À Chloris | | | | Song | | | |
A Young Man's Exhortation: 1. A Young Man's Exhortation | | | | Song | | | |
A Young Man's Exhortation: 2. Ditty | | | | Song | | | |
A Young Man's Exhortation: 3. Budmouth Dears | | | | Song | | | |
A Young Man's Exhortation: 4. Her Temple | | | | Song | | | |
A Young Man's Exhortation: 5. The Comet at Yell'ham | | | | Song | | | |
A Young Man's Exhortation: 6. Shortening Days | | | | Song | | | |
A Young Man's Exhortation: 7. The Sigh | | | | Song | | | |
A Young Man's Exhortation: 8. Former Beauties | | | | Song | | | |
A Young Man's Exhortation: 9. Transformations | | | | Song | | | |
A Young Man's Exhortation: 10. The Dance Continued | | | | Song | | | |
Abend, D. 645 | | | | Song | | | |
Acis and Galatea, HWV 49: Act I, no. 2. Choir "Oh the pleasure of the plains!" | | - Norma Burrowes, Paul Elliott, Willard White, Anthony Rolfe Johnson, Martyn Hill, English Baroque Soloists, Sir John Eliot Gardiner
- Ama Deus Ensemble, Valentin Radu
- Dunedin Consort & Players, John Butt
- Philomusica of London, Sir Adrian Boult
- John Mark Ainsley, Rogers Covey‐Crump, Michael George, Robert Harre-Jones, Claron McFadden, The King’s Consort, Robert King
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Acis and Galatea, HWV 49: Act I, no. 5a. Recitative "Stay, shepherd, stay!" (Damon) | | | | | | | |
Acis and Galatea, HWV 49: Act I, no. 6. Aria "Shepherd, what art thou pursuing?" (Damon) | | | | Aria | | | |
Acis and Galatea, HWV 49: Act II, no. 14. Aria "Would you gain the tender creature" (Damon) | | | | Aria | | | |
Acis and Galatea, HWV 49: Act II, no. 16. Aria "Consider, fond shepherd, how fleeting's the pleasure" (Damon) | | | | Aria | | | |
Acis and Galatea, HWV 49: Act II, no. 19. Choir "Mourn, all ye muses!" | | - Norma Burrowes, Anthony Rolfe Johnson, Paul Elliott, Willard White, Martyn Hill, English Baroque Soloists, Sir John Eliot Gardiner
- Ama Deus Ensemble, Valentin Radu
- Dunedin Consort & Players, John Butt
- Regent Chamber Choir, Andrew Lucas, City of London Sinfonia, Gary Cole
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Acis and Galatea, HWV 49: Act II, no. 20a. Solo with Choir "Must I my Acis still bemoan" (Galatea, choir) | | - Norma Burrowes, Martyn Hill, Paul Elliott, Anthony Rolfe Johnson, Willard White, English Baroque Soloists, Sir John Eliot Gardiner
- Ama Deus Ensemble, Valentin Radu
- Dunedin Consort & Players, John Butt
- Philomusica of London, Sir Adrian Boult
- John Mark Ainsley, Rogers Covey‐Crump, Michael George, Robert Harre-Jones, Claron McFadden, The King’s Consort, Robert King
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Acis and Galatea, HWV 49: Act II, no. 22. Choir "Galatea, dry thy tears" | | - Norma Burrowes, Paul Elliott, Anthony Rolfe Johnson, Willard White, Martyn Hill, English Baroque Soloists, Sir John Eliot Gardiner
- Ama Deus Ensemble, Valentin Radu
- Dunedin Consort & Players, John Butt
- Philomusica of London, Sir Adrian Boult
- John Mark Ainsley, Rogers Covey‐Crump, Michael George, Robert Harre-Jones, Claron McFadden, The King’s Consort, Robert King
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Adelwold und Emma, D. 211 | | | | Song | | | |
Am Flusse, D. 160 | | | | Song | | | |
An die Apfelbäume, D. 197 | | | | Song | | | |
