| 4 Irish Dances, op. 126: I. Allegro con energico | | | | | | | |
| 4 Irish Dances, op. 126: II. Commodo | | | | | | | |
| 4 Irish Dances, op. 126: III. Piacevole | | | | | | | |
| 4 Irish Dances, op. 126: IV. Vivace | | | | | | | |
| 4 Scottish Dances, op. 59: I. Pesante | | | | | | | |
| 4 Scottish Dances, op. 59: II. Vivace | | | | | | | |
| 4 Scottish Dances, op. 59: III. Allegretto | | | | | | | |
| 4 Scottish Dances, op. 59: IV. Con brio | | | | | | | |
| A Comedy Overture | | | | | | | |
| A John Field Suite: I. Polka | | | | Suite | | | |
| A John Field Suite: II. Nocturne | | | | Suite | | | |
| A John Field Suite: III. Slow Waltz "Rembrance" | | | | Suite | | | |
| A John Field Suite: IV. Rondo "Midi" | | | | Suite | | | |
| A Legend, GP 357 | | | | Symphonic poem | | | |
| Accelerationen, op. 234 | | | | | | | |
| An der schönen blauen Donau, op. 314 | | | | | | | 5 |
| An Irish Symphony: I. On the Shores of Lough Neagh. Allegro molto | | | | | | | |
| An Irish Symphony: II. The Fair Day. Vivace ma non troppo presto | | | | | | | |
| An Irish Symphony: III. In the Antrim Hills. Lento ma non troppo | | | | | | | |
| An Irish Symphony: IV. The Twelfth of July. Con molto brio | | | | | | | |
| Cello Concerto no. 2, op. 77: I. Molto sostenuto - Allegro molto e energico - | | | | | | | |
| Cello Concerto no. 2, op. 77: II. Presto marcato - | | | | | | | |
| Cello Concerto no. 2, op. 77: III. Andante con moto | | | | | | | |
| Cello Concerto, GP 316: I. Allegro moderato | | | | | | | |
| Cello Concerto, GP 316: II. Nocturne. Lento - Andante con moto | | | | | | | |
| Cello Concerto, GP 316: III. Molto vivace | | | | | | | |
| Cello Concerto, op. 31: I. Allegro con moto – Meno mosso | | | | | | | |
| Cello Concerto, op. 31: II. Scherzo and Trio: Allegro molto e ritmico (il più presto possibile) – Moderato e dolce | | | | | | | |
| Cello Concerto, op. 31: III. Lentissimo: molto sostenuto | | | | | | | |
| Chanson d'automne | | | | Song | | | |
| Chant du ménestrel, op. 71 | | | | | | | |
| Christmas Eve, GP 249 | | | | Symphonic poem | | | |
| Concerto Accademico: I. Allegro pesante | | | | | | | |
| Concerto Accademico: II. Adagio - Tranquillo | | | | | | | |
| Concerto Accademico: III. Presto | | | | | | | |
| Concerto for Cello and Orchestra in E minor, op. 65: I. Allegro moderato | | | | | | | |
| Concerto for Cello and Orchestra in E minor, op. 65: II. Andante sostenuto | | | | | | | |
| Concerto for Cello and Orchestra in E minor, op. 65: III. Allegro (a battuta) | | | | | | | |
| Concerto for Clarinet and String Orchestra, op. 31: I. Allegro vigoroso | | | | | | | |
| Concerto for Clarinet and String Orchestra, op. 31: II. Adagio ma senza rigore | | | | | | | |
| Concerto for Clarinet and String Orchestra, op. 31: III. Rondo | | | | | | | |
| Concerto for Piano no. 9 in E-flat major, K. 271 “Jenamy”: I. Allegro | | | | | | | |
| Concerto for Piano no. 9 in E-flat major, K. 271 “Jenamy”: II. Andantino | | | | | | | |
| Concerto for Piano no. 9 in E-flat major, K. 271 “Jenamy”: III. Rondeau. Presto – Adagio & Menuetto. Cantabile – Tempo primo | | | | | | | |
| Concerto for Piano no. 21 in C major, K. 467 | | | | Concerto | | | |
| Concerto for Piano no. 21 in C major, K. 467: I. Allegro | | | | | | | |
| Concerto for Piano no. 21 in C major, K. 467: II. Andante | | | | | | | |
| Concerto for Piano no. 21 in C major, K. 467: III. Allegro vivace assai | | | | | | | |
