| “Islamey, Oriental Fantasy”, op. 18 | | | | | | | |
| 2 Polonaises, S. 223: no. 1 "Polonaise mélancolique" in C minor | | | | | | | |
| 2 Polonaises, S. 223: no. 2 in E major | | | | | | | |
| 6 Chants polonais, S. 480: 1. Mädchens Wünsch | | | | | | | |
| 7 Variations for Piano in C major on “God Save the King”, WoO 78 | | | | | | | |
| 12 Variations for Piano in A major on a Russian Dance from Paul Wranitzky's ballet "Das Waldmädchen", WoO 71 | | | | | | | |
| 19 Hungarian Rhapsodies, S. 244 / R. 106: No. 1 in C-sharp minor, S. 244 no. 1 | | | | | | | |
| 19 Hungarian Rhapsodies, S. 244 / R. 106: No. 2 in C-sharp minor, S. 244 no. 2 | | | | | | | |
| 19 Hungarian Rhapsodies, S. 244 / R. 106: No. 3 in B-flat major, S. 244 no. 3 | | | | | | | |
| 19 Hungarian Rhapsodies, S. 244 / R. 106: No. 5 in E minor, S. 244 no. 5 "Héroïde élégiaque" | | | | | | | |
| 19 Hungarian Rhapsodies, S. 244 / R. 106: No. 6 in D-flat major, S. 244 no. 6: Tempo giusto - Presto - Andante - Allegro - Presto | | | | | | | |
| 19 Hungarian Rhapsodies, S. 244 / R. 106: No. 7 in D minor, S. 244 no. 7 | | | | | | | |
| 19 Hungarian Rhapsodies, S. 244 / R. 106: No. 8 in F-sharp minor, S. 244 no. 8 | | | | | | | |
| 19 Hungarian Rhapsodies, S. 244 / R. 106: No. 9 in E-flat major, S. 244 no. 9 "Carnival in Pest" | | | | | | | |
| 19 Hungarian Rhapsodies, S. 244 / R. 106: No. 10 in E major, S. 244 no. 10 | | | | | | | |
| 19 Hungarian Rhapsodies, S. 244 / R. 106: No. 11 in A minor, S. 244 no. 11 | | | | | | | |
| 19 Hungarian Rhapsodies, S. 244 / R. 106: No. 12 in C-sharp minor, S. 244 no. 12 | | | | | | | |
| 19 Hungarian Rhapsodies, S. 244 / R. 106: No. 13 in A minor, S. 244 no. 13 | | | | | | | |
| 19 Hungarian Rhapsodies, S. 244 / R. 106: No. 14 in F minor, S. 244 no. 14 | | | | | | | |
| 19 Hungarian Rhapsodies, S. 244 / R. 106: No. 15 in A minor, S. 244 no. 15 "Rákóczi March" | | | | | | | |
| 19 Hungarian Rhapsodies, S. 244 / R. 106: No. 16 in A minor, S. 244 no. 16 | | | | | | | |
| 19 Hungarian Rhapsodies, S. 244 / R. 106: No. 19 in D minor, S. 244 no. 19 | | | | | | | |
| 32 Variations for Piano in C minor on an Original Theme, WoO 80 | | | | | | | |
| An der schönen, blauen Donau, op. 314 | | | | | | | |
| Angélus ! Prière aux anges gardiens, S. 163 no. 1 | | | | | | | |
| Années de pèlerinage, Deuxième année; Italie, S. 161: Après une lecture de Dante: Fantasia quasi sonata, S. 161 no. 7 | | | | | | | 5 |
| Années de pèlerinage, Deuxième année; Italie, S. 161: Canzonetta del Salvator Rosa, S. 161 no. 3 | | | | | | | |
| Années de pèlerinage, Deuxième année; Italie, S. 161: Il penseroso, S. 161 no. 2 | | | | | | | |
| Années de pèlerinage, Deuxième année; Italie, S. 161: Sonetto 47 del Petrarca, S. 161 no. 4 | | | | | | | |
| Années de pèlerinage, Deuxième année; Italie, S. 161: Sonetto 104 del Petrarca, S. 161 no. 5 | | | | | | | |
| Années de pèlerinage, Deuxième année; Italie, S. 161: Sonetto 123 del Petrarca, S. 161 no. 6 | | | | | | | |
| Années de pèlerinage, Deuxième année; Italie, S. 161: Sposalizio, S. 161 no. 1 | | | | | | | |
| Au bord d'une source, S. 160 no. 4 | | | | | | | |
| Au lac de Wallenstadt, S. 160 no. 2 | | | | | | | |
| Aux cyprès de la Villa d'Este I : Thrénodie, S. 163 no. 2 | | | | | | | |
| Aux cyprès de la Villa d'Este II : Thrénodie, S. 163 no. 3 | | | | | | | |
| Ballade no. 2, S. 171 | | | | | | | |
| Ballade no. 4 in F minor, op. 52 | | | | | | | |
| Barcarolle in F-sharp major, op. 60 | | | | | | | |
| Bolero in A minor, op. 19 | | | | | | | |
| Carnaval, op. 9: I. Préambule | | | | | | | |
| Carnaval, op. 9: II. Pierrot | | | | | | | |
| Carnaval, op. 9: III. Arlequin | | | | | | | |
| Carnaval, op. 9: IV. Valse noble | | | | | | | |
| Carnaval, op. 9: IX. Papillons | | | | | | | |
| Carnaval, op. 9: V. Eusebius | | | | | | | |
| Carnaval, op. 9: VI. Florestan | | | | | | | |
| Carnaval, op. 9: VII. Coquette | | | | | | | |
| Carnaval, op. 9: VIII. Réplique | | | | | | | |
| Carnaval, op. 9: X. A.S.C.H. - S.C.H.A.: Lettres dansantes | | | | | | | |
| Carnaval, op. 9: XI. Chiarina | | | | | | | |
| Carnaval, op. 9: XII. Chopin | | | | | | | |
| Carnaval, op. 9: XIII. Estrella | | | | | | | |
