1964 | Dido and Aeneas | Purcell; Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Harold Lester, Oriana Concert Choir and Orchestra, Alfred Deller | | 2 |
1966 | A Midsummer Night’s Dream | Britten; Alfred Deller, Elizabeth Harwood, Peter Pears, Thomas Hemsley, Josephine Veasey, Heather Harper, Stephen Terry, John Shirley‐Quirk, Helen Watts, Owen Brannigan, Norman Lumsden, Kenneth MacDonald, David Kelly, Robert Tear, Keith Raggett, London Symphony, Benjamin Britten | | 2 |
1969 | Creation Mass | Haydn; April Cantelo, Helen Watts, Robert Tear, Forbes Robinson, Academy of St. Martin in the Fields, Choir of St. John’s College Cambridge, George Guest | | 1 |
1970 | Bach: Magnificat D-Dur, BWV 243 / Bruckner: Te Deum | Bach, Bruckner; Lucia Popp, Anne Pashley, Birgit Finnilä, Janet Baker, Robert Tear, Don Garrard, Thomas Hemsley, New Philharmonia Chorus, New Philharmonia Orchestra, Daniel Barenboim | | 2 |
1970 | Paukenmesse | J. Haydn; April Cantelo, Robert Tear, Helen Watts, Barry McDaniel, Academy of St. Martin-in-the-Fields, Choir of St. John’s College, Cambridge, George Guest | | 2 |
1974 | Mass in C major opus 86 | Beethoven; Felicity Palmer, Helen Watts, Robert Tear, Christopher Keyte, Choir of St. John’s College, Cambridge, Academy of St. Martin-in-the-Fields, George Guest | | 1 |
1976 | Home, Sweet Home: Victorian Songs and Ballads, Volume 2 | Robert Tear, Benjamin Luxon & André Previn | | 2 |
1976 | The Bells / Vocalise | Rachmaninov; Sheila Armstrong, Robert Tear, John Shirley‐Quirk, London Symphony Orchestra, London Symphony Chorus, André Previn | | 2 |
1977 | Requiem | Mozart; Ileana Cotrubaş, Helen Watts, Robert Tear, John Shirley‐Quirk, Academy and Chorus of St. Martin‐in‐the‐Fields, László Heltay, Neville Marriner | | 5 |
1977 | The King Shall Rejoice and other Chapel Royal Anthems | James Bowman, Robert Tear, Christopher Keyte, Choir of St. John’s College, Cambridge, Matheson Consort, Philomusica of London, George Guest | | 1 |
1978 | Béatrice et Bénédict | Berlioz; Baker, Eda‐Pierre, Watts, Tear, Allen, Lloyd, Bastin, John Alldis Choir, London Symphony Orchestra, Colin Davis | | 1 |
1978 | Mariazeller Mass / Little Organ Mass | Haydn; Jennifer Smith, Helen Watts, Robert Tear, Benjamin Luxon, Choir of St. John’s College, Cambridge, John Scott, Academy of St. Martin-in-the-Fields, George Guest | | 1 |
1979 | Lulu | Alban Berg; Teresa Stratas, Orchestre de l’Opéra de Paris, Pierre Boulez, Yvonne Minton, Hanna Schwarz, Franz Mazura, Kenneth Riegel, Toni Blankenheim, Robert Tear, Helmut Pampuch | 4 | 3 |
1979 | Serenade for Tenor, Horn & Strings / Les Illuminations | Benjamin Britten; Robert Tear, Dale Clevenger, Chicago Symphony Orchestra, Philharmonia Orchestra, Carlo Maria Giulini | | 2 |
1980 | Requiem (Grande Messe des Morts) | Berlioz; Robert Tear, London Philharmonic Choir, London Philharmonic Orchestra, André Previn | | 1 |
1982 | Die Winterreise | Robert Tear | | 1 |
1983 | Savitri / Choral Hymns From The Rig Veda (3rd Group) | Holst, Janet Baker, Robert Tear, Thomas Hemsley, English Chamber Orchestra, Purcell Singers, Imogen Holst | | 1 |
1983 | War Requiem | Britten; Elisabeth Söderström, Robert Tear, Thomas Allen, CBSO Chorus, Boys of Christ Church Cathedral, Oxford, City of Birmingham Symphony Orchestra, Simon Rattle | | 2 |
