A Shepherd in a Shade | Mark Deller, Paul Elliott, Michael George, Rosemary Hardy, Robert Spencer | | | 3:15 | |
Acis and Galatea "Oh ruddier than the cherry" | Michael George, The King’s Consort, Robert King | | | 3:12 | |
Acis and Galatea, HWV 49a: Part One: Chorus “Oh, the Pleasure of the Plains!” | John Mark Ainsley, Rogers Covey‐Crump, Michael George, Robert Harre-Jones, Claron McFadden, The King’s Consort, Robert King | | | 5:50 | |
Acis and Galatea, HWV 49a: Part Two: Accompagnato “I Rage, I Melt, I Burn!” (Polyphemus) | Michael George, The King’s Consort, Robert King | | | 1:14 | |
Acis and Galatea, HWV 49a: Part Two: Air “Cease to Beauty To Be Suing” (Polyphemus) | Michael George, The King’s Consort, Robert King | | | 5:33 | |
Acis and Galatea, HWV 49a: Part Two: Air “O Ruddier Than the Cherry” (Polyphemus) | Michael George, The King’s Consort, Robert King | | | 3:10 | |
Acis and Galatea, HWV 49a: Part Two: Chorus “Galatea, Dry Thy Tears” | John Mark Ainsley, Rogers Covey‐Crump, Michael George, Robert Harre-Jones, Claron McFadden, The King’s Consort, Robert King | | | 3:29 | |
Acis and Galatea, HWV 49a: Part Two: Chorus “Mourn, All Ye Muses! Weep, All Ye Swains!” | John Mark Ainsley, Rogers Covey‐Crump, Michael George, Robert Harre-Jones, Claron McFadden, The King’s Consort, Robert King | | | 3:09 | |
Acis and Galatea, HWV 49a: Part Two: Chorus “Wretched Lovers! Fate Has Passed” | John Mark Ainsley, Rogers Covey‐Crump, Michael George, Robert Harre-Jones, Claron McFadden, The King’s Consort, Robert King | | | 3:57 | |
Acis and Galatea, HWV 49a: Part Two: Chorus & Solo “Must I My Acis Still Bemoan?” (Galatea) | John Mark Ainsley, Rogers Covey‐Crump, Michael George, Robert Harre-Jones, Claron McFadden, The King’s Consort, Robert King | | | 4:12 | |
Acis and Galatea, HWV 49a: Part Two: Recitative “Whither, Fairest, Art Thou Running?” (Polyphemus & Galatea) | Michael George, Claron McFadden, The King’s Consort, Robert King | | | 0:57 | |
Acis and Galatea, HWV 49a: Part Two: Trio “The Flocks Shall Leave the Mountains” (Galatea, Acis & Polyphemus) | John Mark Ainsley, Michael George, Claron McFadden, The King’s Consort, Robert King | | | 2:30 | |
Agnus Dei | Michael Chance, Brian Etheridge, Michael George, James Griffett, James Lewington, Ian Partridge, Adrian Peacock, Timothy Penrose, Stephen Roberts, Mark Brown, Pro Cantione Antiqua | | | 3:56 | |
Alexander's Feast: Aria (Bass) "Revenge, Timotheus Cries" | Michael George, The Symphony of Harmony and Invention, Harry Christophers | | | 7:52 | |
Alexander's Feast: Aria (Basse) - Chorus "Bacchus, Ever Fair and Young" | Michael George, The Sixteen, The Symphony of Harmony and Invention, Harry Christophers | | | 5:09 | |
Alexander's Feast: Recitative (Tenor & Bass) "Let Old Timotheus Yield the Prize" | Michael George, Ian Partridge, The Symphony of Harmony and Invention, Harry Christophers | | | 0:22 | |
All Ye Whom Love or Fortune Hath Betray'd | Mark Deller, Paul Elliott, Michael George, Rosemary Hardy, Robert Spencer | | | 4:47 | |
Alte clamat Epicurus (CB 211) | Michael George, Philip Pickett, New London Consort | | | 6:05 | |
An die Sonne, D. 439 | Patricia Rozario, Catherine Wyn‐Rogers, Jamie MacDougall, Michael George, Graham Johnson | | | 6:11 | |
