| Stabat Mater, FP 148: V. Quis est homo | | | | | | | |
| Stabat Mater, FP 148: VI. Vidit suum | | - Kathleen Battle, Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾
- Serge Baudo, Orchestre National de Lyon
- François Polgar, Chœur de Radio France, Françoise Pollet, Orchestre national de France, Charles Dutoit
- Danielle Borst, Chœur Régional Vittoria de I'Ile de France, Orchestre de la Cité, Michel Piquemal
- (show 14 more)
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| Stabat Mater, FP 148: VII. Eia, Mater | | | | | | | |
| Stabat Mater, FP 148: VIII. Fac ut ardeat | | | | | | | |
| Stabat Mater, FP 148: X. Fac ut portem | | - Kathleen Battle, Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾
- Serge Baudo, Orchestre National de Lyon
- François Polgar, Chœur de Radio France, Françoise Pollet, Orchestre national de France, Charles Dutoit
- Danielle Borst, Chœur Régional Vittoria de I'Ile de France, Orchestre de la Cité, Michel Piquemal
- (show 15 more)
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| Stabat Mater, FP 148: XI. Inflammatus et accensus | | - Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾
- Teresa Berganza, Mirella Freni, Claudio D'Onofrio, Solisti dell'Orchestra "Scarlatti" Napoli, Ettore Gracis
- Serge Baudo, Orchestre National de Lyon
- François Polgar, Chœur de Radio France, Orchestre national de France, Charles Dutoit
- (show 14 more)
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| Stabat Mater, FP 148: XII. Quando corpus morietur | | | | | | | |
| Strike Up the Band: Overture | | | | Overture | | | |
| Suite in F major, op. 33: I. Prélude | | | | | | | |
| Suite in F major, op. 33: II. Sarabande | | | | | | | |
| Suite in F major, op. 33: III. Gigue | | | | | | | |
| Suite pastorale: I. Idylle | | | | | | | |
| Suite pastorale: II. Danse villageoise | | | | | | | |
| Suite pastorale: III. Sous-bois | | | | | | | |
| Suite pastorale: IV. Scherzo-valse | | | | | | | |
| Suite, op. 112 "Masques et bergamasques": I. Overture: Allegro molto vivo | | | | | | | |
| Suite, op. 112 "Masques et bergamasques": II. Menuet: Tempo di minuetto – Allegretto moderato | | | | | | | |
| Suite, op. 112 "Masques et bergamasques": III. Gavotte: Allegro vivo | | | | | | | |
| Suite, op. 112 "Masques et bergamasques": IV. Pastorale: Andantino tranquillo | | | | | | | |
| Symfonie č. 9 e moll, op. 95 „Z Nového světa“: I. Adagio — Allegro molto | | | | | | | |
| Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo | | | | | | - C-sharp minor (Key)
- D-flat major (Key)
| |
| Symfonie č. 9 e moll, op. 95 „Z Nového světa“: III. Scherzo. Molto vivace — Poco sostenuto | | | | | | | |
| Symfonie č. 9 e moll, op. 95 „Z Nového světa“: IV. Allegro con fuoco | | | | | | - E major (Key)
- E minor (Key)
| |
| Symphonic Metamorphosis after Themes by Carl Maria von Weber: I. Allegro | | | | | | | |
| Symphonic Metamorphosis after Themes by Carl Maria von Weber: II. Moderato (Turandot: Scherzo) | | | | | | | |
| Symphonic Metamorphosis after Themes by Carl Maria von Weber: III. Andantino | | | | | | | |
| Symphonic Metamorphosis after Themes by Carl Maria von Weber: IV. Marsch | | | | | | | |
| Symphonie en ré mineur: I. Lento - Allegro non troppo | | | | | | | |
| Symphonie en ré mineur: II. Allegretto | | | | | | | |
| Symphonie en ré mineur: III. Allegro non troppo | | | | | | | |
| Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties | | | | Symphony | | | |
| Symphonie n°2 "Le Double" pour grand orchestre et orchestre de chambre: I. Animato, ma misterioso | | | | | | | |
| Symphonie n°2 "Le Double" pour grand orchestre et orchestre de chambre: II. Andantino sostenuto | | | | | | | |
| Symphonie n°2 "Le Double" pour grand orchestre et orchestre de chambre: III. Allegro fuocoso - Calmato | | | | | | | |
| Symphonie no. 1: I. Passacaille | | | | | | | |
| Symphonie no. 1: II. Scherzo molto vivace | | | | | | | |
| Symphonie no. 1: III. Intermezzo | | | | | | | |
| Symphonie no. 1: IV. Finale con variazioni | | | | | | | |
| Symphonie pour orgue n° 5 en fa mineur, op. 42 n° 1: V. Toccata | | | | | | | |
| Symphony in B-flat major, op. 20: I. Lento - Allegro vivo | | | | | | | |
| Symphony in B-flat major, op. 20: II. Très lent - Un peu plus vite | | | | | | | |
| Symphony in B-flat major, op. 20: III. Animé - Très animé | | | | | | | |
| Symphony in C major: I. Allegro non troppo vivace, ma con fuoco | | | | | | | |
| Symphony in C major: II. Andante espressivo e sostenuto | | | | | | | |
| Symphony in C major: III. Allegro spiritoso | | | | | | | |
