| arranged |
|---|
| Deuxième Sonate, op. 108: I. Allegro non troppo | | | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 7:36 |
| Deuxième Sonate, op. 108: I. Allegro non troppo | | | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 7:36 |
| Deuxième Sonate, op. 108: II. Andante | | | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 8:04 |
| Deuxième Sonate, op. 108: II. Andante | | | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 8:05 |
| Deuxième Sonate, op. 108: III. Allegro non troppo | | | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 5:44 |
| Deuxième Sonate, op. 108: III. Allegro non troppo | | | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 5:43 |
| Romanza (Poco adagio) from Cello Sonata no. 2 in F major, op. 123 | | | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 7:37 |
| Romanza (Poco adagio) from Cello Sonata no. 2 in F major, op. 123 | | | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 7:47 |
| instruments |
|---|
| 1986-12-08 – 1986-12-09 | Sacred and Secular Songs: Lord, Thou has been our Refuge | | solo and trumpet | Christ Church Cathedral Choir, Oxford, Stephen Darlington | 8:02 |
| 1990-09-26 – 1990-09-27 | Lord, Thou Hast Been Our Refuge | | trumpet | The Finzi Singers, Harry Bicket, Jonathan Freeman-Attwood, Paul Spicer | 9:40 |
| 2003-09-02 – 2003-09-05 | Sonata no. 2, op. 87a: Coda | | trumpet | Colm Carey, Jonathan Freeman-Attwood, John Wallace | 3:36 |
| 2003-09-02 – 2003-09-05 | Sonata no. 2, op. 87a: Fugue | | trumpet | Colm Carey, Jonathan Freeman-Attwood, John Wallace | 3:24 |
| 2003-09-02 – 2003-09-05 | Sonata no. 2, op. 87a: Introduction | | trumpet | Colm Carey, Jonathan Freeman-Attwood, John Wallace | 2:25 |
| 2003-09-02 – 2003-09-05 | Sonata no. 2, op. 87a: Toccata | | trumpet | Colm Carey, Jonathan Freeman-Attwood, John Wallace | 3:34 |
| 2003-09-02 – 2003-09-05 | Suite for Two Trumpets & Organ: Con moto | | piccolo trumpet | Colm Carey, Jonathan Freeman-Attwood, John Wallace | 8:54 |
| 2003-09-02 – 2003-09-05 | Suite for Two Trumpets & Organ: Finale | | piccolo trumpet | Colm Carey, Jonathan Freeman-Attwood, John Wallace | 7:00 |
| 2003-09-02 – 2003-09-05 | Suite for Two Trumpets & Organ: Sarabande | | piccolo trumpet | Colm Carey, Jonathan Freeman-Attwood, John Wallace | 11:33 |
| 2003-09-02 – 2003-09-05 | Suite for Two Trumpets & Organ: Thema mit Veranderungen | | piccolo trumpet | Colm Carey, Jonathan Freeman-Attwood, John Wallace | 9:22 |
| 2003-09-02 – 2003-09-05 | Three Movements from the Suite "Le Bourgeois Gentilhomme": Courante | | piccolo trumpet | Colm Carey, Jonathan Freeman-Attwood, John Wallace | 2:29 |
| 2003-09-02 – 2003-09-05 | Three Movements from the Suite "Le Bourgeois Gentilhomme": Entrée de Cleonte | | piccolo trumpet | Colm Carey, Jonathan Freeman-Attwood, John Wallace | 4:35 |
| 2003-09-02 – 2003-09-05 | Three Movements from the Suite "Le Bourgeois Gentilhomme": Minuet de Lully | | piccolo trumpet | Colm Carey, Jonathan Freeman-Attwood, John Wallace | 2:19 |
| 'Dovehouse' Galliard | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 1:33 |
| ‘Dovehouse’ Pavan | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 3:34 |
| A Chloris | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 3:04 |
| A Chloris | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 3:04 |
| Canzon seconda (from Canzoni per sonare) | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 2:07 |
| Chromhorne sur la Taille (from Pièce d’orgue) | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 2:33 |
| Der Herr ist gross, SWV 286 (from Kleine geistliche Concerte) | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 2:00 |
