| engineered |
|---|
| Christmas Oratorio, BWV 248: Part II, no. 10. Sinfonia | Stuttgarter Kammerorchester, Karl Münchinger | 6:39 |
| produced |
|---|
| 1991-01 | Concerto for Piano no. 9 in E-flat major, K. 271 "Jeunehomme": I. Allegro | Daniel Barenboim, Berliner Philharmoniker | 10:39 |
| 1991-01 | Concerto for Piano no. 9 in E-flat major, K. 271 "Jeunehomme": II. Andantino | Daniel Barenboim, Berliner Philharmoniker | 12:27 |
| 1991-01 | Concerto for Piano no. 9 in E-flat major, K. 271 "Jeunehomme": III. Rondeau. Presto - adagio & Menuetto. Cantabile - tempo primo | Daniel Barenboim, Berliner Philharmoniker | 10:39 |
| 1992-08 | Les Pêcheurs de perles: Acte I. Duo « Au fond du temple saint » | Jerry Hadley, Thomas Hampson, Orchestra of the Welsh National Opera, Carlo Rizzi | 6:04 |
| 3 Danses andalouses: I. Ritmo | Güher & Süher Pekinel | 3:40 |
| 3 Danses andalouses: II. Sentimiento | Güher & Süher Pekinel | 7:44 |
| 3 Danses andalouses: III. Gracia | Güher & Süher Pekinel | 2:45 |
| Academic Festival Overture, Op. 80 | Cleveland Orchestra, Christoph von Dohnányi | 9:26 |
| Alexander Nevsky, op. 78: "Arise, Ye Russian People" | Imants Cepītis, Latvija Choir, Carolyn Watkinson, Gewandhausorchester Leipzig, Kurt Masur | 2:08 |
| Alexander Nevsky, op. 78: Alexander’s Entry Into Pskov | Imants Cepītis, Latvija Choir, Carolyn Watkinson, Gewandhausorchester Leipzig, Kurt Masur | 4:18 |
| Alexander Nevsky, op. 78: Russia Under the Mongolian Yoke | Imants Cepītis, Latvija Choir, Carolyn Watkinson, Gewandhausorchester Leipzig, Kurt Masur | 2:47 |
| Alexander Nevsky, op. 78: Song About Alexander Nevsky | Imants Cepītis, Latvija Choir, Carolyn Watkinson, Gewandhausorchester Leipzig, Kurt Masur | 2:29 |
| Alexander Nevsky, op. 78: The Battle on the Ice | Imants Cepītis, Latvija Choir, Carolyn Watkinson, Gewandhausorchester Leipzig, Kurt Masur | 11:47 |
| Alexander Nevsky, op. 78: The Crusaders in Pskov | Imants Cepītis, Latvija Choir, Carolyn Watkinson, Gewandhausorchester Leipzig, Kurt Masur | 5:41 |
| Alexander Nevsky, op. 78: The Field of the Dead | Imants Cepītis, Latvija Choir, Carolyn Watkinson, Gewandhausorchester Leipzig, Kurt Masur | 5:24 |
| Capriccio brilliant in B minor, Op. 22 | Kurt Masur | 11:26 |
| Concerto for Piano No. 11 in F major, K. 387a/413: I. Allegro | Daniel Barenboim, Berliner Philharmoniker | 8:54 |
| Concerto for Piano No. 11 in F major, K. 387a/413: II. Larghetto | Daniel Barenboim, Berliner Philharmoniker | 7:16 |
| Concerto for Piano No. 11 in F major, K. 387a/413: III. Tempo di Minuetto | Daniel Barenboim, Berliner Philharmoniker | 5:29 |
| Concerto for Piano No. 12 in A major, K. 385p/414: I. Allegro | Daniel Barenboim, Berliner Philharmoniker | 9:39 |
| Concerto for Piano No. 12 in A major, K. 385p/414: II. Andante | Daniel Barenboim, Berliner Philharmoniker | 7:56 |
| Concerto for Piano No. 12 in A major, K. 385p/414: III. Rondo. Allegretto | Daniel Barenboim, Berliner Philharmoniker | 6:24 |