| Symphony in C: I. Allegro | | | | | | | |
| Symphony in C: II. Andante moderato | | | | | | | |
| Symphony in C: III. Vivo | | | | | | | |
| Symphony in E-flat: I. Sehr lebhaft | | | | | | | |
| Symphony in E-flat: II. Sehr langsam | | | | | | | |
| Symphony in E-flat: III. Lebhaft | | | | | | | |
| Symphony in E-flat: IV. Mäßig schnelle Halbe | | | | | | | |
| Symphony no. 1 for Organ and Orchestra, op. 42: I. Introduction. Largo e maestoso - Allegro | | | | | | | |
| Symphony no. 1 for Organ and Orchestra, op. 42: II. Pastorale. Andante quasi allegretto | | - BBC Philharmonic, Yan Pascal Tortelier, Ian Tracey
- Simon Preston, Adelaide Symphony Orchestra, Nicholas Braithwaite
- Edgar Krapp, Bamberger Symphoniker, Vladimir Fedoseyev
- Iveta Apkalna, Duisburger Philharmoniker, Jonathan Darlington
- Franz Hauk, The Ingolstadt Philharmonic, Olaf Koch
| | | | | |
| Symphony no. 1 for Organ and Orchestra, op. 42: III. Finale. Allegro assai | | | | | | | |
| Symphony no. 1 in D major: I. Allegro molto | | | | | | | |
| Symphony no. 1 in D major: II. Allegro moderato | | | | | | | |
| Symphony no. 1 in D major: III. Scherzo. Non troppo presto | | | | | | | |
| Symphony no. 1 in D major: IV. Finale. Adagio - Allegro vivace | | | | | | | |
| Symphony no. 1 in E minor, op. 39 | | | | Symphony | | | |
| Symphony no. 2 for Organ and Orchestra, op. 91: I. Introduction et Allegro risoluto | | | | | | | |
| Symphony no. 2 for Organ and Orchestra, op. 91: II. Adagio con affetto | | | | | | | |
| Symphony no. 2 for Organ and Orchestra, op. 91: III. Scherzo: Allegro vivace | | | | | | | |
| Symphony no. 2 for Organ and Orchestra, op. 91: IV. Andante sostenuto | | | | | | | |
| Symphony no. 2 for Organ and Orchestra, op. 91: V. Intermède et Allegro con brio | | | | | | | |
| Symphony no. 2 in A minor, op. 55: I. Allegro marcato | | | | | | | |
| Symphony no. 2 in A minor, op. 55: II. Adagio | | | | | | | |
| Symphony no. 2 in A minor, op. 55: III. Scherzo. Presto | | | | | | | |
| Symphony no. 2 in A minor, op. 55: IV. Prestissimo | | | | | | | |
| Symphony no. 2 in E-flat major: I. Adagio, Allegro agitato | | | | | | | |
| Symphony no. 2 in E-flat major: II. Larghetto | | | | | | | |
| Symphony no. 2 in E-flat major: III. Scherzo. Allegro molto | | | | | | | |
| Symphony no. 2 in E-flat major: IV. Finale. Allegro, leggiero assai | | | | | | | |
| Symphony no. 3 for Organ and Orchestra, op. 69: I. Adagio - Andante - Allegro | | | | | | | |
| Symphony no. 3 for Organ and Orchestra, op. 69: II. Vivace - Tranquillamente - Allegro - Largo | | | | | | | |
| Symphony no. 3 in C major, op. 52: I. Allegro moderato | | | | | | | |
| Symphony no. 3 in C major, op. 52: II. Andantino con moto, quasi allegretto | | | | | | | |
| Symphony no. 3 in C major, op. 52: III. Moderato - Allegro (ma non tanto) | | | | | | | |
| Symphony no. 3 in C minor “avec orgue”, op. 78: I. Adagio — Allegro moderato — Poco adagio | | | | | | | |
| Symphony no. 3 in C minor “avec orgue”, op. 78: II. Allegro moderato — Presto — Maestoso — Allegro | | | | | | | |
| Symphony no. 5 in E minor, op. 64: I. Andante – Allegro con anima | | | | | | | |
| Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza | | | | | | | |
| Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato | | | | | | | |
| Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso – Allegro vivace – Moderato assai e molto maestoso – Presto – Molto meno mosso | | | | | | | |
| Tableaux d’une exposition | | | | Suite | | | 5 |
| Tableaux d’une exposition: Cum Mortuis in lingua mortua | | | | | | | |
| Tableaux d’une exposition: I. Gnomus | | | | | | | |
| Tableaux d’une exposition: II. Il vecchio castello | | | | | | | |
| Tableaux d’une exposition: III. Tuileries | | | | | | | |
| Tableaux d’une exposition: IV. Bydlo | | | | | | | |
| Tableaux d’une exposition: IX. La cabane sur des pattes de poules (Baba-Yaga) | | | | | | | |
| Tableaux d’une exposition: Promenade | | | | | | | |
| Tableaux d’une exposition: Promenade | | | | | | | |
| Tableaux d’une exposition: Promenade | | | | | | | |
| Tableaux d’une exposition: Promenade | | | | | | | |
| Tableaux d’une exposition: V. Ballet des poussins dans leurs coques | | | | | | | |
| Tableaux d’une exposition: VI. Samuel Goldenberg und Schmuyle | | | | | | | |
| Tableaux d’une exposition: VII. Limoges - le marché | | | | | | | |
| Tableaux d’une exposition: VIII. Catacombae (Sepulchrum romanum) | | | | | | | |
| Tableaux d’une exposition: X. La grande porte de Kiev | | | | | | | |
