| ...era madrugada | | | | | | | |
| Canciones: I. Ojos, a la sombra | | | | Song | | | |
| Canciones: II. Canción de jinete | | | | Song | | | |
| Canciones: III. La muerte dentro del rosal | | | | Song | | | |
| Comedy overture no. 3 "The Jolly Miller" | | | | Overture | | | |
| Concerto for Piano and Nine Instruments: I. Overture | | | | | | | |
| Concerto for Violin and Orchestra no. 1: I. Adagio espressivo e rubato - Andante con moto, poco teneramente | | | | | | | |
| Concerto for Violin and Orchestra no. 1: II. Andante (I'istesso tempo) - Allegro - Allegro moderato | | | | | | | |
| Concerto for Violin and Orchestra no. 2: I. Allegretto | | | | | | | |
| Concerto for Violin and Orchestra no. 2: II. Poco lento | | | | | | | |
| Concerto for Violin and Orchestra no. 2: III. Tema con variazioni | | | | | | | |
| Fantasy Overture “Cortèges” | | | | Overture | | | |
| Lachrymae: Reflections on a song of Dowland, op. 48a | | | | | | | |
| Love's whirligig | | | | | | | |
| Mary of Egypt: Act I. "Grunt and groan" (Swine men and women) / "Come and buy" (Swine men and women) | | | | | | | |
| Mary of Egypt: Act I. "Grunt and groan" (Swine men and women) / "We bring our wres" (Swine men and women) | | | | | | | |
| Mary of Egypt: Act I. "Here I sit and beat my brain" (Zossima) | | | | | | | |
| Mary of Egypt: Act I. "Let me consider, yet once more" (Zossima) | | | | | | | |
| Mary of Egypt: Act I. "Never raised a thieving arm" (Zossima) | | | | | | | |
| Mary of Egypt: Act I. "Take Me!" (Mary) | | | | | | | |
| Mary of Egypt: Act I. "The ways to salvation" (The Voice) | | | | | | | |
| Mary of Egypt: Act I. "We see the cross before us" (Young Men) | | | | | | | |
| Mary of Egypt: Act I. "Zossima! The ways to salvation" (The Voice) | | | | | | | |
| Mary of Egypt: Act I. Prologue "With unearthly stillness" | | | | | | | |
| Mary of Egypt: Act II. "I will praise the Lord" (Monks) | | | | | | | |
| Mary of Egypt: Act II. "The ways to salvation" (The Voice) | | | | | | | |
| Mary of Egypt: Act II. "We are the desert monks" (Monks) | | | | | | | |
| Mary of Egypt: Act II. Aria "And I, the stranger" (Zossima) | | | | | | | |
| Mary of Egypt: Act II. Prologue "With Unearthly Stillness" | | | | | | | |
| Mary of Egypt: Act II. The Exaltation of the Cross | | | | | | | |
| Mary of Egypt: Act II. The Prayer of Mary "O Virgin Lady" (Mary) | | | | | | | |
| Mary of Egypt: Act III. "But here, my Lady" (Zossima) | | | | | | | |
| Mary of Egypt: Act III. "Holy, Holy" (Angels) | | | | | | | |
| Mary of Egypt: Act III. "I pray you" (Mary) | | | | | | | |
| Mary of Egypt: Act III. "In Egypt, I lived" (Mary) | | | | | | | |
| Mary of Egypt: Act III. "Monk-priest Zossima" (Mary) | | | | | | | |
| Mary of Egypt: Act III. "Why run from me" (Zossima) | | | | | | | |
| Mary of Egypt: Act III. Duet "I beg you" (Zossima, Mary) | | | | | | | |
| Mary of Egypt: Act III. Prologue "With unearthly stillness" | | | | | | | |
| Mary of Egypt: Act IV. Episode I. Zossima searches for Mary | | | | | | | |
| Mary of Egypt: Act IV. Episode II. Mary walks on the water | | | | | | | |
| Mary of Egypt: Act IV. Episode III. Communion | | | | | | | |
| Mary of Egypt: Act IV. Episode IV. Mary returns on the water | | | | | | | |
| Mary of Egypt: Act IV. Episode V. Zossima goes | | | | | | | |
| Mary of Egypt: Act IV. The Angels' song | | | | | | | |
| Mary of Egypt: Act V. "Judge not!" (Chorus) | | | | | | | |
| Mary of Egypt: Act V. "Priest-monk Zossima" (Zossima) | | | | | | | |
| Mary of Egypt: Act V. "The ways to salvation" (The Voice) | | | | | | | |
| Mary of Egypt: Act V. Threnody for Mary | | | | | | | |
| Movement for Wind Sextet | | | | | | | |
| Night Mail | | | | Soundtrack | | | |
| Phaedra, op. 93 | | - Jean Rigby, Nash Ensemble, Lionel Friend
- Jessye Norman
- Sarah Connolly, BBC Symphony Orchestra, Edward Gardner
- Jennifer Larmore, Grant Park Orchestra, Carlos Kalmar
- Felicity Palmer, Jane Salmon, Melvyn Tan, Endymion Ensemble, John Whitfield
| | Cantata | | | |
| Rout | | | | | | | |
| Shadow Realm | | | | | | | |
| Sinfonietta, op. 1: I. Poco presto ed agitato | | | | | | | |
| Sinfonietta, op. 1: II. Variations | | | | | | | |
| Sinfonietta, op. 1: III. Tarantella | | | | | | | |
| Sinfonietta: Canone alla prima: Andante | | | | | | | |
| Sinfonietta: Developments: Andante | | | | | | | |
| Sinfonietta: Double: Più sostenuto | | | | | | | |
| Sinfonietta: Introduzione: Allegro molto | | | | | | | |
| Sinfonietta: Prestissimo, tutti con sordino | | | | | | | |
| Sparrow Night | | | | | | | |
| Symphony no. 3 in C-sharp minor: I. Andante moderato e sempre sostenuto e marcato | | | | | | | |
| Symphony no. 3 in C-sharp minor: II. Lento sempre marcato e rubato | | | | | | | |
| Symphony no. 3 in C-sharp minor: III. Allegro vivace | | | | | | | |
| Symphony no. 3 in C-sharp minor: IV. Lento solenne | | | | | | | |
| Symphony no. 18: I. Adagio poco | | | | | | | |
| Symphony no. 18: II. Allegro moderato | | | | | | | |
| Symphony no. 18: III. Allegro e marcato sempre – Lento marcia e sostenuto molto e pesante – