| "Moscow" Cantata: I. Introduction and Chorus | | | | | | | |
| "Moscow" Cantata: II. Arioso | | | | | | | |
| "Moscow" Cantata: III. Chorus | | | | | | | |
| "Moscow" Cantata: IV. Monologue and Chorus | | | | | | | |
| "Moscow" Cantata: V. Arioso | | | | | | | |
| "Moscow" Cantata: VI. Finale | | | | | | | |
| [Ernani: Atto II] Odi il voto - Sprezzo la vita | | - Luciano Pavarotti, Orchestra del Teatro alla Scala di Milano, Claudio Abbado
- Michael Fabiano, London Philharmonic Orchestra, Enrique Mazzola
- Ramón Vargas, Münchner Rundfunkorchester, Edoardo Müller
- Alfredo Giacomotti, Giuseppe Morresi, Luciano Pavarotti, Orchestra del Teatro alla Scala di Milano, Claudio Abbado
- James Courtney, Plácido Domingo, Alfred Walker, Orchestra of the Mariinsky Theatre, Valery Gergiev, Chorus of the Mariinsky Theatre
| | Aria | | | |
| 6 Romances, op. 38: No. 6. Pimpinella: Florentine Song (Пимпинелла: Флорентинская песня) | | | | Song | | | |
| 12 Romances, op. 21: no. 4 "They Answered" | | | | Song | | | |
| 12 Romances, op. 21: no. 7 “How Fair This Spot” | | | | Song | | | |
| A Kékszakállú herceg vára: Door 1 "'Jaj! Mit látsz? Mit látsz? Láncok, kések" | | | | | | | |
| A Kékszakállú herceg vára: Door 2 "Mit látsz? Százkegyetlen szörnyü fegyver" | | | | | | | |
| A Kékszakállú herceg vára: Door 3 "Oh, be sok kincs! Oh, be sok kincs!" | | | | | | | |
| A Kékszakállú herceg vára: Door 4 "Oh! virágok! Oh! ilatoskert!" | | | | | | | |
| A Kékszakállú herceg vára: Door 5 "Ah! Lásdez az én birodalmam" | | | | | | | |
| A Kékszakállú herceg vára: Door 6 "Csendes fehér tavat látok" | | - Katalin Kasza, György Melis, Budapest Philharmonic Orchestra, János Ferencsik
- Jessye Norman, Chicago Symphony Orchestra, Pierre Boulez
- Christa Ludwig, Walter Berry, London Symphony Orchestra, István Kertész
- Siegmund Nimsgern, Tatiana Troyanos, BBC Symphony Orchestra, Pierre Boulez
- (show 18 more)
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| A Kékszakállú herceg vára: Door 7 "Lásd a régi aszszonyokat" | | - Katalin Kasza, György Melis, Budapest Philharmonic Orchestra, János Ferencsik
- Christa Ludwig, Walter Berry, London Symphony Orchestra, István Kertész
- Siegmund Nimsgern, Tatiana Troyanos, BBC Symphony Orchestra, Pierre Boulez
- László Polgár, Chicago Symphony Orchestra, Pierre Boulez
- (show 14 more)
| | | | | |
| A Kékszakállú herceg vára: Opening "Megérkeztünk" | | | | | | | |
| A Life for the Tsar: Act I. Cavatina and Rondo: "To the field, to the field", «В поле, в поле» (Antonida) | | | | Aria | | | |
| A Night on Bald Mountain | | | | Symphonic poem | | | |
| Adriana Lecouvreur: Atto I. Aria “Ecco: respiro appena” … “Io son l'umile ancella“ (Adriana) | | | | Aria | | | |
| Adriana Lecouvreur: Atto IV. “Poveri fiori” (Adriana) | | | | Aria | | | |
| Aida: Atto II, scena 2. Ballabile (orchestra) | | | | | | | |
| Aida: Atto II, scena 2. Marcia trionfale (orchestra) | | | | | | | |
| Alexander Nevsky, op. 78: I. Russia Under the Mongolian Yoke | | | | | | | |
| Alexander Nevsky, op. 78: II. Song About Alexander Nevsky | | | | | | | |
| Alexander Nevsky, op. 78: III. The Crusaders in Pskov | | | | | | | |
| Alexander Nevsky, op. 78: IV. Arise, Ye Russian People | | | | | | | |
| Alexander Nevsky, op. 78: V. The Battle on the Ice | | | | | | | |
| Alexander Nevsky, op. 78: VI. The Field of the Dead | | | | | | | |
| Alexander Nevsky, op. 78: VII. Alexander's Entry Into Pskov | | | | | | | |
| Alzira: Prologo. “A costoro quel nume perdoni” (Alvaro, Otumbo, Indiani, Zamoro) | | | | | | | |
| Alzira: Prologo. “Un Inca... eccesso orrible!” (Zamoro, Otumbo, Indiani) | | | | | | | |
| Aroldo: Atto I, scena 1. N°1 “Sotto il sol di Siria ardente” (Aroldo, Mina) | | | | | | | |