1985 | Das klagende Lied | Mahler; City of Birmingham Symphony Orchestra, Simon Rattle, Helena Döse, Alfreda Hodgson, Robert Tear, Sean Rea | | 5 |
1985 | Roméo et Juliette | Berlioz; Kern, Tear, Shirley‐Quirk, John Alldis Choir, London Symphony Orchestra, Chorus, Sir Colin Davis | | 1 |
1986 | Requiem | Mozart; Helen Donath, Christa Ludwig, Robert Tear, Robert Lloyd, Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini | | 3 |
1987 | Songs of Travel / On Wenlock Edge | Ralph Vaughan Williams; Sir Thomas Allen, Robert Tear, City of Birmingham Symphony Orchestra, Simon Rattle | | 1 |
1987 | The Mask Of Time | Sir Michael Tippett - Faye Robinson · Sarah Walker · Robert Tear · John Cheek · BBC Singers · BBC Symphony Chorus · BBC Symphony Orchestra · Andrew Davis | | 1 |
1988 | Choral Symphony | Beethoven; Heather Harper, Alfreda Hodgson, Robert Tear, Gwynne Howell, Sinfonia Chorus, Members of London Symphony Chorus, Northern Sinfonia of England, Richard Hickox | | 2 |
1988 | Exsultate, Jubilate / Krönungsmesse / Litaniae Lauretanae, K195 | Mozart; Spoorenberg, Cotrubaș, Watts, Tear, Shirley‐Quirk, Schola Cantorum of Oxford, Academy of St Martin-in-the-Fields, Sir Neville Marriner | | 1 |
1988 | The Seven Deadly Sins / Little Threepenny Music | Kurt Weill; Julia Migenes, Robert Tear, Stuart Kale, Alan Opie, Roderick Kennedy, London Symphony Orchestra, Michael Tilson Thomas | | 1 |
1990 | Hodie / Fantasia on Christmas Carols | Ralph Vaughan Williams; Elizabeth Gale, Robert Tear, Stephen Roberts, London Symphony Chorus, Choristers of St Paul's Cathedral, London Symphony Orchestra, Richard Hickox | | 1 |
1991 | Songs | Stravinsky; Phyllis Bryn‐Julson, Ann Murray, Robert Tear, John Shirley‐Quirk, Ensemble interContemporain, Pierre Boulez | | 1 |
1991 | The Cunning Little Vixen / Taras Bulba | Janáček; Lillian Watson, Robert Tear, Thomas Allen, Diane Montague, Gwynne Howell, Orchestra and Chorus of the Royal Opera House, Covent Garden, Simon Rattle | | 1 |
1992 | British Composers: A Mass of Life / Songs of Sunset / An Arabesque | Delius; Heather Harper, Helen Watts, Robert Tear, Benjamin Luxon, Dame Janet Baker, John Shirley‐Quirk, Royal Liverpool Philharmonic Choir, London Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, London Philharmonic Orchestra, Sir Charles Groves | | 1 |
1992 | Messiah | Handel; James Bowman, Robert Tear, Benjamin Luxon, Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | | 1 |
1993 | Songs of Travel / On Wenlock Edge / Orchestral Songs | Vaughan Williams, Elgar, Butterworth; Thomas Allen, Robert Tear, City of Birmingham Symphony Orchestra, Simon Rattle, Vernon Handley | | 1 |
1993 | Serenade for Tenor, Horn & Strings / Our Hunting Fathers / Folksongs | Benjamin Britten; Robert Tear, Alan Civil, Elisabeth Söderström, Neville Marriner, Richard Armstrong | | 1 |
1994 | Les Contes d’Hoffmann | Offenbach; Neil Shicoff, Ann Murray, Jessye Norman, Rosalind Plowright, Luciana Serra, Robert Tear, José Van Dam, Chorus and Orchestra of the Théâtre Royal de la Monnaie, Brussels, Sylvain Cambreling | | 2 |
1995 | A Ceremony of Carols / Saint Nicolas | Britten; Robert Tear, Bruce Russell, Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | | 2 |