| Deuxième Sonate, op. 108: I. Allegro non troppo | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 7:36 |
| Deuxième Sonate, op. 108: I. Allegro non troppo | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 7:36 |
| Deuxième Sonate, op. 108: II. Andante | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 8:04 |
| Deuxième Sonate, op. 108: II. Andante | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 8:05 |
| Deuxième Sonate, op. 108: III. Allegro non troppo | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 5:43 |
| Deuxième Sonate, op. 108: III. Allegro non troppo | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 5:44 |
| Ein feste Burg ist unser Gott (BuxWV184) | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 2:49 |
| Fantasia 4, Z735 | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 4:11 |
| Grand Dialogue du 5e ton | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 6:05 |
| Laudate Dominum (from Selve Morale) | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 3:38 |
| Romanza (Poco adagio) from Cello Sonata no. 2 in F major, op. 123 | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 7:47 |
| Romanza (Poco adagio) from Cello Sonata no. 2 in F major, op. 123 | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 7:37 |
| Scocca pur (The 2nd Part of Musick’s Handmaid) | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 4:27 |
| Sonata no. 5 in G major (Armonico Tributo): Adagio | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 2:22 |
| Sonata no. 5 in G major (Armonico Tributo): Adagio | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 1:56 |
| Sonata no. 5 in G major (Armonico Tributo): Allemanda | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 2:40 |
| Sonata no. 5 in G major (Armonico Tributo): Fuga | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 1:28 |
| Sonata no. 5 in G major (Armonico Tributo): Passacaglia | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 9:47 |
| Sonata VIII (Fidicinium sacro-profanum): Allegro / Presto / Adagio | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 2:45 |
| Suite for Trumpet and Piano: Aubade | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 4:01 |
| Suite for Trumpet and Piano: Aubade | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 4:01 |
| Suite for Trumpet and Piano: Danse villageoise | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 3:32 |
| Suite for Trumpet and Piano: Danse villageoise | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 3:32 |
| Suite for Trumpet and Piano: Scherzo-valse | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 5:04 |
| Suite for Trumpet and Piano: Scherzo-valse | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 5:12 |
| Suite from "Naïs": Contredanse générale | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 0:54 |
| Suite from "Naïs": Contredanse générale | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 1:03 |
| Suite from "Naïs": Entrée majestueuse des dieux | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 2:38 |
| Suite from "Naïs": Entrée majestueuse des dieux | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 2:38 |
| Suite from "Naïs": Gavotte vive (pour les Zéphirs) | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 0:59 |
| Suite from "Naïs": Gavotte vive (pour les Zéphirs) | | trumpet | Jonathan Freeman-Attwood | 0:59 |
| Suite from "Naïs": Musette | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 1:51 |
| Suite from "Naïs": Musette | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 1:51 |
| Suite from "Naïs": Ouverture (La Discorde et La Guerre) | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 4:07 |
