Chants d'Auvergne: Cinquième Série: No. 7. Uno jionto postouro | | | | Song | | | |
Chants d'Auvergne: Deuxième Série: No. 1. Pastourelle | | | | Song | | | |
Chants d'Auvergne: Première Série: No. 2. Baïlèro | | | | Song | | | |
Chiome d’oro, bel tesoro, SV 143 | | | | Madrigal | | | |
Concerto, settimo libro de madrigali, con altri generi di canti: O come sei gentile, SV 120 | | | | | | | |
Gloria in D major, RV 589: III. Laudamus te | | - Jennifer Smith, Wally Staempfli, Philippe Corboz, Christiane Jaccottet, Ensemble Instrumental de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz
- Anna Crookes, Jayne Whitaker, Northern Chamber Orchestra, Nicholas Ward
- Elizabeth Vaughan, Janet Baker, Academy of St Martin in the Fields, Sir David Willcocks
- Melinda Lugosi, Budapest Madrigal Choir, Liszt Ferenc Kamarazenekar & Ferenc Szekeres
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Go Thy Way ("Eccho" Duet) | | | | Song | | | |
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison | | | | Mass | | | |
Have You Seen but a White Lily Grow? | | | | Song | | | |
Il est né, le divin Enfant | | | | Song | | | |
In Envy of the Night | | | | Song | | | |
Joy to the World | | | | Song | | | |
Juditha triumphans devicta Holofernes barbarie, RV 644: Pars I. Aria “Vultus tui vago splendori” (Abra) | | | | Aria | | | |
Juditha triumphans devicta Holofernes barbarie, RV 644: Pars I. Recitativo “In Urbe interim pia” (Abra) | | | | | | | |
Juditha triumphans devicta Holofernes barbarie, RV 644: Pars I. Recitativo “Ne timeas non, laetare” (Abra) | | | | | | | |
Juditha triumphans devicta Holofernes barbarie, RV 644: Pars I. Recitativo “Tu quoque hebraica ancilla” (Vagaus) | | | | | | | |
Juditha triumphans devicta Holofernes barbarie, RV 644: Pars I. Recitativo “Vide, humilis prostrata” (Abra, Juditha) | | | | | | | |
Juditha triumphans devicta Holofernes barbarie, RV 644: Pars II. Aria “Non ita reducem” (Abra) | | | | Aria | | | |
Juditha triumphans devicta Holofernes barbarie, RV 644: Pars II. Aria “Si fulgida per te” (Abra) | | | | Aria | | | |
Juditha triumphans devicta Holofernes barbarie, RV 644: Pars II. Recitativo “Abra accipe munus” (Juditha, Abra) | | - Alessandra Rossi, Barbara di Castri, Modo Antiquo, Federico Maria Sardelli
- Gloria Banditelli, Mária Zádori, Capella Savaria, Nicholas McGegan
- The King’s Consort, Robert King
- Anke Herrmann, Magdalena Kožená, Academia Montis Regalis, Alessandro De Marchi
- (show 7 more)
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Juditha triumphans devicta Holofernes barbarie, RV 644: Pars II. Recitativo “Quae fortunato es tu vaga Matrona” (Vagaus, Juditha) | | - Nicki Kennedy, Modo Antiquo, Federico Maria Sardelli
- Gloria Banditelli, Annette Markert, Mária Zádori, Capella Savaria, Nicholas McGegan
- The King’s Consort, Robert King
- Marina Comparato, Magdalena Kožená, Academia Montis Regalis, Alessandro De Marchi
- (show 6 more)
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Kantate, BWV 4 "Christ lag in Todesbanden": III. Duetto (Soprano, Alto) Versus II "Den Tod niemand zwingen kunnt" | | | | | | | |
Kantate, BWV 10 "Meine Seel erhebt den Herren": II. Aria (Soprano) "Herr, der du stark und mächtig bist" | | | | | | | |
Kantate, BWV 37 "Wer da gläubet und getauft wird": III. Choral (Soprano, Alto) "Herr Gott Vater, mein starker Held!" | | | | | | | |
Kantate, BWV 68 "Also hat Gott die Welt geliebt": II. Aria (Sopran) + Ritornello "Mein gläubiges Herze" | | | | | | | |
Kantate, BWV 78 "Jesu, der du meine Seele": II. Aria (Duetto Sopran, Alt) "Wir eilen mit schwachen, doch emsigen Schritten" | | | | | | | |
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": IV. Aria (Duetto Sopran, Alt) (con Choral) "Er kennt die rechten Freudenstunden" | | | | | | | |
