“Hail! Bright Cecilia”, Z. 328: X. “In vain the am’rous flute” | | | | | | | |
A Fancy | | | | | | | |
A Pilgrimes Solace: No. 2. Sweete stay a while, why will you rise? | | | | Song | | | |
A Pilgrimes Solace: No. 8. Tell me true Love where shall I seeke thy being | | - Anthony Rooley, The Consort of Musicke
- James Bowman, Richard Boothby, Mark Caudle, Wendy Gillespie, William Hunt, David Miller
- Paul Hillier, The Hilliard Ensemble
- Grayston Burgess, Karl-Heinz Klein, Andrea von Ramm, Nigel Rogers, Thomas Binkley
- (show 3 more)
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A Pilgrimes Solace: No. 9. Goe nightly cares, the enemy to rest | | | | | | | |
A Pilgrimes Solace: No. 14. Thou mighty God | | | | | | | |
A Pilgrimes Solace: No. 15. When Davids life by Saul was often sought | | | | | | | |
A Pilgrimes Solace: No. 16. When the poore Criple by the poole did lye | | | | | | | |
Ah, heav'n! What is't I hear? | | - James Bowman, Michael Chance, Alison Crum, Robert King, David Miller
- Marius van Altena, René Jacobs, Gustav Leonhardt, Leonhardt‐Consort
- Iestyn Davies, James Hall, The King’s Consort, Robert King
- Alfred Deller, Mark Deller, Ensemble of Baroque Instruments
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All Creatures Now | | | | Madrigal | | | |
An Evening Hymn, Z. 193 "Now that the sun hath veiled his light" | | | | | | | |
An Ode on the Death of Mr. Henry Purcell | | - James Bowman, Michael Chance, Alison Crum, Robert King, Catherine Latham, David Miller, Marion Scott
- John Blow
- Ricercar Consort
- Deller Consort, Stour Music Festival Chamber Orchestra, Alfred Deller
- Alfred Deller, John Whitworth, Kalmar Chamber Orchestra of London
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Arise, awake, awake | | | | Madrigal | | | |
As Vesta Was From Latmos Hill Descending | | | | Madrigal | | | |
Author of Light, Revive My Dying Spright | | | | | | | |
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: III. Sound the Trumpet | | - Michael Chance, Timothy Wilson, The English Concert, Trevor Pinnock
- Monteverdi Choir, Equale Brass Ensemble, Monteverdi Orchestra, John Eliot Gardiner
- Alison Balsom, The English Concert, Trevor Pinnock
- Isobel Baillie, Kathleen Ferrier, Gerald Moore
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Bonduca, or the British Heroine, Z. 574 | | | | Opera | | | |
Bright Phoebus greets most clearly | | | | Madrigal | | | |
Calm Was the Air and Clear the Sky | | | | | | | |
Can doleful notes: I. Can doleful notes | | | | | | | |
Can doleful notes: II. No, let chromatic tunes | | | | | | | |
Can doleful notes: III. Uncertain turns of thought | | | | | | | |
Chaconne en trio | | | | | | | |
Come, Blessed Bird | | | | Madrigal | | | |
Come, Gentle Swains and Shepherds’ Dainty Daughters | | | | | | | |
Coy Daphne fled | | | | | | | |
Dost Thou Withdraw Thy Grace? | | | | | | | |
Drop Not, Mine Eyes | | | | Song | | | |
Eyes, look no more | | | | Song | | | |
Fair Cytherea presents her doves | | | | Madrigal | | | |
Fair Nymphs, I Heard One Telling | | | | Madrigal | | | |
Fair Orian, in the morn | | | | Madrigal | | | |
Fair Oriana, beauty’s Queen | | | | | | | |
Fair Oriana, seeming to wink at folly | | | | Madrigal | | | |
Fantasia | | | | | | | |
Grief Keep Within | | | | Song | | | |
Hard by a Crystal Fountain | | | | | | | |
Hark! Did ye ever hear so sweet a singing? | | | | Madrigal | | | |
Have All Our Passions? | | | | Song | | | |
He Whose Desires Are Still Abroad | | | | | | | |
Hence, Stars, Too Dim of Light | | | | | | | |