1995 | Das klagende Lied | Mahler; Teresa Cahill, Dame Janet Baker, Robert Tear, Gwynne Howell, Gennadi Rozhdestvensky | | 1 |
1995 | Rossini: Petite Messe solennelle / Respighi: Deità silvane, Trittico botticelliano, Lauda per la natività del Signore | Gioachino Rossini, Ottorino Respighi; Margaret Marshall, Alfreda Hodgson, Robert Tear, Malcolm King, London Chamber Choir, Argo Chamber Orchestra, László Heltay | | 1 |
1996 | Britten: Spring Symphony / Bridge: Enter Spring / Summer | Britten, Bridge; Eiddwen Harrhy, Linda Finnie, Robert Tear, BBC Symphony Orchestra, Gennadi Rozhdestvensky, Sir Charles Groves, BBC Concert Orchestra, Ashley Lawrence | | 2 |
1996 | Weihnachts-Oratorium | Johann Sebastian Bach; Academy of St Martin in the Fields, Philip Ledger, Elly Ameling, Dietrich Fischer‐Dieskau, Janet Baker, Robert Tear, King’s College Choir, Cambridge | | 1 |
1996 | Beethoven: Mass in C / Mozart: Mass in C “Coronation” | Beethoven, Mozart; Ileana Cotrubas, Janet Price, Kevin Smith, Kathleen Kuhlmann, Robert Tear, Anthony Rolfe-Johnson, Gwynne Howell, Graham Titus, Sir John Pritchard, Meredith Davies | | 1 |
2000 | Il ritorno d'Ulisse in Patria | Claudio Monteverdi, Hans Werner Henze; Kathleen Kuhlmann, Ann Murray, Thomas Allen, Vinson Cole, James King, Robert Tear, Tölzer Knabenchor, Radio‐Symphonieorchester Wien, Jeffrey Tate | | 1 |
2005 | The Rite of Spring / The Nightingale | Stravinsky; Trífonova, Tear, Longworth, Whelan, London Symphony Orchestra, Philharmonia Orchestra, Robert Craft | | 1 |
2006 | Serenade for Tenor, Horn & Strings / Nocturne / Les Illuminations | Britten; Robert Tear, Heather Harper, Neville Marriner, Jeffrey Tate | | 2 |
2012 | The Turn of the Screw | Benjamin Britten; Helen Donath, Heather Harper, Robert Tear, Ava June, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | | 1 |
2012 | The Seven Deadly Sins / Little Threepenny Music | Weill; Julia Migenes, Robert Tear, Stuart Kale, Alan Opie, Roderick Kennedy, London Symphony Orchestra, Michael Tilson Thomas | | 1 |
2014 | Choral Hymns from the Rig Veda / Savitri / Seven Partsongs / The Evening Watch | Holst; Janet Baker, Robert Tear, Thomas Hemsley, The Purcell Singers, English Chamber Orchestra, Imogen Holst | | 1 |
2019 | Hippolyte et Aricie | Rameau; Robert Tear, Angela Hickey, Janet Baker, John Shirley‐Quirk, English Chamber Orchestra, Anthony Lewis | | 1 |
— | Folksong Arrangements | Vaughan Williams; Robert Tear, Sir Philip Ledger, Hugh Bean, Jean Stewart | | 1 |
— | Hugh the Drover | Vaughan Williams; Armstrong, Watts, Tear, Lloyd, Rippon, Ambrosian Opera Chorus, Royal Philharmonic Orchestra, Sir Charles Groves | | 1 |
— | Idomeneo | Wolfgang Amadeus Mozart; Werner Hollweg, Trudeliese Schmidt, Rachel Yakar, Felicity Palmer, Kurt Equiluz, Robert Tear, Simon Estes, Mozart-Orchester & Chor des Opernhauses Zürich, Nikolaus Harnoncourt | | 1 |
— | Rachmaninov & Chopin Songs | Rachmaninov, Chopin; Robert Tear | | 1 |
— | The Creation | Joseph Haydn; Helen Donath, Robert Tear, José van Dam, Philharmonia Chorus, Philharmonia Orchestra | | 1 |
— | The Dream of Gerontius | Edward Elgar; Robert Tear, Alfreda Hodgson, Benjamin Luxon, The Scottish National Orchestra Chorus, Scottish National Orchestra, Sir Alexander Gibson | | 1 |