Anthem 1 “O Be Joyful in the Lord”: For the Lord is gracious | Lynne Dawson, Michael George, Ian Partridge, Orchestra of The Sixteen, Harry Christophers | | | 2:43 | |
Anthem 7 “My Song Shall Be Alway”: God is very greatly to be feared | Michael George, Patrizia Kwella, Ian Partridge, Orchestra of The Sixteen, Harry Christophers | | | 2:21 | |
Anthem 7 “My Song Shall Be Alway”: The heav’ns are thine | James Bowman, Michael George, Orchestra of The Sixteen, Harry Christophers | | | 2:10 | |
Anthem 9 “O Praise the Lord With One Consent”: That God is great we often have | Michael George, Orchestra of The Sixteen, Harry Christophers | | | 2:34 | |
Arise Ye Subterranean Winds | Michael George, The King’s Consort, Robert King | | | 3:21 | |
Away With the Self-Loving Lads | Mark Deller, Paul Elliott, Michael George, Rosemary Hardy, Robert Spencer | | | 2:41 | |
Bacchus Is a Pow'r Divine | Michael George, The King’s Consort | | | 3:04 | |
Beatus vir, RV597: II. Potens in terra | Neal Davies, Michael George, The King’s Consort, Robert King | | | 2:00 | |
Beneath a Dark and Melancholy Grave | Michael George, Susan Gritton, Robert King, The King’s Consort | | | 3:42 | |
Bergknappenlied, D. 268 | John Mark Ainsley, Jamie MacDougall, Simon Keenlyside, Michael George, Graham Johnson | | | 1:25 | |
Blaweary | Michael George, Clifford Benson | | | 1:33 | |
Bundeslied, D. 258 | John Mark Ainsley, Simon Keenlyside, Michael George, Graham Johnson | | | 2:26 | |
By a Bierside | Michael George, Clifford Benson | | | 4:12 | |
Cantata No. 34: Recit (Bass) - Erwählt sich Gott | Michael George, The Sixteen, Harry Christophers | | | 0:32 | |
Cantata No. 147: Aria (Bass) - Ich will van Jesu Wunden singen | Michael George, The Sixteen, Harry Christophers | | | 2:54 | |
Cantata No. 147: Recit (Bass) - Verstockung kann Gewaltige verblenden | Michael George, The Sixteen, Harry Christophers | | | 1:39 | |
Carmina Burana, CB 211: Alte clamat Epicurus | Michael George, New London Consort, Philip Pickett | | | 6:06 | |
Cathleen ni Houlihan | Michael George, Clifford Benson | | | 2:57 | |
Come Again, Sweet Love | Mark Deller, Paul Elliott, Michael George, Rosemary Hardy, Robert Spencer | | | 2:11 | |
Come, Heavy Sleep | Mark Deller, Paul Elliott, Michael George, Rosemary Hardy, Robert Spencer | | | 4:19 | |
Das Abendroth, D. 236 | Lorna Anderson, Catherine Denley, Michael George, Graham Johnson | | | 1:46 | |
Das Dörfchen, D. 598 | John Mark Ainsley, Jamie MacDougall, Simon Keenlyside, Michael George, Graham Johnson | | | 4:24 | |
Das Grab, D. 330 | John Mark Ainsley, Jamie MacDougall, Simon Keenlyside, Michael George, Graham Johnson | | | 2:04 | |
Deborah: Act I, Scene III, No. I. Recitative "Barak, my son, the joyful sound" (Abinoam) | Michael George, The King’s Consort. Robert King | | | 0:27 | |
Deborah: Act I, Scene III, No. II. Air "Awake the ardour of thy breast" (Abinoam) | Michael George, The King’s Consort. Robert King | | | 3:28 | |
Deborah: Act II, No. XVII. Recitative "Thy ardours warm the winter of my age" (Abinoam) | Michael George, The King’s Consort, Robert King | | | 0:31 | |
Deborah: Act II, No. XVIII. Air "Swift inundation of desolation" (Abinoam) | Michael George, The King’s Consort, Robert King | | | 2:52 | |