Kantate, BWV 99 "Was Gott tut, das ist wohl getan": V. Aria (Duetto Sopran, Alt) "Wenn des Kreuzes Bitterkeiten" | | | | | | | |
Kantate, BWV 124 "Meinen Jesum laß ich nicht": V. Aria (Duetto Sopran, Alt) "Entziehe dich eilends, mein Herze, der Welt" | | - Hertha Töpper, Lotte Schädle, Detlef Kühl, Johannes Fink, Fritz Kiskalt, Karl Kolbinger, Manfred Clement, Elmar Schloter, Hedwig Bilgram, Herbert Duft, Münchener Bach‐Orchester, Karl Richter
- Netherlands Bach Collegium, Pieter Jan Leusink
- Bach‐Collegium Stuttgart, Helmuth Rilling
- Lisa Larsson, Annette Markert, Amsterdam Baroque Orchestra, Ton Koopman
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Kantate, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem": II. Aria (Alt) con Choral (Sopran) "Ich folge dir nach" | | | | | | | |
Kantate, BWV 186 "Ärgre dich, o Seele, nicht": X. Duetto (Sopran, Alt) "Laß, Seele, kein Leiden" | | | | | | | |
Kantate, BWV 202 "Weichet nur, betrübte Schatten": I. Aria "Weichet nur, betrübte Schatten" | | | | | | | |
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. “Schafe können sicher weiden” | | | | | | | |
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden” | | | | Aria | | | |
King Arthur, Z. 628: Act V. "Fairest isle" | | | | | | | |
L' Incoronazione di Poppea: Act 3 - Pur ti miro | | | | | | | |
L’Orfeo: Prologo, Dal mio Permesso (La Musica) | | | | | | | |
La Naissance de Vénus, op. 29 | | - Sinfonia Australis, Antony Walker
- City of Birmingham Symphony Orchestra Chorus, BBC Philharmonic, Yan Pascal Tortelier
- Cantillation, Teddy Tahu Rhodes, Sinfonia Australis, Antony Walker
- Cantillation, Jenny Duck-Chong, Sinfonia Australis, Antony Walker
- Cantillation, Jenny Duck-Chong, Sara Macliver, Paul McMahon, Teddy Tahu Rhodes, Sinfonia Australis, Antony Walker
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Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano) | | - Simon Preston, Christ Church Cathedral Choir, Oxford, Judith Nelson, Academy of Ancient Music, Christopher Hogwood
- Helen Donath, London Philharmonic Orchestra, Karl Richter
- Arnold Schönberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt
- Sara Macliver, Orchestra of the Antipodes, Antony Walker
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Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano) | | | | | | | |
Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano) | | - Margaret Price, English Chamber Orchestra, Johannes Somary
- Simon Preston, Christ Church Cathedral Choir, Oxford, Judith Nelson, Academy of Ancient Music, Christopher Hogwood
- Helen Donath, London Philharmonic Orchestra, Karl Richter
- Arleen Augér, The English Concert, Trevor Pinnock
- (show 73 more)
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Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest” | | - Amor Artis Chorale, English Chamber Orchestra, Johannes Somary
- Simon Preston, Christ Church Cathedral Choir, Oxford, Judith Nelson, Academy of Ancient Music, Christopher Hogwood
- London Philharmonic Orchestra, Karl Richter
- Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
- (show 104 more)
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Messiah, HWV 56: Part I, no. 18: Air “Rejoice greatly, O daughter of Zion” (Soprano) | | | | Aria | | | |
Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto) | | - Yvonne Minton, Margaret Price, English Chamber Orchestra, Johannes Somary
- Judith Nelson, Academy of Ancient Music, Christopher Hogwood
- April Cantelo, London Philharmonic Orchestra, Walter Süsskind
- Elsie Morison, Marjorie Thomas, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent
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Messiah, HWV 56: Part II, no. 32. “But thou didst not leave His soul in hell…” (soprano) | | | | | | | |
Messiah, HWV 56: Part II, no. 38. Aria “How beautiful are the feet…” (Soprano) | | | | Aria | | | |
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) | | - Ambrosian Singers, Elizabeth Harwood, English Chamber Orchestra, Charles Mackerras
- Kiri Te Kanawa, Chicago Symphony Orchestra, Sir Georg Solti
- Christopher Hogwood, The Academy of Ancient Music, Christ Church Cathedral Choir, Oxford
- Arleen Augér, The English Concert, Trevor Pinnock
- (show 100 more)
| | Aria | | | |
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass) | | | | Aria | | | |
Nò, di voi non vo' fidarmi, HWV 189 | | | | | | | |
Quel fior che all'alba ride, HWV 192 | | | | | | | |
Requiem, op. 48: IV. Pie Jesu | | | | | | | |
Requiem: Pie Jesu | | | | | | - 460248679 (ASCAP ID)
- 13348949 (COMPASS ID)
- (show 3 more)
- 624341 (SAYCO ID)
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Salmo 109: Dixit Dominus, RV 594: III. Virgam virtutis tuae | | - Antonio Vivaldi
- Anne Bernardin, Marilyn Hill Smith, English Bach Festival Orchestra, Jean‐Claude Malgoire
- Gemma Bertagnolli, Roberta Invernizzi, Concerto Italiano, Rinaldo Alessandrini
- Choir of the King’s Consort, Susan Gritton, Lisa Milne, The King’s Consort, Robert King
- (show 6 more)
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Selva morale e spirituale: Laudate Dominum I a 5 [Psalm 116] SV 272 | | | | | | | |
Seven Songs: Fairest Isle | | | | | | | |
Silencium | | | | | | | |
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa | | | | | | | |
Stabat mater for soprano, alto, strings and basso continuo: II. Aria (soprano): Cujus animam gementem | | | | | | | |
Stabat mater for soprano, alto, strings and basso continuo: III. Duo: O quam tristis et afflicta | | | | | | | |
Stabat mater for soprano, alto, strings and basso continuo: IX. Duo: Sancta mater, istud agas | | - Giovanni Battista Pergolesi
- Ileana Cotrubaș, Lucia Valentini Terrani, I Solisti Veneti, Claudio Scimone
- Teresa Berganza, Mirella Freni, Claudio D'Onofrio, Solisti dell'Orchestra "Scarlatti" Napoli, Ettore Gracis
- Teresa Berganza, Mirella Freni, Ettore Gracis, Solisti dell'Orchestra "Scarlatti" Napoli
- (show 49 more)
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Stabat mater for soprano, alto, strings and basso continuo: V. Duo: Quis est homo, qui non fleret | | | | | | | |
Stabat mater for soprano, alto, strings and basso continuo: VI. Aria: Vidit suum dulcem natum | | | | | | | |
Stabat mater for soprano, alto, strings and basso continuo: VIII. Duo: Fac, ut ardeat cor meum | | | | | | | |
Stabat mater for soprano, alto, strings and basso continuo: XI. Duo: Inflammatus et accensus | | | | | | | |
Stabat mater for soprano, alto, strings and basso continuo: XII. Duo: Quando corpus morietur - Amen | | | | | | | |
Stille Nacht, heilige Nacht | | | | Song | | - 14826324-001 (GEMA ID)
- 4336637K (PRS tune code)
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Sweet Echo, Sweetest Nymph | | | | Song | | | |
Swete Was the Song the Virgine Soong | | | | | | | |
Take, Oh Take Those Lipps Away | | | | Madrigal | | | |
The Fairy Queen, Z. 629: Part III "The sweet passion": "If love's a sweet passion" | | | | | | | |
Walking in the Air | | | | Song | | | |
Weihnachts-Oratorium, BWV 248: Teil IV, XXXIX. (Soprano) „Flößt, mein Heiland, flößt dein Namen“ | | | | | | | |
Where the Bee Sucks | | | | Song | | | |
While Shepherds Watched their Flocks by Night | | | | | | | |
Zaide, K. 336b/344 (fragment): Akt I. No. 3 Arie "Ruhe sanft, mein holdes Leben" (Zaide) | | | | | | | |