An die Geliebte, D. 303 | | | | Song | | | |
An Mignon, D. 161 | | | | Song | | | |
Anon. in Love: 1. Fain Would I Change That Note | | | | Song | | | |
Anon. in Love: 2. O Stay, Sweet Love | | | | Song | | | |
Anon. in Love: 3. Lady, When I Behold the Roses | | | | Song | | | |
Anon. in Love: 4. My Love in Her Attire | | | | Song | | | |
Anon. in Love: 5. I Gave Her Cakes and I Gave Her Ale | | | | Song | | | |
Anon. in Love: 6. To Couple Is a Custom | | | | Song | | | |
Anthem for the Foundling Hospital: Blessed are they... They deliver the poor | | - Winchester Cathedral Choir, The Brandenburg Consort, David Hill
- Judith Nelson,Emma Kirkby,Shirley Minty,James Bowman, Martyn Hill, David Thomas,The Choir of Christ Church Cathedral, Oxford, Academy of Ancient Music,Simon Preston
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Anthem for the Foundling Hospital: Comfort them, O Lord | | - Winchester Cathedral Choir, The Brandenburg Consort, David Hill
- Judith Nelson,Emma Kirkby,Shirley Minty,James Bowman, Martyn Hill, David Thomas,The Choir of Christ Church Cathedral, Oxford, Academy of Ancient Music,Simon Preston
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Anthem for the Foundling Hospital: Hallelujah! | | - Winchester Cathedral Choir, The Brandenburg Consort, David Hill
- Judith Nelson,Emma Kirkby,Shirley Minty,James Bowman, Martyn Hill, David Thomas,The Choir of Christ Church Cathedral, Oxford, Academy of Ancient Music,Simon Preston
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Anthem for the Foundling Hospital: O God who from the suckling's mouth | | - Charles Brett, Winchester Cathedral Choir, The Brandenburg Consort, David Hill
- Judith Nelson,Emma Kirkby,Shirley Minty,James Bowman, Martyn Hill, David Thomas,The Choir of Christ Church Cathedral, Oxford, Academy of Ancient Music,Simon Preston
- Winchester Cathedral Choir, The Brandenburg Consort, David Hill
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Anthem for the Foundling Hospital: The charitable shall be had | | - Charles Brett, John Elwes, Winchester Cathedral Choir, The Brandenburg Consort, David Hill
- Judith Nelson,Emma Kirkby,Shirley Minty,James Bowman, Martyn Hill, David Thomas,The Choir of Christ Church Cathedral, Oxford, Academy of Ancient Music,Simon Preston
- Winchester Cathedral Choir, The Brandenburg Consort, David Hill
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Anthem for the Foundling Hospital: The people will tell of their wisdom | | - Libby Crabtree, Gillian Fisher, Winchester Cathedral Choir, The Brandenburg Consort, David Hill
- Judith Nelson,Emma Kirkby,Shirley Minty,James Bowman, Martyn Hill, David Thomas,The Choir of Christ Church Cathedral, Oxford, Academy of Ancient Music,Simon Preston
- Winchester Cathedral Choir, The Brandenburg Consort, David Hill
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Arabia | | | | Song | | | |
Auf den Tod einer Nachtigall, D. 201 | | | | Song | | | |
Auf einen Kirchhof, D. 151 | | | | Song | | | |
Ballad of Heroes, op. 14: III. Recitative and Choral | | | | | | | |
Bel pastor dal cui bel guardo, SV 168 | | | | Madrigal | | | |
Carmina Burana: II. In Taberna: XII. Olim lacus colueram | | | | | | | |
Chansons grises: No. 1. Chanson d'automne | | | | Song | | | |
