| "...upon one note" | | | | | | | |
| A Cold Spring | | | | | | | |
| A Night on Bare Mountain | | | | Symphonic poem | | | |
| A Reliquary for Igor Stravinsky: 1. Reliquary | | | | | | | |
| A Reliquary for Igor Stravinsky: 2. Variation | | | | | | | |
| A Reliquary for Igor Stravinsky: 3. Lament | | | | | | | |
| A Reliquary for Igor Stravinsky: 4. Variation continued | | | | | | | |
| A Reliquary for Igor Stravinsky: 5. Reliquary | | | | | | | |
| A Reliquary for Igor Stravinsky: 6. Coda | | | | | | | |
| Abraham and Isaac | | | | | | | |
| Abysm: I. Abysm | | | | | | | |
| Abysm: II. Burning | | | | | | | |
| Abysm: III. Spectre | | | | | | | |
| Alhambra Fantasy | | | | | | | |
| Andante for Strings | | | | | | | |
| Archipelago S for 21 players | | | | | | | |
| ASKO Concerto | | | | Concerto | | | |
| Aura: I | | | | | | | |
| Aura: II | | | | | | | |
| Aura: III | | | | | | | |
| Aura: IV | | | | | | | |
| Autumnal, op. 14 | | | | | | | |
| Autumnal, op. 14: I. Nocturne | | | | | | | |
| Autumnal, op. 14: II. Serenade | | | | | | | |
| Book of Hours | | | | | | | |
| Boris Godunov (Symphonic Synthesis): 1. Outside the Novodievichi Monastery | | | | | | | |
| Boris Godunov (Symphonic Synthesis): 2. Coronation of Boris | | | | | | | |
| Boris Godunov (Symphonic Synthesis): 3. Monks Chanting in the Monastery of Choudov | | | | | | | |
| Boris Godunov (Symphonic Synthesis): 4. Siege of Kazan | | | | | | | |
| Boris Godunov (Symphonic Synthesis): 5. Outside the Church of Saint Basil | | | | | | | |
| Boris Godunov (Symphonic Synthesis): 6. Death of Boris | | | | | | | |
| Boston Concerto: I. Allegro staccatissimo | | | | | | | |
| Boston Concerto: II. Lento, teneramente | | | | | | | |
| Boston Concerto: III. Tempo primo | | | | | | | |
| Boston Concerto: IV. Meno mosso | | | | | | | |
| Boston Concerto: IX. Tempo Primo | | | | | | | |
| Boston Concerto: V. Piu mosso, tempo primo | | | | | | | |
| Boston Concerto: VI. Meno mosso | | | | | | | |
| Boston Concerto: VII. Tempo primo | | | | | | | |
| Boston Concerto: VIII. Lento, Sostenuto | | | | | | | |
| Boston Concerto: X. Piu mosso | | | | | | | |
| Boston Concerto: XI. Tempo primo | | | | | | | |
| Boston Concerto: XII. Maestoso - molto espressivo | | | | | | | |
| Boston Concerto: XIII. Tempo Primo | | | | | | | |
| British Folk-Music Settings: Lisbon (Dublin Bay) | | | | | | | |
| Canon ad honorem Igor Stravinsky | | | | | | | |
| Canon in Memoriam Igor Stravinsky | | | | | | | |
| Cantata, op. 15 | | | | | | | |
| Caught in Treetops: Part 1 | | | | | | | |
| Caught in Treetops: Part 2 | | | | | | | |
| Cello Concerto: I. Drammatico | | | | | | | |
| Cello Concerto: II. Allegro appassionato | | | | | | | |
| Cello Concerto: III. Giocoso | | | | | | | |
| Cello Concerto: IV. Lento | | | | | | | |
| Cello Concerto: V. Maestoso | | | | | | | |
| Cello Concerto: VI. Tranquillo | | | | | | | |
| Cello Concerto: VII. Allegro fantastico | | | | | | | |
| Chamber Symphony "The Circles of Light": I. Molto adagio, sostenuto e calmo | | | | | | | |
| Chamber Symphony "The Circles of Light": II. Vivo | | | | | | | |
| Chamber Symphony "The Circles of Light": III. Molto adagio e sostenuto | | | | | | | |
| Chamber Symphony "The Circles of Light": IV. Più mosso | | | | | | | |
| Choral, op. 8 | | | | | | | |
| Chorale from a Toy Shop | | | | | | | |
| Chorale from a Toy Shop | | | | | | | |
| Clarinet Concerto: I. Scherzando | | | | | | | |
| Clarinet Concerto: II. Deciso | | | | | | | |
| Clarinet Concerto: III. Tranquillo | | | | | | | |
| Clarinet Concerto: IV. Presto | | | | | | | |
| Clarinet Concerto: V. Largo | | | | | | | |
| Clarinet Concerto: VI. Giocoso | | | | | | | |
| Clarinet Concerto: VII. Agitato | | | | | | | |
| Cleveland Pictures | | | | | | | |
| Concerto for Horn, op. 28 | | | | Concerto | | | |
| Concerto for Horn, op. 28: I. Intrada | | | | | | | |
| Concerto for Horn, op. 28: II. Fantastico | | | | | | | |
| Concerto for Horn, op. 28: III. Cadenza | | | | | | | |
| Concerto for Horn, op. 28: IV. Envoi | | | | | | | |
| Concerto for Orchestra: I. Introduction - Allegro non troppo | | | | | | | |
| Concerto for Orchestra: I. Misterioso con moto | | | | | | | |
| Concerto for Orchestra: II. Presto volando | | | | | | | |
| Concerto for Orchestra: II. Vivo, dancing | | | | | | | |
| Concerto for Orchestra: III. Maestoso | | | | | | | |
| Concerto for Orchestra: III. Molto adagio e sostenuto | | | | | | | |
| Concerto for Orchestra: IV. Allegro agitato - Coda | | | | | | | |
| Concerto for Orchestra: IV. Presto, leggiero e vivo (Dancing) | | | | | | | |
| Coursing, op. 17 | | | | | | | |
| De snelheid | | | | | | | |
| Dialogues | | | | | | | |
| Diptych: I. Parades | | | | | | | |
| Diptych: II. Pavillons en l'Air | | | | | | | |
| Elegia in memoria di Anna Frank | | | | | | | |
| Elegy for Young Lovers: Act I (The Emergence of the Bridegroom): A Scheduled Arrival | | | | | | | |
| Elegy for Young Lovers: Act I (The Emergence of the Bridegroom): A Visionary Interlude | | | | | | | |
| Elegy for Young Lovers: Act I (The Emergence of the Bridegroom): Appearances and Visions | | | | | | | |
| Elegy for Young Lovers: Act I (The Emergence of the Bridegroom): Beauty in Death | | | | | | | |
| Elegy for Young Lovers: Act I (The Emergence of the Bridegroom): Forty Years Past | | | | | | | |
| Elegy for Young Lovers: Act I (The Emergence of the Bridegroom): Help | | | | | | | |
| Elegy for Young Lovers: Act I (The Emergence of the Bridegroom): The Order of the Day | | | | | | | |
| Elegy for Young Lovers: Act I (The Emergence of the Bridegroom): Today’s Weather | | | | | | | |
| Elegy for Young Lovers: Act I (The Emergence of the Bridegroom): Tomorrow: Two Follies Cross | | | | | | | |
