| liner notes for |
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2024 | Orchestral Songs | | Charles Villiers Stanford; Sharon Carty, Morgan Pearse, BBC Concert Orchestra, John Andrews | |
| A Song of Agincourt / Overture in the Style of a Tragedy / Verdun / A Welcome March / Fairy Day | | Stanford; Ulster Orchestra, Howard Shelley | |
| A Song of Agincourt / Overture in the Style of a Tragedy / Verdun / A Welcome March / Fairy Day | | Stanford; Ulster Orchestra, Howard Shelley | |
| Anthems | | Elgar, Wesley, Howells, Spicer, Gowers, MacMillan, Bednall, Pott; The Choir of Trinity College Cambridge, Stephen Layton | |
| Bairstow / Harris / Stanford | | Bairstow, Harris, Stanford; Choir of Westminster Abbey, Peter Holder, James OʼDonnell | |
| Bairstow / Harris / Stanford | | Bairstow, Harris, Stanford; Choir of Westminster Abbey, Peter Holder, James OʼDonnell | |
| Children’s Songs | | Charles Villiers Stanford; Kitty Whately, Gareth Brynmor John, Susie Allan | |
| Choral Music | | Finzi, Bax, Ireland; The Choir of Westminster Abbey, Daniel Cook, James O’Donnell | |
| Choral Music | | Finzi, Bax, Ireland; The Choir of Westminster Abbey, Daniel Cook, James O’Donnell | |
| Dove / Weir / Martin | | Dove, Weir, Martin; Choir of Westminster Abbey, Peter Holder, James O’Donnell | |
| English Romantic Madrigals | | Parry, Elgar, Pearsall, Leslie, Stainer, Goodhart, Stanford; The Choir of Royal Holloway, Rupert Gough | |
| I was glad / Coronation Te Deum / The Great Service / Blest pair of sirens | | Parry; The Choir of Westminster Abbey, Onyx Brass, Daniel Cook, James O’Donnell | |
| I was glad / Coronation Te Deum / The Great Service / Blest pair of sirens | | Parry; The Choir of Westminster Abbey, Onyx Brass, Daniel Cook, James O’Donnell | |
| Morning Service in C / Three Motets / Lighten Our Darkness / For Lo, I Raise Up / Eternal Father / O for a Closer Walk With God / Magnificat for Eight-Part Chorus / St Patrick's Breastplate | | Stanford; The Choir of Trinity College Cambridge, Stephen Layton | |
| Morning Service in C / Three Motets / Lighten Our Darkness / For Lo, I Raise Up / Eternal Father / O for a Closer Walk With God / Magnificat for Eight-Part Chorus / St Patrick's Breastplate | | Stanford; The Choir of Trinity College Cambridge, Stephen Layton | |
| Parry: Songs of Farewell / Stanford / Gray / Wood | | Parry, Stanford, Gray, Wood; Choir of Westminster Abbey, James OʼDonnell | |
| Parry: Songs of Farewell / Stanford / Gray / Wood | | Parry, Stanford, Gray, Wood; Choir of Westminster Abbey, James OʼDonnell | |
| Piano Concerto no. 4 in C major, op. 38 / Piano Concerto no. 5 in C minor, op. 48 | | Johann Baptist Cramer; Howard Shelley, London Mozart Players | |
| Piano Concerto no. 4 in C major, op. 38 / Piano Concerto no. 5 in C minor, op. 48 | | Johann Baptist Cramer; Howard Shelley, London Mozart Players | |
| Piano Concertos no. 1 in E-flat major, op. 10 / Piano Concerto no. 3 in D major, op. 26 / Piano Concerto no. 6 in E-flat major, op. 51 | | Johann Baptist Cramer; Howard Shelley, London Mozart Players | |
| Piano Concertos no. 1 in E-flat major, op. 10 / Piano Concerto no. 3 in D major, op. 26 / Piano Concerto no. 6 in E-flat major, op. 51 | | Johann Baptist Cramer; Howard Shelley, London Mozart Players | |
| Piano Trio no. 2 / Piano Quartet | | Parry; Leonore Piano Trio, Rachel Roberts | |
| Piano Trio no. 2 / Piano Quartet | | Parry; Leonore Piano Trio, Rachel Roberts | |
| Piano Trios nos. 1 & 3 | | Parry; Leonore Piano Trio | |
| Piano Trios nos. 1 & 3 | | Parry; Leonore Piano Trio | |
| Preludes | | Stanford; Sam Haywood | |
| Preludes | | Stanford; Sam Haywood | |
| Sacred Choral Music | | Stanford; Winchester Cathedral Choir, David Hill | |
| Songs by Eric Coates | | Eric Coates; Kathryn Rudge, Christopher Glynn | |
| Songs by Eric Coates | | Eric Coates; Kathryn Rudge, Christopher Glynn | |
| Stabat Mater / Six Kurpian Songs / Symphony no. 3 "The Song of the Night" | | Karol Szymanowski; Russian State Symphonic Cappella, Russian State Symphony Orchestra, Valeri Polyansky | |
| String Quartets / Piano Quintet | | Hamilton Harty; Goldner String Quartet, Piers Lane | |