Chansons grises: No. 2. Tous deux | | | | Song | | | |
Chansons grises: No. 3. L'allée est sans fin | | | | Song | | | |
Chansons grises: No. 4. En sourdine | | | | Song | | | |
Chansons grises: No. 5. L'Heure exquise | | | | Song | | | |
Chansons grises: No. 6. Paysage triste | | | | Song | | | |
Chansons grises: No. 7. La Bonne Chanson | | | | Song | | | |
Chant sur la mort de Joseph Haydn: Maestoso « L’un et l’autre est vainqueur » | | | | | | | |
Chant sur la mort de Joseph Haydn: Recitativo « Amans des nobles sœurs » | | | | | | | |
Clairières dans le ciel: I. Elle était descendue au bas de la prairie | | | | Song | | | |
Clairières dans le ciel: II. Elle est gravement gaie | | | | Song | | | |
Clairières dans le ciel: III. Parfois, je suis triste | | | | Song | | | |
Clairières dans le ciel: IV. Un poete disait | | | | Song | | | |
Clairières dans le ciel: IX. Les lilas qui avaient fleuri | | | | Song | | | |
Clairières dans le ciel: V. Au pied de mon lit | | | | Song | | | |
Clairières dans le ciel: VI. Si tout ceci n'est qu'un pauvre rêve | | | | Song | | | |
Clairières dans le ciel: VII. Nous nous aimerons tant | | | | Song | | | |
Clairières dans le ciel: VIII. Vous m'avez regardé avec toute votre âme | | | | Song | | | |
Clairières dans le ciel: X. Deux ancolies | | | | Song | | | |
Clairières dans le ciel: XI. Par ce qui j'ai souffert | | | | Song | | | |
Clairières dans le ciel: XII. Je garde une médaille d'elle | | | | Song | | | |
Clairières dans le ciel: XIII. Demain fera un an | | | | Song | | | |
D'une prison | | | | Song | | | |
Da l'onde del mio pianto | | | | | | | |
Der Liebende, D. 207 | | | | Song | | | |
Der Sänger, D. 149 | | | | Song | | | |
Der Traum, D. 213 | | | | Song | | | |
Der Weiberfreund, D. 271 | | | | Song | | | |
Diaphenia | | | | Song | | | |
Die Laube, D. 214 | | | | Song | | | |
Dies Natalis, op. 8: I. Intrada | | | | | | | |
Dies Natalis, op. 8: II. Rhapsody. Recitativo stromentato | | | | | | | |
Dies Natalis, op. 8: III. The Rapture. Danza | | | | | | | |
Dies Natalis, op. 8: IV. Wonder. Arioso | | | | | | | |
Dies Natalis, op. 8: V. The Salutation. Aria | | | | | | | |
Douze rondels: L'Air | | | | Song | | | |
Douze rondels: L'Automne | | | | Song | | | |
Douze rondels: Les Étoiles | | | | Song | | | |
Douze rondels: Quand je fus pris au pavillon | | | | Song | | | |
Epitaph on Salathiel Pavy | | | | Song | | | |
Eternity, GP 330 | | | | Song | | | |
Études latines: Tyndaris | | | | Song | | | |
Façade: Long Steel Grass | | | | | | | |
Façade: Popular Song | | | | | | | |
Façade: Tango-Pasodoble | | | | | | | |
Farewell to Arms, op. 9: I. Introduction | | | | | | | |
Farewell to Arms, op. 9: II. Aria | | | | | | | |
Fêtes galantes | | | | Song | | | |
Fighting the Waves, W. 212 | | | | | | | |
Five Elizabethan Songs, No. 1: Orpheus With His Lute | | | | Song | | | |
Five Elizabethan Songs, No. 2: Tears | | | | Song | | | |
Five Elizabethan Songs, No. 3: Under the Greenwood Tree | | | | Song | | | |
Five Elizabethan Songs, No. 4: Sleep | | | | | | | |
Five Elizabethan Songs, No. 5: Spring | | | | Song | | | |
Glamour, GP 239 | | | | Song | | | |
Harfenspieler I, D. 325 | | | | Song | | | |
In Sleep, in Thunder: No. 1. Dolphin | | | | Song | | | |