Deborah: Act III, Scene II, No. I. Recitative "My pray'rs are heard, the blessings of this day" (Abinoam, Barak) | Michael George, James Bowman, The King’s Consort, Robert King | | | 0:38 | |
Deborah: Act III, Scene II, No. II. Air "Tears, such as tender fathers shed" (Abinoam) | Michael George, The King’s Consort, Robert King | | | 2:06 | |
Der Gott und die Bajadere, D. 254 | Christine Schäfer, John Mark Ainsley, Michael George, Graham Johnson | | | 9:02 | |
Der Schatzgräber, D. 256 | Michael George, Graham Johnson | | | 4:49 | |
Der Tanz, D. 826 | Patricia Rozario, Catherine Denley, Ian Bostridge, Michael George, Graham Johnson | | | 1:51 | |
Des Tages Weihe, D. 763 | Patricia Rozario, Catherine Denley, Ian Bostridge, Michael George, Graham Johnson | | | 5:25 | |
Die Geselligkeit (Lebenslust), D. 609 | Patricia Rozario, Catherine Denley, Ian Bostridge, Michael George, Graham Johnson | | | 3:48 | |
Die Turteltaube lasst sich horen: Gelobet sei Gott und der vater | The King’s Consort, Robert King, Carolyn Sampson, Rebecca Outram, James Bowman, Charles Daniels & Michael George | | | 4:13 | |
Draw Near, You Lovers | Barbara Bonney, Michael George, Robert King, The King’s Consort | | | 4:33 | |
Dulce solum (CB 119) | Michael George, Philip Pickett, New London Consort | | | 5:27 | |
Edward, Edward | Michael George, Clifford Benson | | | 6:06 | |
Epitaph in Old Mode | Michael George, Clifford Benson | | | 3:10 | |
Erlkönig, D. 328 | Christine Schäfer, John Mark Ainsley, Michael George, Graham Johnson | | | 4:23 | |
Eternal Source of Light Divine: "Let Envy Then Conceal Her Head" | Choir of New College Oxford, Michael George, The King’s Consort, Robert King | | | 2:15 | |
Eternal Source of Light Divine: "Let Rolling Streams Their Gladness Show" | James Bowman, Choir of New College Oxford, Michael George, The King’s Consort, Robert King | | | 2:42 | |
Even Such Is Time | Michael George, Clifford Benson | | | 2:50 | |
Farewell, Ye Rocks | Charles Daniels, Michael George, The King’s Consort, Robert King | | | 3:16 | |
Frölich, zärtlich, lieplich | Michael George, New London Consort, Philip Pickett | | | 3:51 | |
Frühlingsgesang, D. 740 | Paul Agnew, Jamie MacDougall, Simon Keenlyside, Michael George, Graham Johnson | | | 4:07 | |
Gebet, D. 815 | Patricia Rozario, Catherine Wyn‐Rogers, Jamie MacDougall, Michael George, Graham Johnson | | | 10:45 | |
Geist der Liebe, D. 747 | John Mark Ainsley, Jamie MacDougall, Simon Keenlyside, Michael George, Graham Johnson | | | 4:35 | |
Geistes-Gruss, D. 142 (sixth version) | Michael George, Graham Johnson | | | 2:06 | |
Geistes-Gruss, D. 142 (third version) | Michael George, Graham Johnson | | | 1:30 | |
Gentle Shepherds | Michael George, Susan Gritton, The King’s Consort, Robert King | | | 6:10 | |
Gesang der Geister über den Wassern, D. 484 | Michael George, Graham Johnson | | | 4:45 | |
Gloria ad modem tubae | RCC, MG, PH, JP | | | 2:05 | |
Go Crystal Tears | Mark Deller, Paul Elliott, Michael George, Rosemary Hardy, Robert Spencer | | | 3:34 | |
Gondelfahrer, D. 809 | John Mark Ainsley, Jamie MacDougall, Simon Keenlyside, Michael George, Graham Johnson | | | 3:31 | |
Goodnight to the Meadow | Michael George, Clifford Benson | | | 1:24 | |
Gott der Weltschöpfer, D. 986 | Patricia Rozario, Catherine Wyn‐Rogers, Jamie MacDougall, Michael George, Graham Johnson | | | 2:06 | |
Gott im Ungewitter, D. 985 | Patricia Rozario, Catherine Wyn‐Rogers, Jamie MacDougall, Michael George, Graham Johnson | | | 4:46 | |
Grablied, D. 218 | Michael George, Graham Johnson | | | 2:52 | |
Graceful Consort! At Thy Side | Michael George, Emma Kirkby, Academy of Ancient Music | | | 8:03 | |
Ha'nacker Mill | Michael George, Clifford Benson | | | 2:38 | |
Hawk and Buckle | Michael George, Clifford Benson | | | 1:14 | |
Hiemali tempore (CB 203) | Michael George, Simon Grant, Andrew King, Allan Parkes, Philip Pickett, New London Consort | | | 3:47 | |
High on a Throne | Barbara Bonney, Michael George, The King’s Consort, Robert King | | | 5:19 | |
Hoffnung, D. 295 | Michael George, Graham Johnson | | | 1:27 | |
Homo, quo vigeas vide! (CB 22) | Michael George, Simon Grant, Andrew King, Philip Pickett, New London Consort | | | 3:43 | |
Hosanna to the Highest, Z. 187 | Charles Daniels, Michael George, Helen Gough, David Miller, Robert King | | | 5:27 | |
How Delightful's the Life | Michael George, Susan Gritton, The King’s Consort, Robert King | | | 2:20 | |
How Willing My Paternal Love | Michael George, The King’s Consort, Robert King | | | 4:29 | |
Hymn: Aeterna Christi Munera | Michael Chance, Brian Etheridge, Michael George, James Griffett, James Lewington, Ian Partridge, Adrian Peacock, Timothy Penrose, Stephen Roberts, Mark Brown, Pro Cantione Antiqua | | | 2:39 | |
Hymne an den Unendlichen, D. 232 | Patricia Rozario, Catherine Denley, Jamie MacDougall, Michael George, Graham Johnson | | | 3:34 | |
If My Complaints Should Passions Move | Mark Deller, Paul Elliott, Michael George, Rosemary Hardy, Robert Spencer | | | 3:31 | |
In Gedeonis area (CB 37) | Tessa Bonner, Catherine Bott, Sally Dunkley, Michael George, Simon Grant, Andrew King, Allan Parkes, Philip Pickett, New London Consort | | | 4:27 | |
In the Bleak Midwinter | Choirs of Coventry and Lichfield Cathedrals, Michael George, Kiri Te Kanawa | | | 4:25 | |
Jephtha: Act I. Accompagnato "It must be so" (Zebul) | Michael George, Akademie für Alte Musik Berlin, Marcus Creed | | | 1:30 | |
Jephtha: Act I. Air "Pour forth no more" (Zebul) | Michael George, Akademie für Alte Musik Berlin, Marcus Creed | | | 4:58 | |
Jephtha: Act I. Recitative "But Jephtha comes" (Zebul, Jephtha) | John Mark Ainsley, Michael George, Akademie für Alte Musik Berlin, Marcus Creed | | | 1:05 | |
Jephtha: Act I. Recitative "Such, Jephtha, was the haughty king's reply" (Zebul, Jephtha) | John Mark Ainsley, Michael George, Akademie für Alte Musik Berlin, Marcus Creed | | | 0:29 | |
Jephtha: Act II. Quartet "O spare your daughter!" (Storge, Hamor, Jephtha, Zebul) | John Mark Ainsley, Catherine Denley, Michael George, Axel Köhler, Akademie für Alte Musik Berlin, Marcus Creed | | | 2:47 | |
Jephtha: Act II. Recitative "Why is my brother thus afflicted?" (Zebul, Jephtha) | John Mark Ainsley, Michael George, Akademie für Alte Musik Berlin, Marcus Creed | | | 1:06 | |
Jephtha: Act III. Air "Laud her, all ye virgin train" (Zebul) | Michael George, Akademie für Alte Musik Berlin, Marcus Creed | | | 2:16 | |