| Suite from "Naïs": Ouverture (La Discorde et La Guerre) | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 4:08 |
| Suite from "Naïs": Rigaudons | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 2:57 |
| Suite from "Naïs": Rigaudons | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 2:56 |
| Suite from "Naïs": Sarabande | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 2:15 |
| Suite from "Naïs": Sarabande | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 2:15 |
| Suite from "Naïs": Tambourins | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 1:17 |
| Suite from "Naïs": Tambourins | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 1:17 |
| Tiento de medio registro, no. 36 (from Facultad organica) | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 4:25 |
| Tiento XVII de ‘Pange lingua’ punt alt | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 3:55 |
| Variations on ‘Onder een linde groen’ | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 3:53 |
| Vater unser in Himmelreich | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 3:36 |
| When the poore Criple (A Pilgrimes Solace) | | trumpet | Jonathan Freeman-Attwood, Daniel-Ben Pienaar | 3:11 |
| produced |
|---|
| 2002-02 | Alleluia, HWV 259 | | | Tallis Chamber Choir, The Royal Academy Consort, Jeremy Summerly | 2:07 |
| 2002-02 | Alleluia, HWV 260 | | | Tallis Chamber Choir, The Royal Academy Consort, Jeremy Summerly | 2:44 |
| 2002-02 | And All the People Rejoiced, HWV 258 | | | Tallis Chamber Choir, Jeremy Summerly, The Royal Academy Consort | 0:51 |
| 2002-02 | Exceeding Glad Shall He Be, HWV 260 | | | Tallis Chamber Choir, The Royal Academy Consort, Jeremy Summerly | 3:13 |
| 2002-02 | Glory and Worship, HWV 260 | | | Tallis Chamber Choir, The Royal Academy Consort, Jeremy Summerly | 2:47 |
| 2002-02 | God Save the King, HWV 258 | | | Tallis Chamber Choir, Jeremy Summerly, The Royal Academy Consort | 3:01 |
| 2002-02 | Kings Shall Be Thy Nursing Fathers, HWV 261 | | | David Bates, Elizabeth Franklin-Kitchen, Edward Lyon, Tallis Chamber Choir, Nicholas Warden, The Royal Academy Consort, Jeremy Summerly | 3:28 |
| 2002-02 | Kings' Daughters, HWV 261 | | | David Bates, Elizabeth Franklin-Kitchen, Edward Lyon, Tallis Chamber Choir, Nicholas Warden, The Royal Academy Consort, Jeremy Summerly | 3:08 |
| 2002-02 | Let Justice and Judgement, HWV 259 | | | Tallis Chamber Choir, The Royal Academy Consort, Jeremy Summerly | 3:28 |
| 2002-02 | Let the Hand Be Strengthened, HWV 259 | | | Tallis Chamber Choir, The Royal Academy Consort, Jeremy Summerly | 3:22 |
| 2002-02 | My Heart Is Inditing, HWV 261 | | | David Bates, Elizabeth Franklin-Kitchen, Edward Lyon, Tallis Chamber Choir, Nicholas Warden, The Royal Academy Consort, Jeremy Summerly | 2:59 |
| 2002-02 | The King Shall Rejoice, HWV 260 | | | Tallis Chamber Choir, The Royal Academy Consort, Jeremy Summerly | 2:52 |
| 2002-02 | Upon My Right Hand, HWV 261 | | | David Bates, Elizabeth Franklin-Kitchen, Edward Lyon, Tallis Chamber Choir, Nicholas Warden, The Royal Academy Consort, Jeremy Summerly | 3:20 |
| 2002-02 | Zadok the Priest, HWV 258 | | | Tallis Chamber Choir, Jeremy Summerly, The Royal Academy Consort | 1:59 |
| 2002-04 | Silete Venti for Soprano and Strings, HWV 242: Alleluia | | | Rebecca Ryan, Tallis Chamber Choir, The Royal Academy Consort, Jeremy Summerly | 3:29 |
| 2002-04 | Silete Venti for Soprano and Strings, HWV 242: Date Serta | | | Rebecca Ryan, Tallis Chamber Choir, The Royal Academy Consort, Jeremy Summerly | 10:44 |
