano Quartet in G minor, K. 478: I. Allegro | | | Malcolm Bilson, Elizabeth Wilcock, Jan Schlapp, Timothy Mason | 11:10 |
| 1987-03 | Piano Quartet in G minor, K. 478: II. Andante | | | Malcolm Bilson, Elizabeth Wilcock, Jan Schlapp, Timothy Mason | 7:27 |
| 1987-03 | Piano Quartet in G minor, K. 478: III. Rondo: Allegro moderato | | | Malcolm Bilson, Elizabeth Wilcock, Jan Schlapp, Timothy Mason | 7:53 |
| Auf dem Gebirge hat man ein Geschrei gehöret, SWV 396 | | | Michael Chance, Ashley Stafford, The English Baroque Soloists, His Majesties Sagbutts and Cornetts, John Eliot Gardiner | 5:36 |
| Barkarola | | | Galina Vishnevskaya, Mstislav Rostropovich | 2:41 |
| Concerto for 3 Harpsichords and Strings in C major, BWV 1064: I. Allegro | | | The English Concert, Trevor Pinnock | 6:20 |
| Concerto for 3 Harpsichords and Strings in C major, BWV 1064: II. Adagio | | | The English Concert, Trevor Pinnock | 5:28 |
| Concerto for 3 Harpsichords and Strings in C major, BWV 1064: III. Allegro | | | The English Concert, Trevor Pinnock | 4:45 |
| Concerto for 3 Harpsichords and Strings in D minor, BWV 1063: I. (No tempo indication) | | | The English Concert, Trevor Pinnock | 5:09 |
| Concerto for 3 Harpsichords and Strings in D minor, BWV 1063: II. Alla Siciliana | | | The English Concert, Trevor Pinnock | 3:46 |
| Concerto for 3 Harpsichords and Strings in D minor, BWV 1063: III. Allegro | | | The English Concert, Trevor Pinnock | 4:57 |
| Concerto for 4 Harpsichords and Strings in A minor, BWV 1065: I. (No tempo indication) | | | The English Concert, Trevor Pinnock | 4:05 |
| Concerto for 4 Harpsichords and Strings in A minor, BWV 1065: II. Largo | | | The English Concert, Trevor Pinnock | 2:08 |
| Concerto for 4 Harpsichords and Strings in A minor, BWV 1065: III. Allegro | | | The English Concert, Trevor Pinnock | 3:24 |
| Concerto for Bassoon and Orchestra in B-flat major, K. 191 (186e): 1. Allegro | | | Willard Elliot, Chicago Symphony Orchestra, Claudio Abbado | 7:16 |
| Concerto for Bassoon and Orchestra in B-flat major, K. 191 (186e): 2. Andante ma adagio | | | Willard Elliot, Chicago Symphony Orchestra, Claudio Abbado | 6:18 |
| Concerto for Bassoon and Orchestra in B-flat major, K. 191 (186e): 3. Rondo. Tempo di minuetto | | | Willard Elliot, Chicago Symphony Orchestra, Claudio Abbado | 4:38 |
| Concerto for Flute, Violin, Harpsichord, Strings and Basso continuo in A minor “Triple Concerto”, BWV 1044: 1. Allegro | | | Trevor Pinnock, Stephen Preston, Simon Standage, The English Concert | 7:56 |
| Concerto for Flute, Violin, Harpsichord, Strings and Basso continuo in A minor “Triple Concerto”, BWV 1044: 2. Adagio ma non tanto e dolce | | | Trevor Pinnock, Stephen Preston, Simon Standage, The English Concert | 5:28 |
| Concerto for Flute, Violin, Harpsichord, Strings and Basso continuo in A minor “Triple Concerto”, BWV 1044: 3. Tempo di Allabreve | | | Trevor Pinnock, Stephen Preston, Simon Standage, The English Concert | 6:38 |
| Concerto for Horn and Orchestra no. 3 in E-flat major, K. 447: 1. Allegro | | | Dale Clevenger, Chicago Symphony Orchestra, Claudio Abbado | 7:37 |
| Concerto for Horn and Orchestra no. 3 in E-flat major, K. 447: 2. Romance. Larghetto | | | Dale Clevenger, Chicago Symphony Orchestra, Claudio Abbado | 4:44 |