Hymn, Z 187: "Hosanna to the highest" | | | | | | | |
I die whenas I do not see | | | | Song | | | |
I Don’t Know How to Love Him | | | | Song | | - 6369410 (COMPASS ID)
- 2173522J (PRS tune code)
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If I could shut the gate | | | | Song | | | |
If Music Be the Food of Love, Z. 379 | | | | Song | | | |
Let not Chloris think | | | | Song | | | |
Lightly she whipped o’er the dales | | | | Madrigal | | | |
Like as the Lute Delights | | | | Song | | | |
Long Live Fair Oriana | | | | Madrigal | | | |
Mistres Anne Grene her Leaves be Green | | | | | | | |
Monsieur's Almain | | | | | | | |
Now the earth, the skies, the air | | | | | | | |
O Solitude, Z. 406 | | | | Song | | | 5 |
Oft have I sighed | | | | | | | |
Ornamented Airs and Brunettes - Prelude - L'autre jour ma Cloris | | | | | | | |
Ornamented Airs and Brunettes - Prelude - Pourquoy, doux rossignol | | | | | | | |
Passymeasures Galliard | | | | | | | |
Pavan in C major | | | | | | | |
Queene Elizabeth, her Galliard, P. 41 | | | | | | | |
Rosa | | | | | | | |
Round About Her Charret, With All-Admiring Strains | | | | Madrigal | | | |
Semper Dowland Semper dolens, P. 9 | | | | | | | |
Since First I Saw Your Face | | | | Song | | | |
Sing, shepherds all, and in your roundelays | | | | Madrigal | | | |
Sonata in E minor, TWV 41:e2: I. Grave | | - Ensemble 1700, Dorothee Oberlinger
- Reiko Ichise, David Miller, Julian Perkins, Ashley Solomon
- Clas Pehrsson, Bengt Ericson, Anders Öhrwall
- Frans Brüggen, Anner Bylsma, Gustav Leonhardt
- Robert Kohnen, Barthold Kuijken, Wieland Kuijken
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Sonata in E minor, TWV 41:e2: II. Vivace | | - Ensemble 1700, Dorothee Oberlinger
- Reiko Ichise, David Miller, Julian Perkins, Ashley Solomon
- Clas Pehrsson, Bengt Ericson, Anders Öhrwall
- Frans Brüggen, Anner Bylsma, Gustav Leonhardt
- Robert Kohnen, Barthold Kuijken, Wieland Kuijken
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Sonata in E minor, TWV 41:e2: III. Cunando | | - Ensemble 1700, Dorothee Oberlinger
- Reiko Ichise, David Miller, Julian Perkins, Ashley Solomon
- Clas Pehrsson, Bengt Ericson, Anders Öhrwall
- Frans Brüggen, Anner Bylsma, Gustav Leonhardt
- Robert Kohnen, Barthold Kuijken, Wieland Kuijken
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Sonata in E minor, TWV 41:e2: IV. Vivace | | - Ensemble 1700, Dorothee Oberlinger
- Reiko Ichise, David Miller, Julian Perkins, Ashley Solomon
- Clas Pehrsson, Bengt Ericson, Anders Öhrwall
- Frans Brüggen, Anner Bylsma, Gustav Leonhardt
- Robert Kohnen, Barthold Kuijken, Wieland Kuijken
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Sonate en ré mineur a tre N°2 (Livre III) : I. Adagio | | | | | | | |
Sonate en ré mineur a tre N°2 (Livre III) : II. Allegro | | | | | | | |
Sonate en ré mineur a tre N°2 (Livre III) : III. Aria | | | | | | | |
Sonate en ré mineur a tre N°2 (Livre III) : IV. Giga | | | | | | | |
Song, Z 402: "O! fair Cedaria, hide those eyes" | | - Barbara Bonney, Mark Caudle, Robert King, David Miller
- Paul Agnew, Elizabeth Kenny, Anne-Marie Lasla, Blandine Rannou
- Henry Purcell
- Carolyn Sampson, Laurence Cummings, Elizabeth Kenny, Anne-Marie Lasla
- Miriam Allan, Ironwood
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Song, Z 413 "She Loves and she Confesses too" | | | | | | | |
Stabat Mater: I. Stabat Mater dolorosa | | | | | | | |
Stabat Mater: II. Cuius animam gementem | | - Vox Luminis, Lionel Meunier
- BBC Singers, Neil MacKenzie, Elizabeth Poole, Gary Cooper, Frances Kelly, David Miller, Edward Higginbottom