| Concerto for Piano No. 13 in C major, K. 387b/415: I. Allegro | Daniel Barenboim, Berliner Philharmoniker | 9:44 |
| Concerto for Piano No. 13 in C major, K. 387b/415: II. Andante | Daniel Barenboim, Berliner Philharmoniker | 7:20 |
| Concerto for Piano No. 13 in C major, K. 387b/415: III. Allegro | Daniel Barenboim, Berliner Philharmoniker | 9:01 |
| Concerto for Piano No. 14 in E-flat major, K. 449 "First Ployer": I. Allegro vivace | Daniel Barenboim, Berliner Philharmoniker | 9:03 |
| Concerto for Piano No. 14 in E-flat major, K. 449 "First Ployer": II. Andantino | Daniel Barenboim, Berliner Philharmoniker | 6:44 |
| Concerto for Piano No. 14 in E-flat major, K. 449 "First Ployer": III. Allegro ma non troppo | Daniel Barenboim, Berliner Philharmoniker | 6:33 |
| Concerto for Piano No. 15 in B-flat major, K. 450: I. Allegro | Daniel Barenboim, Berliner Philharmoniker | 10:25 |
| Concerto for Piano No. 15 in B-flat major, K. 450: II. Andante | Daniel Barenboim, Berliner Philharmoniker | 5:48 |
| Concerto for Piano No. 15 in B-flat major, K. 450: III. Allegro assai | Daniel Barenboim, Berliner Philharmoniker | 7:43 |
| Concerto for Piano no. 16 in D major, K. 451: I. Allegro assai | Daniel Barenboim, Berliner Philharmoniker | 10:37 |
| Concerto for Piano no. 16 in D major, K. 451: II. Andante | Daniel Barenboim, Berliner Philharmoniker | 6:02 |
| Concerto for Piano no. 16 in D major, K. 451: III. Rondo. Allegro di molto | Daniel Barenboim, Berliner Philharmoniker | 6:33 |
| Concerto for Piano No. 18 in B-flat major, K. 456 "Paradis": I. Allegro vivace | Daniel Barenboim, Berliner Philharmoniker | 12:07 |
| Concerto for Piano No. 18 in B-flat major, K. 456 "Paradis": II. Andante un poco sostenuto | Daniel Barenboim, Berliner Philharmoniker | 9:22 |
| Concerto for Piano No. 18 in B-flat major, K. 456 "Paradis": III. Allegro vivace | Daniel Barenboim, Berliner Philharmoniker | 7:52 |
| Concerto for Piano No. 19 in F major, K. 459: I. Allegro | Daniel Barenboim, Berliner Philharmoniker | 10:57 |
| Concerto for Piano No. 19 in F major, K. 459: II. Allegretto | Daniel Barenboim, Berliner Philharmoniker | 6:38 |
| Concerto for Piano No. 19 in F major, K. 459: III. Allegro assai | Daniel Barenboim, Berliner Philharmoniker | 7:15 |
| Das himmlische Leben | Thomas Hampson, Geoffrey Parsons | 8:30 |
| Das irdische Leben | Thomas Hampson, Geoffrey Parsons | 2:55 |
| Der Schildwache Nachtlied | Thomas Hampson, Geoffrey Parsons | 6:18 |
| Der Tamboursg’sell | Thomas Hampson, Geoffrey Parsons | 6:38 |
| Des Antonius von Padua Fischpredigt | Thomas Hampson, Geoffrey Parsons | 4:19 |
| Die sieben Todsünden: Epilog | Angelina Réaux, New York Philharmonic, Kurt Masur | 1:50 |
| Die sieben Todsünden: I. Faulheit | Angelina Réaux, New York Philharmonic, Kurt Masur | 3:57 |
| Die sieben Todsünden: II. Stolz | Angelina Réaux, New York Philharmonic, Kurt Masur | 4:37 |
| Die sieben Todsünden: III. Zorn | Angelina Réaux, New York Philharmonic, Kurt Masur | 4:36 |