| Attila “O dolore! Ed io vivea” | | | | Aria | | | |
| Attila: Atto III. N°12 “Che non avrebbe il misero” (Foresto) | | - Carlo Bergonzi, Royal Philharmonic Orchestra, Lamberto Gardelli
- Neil Shicoff, Orchestra del Teatro alla Scala di Milano, Riccardo Muti
- Alessandro Cosentino, Carlo Ventre, Orchestra del Teatro Giuseppe Verdi di Trieste, Donato Renzetti
- Plácido Domingo, Mariinsky Theatre Orchestra, Valery Gergiev
- Gianfranco Cecchele, Fernando Ferrari, Orchestra sinfonica di Roma della RAI, Riccardo Muti
| | | | | |
| Attila: Atto III. N°12 Scena e romanza “Qui del convengo è il loco” (Foresto, Uldino) | | - Carlo Bergonzi, Ricardo Cassinelli, Royal Philharmonic Orchestra, Lamberto Gardelli
- Ernesto Gavazzi, Neil Shicoff, Orchestra del Teatro alla Scala di Milano, Riccardo Muti
- Alessandro Cosentino, Carlo Ventre, Orchestra del Teatro Giuseppe Verdi di Trieste, Donato Renzetti
- Eric Cutler, Plácido Domingo, Mariinsky Theatre Orchestra, Valery Gergiev
- Gianfranco Cecchele, Fernando Ferrari, Orchestra sinfonica di Roma della RAI, Riccardo Muti
| | | | | |
| Baba-Yaga, op. 56 | | | | Symphonic poem | | | |
| Boléro | | | | Ballet | | | 5 |
| Boris Godunov: Prologue. "I am sick at heart" (Coronation Scene) | | | | | | | |
| Capriccio for Piano and Orchestra: I. Presto | | | | | | | |
| Capriccio for Piano and Orchestra: II. Andante rapsodico | | | | | | | |
| Capriccio for Piano and Orchestra: III. Allegro capriccioso ma tempo giusto | | | | | | | |
| Capriccio italien, op. 45 | | | | | | | |
| Cavalleria rusticana: Intermezzo | | | | | | | |
| Cello Concerto no. 1 in E-flat major, op. 107: I. Allegretto | | | | | | | |
| Cello Concerto no. 1 in E-flat major, op. 107: II. Moderato | | | | | | | |
| Cello Concerto no. 1 in E-flat major, op. 107: III. Cadenza | | | | | | | |
| Cello Concerto no. 1 in E-flat major, op. 107: IV. Allegro con moto | | | | | | | |
| Cello Concerto no. 2 in G minor, op. 126: I. Largo | | | | | | | |
| Cello Concerto no. 2 in G minor, op. 126: II. Scherzo: Allegretto | | | | | | | |
| Cello Concerto no. 2 in G minor, op. 126: III. Finale: Allegretto | | | | | | | |
| Cléopâtre : « J’ai versé le poison » (Cléopâtre) | | | | Aria | | | |
| Concerto for Orchestra "Naughty Limericks" | | | | Concerto | | | |
| Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: I. Allegro maestoso | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: II. Quasi adagio | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: III. Allegretto vivace – Allegro animato | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: IV. Allegro marziale animato | | | | | | | |
| Concerto for Piano and Orchestra no. 2 in F minor, op. 21: I. Maestoso | | | | | | | |
| Concerto for Piano and Orchestra no. 2 in F minor, op. 21: II. Larghetto | | | | | | | |
| Concerto for Piano and Orchestra no. 2 in F minor, op. 21: III. Allegro vivace | | | | | | | |
| Concerto for Piano and Orchestra no. 3 in C minor, op. 37: I. Allegro con brio | | | | | | | |
| Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo | | | | | | | |
| Concerto for Piano and Orchestra no. 3 in C minor, op. 37: III. Rondo. Allegro | | | | | | | |
| Concerto for Piano, Trumpet and String Orchestra no. 1 in C minor, op. 35: I. Allegretto | | | | | | | |
| Concerto for Piano, Trumpet and String Orchestra no. 1 in C minor, op. 35: II. Lento | | | | | | | |
| Concerto for Piano, Trumpet and String Orchestra no. 1 in C minor, op. 35: III. Moderato | | | | | | | |
| Concerto for Piano, Trumpet and String Orchestra no. 1 in C minor, op. 35: IV. Allegro con brio | | | | | | | |
| Concerto for Viola and Orchestra | | | | Concerto | | | |