| Concerto for Violin and Orchestra, GP 342: I. Overture, Ballad and Scherzo. Allegro risoluto - Allegro moderato - Poco largamente | | | | | | | |
| Concerto for Violin and Orchestra, GP 342: II. Adagio | | | | | | | |
| Concerto for Violin and Orchestra, GP 342: III. Allegro - Slow Valse Tempo - Andante con moto | | | | | | | |
| Concerto Grosso: I. Intrada | | | | | | | |
| Concerto Grosso: II. Burlesca ostinata | | | | | | | |
| Concerto Grosso: III. Sarabande | | | | | | | |
| Concerto Grosso: IV. Scherzo | | | | | | | |
| Concerto Grosso: V. March and Reprise | | | | | | | |
| Concerto in A minor for Oboe and Strings: I. Rondo Pastorale. Allegro moderato | | | | Concerto | | | |
| Concerto in A minor for Oboe and Strings: II. Minuet and Musette. Allegro moderato | | | | Concerto | | | |
| Concerto in A minor for Oboe and Strings: III. Finale (Scherzo). Presto - Doppio più lento - Lento - Presto | | | | Concerto | | | |
| Cortège, GP 274 | | | | | | | |
| Dance Fantasy | | | | | | | |
| Divertimento: Jig | | | | | | | |
| Divertimento: Lullaby | | | | | | | |
| Divertimento: Rondo | | | | | | | |
| Dona nobis pacem: I. Agnus Dei | | - Sheila Armstrong, John Carol Case, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult
- Ralph Vaughan Williams
- Atlanta Symphony Orchestra and Chorus, Robert Shaw, Carmen Pelton, Nathan Gunn
- Edith Wiens, Brian Rayner Cook, The London Philharmonic, London Philharmonic Choir, Bryden Thomson
- (show 6 more)
| | | | | |
| Dona nobis pacem: II. "Beat! beat! drums!" (Allegro moderato) | | | | | | | |
| Dona nobis pacem: III. Reconciliation (Andantino) | | - Sheila Armstrong, John Carol Case, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult
- Ralph Vaughan Williams
- Atlanta Symphony Orchestra and Chorus, Robert Shaw, Carmen Pelton, Nathan Gunn
- Edith Wiens, Brian Rayner Cook, The London Philharmonic, London Philharmonic Choir, Bryden Thomson
- (show 6 more)
| | | | | |
| Dona nobis pacem: IV. Dirge for Two Veterans (Moderato alla marcia) | | - Sheila Armstrong, John Carol Case, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult
- Ralph Vaughan Williams
- Atlanta Symphony Orchestra and Chorus, Robert Shaw, Carmen Pelton, Nathan Gunn
- Edith Wiens, Brian Rayner Cook, The London Philharmonic, London Philharmonic Choir, Bryden Thomson
- (show 6 more)
| | | | | |
| Dona nobis pacem: V. "The Angel of Death has been abroad" (L'istesso tempo) | | - Sheila Armstrong, John Carol Case, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult
- Ralph Vaughan Williams
- Atlanta Symphony Orchestra and Chorus, Robert Shaw, Carmen Pelton, Nathan Gunn
- Edith Wiens, Brian Rayner Cook, The London Philharmonic, London Philharmonic Choir, Bryden Thomson
- (show 6 more)
| | | | | |
| Dona nobis pacem: VI. O man greatly beloved | | - Sheila Armstrong, John Carol Case, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult
- Ralph Vaughan Williams
- Atlanta Symphony Orchestra and Chorus, Robert Shaw, Carmen Pelton, Nathan Gunn
- Edith Wiens, Brian Rayner Cook, The London Philharmonic, London Philharmonic Choir, Bryden Thomson
- (show 7 more)
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| English Dances Set 2, for Orchestra, op. 33: I, Allegro non troppo | | | | | | | |
| English Dances Set 2, for Orchestra, op. 33: II, Con brio | | | | | | | |