| String Quartets / Piano Quintet | | Hamilton Harty; Goldner String Quartet, Piers Lane | |
| String Quartets nos. 3, 4 & 7 | | Charles Villiers Stanford; Dante Quartet | |
| String Quartets nos. 3, 4 & 7 | | Charles Villiers Stanford; Dante Quartet | |
| String Quartets nos. 5 & 8 | | Charles Villiers Stanford; Dante Quartet | |
| String Quartets nos. 5 & 8 | | Charles Villiers Stanford; Dante Quartet | |
| String Quintets and Intermezzi | | Charles Villiers Stanford; Krysia Osostowicz, Yuko Inoue, Richard Jenkinson, Ralph de Souza, Garfield Jackson, Benjamin Frith | |
| String Quintets and Intermezzi | | Charles Villiers Stanford; Krysia Osostowicz, Yuko Inoue, Richard Jenkinson, Ralph de Souza, Garfield Jackson, Benjamin Frith | |
| The Romantic Piano Concerto, Volume 72: Piano Concerto no. 2 in D minor / Piano Concerto no. 4 in E major / Variazioni di bravura on a Theme by Rossini | | Potter; Howard Shelley, Tasmanian Symphony Orchestra | |
| The Romantic Piano Concerto, Volume 72: Piano Concerto no. 2 in D minor / Piano Concerto no. 4 in E major / Variazioni di bravura on a Theme by Rossini | | Potter; Howard Shelley, Tasmanian Symphony Orchestra | |
| The Romantic Piano Concerto, Volume 74: Piano Concerto no. 1, op. 1 / Piano Concerto no. 2, op. 4 / Piano Concerto no. 3, op. 9 | | Sterndale Bennett; Howard Shelley, BBC Scottish Symphony Orchestra | |
| The Romantic Piano Concerto, Volume 74: Piano Concerto no. 1, op. 1 / Piano Concerto no. 2, op. 4 / Piano Concerto no. 3, op. 9 | | Sterndale Bennett; Howard Shelley, BBC Scottish Symphony Orchestra | |
| The Romantic Piano Concerto, Volume 80: Dupont: Piano Concerto no. 3 in F minor / Benoit: Symphonic Poem, op. 43 | | Dupont, Benoit; Howard Shelley, Sinfonieorchester St Gallen | |
| The Romantic Piano Concerto, Volume 80: Dupont: Piano Concerto no. 3 in F minor / Benoit: Symphonic Poem, op. 43 | | Dupont, Benoit; Howard Shelley, Sinfonieorchester St Gallen | |
| Vaughan Williams / MacMillan / Tavener | | Vaughan Williams, Tavener, MacMillan; Choir of Westminster Abbey, Peter Holder, James O’Donnell | |
| Violin Sonata in D major / Fantasie Sonata in B major / Twelve Short Pieces | | Parry; Erich Gruenberg, Roger Vignoles | |
| produced |
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| Parry: Songs of Farewell / Stanford / Gray / Wood | executive | Parry, Stanford, Gray, Wood; Choir of Westminster Abbey, James OʼDonnell | |
| published |
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| Poserpine | | | |
| Suite Moderne: II. Idyll. Moderato | | | |
| Suite Moderne: III. Romanza. Lento | | | |
| Suite Moderne: IV. Rhapsody. Vivace — Animato — Tempo I — Animato | | | |
| Symphony no. 4 in E minor: I. Allegro energico — Animato — Animato bene — Largamente — Tempo I — Allargando — Animato — Sempre tempo animato — Largamente — Tempo giusto | | | |
| Symphony no. 4 in E minor: II. Intermezzo. Allegretto semplice — | | | |
| Symphony no. 4 in E minor: III. Lento espressivo — Tranquillo espressivo — [Tempo I,] Lento espressivo | | | |
| Symphony no. 4 in E minor: IV. [Scherzo.] Allegro scherzoso — Meno mosso — Tempo I — Meno mosso | | | |
| Symphony no. 4 in E minor: V. Finale. Allegro energico — Animato bene — [Largamente] — Tempo I — Sostenuto — [Tempo] — Tempo animato — Sostenuto ma non troppo lento | | | |
| revised |
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| Poserpine | | | |
| Suite Moderne: II. Idyll. Moderato | | | |
| Suite Moderne: III. Romanza. Lento | | | |
| Suite Moderne: IV. Rhapsody. Vivace — Animato — Tempo I — Animato | | | |
| Symphony no. 4 in E minor | | | |
| Symphony no. 4 in E minor: I. Allegro energico — Animato — Animato bene — Largamente — Tempo I — Allargando — Animato — Sempre tempo animato — Largamente — Tempo giusto | | | |
| Symphony no. 4 in E minor: II. Intermezzo. Allegretto semplice — | | | |
| Symphony no. 4 in E minor: III. Lento espressivo — Tranquillo espressivo — [Tempo I,] Lento espressivo | | | |
| Symphony no. 4 in E minor: IV. [Scherzo.] Allegro scherzoso — Meno mosso — Tempo I — Meno mosso | | | |
| Symphony no. 4 in E minor: V. Finale. Allegro energico — Animato bene — [Largamente] — Tempo I — Sostenuto — [Tempo] — Tempo animato — Sostenuto ma non troppo lento | | | |