| Die sieben Todsünden: IV. Völlerei | Angelina Réaux, New York Philharmonic, Kurt Masur | 3:23 |
| Die sieben Todsünden: Prolog | Angelina Réaux, New York Philharmonic, Kurt Masur | 3:27 |
| Die sieben Todsünden: V. Unzucht | Angelina Réaux, New York Philharmonic, Kurt Masur | 5:17 |
| Die sieben Todsünden: VI. Habsucht | Angelina Réaux, New York Philharmonic, Kurt Masur | 2:49 |
| Die sieben Todsünden: VII. Neid | Angelina Réaux, New York Philharmonic, Kurt Masur | 4:27 |
| Duet-Concertino for Clarinet & Bassoon: 1. Allegro moderato | Heinrich Geuser, Willi Fugmann, RIAS Symphony Orchestra Berlin, Ferenc Fricsay | 5:33 |
| Duet-Concertino for Clarinet & Bassoon: 2. Andante | Heinrich Geuser, Willi Fugmann, RIAS Symphony Orchestra Berlin, Ferenc Fricsay | 2:20 |
| Duet-Concertino for Clarinet & Bassoon: 3. Rondo | Heinrich Geuser, Willi Fugmann, RIAS Symphony Orchestra Berlin, Ferenc Fricsay | 8:16 |
| Eine Faust-Symphonie: I. Faust. Lento assai | Berliner Philharmoniker, Daniel Barenboim | 30:00 |
| Eine Faust-Symphonie: II. Gretchen. Andante soave | Berliner Philharmoniker, Daniel Barenboim | 19:10 |
| Eine Faust-Symphonie: III. Mephistopheles. Allegro vivace, ironico | Berliner Philharmoniker, Daniel Barenboim | 16:48 |
| Eine Faust-Symphonie: IV. Andante mistico | Chor der Deutschen Staatsoper Berlin, Plácido Domingo, Berliner Philharmoniker, Daniel Barenboim | 5:45 |
| Es sungen drei Engel | Thomas Hampson, Geoffrey Parsons | 4:22 |
| Eugene Onegin: Waltz | Kurt Masur | 6:19 |
| Fidelio: I. Aufzug. Nr. 1 Duett "Jetzt, Schätzchen, jetzt sind wir allein" | Werner Güra, Soile Isokoski, Staatskapelle Berlin, Daniel Barenboim | 5:06 |
| Fidelio: I. Aufzug. Nr. 2 Arie "O wär' ich schon mit dir vereint" | Soile Isokoski, Waltraud Meier, René Pape, Staatskapelle Berlin, Daniel Barenboim | 4:11 |
| Fidelio: I. Aufzug. Nr. 3 Quartet "Mir ist so wunderbar" | Werner Güra, Soile Isokoski, Waltraud Meier, René Pape, Staatskapelle Berlin, Daniel Barenboim | 4:35 |
| Fidelio: I. Aufzug. Nr. 4 Arie "Hat man nicht auch Gold beineben" | Soile Isokoski, Waltraud Meier, René Pape, Staatskapelle Berlin, Daniel Barenboim | 2:37 |
| Fidelio: I. Aufzug. Nr. 5 Terzett "Gut, Söhnchen, gut" | Soile Isokoski, Waltraud Meier, René Pape, Staatskapelle Berlin, Daniel Barenboim | 6:15 |
| Fidelio: I. Aufzug. Nr. 6 Marsch | René Pape, Falk Struckmann, Staatskapelle Berlin, Daniel Barenboim | 2:00 |
| Fidelio: I. Aufzug. Nr. 7 Arie mit Chor "Ha, welch ein Augenblick!" | Chor der Deutschen Staatsoper Berlin, René Pape, Falk Struckmann, Staatskapelle Berlin, Daniel Barenboim | 3:20 |
| Fidelio: I. Aufzug. Nr. 8 Duett "Jetzt, Alter, hat es Eile!" | René Pape, Falk Struckmann, Staatskapelle Berlin, Daniel Barenboim | 5:07 |
| Fidelio: I. Aufzug. Nr. 9 Rezitativ und Arie "Abscheulicher, wo eilst du hin" | Soile Isokoski, Waltraud Meier, Staatskapelle Berlin, Daniel Barenboim | 2:30 |
| Fidelio: I. Aufzug. Nr. 9 Rezitativ und Arie "Komm, Hoffnung, laß' den letzten Stern" | Soile Isokoski, Waltraud Meier, René Pape, Staatskapelle Berlin, Daniel Barenboim | 5:06 |