| English Dances Set 2, for Orchestra, op. 33: III, Grazioso | | | | | | | |
| English Dances Set 2, for Orchestra, op. 33: IV, Giubiloso | | | | | | | |
| English Dances, Set 1, op. 27: I. Andantino | | | | | | | |
| English Dances, Set 1, op. 27: II. Vivace | | | | | | | |
| English Dances, Set 1, op. 27: III. Mesto | | | | | | | |
| English Dances, Set 1, op. 27: IV. Allegro risoluto | | | | | | | |
| Eternity, GP 330 | | | | Song | | | |
| Fantasia on “Greensleeves” | | | | | | | |
| Fantasia on a Theme by Thomas Tallis | | | | | | | |
| Festival Overture, GP 209 | | | | Overture | | | |
| Five Mystical Songs, No. 1: Easter | | - Sir Thomas Allen, Corydon Singers, English Chamber Orchestra, Matthew Best
- Choir of King’s College, Cambridge, John Shirley‐Quirk, English Chamber Orchestra, Sir David Willcocks
- Guildford Choral Society, Henry Herford, David Gibson, Hilary Davan Wetton
- Simon Keenlyside, Graham Johnson
- (show 7 more)
| | | | | |
| Five Mystical Songs, No. 2: I Got Me Flowers | | - Sir Thomas Allen, Corydon Singers, English Chamber Orchestra, Matthew Best
- Choir of King’s College, Cambridge, John Shirley‐Quirk, English Chamber Orchestra, Sir David Willcocks
- Guildford Choral Society, Henry Herford, David Gibson, Hilary Davan Wetton
- Simon Keenlyside, Graham Johnson
- (show 6 more)
| | Song | | | |
| Five Mystical Songs, No. 3: Love Bade Me Welcome | | - Sir Thomas Allen, Corydon Singers, English Chamber Orchestra, Matthew Best
- Choir of King’s College, Cambridge, John Shirley‐Quirk, English Chamber Orchestra, Sir David Willcocks
- Guildford Choral Society, Henry Herford, David Gibson, Hilary Davan Wetton
- Simon Keenlyside, Graham Johnson
- (show 6 more)
| | | | | |
| Five Mystical Songs, No. 4: The Call | | - Sir Thomas Allen, Corydon Singers, English Chamber Orchestra, Matthew Best
- Simon Keenlyside, Graham Johnson
- Choir of King’s College, Cambridge, John Shirley‐Quirk, English Chamber Orchestra, Sir David Willcocks
- Guildford Choral Society, Henry Herford, David Gibson, Hilary Davan Wetton
- (show 11 more)
| | | | | |
| Five Mystical Songs, No. 5: Antiphon | | - Choir of King’s College, Cambridge, John Shirley‐Quirk, English Chamber Orchestra, Sir David Willcocks
- Sir Thomas Allen, Corydon Singers, English Chamber Orchestra, Matthew Best
- Guildford Choral Society, Henry Herford, David Gibson, Hilary Davan Wetton
- Simon Keenlyside, Graham Johnson
- (show 11 more)
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| Five Variants of "Dives and Lazarus" | | | | | | | |
| Four Cornish Dances for Orchestra, op. 91: I. Vivace | | | | | | | |
| Four Cornish Dances for Orchestra, op. 91: II. Andantino | | | | | | | |
| Four Cornish Dances for Orchestra, op. 91: III. Con moto e sempre senza parodia | | | | | | | |
| Four Cornish Dances for Orchestra, op. 91: IV. Allegro ma non troppo | | | | | | | |
| Four Orchestral Pieces, GP 152: No. 4. Dance of Wild Irravel | | | | | | | |
| Frühlingsstimmen, op. 410 | | | | | | | |
| Geschichten aus dem Wienerwald, op. 325 | | | | | | | |
| Glamour, GP 239 | | | | Song | | | |
| Golden Eagle, GP 366: I. Prelude. Andante | | | | | | | |
| Golden Eagle, GP 366: IV. Prelude, Act II Scene 1. Pavane - Tempo pomposo | | | | | | | |
| Golden Eagle, GP 366: IX. Prelude, Act III Scene 2. Maestoso | | | | | | | |
| Golden Eagle, GP 366: VII. Prelude, Act II Scene 2. Allegro appassionato | | | | | | | |