| 2002-04 | Silete Venti for Soprano and Strings, HWV 242: Dulcis Amor | | | Rebecca Ryan, Tallis Chamber Choir, The Royal Academy Consort, Jeremy Summerly | 6:53 |
| 2002-04 | Silete Venti for Soprano and Strings, HWV 242: O Fortunata Anima | | | Rebecca Ryan, Tallis Chamber Choir, The Royal Academy Consort, Jeremy Summerly | 0:38 |
| 2002-04 | Silete Venti for Soprano and Strings, HWV 242: Silete Venti | | | Rebecca Ryan, Tallis Chamber Choir, The Royal Academy Consort, Jeremy Summerly | 5:45 |
| 2002-09 | Violin Concerto in G major, op. 4 no. 3: III. Allegro assai | | | Rachel Podger, Arte dei Suonatori | 3:00 |
| 6 Variations in G minor, ‘Hélas, j’ai perdu mon amant’, KV 374b | | | Gary Cooper, Rachel Podger | 11:03 |
| 6 Variations in G minor, ‘Hélas, j’ai perdu mon amant’, KV 374b: [part 1] | | | Gary Cooper, Rachel Podger | 1:30 |
| 6 Variations in G minor, ‘Hélas, j’ai perdu mon amant’, KV 374b: [part 2] | | | Gary Cooper, Rachel Podger | 1:28 |
| 6 Variations in G minor, ‘Hélas, j’ai perdu mon amant’, KV 374b: [part 3] | | | Gary Cooper, Rachel Podger | 1:27 |
| 6 Variations in G minor, ‘Hélas, j’ai perdu mon amant’, KV 374b: [part 4] | | | Gary Cooper, Rachel Podger | 1:15 |
| 6 Variations in G minor, ‘Hélas, j’ai perdu mon amant’, KV 374b: [part 5] | | | Gary Cooper, Rachel Podger | 1:27 |
| 6 Variations in G minor, ‘Hélas, j’ai perdu mon amant’, KV 374b: [part 6] | | | Gary Cooper, Rachel Podger | 1:41 |
| 6 Variations in G minor, ‘Hélas, j’ai perdu mon amant’, KV 374b: [part 7] | | | Gary Cooper, Rachel Podger | 2:25 |
| 9 Psalm Tunes: Come, Holy Ghost, no. 9 “Ordinal” | | | The Cardinall’s Musick, Andrew Carwood | 2:25 |
| 9 Psalm Tunes: No. 5. E’en Like the Hunted Hind | | | The Cardinall’s Musick, Andrew Carwood | 3:22 |
| 9 Psalm Tunes: No. 6. Expend, O Lord | | | The Cardinall’s Musick, Andrew Carwood | 3:28 |
| 9 Psalm Tunes: Why brag’st in malice high, no. 7 | | | The Cardinall’s Musick, Andrew Carwood | 3:27 |
| 12 Variations in G major, ‘La Bergère Célimène’, KV 374a: [part 1] | | | Gary Cooper, Rachel Podger | 0:56 |
| 12 Variations in G major, ‘La Bergère Célimène’, KV 374a: [part 2] | | | Gary Cooper, Rachel Podger | 1:03 |
| 12 Variations in G major, ‘La Bergère Célimène’, KV 374a: [part 3] | | | Gary Cooper, Rachel Podger | 1:00 |
| 12 Variations in G major, ‘La Bergère Célimène’, KV 374a: [part 4] | | | Gary Cooper, Rachel Podger | 1:00 |
| 12 Variations in G major, ‘La Bergère Célimène’, KV 374a: [part 5] | | | Gary Cooper, Rachel Podger | 1:01 |
| 12 Variations in G major, ‘La Bergère Célimène’, KV 374a: [part 6] | | | Gary Cooper, Rachel Podger | 1:02 |
| 12 Variations in G major, ‘La Bergère Célimène’, KV 374a: [part 7] | | | Gary Cooper, Rachel Podger | 0:58 |
| 12 Variations in G major, ‘La Bergère Célimène’, KV 374a: [part 8] | | | Gary Cooper, Rachel Podger | 1:04 |
| 12 Variations in G major, ‘La Bergère Célimène’, KV 374a: [part 9] | | | Gary Cooper, Rachel Podger | 1:32 |
| 12 Variations in G major, ‘La Bergère Célimène’, KV 374a: [part 10] | | | Gary Cooper, Rachel Podger | 1:24 |
| 12 Variations in G major, ‘La Bergère Célimène’, KV 374a: [part 11] | | | Gary Cooper, Rachel Podger | 0:59 |
| 12 Variations in G major, ‘La Bergère Célimène’, KV 374a: [part 12] | | | Gary Cooper, Rachel Podger | 3:25 |
| 12 Variations in G major, ‘La Bergère Célimène’, KV 374a: [part 13] | | | Gary Cooper, Rachel Podger | 1:40 |
| 12 Variations in G major,‘La Bergère Célimène’, KV 374a | | | Gary Cooper, Rachel Podger | 17:02 |
| 30 Violin Sonatas: Piccola sonata 17 in D major, B. D2: Allegro assai | | | Rachel Podger | 2:48 |
| 30 Violin Sonatas: Piccola sonata 17 in D major, B. D2: Andante cantabile di se senti | | | Rachel Podger | 1:47 |