| Fidelio: I. Aufzug. Nr. 10 Finale "Leb wohl, du warmes Sonnenlicht" | Chor der Deutschen Staatsoper Berlin, Werner Güra, Soile Isokoski, Waltraud Meier, René Pape, Falk Struckmann, Staatskapelle Berlin, Daniel Barenboim | 5:20 |
| Fidelio: I. Aufzug. Nr. 10 Finale "Nun sprecht, wie ging's?" | Werner Güra, Soile Isokoski, Waltraud Meier, René Pape, Falk Struckmann, Staatskapelle Berlin, Daniel Barenboim | 8:32 |
| Fidelio: I. Aufzug. Nr. 10 Finale "O welche Lust" | Chor der Deutschen Staatsoper Berlin, Klaus Häger, Staatskapelle Berlin, Daniel Barenboim | 7:28 |
| Fidelio: II. Aufzug. Nr. 11 Introduktion und Arie "Gott! - Welch Dunkel hier!" | Plácido Domingo, Staatskapelle Berlin, Daniel Barenboim | 5:48 |
| Fidelio: II. Aufzug. Nr. 11 Introduktion und Arie "In des Lebens Frühlingstagen" | Plácido Domingo, Staatskapelle Berlin, Daniel Barenboim | 4:59 |
| Fidelio: II. Aufzug. Nr. 12 Melodram und Duett "Nur hurtig fort, nur frisch gegraben" | Waltraud Meier, René Pape, Staatskapelle Berlin, Daniel Barenboim | 4:28 |
| Fidelio: II. Aufzug. Nr. 12 Melodram und Duett "Wie Kalt ist es" | Waltraud Meier, René Pape, Staatskapelle Berlin, Daniel Barenboim | 2:04 |
| Fidelio: II. Aufzug. Nr. 13 Terzett "Euch werde Lohn" | Plácido Domingo, Waltraud Meier, René Pape, Falk Struckmann, Staatskapelle Berlin, Daniel Barenboim | 6:31 |
| Fidelio: II. Aufzug. Nr. 14 Quartett "Er sterbe!" | Plácido Domingo, Werner Güra, Waltraud Meier, René Pape, Falk Struckmann, Staatskapelle Berlin, Daniel Barenboim | 4:57 |
| Fidelio: II. Aufzug. Nr. 15 Duett "O namenlose Freude!" | Plácido Domingo, Waltraud Meier, Staatskapelle Berlin, Daniel Barenboim | 3:04 |
| Fidelio: II. Aufzug. Nr. 16 Finale "Des besten Königs Wink und Wille" | Chor der Deutschen Staatsoper Berlin, Plácido Domingo, Werner Güra, Soile Isokoski, Waltraud Meier, René Pape, Falk Struckmann, Kwangchul Youn, Staatskapelle Berlin, Daniel Barenboim | 8:06 |
| Fidelio: II. Aufzug. Nr. 16 Finale "Heil sei dem Tag" | Chor der Deutschen Staatsoper Berlin, Soile Isokoski, Staatskapelle Berlin, Daniel Barenboim | 2:11 |
| Fidelio: II. Aufzug. Nr. 16 Finale "Wer ein holdes Weib errungen" | Chor der Deutschen Staatsoper Berlin, Plácido Domingo, Werner Güra, Soile Isokoski, Waltraud Meier, René Pape, Kwangchul Youn, Staatskapelle Berlin, Daniel Barenboim | 3:57 |
| Fidelio: Ouvertüre | Staatskapelle Berlin, Daniel Barenboim | 6:54 |
| Five Orchestral Pieces, op. 16: Das obligate Rezitativ | Chicago Symphony Orchestra, Daniel Barenboim | 3:56 |
| Five Orchestral Pieces, op. 16: Farben | Chicago Symphony Orchestra, Daniel Barenboim | 3:58 |
| Five Orchestral Pieces, op. 16: Peripetie | Chicago Symphony Orchestra, Daniel Barenboim | 2:05 |
| Five Orchestral Pieces, op. 16: Vergangenes | Chicago Symphony Orchestra, Daniel Barenboim | 5:34 |
| Five Orchestral Pieces, op. 16: Vorgefühle | Chicago Symphony Orchestra, Daniel Barenboim | 2:13 |
| Hamlet: Interlude Waltz | Kurt Masur | 3:49 |