| Carnaval, op. 9: XIV. Reconnaissance | | | | | | | |
| Carnaval, op. 9: XIX. Pause | | | | | | | |
| Carnaval, op. 9: XV. Pantalon et Colombine | | | | | | | |
| Carnaval, op. 9: XVI. Valse allemande | | | | | | | |
| Carnaval, op. 9: XVII. Aveu | | | | | | | |
| Carnaval, op. 9: XVIII. Promenade | | | | | | | |
| Carnaval, op. 9: XX. Marche des ''Davidsbündler'' contre les Philistins | | | | | | | |
| Chapelle de Guillaume Tell, S. 160 no. 1 | | | | | | | |
| Cinquième ordre de clavecin en la majeur: No. 8. La Bandoline | | | | | | | |
| Concert Paraphrase on themes from Der Zigeunderbaron | | | | | | | |
| Concert Paraphrase on themes from Die Fledermaus | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in E minor, op. 11: I. Allegro maestoso | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in E minor, op. 11: III. Rondo. Vivace | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: I. Allegro maestoso | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: II. Quasi adagio | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: III. Allegretto vivace – Allegro animato | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: IV. Allegro marziale animato | | | | | | | |
| Concerto for Piano and Orchestra no. 2 in A major, S. 125 | | | | Concerto | | | |
| Concerto in A minor for Piano and Orchestra, op. 16: I. Allegro molto moderato | | - [unknown]
- Björn Lundgren, Dubravka Tomšič, London Festival Orchestra, Philharmonia Slavonica, Simfonični orkester RTV Slovenija, Sven Bengtson, Alberto Lizzio, Anton Nanut
- Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner
- Lilya Zilberstein, Gothenburg Symphony Orchestra, Neeme Järvi
- (show 162 more)
| | | | | |
| Concerto in A minor for Piano and Orchestra, op. 16: II. Adagio | | - [unknown]
- Björn Lundgren, Dubravka Tomšič, Orchestre symphonique de la Radio Ljubljana, London Festival Orchestra, Philharmonia Slavonica, Simfonični orkester RTV Slovenija, Sven Bengtson, Alberto Lizzio, Anton Nanut
- Stephen Kovacevich, BBC Symphony Orchestra, Sir Colin Davis
- Arthur Rubinstein, RCA Victor Symphony Orchestra, Alfred Wallenstein
- (show 141 more)
| | | | | |
| Concerto in A minor for Piano and Orchestra, op. 16: III. Allegro moderato molto e marcato | | | | | | | |
| Dardanus, RCT 35 : Acte I, Scène 3. Deuxième Rigaudon – « Guerriers, suivez l’Amour » | | | | | | | |
| Dardanus, RCT 35 : Acte I, Scène 3. Premier Rigaudon | | | | | | | |
| Deux épisodes d’après le Faust de Lenau, S. 110: II. Der Tanz in der Dorfschenke (Erster Mephisto-Walzer) | | | | | | | |
| Deux légendes, S. 175: St. François d'Assise: la prédication aux oiseaux | | | | | | | |
| Deux légendes, S. 175: St. François de Paule: marchant sur les flots | | | | | | | |
| Deuxième ordre de clavecin en ré majeur: No. 22. Les Papillons | | | | | | | |
| Dix-huitième ordre de clavecin en fa majeur: No. 6. Le Tic-Toc-Choc ou Les Maillotins | | | | | | | |
| Dix-septième ordre de clavecin en mi mineur: No. 2. Les Petits Moulins à vent | | | | | | | |
| Eglogue, S. 160 no. 7 | | | | | | | |
| Erschienen ist der herrliche Tag, BWV 629 | | | | | | | |
| Étude in A minor, op. 10 no. 2: Allegro | | | | Étude | | | |
| Étude in A minor, op. 25 no. 4: Agitato | | | | Étude | | | |
| Étude in A minor, op. 25 no. 11 "Winter Wind": Lento | | | | Étude | | - 0O5-1317-4 (JASRAC ID)
- A minor (Key)
| |
| Étude in A-flat major, op. 10 no. 10: Vivace assai | | | | Étude | | | |
| Étude in A-flat major, op. 25 no. 1 "Aeolian Harp": Allegro sostenuto | | | | Étude | | | |
| Étude in B minor, op. 25 no. 10 "Octaves": Allegro con fuoco | | | | Étude | | | |
| Étude in C major, op. 10 no. 1: Allegro | | | | Étude | | | |
| Étude in C major, op. 10 no. 7: Vivace | | | | Étude | | | |
| Étude in C minor, op. 10 no. 12 “Revolutionary”: Allegro con fuoco | | | | Étude | | - 0O5-1281-0 (JASRAC ID)
- C minor (Key)
| |
| Étude in C minor, op. 25 no. 12 “Ocean”: Allegro molto con fuoco | | | | Étude | | | |
| Étude in C-sharp minor, op. 10 no. 4: Presto | | | | Étude | | - 0O5-1301-8 (JASRAC ID)
- C-sharp minor (Key)
| 5 |
| Étude in C-sharp minor, op. 25 no. 7: Lento | | | | Étude | | | |