| Concerto for Viola and Orchestra | | | | Concerto | | | |
| Concerto for Violin and Orchestra in D major, op. 35: I. Allegro moderato | | | | | | | |
| Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante | | | | | | | |
| Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro vivacissimo | | | | | | | |
| Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo | | | | | | | |
| Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto | | | | | | | |
| Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro | | | | | | | |
| Concerto in A minor for Piano and Orchestra, op. 16: I. Allegro molto moderato | | - [unknown]
- Björn Lundgren, Dubravka Tomšič, London Festival Orchestra, Philharmonia Slavonica, Simfonični orkester RTV Slovenija, Sven Bengtson, Alberto Lizzio, Anton Nanut
- Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner
- Lilya Zilberstein, Gothenburg Symphony Orchestra, Neeme Järvi
- (show 162 more)
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| Concerto in A minor for Piano and Orchestra, op. 16: II. Adagio | | - [unknown]
- Björn Lundgren, Dubravka Tomšič, Orchestre symphonique de la Radio Ljubljana, London Festival Orchestra, Philharmonia Slavonica, Simfonični orkester RTV Slovenija, Sven Bengtson, Alberto Lizzio, Anton Nanut
- Stephen Kovacevich, BBC Symphony Orchestra, Sir Colin Davis
- Arthur Rubinstein, RCA Victor Symphony Orchestra, Alfred Wallenstein
- (show 141 more)
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| Concerto in A minor for Piano and Orchestra, op. 16: III. Allegro moderato molto e marcato | | | | | | | |
| Concerto in One Movement | | - Benjamin Schmid, Wiener Philharmoniker, Valery Gergiev
- Laurent Korcia, Orchestre de chambre de Paris, Jean‐Jacques Kantorow
- Fritz Kreisler, The Philadelphia Orchestra, Eugene Ormandy
- Alfredo Campoli, London Symphony Orchestra, Piero Gamba
- Benjamin Schmid, Mozarteum Orchester Salzburg, Herbert Soudant
| | Concerto | | | |
| Coronation March in D major, TH 50, ČW 47 | | | | | | | |
| Dalibor: Act II. “Dobrá! Já mu je dám! Jak je mi?” | | | | | | | |
| Daphnis et Chloé, Suite no. 2 | | | | Suite | | | |
| Daphnis et Chloé: Tableau I. No. 1. Introduction et danse religieuse | | | | | | | |
| Daphnis et Chloé: Tableau I. No. 2. Danse générale | | | | | | | |
| Daphnis et Chloé: Tableau I. No. 3. Danse grotesque de Dorcon | | | | | | | |
| Daphnis et Chloé: Tableau I. No. 4. Danse légère et gracieuse de Daphnis | | | | | | | |
| Daphnis et Chloé: Tableau I. No. 5. Danse de Lycéion | | | | | | | |
| Daphnis et Chloé: Tableau I. No. 6. Nocturne. Danse lente et mystérieuse des Nymphes | | | | | | | |
| Daphnis et Chloé: Tableau II. No. 7. Introduction | | | | | | | |
| Daphnis et Chloé: Tableau II. No. 8. Danse guerrière | | | | | | | |
| Daphnis et Chloé: Tableau II. No. 9. Danse suppliante de Chloé | | | | | | | |
| Daphnis et Chloé: Tableau III. No. 10. Lever du jour | | | | | | | |
| Daphnis et Chloé: Tableau III. No. 11. Pantomime (Les amours de Pan et Syrinx) | | | | | | | |
| Daphnis et Chloé: Tableau III. No. 12. Danse générale (Bacchanale) | | | | | | | |
| Das Rheingold: Scene I | | - Helga Dernesch, Ruth Hesse, Gustav Neidlinger, Dorothea Siebert, Orchester der Bayreuther Festspiele, Karl Böhm
- Oda Balsborg, Ira Malaniuk, Gustav Neidlinger, Hetty Plümacher, Wiener Philharmoniker, Sir Georg Solti
- Berliner Philharmoniker, Herbert von Karajan
- Chor der Bayreuther Festspiele, Helga Dernesch, Ruth Hesse, Gustav Neidlinger, Dorothea Siebert, Orchester der Bayreuther Festspiele, Karl Böhm
- (show 32 more)
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| Das Rheingold: Scene I. Vorspiel | | | | | | | |