| 30 Violin Sonatas: Piccola sonata 17 in D major, B. D2: Aria del Tasso | | | Rachel Podger | 1:04 |
| 30 Violin Sonatas: Piccola sonata 17 in D major, B. D2: Furlana | | | Rachel Podger | 2:08 |
| 30 Violin Sonatas: Piccola sonata 17 in D major, B. D2: Minuet | | | Rachel Podger | 2:01 |
| A new commandment | | | The Cardinall’s Musick, Andrew Carwood | 2:58 |
| A solis ortus cardine / Beatus auctor saeculi | Recording Producer Jonathan Freeman-Attwood | | The Cardinall’s Musick, Andrew Carwood | 8:20 |
| A solis ortus cardine, MS Trent 88 | | | The Clerks’ Group, Edward Wickham | 7:30 |
| Aci, Galatea e Polifemo: Qui l’augel da pianta in pianta | | | Lucy Crowe, La Nuova Musica, David Bates | 10:28 |
| Adieu mes amours | | | The Clerks’ Group, Edward Wickham | 7:34 |
| Agrippina: Se giunge un dispetto | | | Lucy Crowe, La Nuova Musica, David Bates | 3:24 |
| Alcina: Sta nell’ Ircana pietrosa tana | | | Christine Rice, La Nuova Musica, David Bates | 6:00 |
| Allegro in B-flat major, KV 372 | | | Gary Cooper, Rachel Podger | 8:05 |
| Alleluia. Ora pro nobis | | | The Cardinall’s Musick, Andrew Carwood | 4:00 |
| Allemande | | | Matthew Wadsworth | 2:43 |
| Amidigi di Gaula: Pena tiranna | | | Iestyn Davies, La Nuova Musica, David Bates | 5:53 |
| Andante & Allegretto in C, KV 404 (385d): I. Andante | | | Gary Cooper, Rachel Podger | 2:23 |
| Andante & Allegretto in C, KV 404 (385d): II. Allegretto | | | Gary Cooper, Rachel Podger | 1:25 |
| Andante & Fugue in a, KV 402 (385e): I. Andante, ma un poco adagio | | | Gary Cooper, Rachel Podger | 7:40 |
| Andante & Fugue in a, KV 402 (385e): II. Allegro moderato | | | Gary Cooper, Rachel Podger | 3:51 |
| Ariodante: Scherza infida | | | Christine Rice, La Nuova Musica, David Bates | 11:29 |
| Artificiousus concentus Pro camera: I. Prelude | | | Rachel Podger | 0:34 |
| Artificiousus concentus Pro camera: II. Aria | | | Rachel Podger | 1:11 |
| Artificiousus concentus Pro camera: III. Saraband | | | Rachel Podger | 1:46 |
| Artificiousus concentus Pro camera: IV. Aria | | | Rachel Podger | 1:33 |
| Artificiousus concentus Pro camera: IX. Gigue | | | Rachel Podger | 1:49 |
| Artificiousus concentus Pro camera: V. Minuet | | | Rachel Podger | 1:45 |
| Artificiousus concentus Pro camera: VI. Aria | | | Rachel Podger | 2:10 |
| Artificiousus concentus Pro camera: VII. Minuet | | | Rachel Podger | 1:23 |
| Artificiousus concentus Pro camera: VIII. Aria | | | Rachel Podger | 2:06 |
| Artificiousus concentus Pro camera: X. Aria Variata | | | Rachel Podger | 3:01 |
| Audivi vocem de caelo | | | The Cardinall’s Musick, Andrew Carwood | 3:44 |
| Ave maris stella | | | The Clerks’ Group, Edward Wickham | 1:59 |
| Ave, Dei patris filia | | | The Cardinall’s Musick, Andrew Carwood | 15:45 |
| Ave, rosa sine spinis | | | The Cardinall’s Musick, Andrew Carwood | 10:49 |
| Bell Pavan in A minor | | | Phantasm | 5:20 |
| Benedicite, omnia opera | | | St Paul’s Cathedral Choir, Simon Johnson, Andrew Carwood | 6:05 |
| Benedictio mensae "Oculi omnium" | Recording Producer Jonathan Freeman-Attwood | | The Cardinall’s Musick, Andrew Carwood | 1:45 |
| Benedictus | | | The Cardinall’s Musick, Andrew Carwood | 6:01 |
| Berceuse élégiaque, op. 42 | | | Royal Academy of Music Soloists Ensemble, Trevor Pinnock | 7:06 |
| Bergerette savoysienne | | | The Clerks’ Group, Edward Wickham | 4:00 |
| Blessed Are Those That Be Undefiled | | | The Cardinall’s Musick, Andrew Carwood | 4:32 |
| Blessed Be Thy Name | | | The Cardinall’s Musick, Andrew Carwood | 2:30 |
| Bruder Conrat / Fortuna | | | The Clerks’ Group, Edward Wickham | 5:01 |
| Candidi facti sunt Nazarei | | | The Cardinall’s Musick, Andrew Carwood | 4:46 |