| Háry János, Suite: I. Prelude The Fairy tale begins | Zoltán Kodály | 3:54 |
| Háry János, Suite: II. Viennese Musical Clock | Zoltán Kodály | 2:14 |
| Háry János, Suite: III. Song | Zoltán Kodály | 6:02 |
| Háry János, Suite: IV. The battle and defeat of Napoleon | Zoltán Kodály | 4:04 |
| Háry János, Suite: V. Intermezzo | Zoltán Kodály | 4:37 |
| Háry János, Suite: VI. Entrance of the emperor and his court | Zoltán Kodály | 2:59 |
| Hymne des Marseillais, H.51 | Plácido Domingo, Chicago Symphony Chorus, Chicago Symphony Orchestra, Daniel Barenboim | 8:49 |
| See all 246 relationships |
| recording engineer for |
|---|
| 1980-11 | Symphony no. 34 in C major, K. 338: I. Allegro vivace | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | 7:45 |
| 1980-11 | Symphony no. 34 in C major, K. 338: II. Andante di molto più tosto allegretto | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | 6:51 |
| 1980-11 | Symphony no. 34 in C major, K. 338: III. Allegro vivace | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | 7:56 |
| 1980-11 | Symphony no. 35 in D major, K. 385 “Haffner”: I. Allegro con spirito | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | 5:58 |
| 1980-11 | Symphony no. 35 in D major, K. 385 “Haffner”: II. Andante | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | 9:11 |
| 1980-11 | Symphony no. 35 in D major, K. 385 “Haffner”: III. Minuetto | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | 3:21 |
| 1980-11 | Symphony no. 35 in D major, K. 385 “Haffner”: IV. Finale. Presto | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | 4:13 |
| 1981-09 | Symphony no. 31 in D major, K. 300a/297 “Paris”: I. Allegro assai | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | 8:35 |
| 1981-09 | Symphony no. 31 in D major, K. 300a/297 “Paris”: II. Andante | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | 6:02 |
| 1981-09 | Symphony no. 31 in D major, K. 300a/297 “Paris”: III. Allegro | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | 4:05 |
| 1981-09 | Symphony no. 31 in D major, K. 300a/297 (second version) “Paris”: III. Andante | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | 4:23 |
| 1981-09 | Symphony no. 33 in B‐flat major, K. 319: I. Allegro assai | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | 7:43 |
| 1981-09 | Symphony no. 33 in B‐flat major, K. 319: II. Andante moderato | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | 5:43 |
| 1981-09 | Symphony no. 33 in B‐flat major, K. 319: III. Minuetto & Trio | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | 3:09 |
| 1981-09 | Symphony no. 33 in B‐flat major, K. 319: IV. Allegro assai | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | 9:42 |
| 1981-09 | Symphony no. 38 in D major, K. 504 "Prague": I. Adagio – Allegro | Koninklijk Concertgebouworkest, Nikolaus Harnoncourt | 19:28 |
| 1981-09 | Symphony no. 38 in D major, K. 504 "Prague": II. Andante | Koninklijk Concertgebouworkest, Nikolaus Harnoncourt | 11:01 |