- Die Deutschen Bach-Vocalisten, Gerhard Weinberger
- Heinrich Schütz Choir, Charles Spinks, Roger Norrington
- (show 2 more)
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Stabat Mater: III. Quis non posset contristari | | - Vox Luminis, Lionel Meunier
- BBC Singers, Neil MacKenzie, Elizabeth Poole, Gary Cooper, Frances Kelly, David Miller, Edward Higginbottom
- Die Deutschen Bach-Vocalisten, Gerhard Weinberger
- Heinrich Schütz Choir, Charles Spinks, Roger Norrington
- (show 2 more)
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Stabat Mater: IV. Eia, Mater, fons amoris | | | | | | | |
Stabat Mater: IX: Fac ut animae donetur | | - Die Deutschen Bach-Vocalisten, Gerhard Weinberger
- Erik Van Nevel, Currende
- Zurich Chamber Singers, Christian Erny
- Vox Luminis, Lionel Meunier
- BBC Singers, Neil MacKenzie, Elizabeth Poole, Gary Cooper, Frances Kelly, David Miller, Edward Higginbottom
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Stabat Mater: V. Sancta Mater, istud agas | | - Vox Luminis, Lionel Meunier
- BBC Singers, Neil MacKenzie, Elizabeth Poole, Gary Cooper, Frances Kelly, David Miller, Edward Higginbottom
- Die Deutschen Bach-Vocalisten, Gerhard Weinberger
- Heinrich Schütz Choir, Charles Spinks, Roger Norrington
- (show 2 more)
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Stabat Mater: VI. Fac me vere tecum flere | | - Vox Luminis, Lionel Meunier
- BBC Singers, Neil MacKenzie, Elizabeth Poole, Gary Cooper, Frances Kelly, David Miller, Edward Higginbottom
- Die Deutschen Bach-Vocalisten, Gerhard Weinberger
- Heinrich Schütz Choir, Charles Spinks, Roger Norrington
- (show 3 more)
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Stabat Mater: VII. Juxta crucem tecum stare | | | | | | | |
Stabat Mater: VIII. Inflammatus et accensus | | - Vox Luminis, Lionel Meunier
- BBC Singers, Neil MacKenzie, Elizabeth Poole, Gary Cooper, Frances Kelly, David Miller, Edward Higginbottom
- Die Deutschen Bach-Vocalisten, Gerhard Weinberger
- Heinrich Schütz Choir, Charles Spinks, Roger Norrington
- (show 2 more)
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Stay, cruel, stay! | | | | Song | | | |
The fauns and satyrs tripping | | | | Madrigal | | | |
The First Booke of Songs or Ayres, No. 1: "Unquiet Thoughts" | | | | Song | | | |
The First Booke of Songs or Ayres, No. 2: "Who Ever Thinks or Hopes of Love" | | | | Song | | | |
The First Booke of Songs or Ayres, No. 3: "My Thoughts Are Wing'd With Hopes" | | | | Song | | | |
The First Booke of Songs or Ayres, No. 4: "If My Complaints Could Passions Move" | | | | Song | | | |
The First Booke of Songs or Ayres, No. 5: "Can She Excuse My Wrongs?" | | | | Song | | | |
The First Booke of Songs or Ayres, No. 6: "Now, o now I needs must part" | | | | Song | | | |
The First Booke of Songs or Ayres, No. 7: "Deare, If You Change" | | | | Song | | | |
The First Booke of Songs or Ayres, No. 8: "Burst Forth My Tears" | | | | Song | | | |
The First Booke of Songs or Ayres, No. 9: "Go Crystal Tears" | | | | Song | | | |
The First Booke of Songs or Ayres, No. 10: "Think'st Thou Then by Thy Feigning?" | | | | Song | | | |
The First Booke of Songs or Ayres, No. 11: "Come away, come, sweet love" | | | | Song | | | |
The First Booke of Songs or Ayres, No. 12: "Rest Awhile You Cruel Cares" | | | | Song | | | |
The First Booke of Songs or Ayres, No. 13: "Sleep, Wayward Thoughts" | | | | Song | | | |
The First Booke of Songs or Ayres, No. 14: "All Ye, Whom Love or Fortune" | | | | Song | | | |