| Concerto for Horn and Orchestra no. 3 in E-flat major, K. 447: 3. Allegro | | | Dale Clevenger, Chicago Symphony Orchestra, Claudio Abbado | 3:41 |
| Concerto for Oboe and Orchestra in C major, K. 314 (285d): 1. Allegro aperto | | | Ray Still, Chicago Symphony Orchestra, Claudio Abbado | 7:40 |
| Concerto for Oboe and Orchestra in C major, K. 314 (285d): 2. Adagio ma non troppo | | | Ray Still, Chicago Symphony Orchestra, Claudio Abbado | 6:59 |
| Concerto for Oboe and Orchestra in C major, K. 314 (285d): 3. Rondeau. Allegro | | | Ray Still, Chicago Symphony Orchestra, Claudio Abbado | 5:52 |
| Concerto for Piano and Orchestra in A minor, Op. 54: I. Allegro affettuoso | | | Martha Argerich, National Symphony Orchestra, Mstislav Rostropovitch | 14:24 |
| Concerto for Piano and Orchestra in A minor, Op. 54: II. Intermezzo. Andantino - attacca: | | | Martha Argerich, National Symphony Orchestra, Mstislav Rostropovitch | 5:09 |
| Concerto for Piano and Orchestra in A minor, Op. 54: III. Allegro vivace | | | Martha Argerich, National Symphony Orchestra, Mstislav Rostropovitch | 10:17 |
| Concerto for Piano and Orchestra no. 16 in D major, K. 451: I. Allegro assai | | | English Baroque Soloists, Sir John Eliot Gardiner, Malcolm Bilson | 10:31 |
| Concerto for Piano and Orchestra no. 16 in D major, K. 451: II. Andante | | | English Baroque Soloists, Sir John Eliot Gardiner, Malcolm Bilson | 6:00 |
| Concerto for Piano and Orchestra no. 16 in D major, K. 451: III. Rondeau. Allegro di molto | | | English Baroque Soloists, Sir John Eliot Gardiner, Malcolm Bilson | 6:22 |
| Concerto for Piano and Orchestra no. 17 in G major, K. 453: I. Allegro | | | English Baroque Soloists, Sir John Eliot Gardiner, Malcolm Bilson | 11:27 |
| Concerto for Piano and Orchestra no. 17 in G major, K. 453: II. Andante | | | English Baroque Soloists, Sir John Eliot Gardiner, Malcolm Bilson | 10:30 |
| Concerto for Piano and Orchestra no. 17 in G major, K. 453: III. Allegretto | | | English Baroque Soloists, Sir John Eliot Gardiner, Malcolm Bilson | 8:11 |
| Concerto for Piano and Orchestra no. 20 in D minor, K. 466: I. Allegro | | | Malcolm Bilson, English Baroque Soloists, Sir John Eliot Gardiner | 12:59 |
| Concerto for Piano and Orchestra no. 20 in D minor, K. 466: II. Romance | | | English Baroque Soloists, Sir John Eliot Gardiner, Malcolm Bilson | 9:00 |
| Concerto for Piano and Orchestra no. 20 in D minor, K. 466: III. Rondo. Allegro assai | | | English Baroque Soloists, Sir John Eliot Gardiner, Malcolm Bilson | 7:42 |
| Concerto for Piano and Orchestra no. 21 in C major, K. 467: I. Allegro | | | Malcolm Bilson, English Baroque Soloists, Sir John Eliot Gardiner | 14:07 |
| Concerto for Piano and Orchestra no. 21 in C major, K. 467: II. Andante | | | Malcolm Bilson, English Baroque Soloists, Sir John Eliot Gardiner | 6:10 |
| Concerto for Piano and Orchestra no. 21 in C major, K. 467: III. Allegro vivace assai | | | Malcolm Bilson, English Baroque Soloists, Sir John Eliot Gardiner | 7:23 |
| Concerto for Piano and Orchestra no. 25 in C major, K. 503: I. Allegro maestoso | | | English Baroque Soloists, Sir John Eliot Gardiner, Malcolm Bilson | 13:47 |
| Concerto for Piano and Orchestra no. 25 in C major, K. 503: II. Andante | | | English Baroque Soloists, Sir John Eliot Gardiner, Malcolm Bilson | 7:18 |
| Concerto for Piano and Orchestra no. 25 in C major, K. 503: III. Allegretto | | | English Baroque Soloists, Sir John Eliot Gardiner, Malcolm Bilson | 8:56 |
| Concerto for Piano and Orchestra no. 26 in D major, K. 537 "Coronation": I. Allegro | | | English Baroque Soloists, Sir John Eliot Gardiner, Malcolm Bilson | 13:45 |
| Concerto for Piano and Orchestra no. 26 in D major, K. 537 "Coronation": II. Larghetto | | | English Baroque Soloists, Sir John Eliot Gardiner, Malcolm Bilson | 5:48 |
| See all 260 relationships |
| sound engineered |
|---|
| Die Schöpfung: Dritter Teil: XXXII. Chor: Singt dem Herren alle Stimmen | | | Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein | 3:41 |
| Die Schöpfung: Dritter Teil. 30. Duett: 'Holde Gattin, dir zur Seite" | | | Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | 9:50 |
| Die Schöpfung: Erster Teil: Der Erste Tag: I. Die Vorstellung des Chaos | | | Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein | 6:50 |
| Die Schöpfung: Erster Teil: Der Erste Tag: II. Rezitativ: Im Anfange schuf Gott Himmel und Erde | | | Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein | 3:05 |
| Die Schöpfung: Erster Teil: Der Vierte Tag: XIII. Accompagnato-Rezitativ: In vollem Glanze steiget jetzt | | | Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein | 3:06 |
| Die Schöpfung: Erster Teil: Der Vierte Tag: XIV. Chor und Terzett: Die Himmel erzählen die Ehre Gottes | | | Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein | 5:20 |
| Die Schöpfung: Erster Teil. 3. Arie und Chor: "Nun schwanden von dem heiligen Strahle" | | | Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | 4:25 |
| Die Schöpfung: Erster Teil. 7. Arie: "Rollend in schäumenden Wellen" | | | Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | 3:58 |
| Die Schöpfung: Erster Teil. 9. Arie: "Nun beut die Flur das frische Grün" | | | Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | 6:05 |
| Die Schöpfung: Zweiter Teil: Der Fünfe Tag: XIX. Terzett und Chor: In holder Anmut stehn | | | Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein | 7:43 |
| Die Schöpfung: Zweiter Teil: Der Sechste Tag: XXI. Accompagnato-Rezitativ: Gleich öffnet sich der Erde Schoß | | | Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein | 3:42 |
| Die Schöpfung: Zweiter Teil: Der Sechste Tag: XXIV. Arie: Mit Würd' und Hoheit angetan | | | Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein | 3:57 |
| Die Schöpfung: Zweiter Teil. 22. Arie: "Nun scheint in vollem Glanze der Himmel" | | | Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | 3:25 |
| Die Schöpfung: Zweiter Teil. 26. Chor und Terzett: "Vollendet ist das große Werk'" | | | Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | 10:16 |
| balance engineered |
|---|
| Symphonie no. 3 | | | Gustav Mahler; Jessye Norman, Konzertvereinigung Wiener Staatsopernchor, Wiener Sängerknaben, Wiener Philharmoniker, Claudio Abbado | |
| engineered |
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| Klavierkonzert no. 2 / Polonaise op. 44 | | | Frédéric Chopin; Ivo Pogorelich, Claudio Abbado, Chicago Symphony Orchestra | |
| produced |
|---|
| Le Poème de l’extase / Piano Concerto / Prométhée | | | Alexander Scriabin; Anatol Ugorski, Chicago Symphony Orchestra, Pierre Boulez | |
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