| Cantabile from Sonata no. 6 version 2 BWV 1019a: Cantabile ma un poco adagio | | | Trevor Pinnock, Rachel Podger | 6:06 |
| Cello Suite no. 1 in G major, BWV1007 (trans. R. Podger, D major): I. Prelude | | | Rachel Podger | 2:02 |
| Cello Suite no. 1 in G major, BWV1007 (trans. R. Podger, D major): II. Allemande | | | Rachel Podger | 4:15 |
| Cello Suite no. 1 in G major, BWV1007 (trans. R. Podger, D major): III. Courante | | | Rachel Podger | 2:23 |
| Cello Suite no. 1 in G major, BWV1007 (trans. R. Podger, D major): IV. Sarabande | | | Rachel Podger | 2:57 |
| Cello Suite no. 1 in G major, BWV1007 (trans. R. Podger, D major): V. Menuet 1 and 2 | | | Rachel Podger | 3:00 |
| Cello Suite no. 1 in G major, BWV1007 (trans. R. Podger, D major): VI. Gigue | | | Rachel Podger | 1:33 |
| Cello Suite no. 2 in D minor, BWV1008 (trans. R. Podger, A minor): I. Prelude | | | Rachel Podger | 3:32 |
| Cello Suite no. 2 in D minor, BWV1008 (trans. R. Podger, A minor): II. Allemande | | | Rachel Podger | 3:00 |
| See all 1,107 relationships |
| recording engineer for |
|---|
| – ???? | Missa L’homme armé: Agnus Dei | | | The Clerks' Group, Edward Wickham | 5:52 |
| – ???? | Missa L’homme armé: Credo | | | The Clerks' Group, Edward Wickham | 7:44 |
| – ???? | Missa L’homme armé: Gloria | | | The Clerks' Group, Edward Wickham | 7:40 |
| – ???? | Missa L’homme armé: Kyrie | | | The Clerks' Group, Edward Wickham | 4:23 |
| – ???? | Missa L’homme armé: Sanctus | | | The Clerks' Group, Edward Wickham | 8:39 |
| – ???? | Missa sine nomine nº 1: Agnus Dei | | | The Clerks' Group, Edward Wickham | 6:13 |
| – ???? | Missa sine nomine nº 1: Credo | | | The Clerks' Group, Edward Wickham | 9:08 |
| – ???? | Missa sine nomine nº 1: Gloria | | | The Clerks' Group, Edward Wickham | 8:31 |
| – ???? | Missa sine nomine nº 1: Kyrie | | | The Clerks' Group, Edward Wickham | 3:19 |
| – ???? | Missa sine nomine nº 1: Sanctus | | | The Clerks' Group, Edward Wickham | 7:05 |
| edited |
|---|
| Four Temperaments | | | Byrd, Ferrabosco, Parsons, Tallis; Phantasm | |
| liner notes |
|---|
| Complete Sonatas for Keyboard and Violin | | | Mozart; Gary Cooper, Rachel Podger | |
| Full Anthems & Organ Music / Music on the Death of Queen Mary | | | Henry Purcell; Oxford Camerata, Jeremy Summerly, Laurence Cummings | |
| La Stravaganza | | | Antonio Vivaldi; Rachel Podger, Arte dei Suonatori | |
| La Stravaganza | | | Antonio Vivaldi; Rachel Podger, Arte dei Suonatori | |
| produced |
|---|
| Complete Sonatas & Partitas for Violin Solo | | | Johann Sebastian Bach; Rachel Podger | |
| Four Temperaments | | | Byrd, Ferrabosco, Parsons, Tallis; Phantasm | |
| Gaude gloriosa | | | Tallis; The Cardinall’s Musick, Andrew Carwood | |
| J. S. Bach Art of Fugue | | co | Phantasm | |
| La Stravaganza | | | Antonio Vivaldi; Rachel Podger, Arte dei Suonatori | |
| Magnificats & motets | Recording Producer Jonathan Freeman-Attwood | | Hieronymus Praetorius; The Cardinall’s Musick, Andrew Carwood | |
| Missa Gloria Tibi Trinitas | | | John Taverner; The Choir of Christ Church Cathedral, Oxford, Stephen Darlington | |
| Mozart: Sinfonia concertante / Haydn: Violin Concerti 1 & 4 | | | Wolfgang Amadeus Mozart, Joseph Haydn; Rachel Podger, Orchestra of the Age of Enlightenment, Pavlo Beznosiuk | |
| Partitas (Re-imagined for Small Orchestra by Thomas Oehler) | | | Bach; Trevor Pinnock, Royal Academy of Music Soloists Ensemble, The Glenn Gould School, Thomas Oehler | |
| Partitas (Re‐imagined for Small Orchestra by Thomas Oehler) | | | Bach; Trevor Pinnock, Royal Academy of Music Soloists Ensemble, The Glenn Gould School, Thomas Oehler | |