| 1981-09 | Symphony no. 38 in D major, K. 504 "Prague": III. Finale. Presto | Koninklijk Concertgebouworkest, Nikolaus Harnoncourt | 7:58 |
| 1984-05 – 1984-06 | Symphony no. 39 in E-flat major, K. 543: I. Adagio – Allegro | Koninklijk Concertgebouworkest, Nikolaus Harnoncourt | 11:14 |
| 1984-05 – 1984-06 | Symphony no. 39 in E-flat major, K. 543: II. Andante con moto | Koninklijk Concertgebouworkest, Nikolaus Harnoncourt | 7:33 |
| 1984-05 – 1984-06 | Symphony no. 39 in E-flat major, K. 543: III. Menuetto. Allegretto | Koninklijk Concertgebouworkest, Nikolaus Harnoncourt | 3:21 |
| 1984-05 – 1984-06 | Symphony no. 39 in E-flat major, K. 543: IV. Finale. Allegro | Koninklijk Concertgebouworkest, Nikolaus Harnoncourt | 7:53 |
| 1984-11 | Symphony no. 36 in C major, K. 425 “Linz”: I. Adagio – allegro con spirito | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | 11:02 |
| 1984-11 | Symphony no. 36 in C major, K. 425 “Linz”: II. Andante | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | 14:18 |
| 1984-11 | Symphony no. 36 in C major, K. 425 “Linz”: III. Minuetto & Trio | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | 3:15 |
| 1984-11 | Symphony no. 36 in C major, K. 425 “Linz”: IV. Presto | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | 10:59 |
| Die Kunst der Fuge, BWV 1080: I. Contrapunctus I | Stuttgarter Kammerorchester, Karl Münchinger | 4:19 |
| Die Kunst der Fuge, BWV 1080: II. Contrapunctus II | Stuttgarter Kammerorchester, Karl Münchinger | 2:45 |
| Die Kunst der Fuge, BWV 1080: III. Contrapunctus III | Stuttgarter Kammerorchester, Karl Münchinger | 4:14 |
| Die Kunst der Fuge, BWV 1080: IV. Contrapunctus IV | Stuttgarter Kammerorchester, Karl Münchinger | 3:22 |
| Die Kunst der Fuge, BWV 1080: IX. Contrapunctus IX | Stuttgarter Kammerorchester, Karl Münchinger | 2:37 |
| Die Kunst der Fuge, BWV 1080: V. Contrapunctus V | Stuttgarter Kammerorchester, Karl Münchinger | 4:55 |
| Die Kunst der Fuge, BWV 1080: VI. Contrapunctus VI | Stuttgarter Kammerorchester, Karl Münchinger | 3:32 |
| Die Kunst der Fuge, BWV 1080: VII. Contrapunctus VII | Stuttgarter Kammerorchester, Karl Münchinger | 2:54 |
| Die Kunst der Fuge, BWV 1080: VIII. Contrapunctus VIII | Stuttgarter Kammerorchester, Karl Münchinger | 6:10 |
| Die Kunst der Fuge, BWV 1080: X. Contrapunctus X | Stuttgarter Kammerorchester, Karl Münchinger | 4:46 |
| Die Kunst der Fuge, BWV 1080: XI. Contrapunctus XI | Stuttgarter Kammerorchester, Karl Münchinger | 7:08 |
| Die Kunst der Fuge, BWV 1080: XIIIa. Contrapunctus XIII (rectus) | Stuttgarter Kammerorchester, Karl Münchinger | 2:28 |
| Die Kunst der Fuge, BWV 1080: XIIIb. Contrapunctus XIII (inversus) | Stuttgarter Kammerorchester, Karl Münchinger | 2:29 |
| Die Kunst der Fuge, BWV 1080: XIV. Canon per augmentationem in contrario moto | Stuttgarter Kammerorchester, Karl Münchinger | 4:47 |
| Die Kunst der Fuge, BWV 1080: XIXa. Fuga a 2 Clavecimbali (rectus) | Stuttgarter Kammerorchester, Karl Münchinger | 2:34 |
| Die Kunst der Fuge, BWV 1080: XIXb. Fuga a 2 Clavecimbali (inversus) | Stuttgarter Kammerorchester, Karl Münchinger | 2:38 |
| Die Kunst der Fuge, BWV 1080: XV. Canon alla octava | Stuttgarter Kammerorchester, Karl Münchinger | 2:45 |
| Die Kunst der Fuge, BWV 1080: XVI. Canon alla decima | Stuttgarter Kammerorchester, Karl Münchinger | 4:01 |
| Die Kunst der Fuge, BWV 1080: XVII. Canon alla duodecima | Stuttgarter Kammerorchester, Karl Münchinger | 2:39 |
| Die Kunst der Fuge, BWV 1080: XVIII. Fuga a 4 soggetti | Stuttgarter Kammerorchester, Karl Münchinger | 14:29 |
| Oster-Oratorium BWV 249 - Adagio | Stuttgarter Kammerorchester, Karl Münchinger | 5:09 |
| Oster-Oratorium BWV 249 - Ari:e Sanfte soll mein Todesschlummer | Werner Krenn, Stuttgarter Kammerorchester, Karl Münchinger | 6:56 |
| Oster-Oratorium BWV 249 - Arie (Duett): Kommt, eilet und laufet | Der Wiener Akademiechor, Stuttgarter Kammerorchester, Karl Münchinger | 5:18 |
| Oster-Oratorium BWV 249 - Arie: Saget, Saget Mir Geschwinde | Helen Watts, Stuttgarter Kammerorchester, Karl Münchinger | 7:14 |
| Oster-Oratorium BWV 249 - Arie: Seele, deine Spezereien | Elly Ameling, Stuttgarter Kammerorchester, Karl Münchinger | 12:01 |
| Oster-Oratorium BWV 249 - Chor: Preis und Dank | Der Wiener Akademiechor, Stuttgarter Kammerorchester, Karl Münchinger | 2:47 |
| Oster-Oratorium BWV 249 - Rezitativ: Hier ist die Gruft | Tom Krause, Werner Krenn, Helen Watts, Stuttgarter Kammerorchester, Karl Münchinger | 1:11 |
| Oster-Oratorium BWV 249 - Rezitativ: Indessen seufzen wir | Elly Ameling, Helen Watts, Stuttgarter Kammerorchester, Karl Münchinger | 0:58 |
| Oster-Oratorium BWV 249 - Rezitativ: O kalter Männer Sinn | Elly Ameling, Tom Krause, Werner Krenn, Helen Watts, Stuttgarter Kammerorchester, Karl Münchinger | 1:23 |
| Oster-Oratorium BWV 249 - Rezitativ: Wir sind erfreut | Tom Krause, Stuttgarter Kammerorchester, Karl Münchinger | 0:47 |
| Oster-Oratorium BWV 249 - Sinfonia | Stuttgarter Kammerorchester, Karl Münchinger | 4:11 |
| sound engineered |
|---|
| 1979-07 | Klaviersonate Nr. 23 f-Moll, Op. 57 "Appassionata": II. Andante con moto | Rudolf Buchbinder | 4:59 |
| produced |
|---|
| 1988-05 | Symphony No. 3 / Tragic Overture | Brahms; The Cleveland Orchestra, Christoph von Dohnányi | |
| 2nd Symphony | Bruckner; Berliner Philharmoniker, Daniel Barenboim | |
| Hadley & Hampson: Famous Opera Duets | Hadley, Hampson, The Orchestra of the Welsh National Opera, Carlo Rizzi | |
| Horn Concerto no. 1 / Duett-Concertino / Oboe Concerto / Andante for Horn & Piano / Stimmungsbilder nos. 2& 4 | R. Strauss; Dale Clevenger, Larry Combs, David McGill, Alex Klein, Chicago Symphony Orchestra, Daniel Barenboim | |
| Le Sacre du Printemps / Pétrouchka / Feu d'Artifice | Игорь Фёдорович Стравинский | |
| Symphony no. 3 | Beethoven; Staatskapelle Berlin, Daniel Barenboim | |
| recording engineer for |
|---|
| Symphonies nos. 38 "Prague" & 39 | Mozart; Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | |
