Aeriality | | | | | | | |
Alborada del gracioso | | | | | | | |
Allegro appassionato, op. 43 | | | | | | | |
An American in Paris | | | | Symphonic poem | | | |
Bacchus et Ariane, op. 43 Suite no. 1: Ariane, toujours endormie, prend part à la danse avec Bacchus | | | | | | | |
Bacchus et Ariane, op. 43 Suite no. 1: Bacchus apparaît déguisé | | | | | | | |
Bacchus et Ariane, op. 43 Suite no. 1: Bacchus dépose Ariane sur le rocher | | | | | | | |
Bacchus et Ariane, op. 43 Suite no. 1: Danse de Bacchus | | | | | | | |
Bacchus et Ariane, op. 43 Suite no. 1: Danse du labyrinthe | | | | | | | |
Bacchus et Ariane, op. 43 Suite no. 1: Il fait tournoyer au-dessus d'elle son manteau noir | | | | | | | |
Bacchus et Ariane, op. 43 Suite no. 1: Jeux des éphèbes et des vierges | | | | | | | |
Bacchus et Ariane, op. 43 Suite no. 1: Les nuages s'accumulent dans le ciel | | | | | | | |
Bacchus et Ariane, op. 43 Suite no. 1: Les nuages se dissipent, le soleil reparaît | | | | | | | |
Bacchus et Ariane, op. 43 Suite no. 1: Prélude | | | | | | | |
Bacchus et Ariane, op. 43 Suite no. 1: Thésée et ses compagnons se précipitent sur Bacchus | | | | | | | |
Bacchus et Ariane, op. 43 Suite no. 2: Bacchanale | | | | | | | |
Bacchus et Ariane, op. 43 Suite no. 2: Bacchus danse seul | | | | | | | |
Bacchus et Ariane, op. 43 Suite no. 2: Danse d'Ariane | | | | | | | |
Bacchus et Ariane, op. 43 Suite no. 2: Danse d'Ariane et Bacchus | | | | | | | |
Bacchus et Ariane, op. 43 Suite no. 2: Elle tombe dans les bras de Bacchus qui a surgi derrière la crête du roc | | | | | | | |
Bacchus et Ariane, op. 43 Suite no. 2: L'enchantement dionysiaque | | | | | | | |
Bacchus et Ariane, op. 43 Suite no. 2: Le baiser | | | | | | | |
Bacchus et Ariane, op. 43 Suite no. 2: Le couronnement d'Ariane | | | | | | | |
Bacchus et Ariane, op. 43 Suite no. 2: Le thiase défile | | | | | | | |
Bacchus et Ariane, op. 43 Suite no. 2: Prélude. Le sommeil d'Ariane | | | | | | | |
Bacchus et Ariane, op. 43 Suite no. 2: Réveil d'Ariane | | | | | | | |
Ballade en Fa dièse majeur, op. 19 | | | | | | | |
Berceuse for Violin (or Cello) and Piano in D major, op. 16 | | | | | | | |
Berceuse for Violin and Orchestra, op. 16 | | | | | | | |
Boléro | | | | Ballet | | | 5 |
Cantique de Jean Racine, op. 11 | | | | | | | |
Capriccio espagnol, op. 34: I. Alborada | | | | | | | |
Capriccio Espagnol, op. 34: II. Variazioni | | | | | | | |
Capriccio Espagnol, op. 34: III. Alborada | | | | | | | |
Capriccio Espagnol, op. 34: IV. Scena e canto gitano | | | | | | | |
Capriccio Espagnol, op. 34: V. Fandango asturiano | | | | | | | |
Capriccio for Piano and Orchestra: I. Presto | | | | | | | |
Capriccio for Piano and Orchestra: II. Andante rapsodico | | | | | | | |
Capriccio for Piano and Orchestra: III. Allegro capriccioso ma tempo giusto | | | | | | | |
Caprice d'après l'etude en forme de Valse de Camille Saint-Saëns, op. 52 | | | | | | | |
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto | | - Budapest Philharmonic Orchestra, Symphonic Orchestra of the Ljubljana Radio, London Festival Orchestra, Orchestre radio‐symphonique, Loic Bertrand, Cesare Cantieri, Alfred Scholz, János Sándor
- Berliner Philharmoniker, Herbert von Karajan
- [unknown]
- Julius Baker, New York Philharmonic, Leonard Bernstein
- (show 90 more)
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Catfish Row: I. Introduction | | | | | | | |
Catfish Row: II. Porgy Sings | | | | | | | |
Catfish Row: III. Fugue | | | | | | | |
Catfish Row: IV. Hurricane | | | | | | | |
Catfish Row: V. Good Mornin’, Sistuh | | | | | | | |
Cello Concerto | | | | Concerto | | | 5 |
Cello Concerto in A minor, op. 129: I. Nicht zu schnell | | | | | | | |
Cello Concerto in A minor, op. 129: II. Langsam | | | | | | | |
Cello Concerto in A minor, op. 129: III. Sehr lebhaft | | | | | | | |
Cello Concerto in E minor, op. 85: I. Adagio – Moderato | | | | | | | |
Cello Concerto in E minor, op. 85: II. Lento – Allegro molto | | | | | | | |
Cello Concerto in E minor, op. 85: III. Adagio | | | | | | | |
Cello Concerto in E minor, op. 85: IV. Allegro – Moderato – Allegro ma non troppo | | | | | | | |
Cello Concerto no. 1 in A minor, op. 33 | | | | Concerto | | | |
Cello Concerto no. 1 in A minor, op. 33: I. Allegro non troppo | | | | | | | |
Cello Concerto: III. Allegro marcato - Lento - Presto | | | | | | | |
Chants d'Auvergne: Première Série: No. 2. Baïlèro | | | | Song | | | |
Children's Corner: I. Doctor Gradus ad Parnassum | | | | | | | |
Children's Corner: II. Jimbo's Lullaby | | | | | | | |
Children's Corner: III. Serenade for the Doll | | | | | | | |
Children's Corner: IV. The Snow is Dancing | | | | | | | |
Children's Corner: V. The Little Shepherd | | | | | | | |
Children's Corner: VI. Golliwogg's Cake-Walk | | | | | | | |
Choses vues à droite et à gauche (sans lunettes) | | | | | | | |
Clair de lune from Suite bergamasque | | | | | | | |
Clarinet Concertino in E-flat major, J. 109, op. 26: I. Adagio ma non troppo | | | | | | | |
Concertino for Clarinet and String Orchestra: I. Grave | | | | | | | |
Concertino for Clarinet and String Orchestra: II. Allegro molto | | | | | | | |
Concertino for Clarinet and String Orchestra: III. Adagio | | | | | | | |
Concertino for Clarinet and String Orchestra: IV. Allegro Risoluto | | | | | | | |
Concerto for Orchestra | | | | Concerto | | | |
Concerto for Piano and Orchestra for the Left Hand in D major | | | | Concerto | | | |
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 | | | | Concerto | | | 4 |
Concerto for Piano and Wind Instruments: I. Largo. Allegro - Maestoso | | | | | | | |
Concerto for Piano and Wind Instruments: II. Largo | | | | | | | |
Concerto for Piano and Wind Instruments: III. Allegro | | | | | | | |
Concerto for Two Pianos and Orchestra in D minor, FP 61 | | | | Concerto | | | |
Concerto for Violin and Orchestra no. 4 in D major, K. 218: II. Andante cantabile | | | | | | | |
Concerto for Violin and Orchestra, op. 14 | | | | Concerto | | | |
Concerto for Violin and Orchestra: I. Mäßig bewegte Halbe | | | | | | | |
Concerto for Violin and Orchestra: II. Langsam | | | | | | | |
Concerto for Violin and Orchestra: III. Lebhaft | | | | | | | |
Concerto for Violin, Cello, and Orchestra in A minor, op. 102 “Double Concerto”: I. Allegro | | - David Oistrakh, Mstislav Rostropovich, Cleveland Orchestra, George Szell
- Jascha Heifetz, Gregor Piatigorsky, RCA Victor Symphony Orchestra, Alfred Wallenstein
- Anne‐Sophie Mutter, Antônio Meneses, Berliner Philharmoniker, Herbert von Karajan
- Itzhak Perlman, Mstislav Rostropovich, Concertgebouw Orchestra, Bernard Haitink
- (show 57 more)
| | | | | |
Concerto for Violin, Cello, and Orchestra in A minor, op. 102 “Double Concerto”: II. Andante | | - David Oistrakh, Mstislav Rostropovich, Cleveland Orchestra, George Szell
- Anne‐Sophie Mutter, Antônio Meneses, Berliner Philharmoniker, Herbert von Karajan
- Jascha Heifetz, Gregor Piatigorsky, RCA Victor Symphony Orchestra, Alfred Wallenstein
- Gidon Kremer, Mischa Maisky, Wiener Philharmoniker, Leonard Bernstein
- (show 60 more)
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Concerto for Violin, Cello, and Orchestra in A minor, op. 102 “Double Concerto”: III. Vivace non troppo | | - David Oistrakh, Mstislav Rostropovich, The Cleveland Orchestra, George Szell
- Anne‐Sophie Mutter, Antônio Meneses, Berliner Philharmoniker, Herbert von Karajan
- Jascha Heifetz, Gregor Piatigorsky, RCA Victor Symphony Orchestra, Alfred Wallenstein
- Gidon Kremer, Mischa Maisky, Wiener Philharmoniker, Leonard Bernstein
- (show 57 more)
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Concerto in G minor for organ, strings and timpani, FP 93 | | | | Concerto | | | |
D’un matin de printemps | | | | | | | |
D’un soir triste | | | | | | | |
Dances of Marosszék | | | | | | | |
Daphnis et Chloé | | | | Ballet | | | |
Daphnis et Chloé: Tableau I | | | | | | | |
Daphnis et Chloé: Tableau II | | | | | | | |
Daphnis et Chloé: Tableau III | | | | | | | |
Deux danses pour Harpe et Orchestre, L. 103: Danse profane | | | | | | | |
Deux danses pour Harpe et Orchestre, L. 103: Danse sacrée | | | | | | | |
Deux Sonnets de Jean Cassou: Il n'y avait que des troncs déchirés. Vehement et agite | | | | | | | |
Deux Sonnets de Jean Cassou: J'ai rêvé que je vous portais entre mes bras | | | | | | | |
Divertissement: I. Introduction. Allegro vivo | | | | | | | |
Divertissement: II. Cortège. Moderato molto | | | | | | | |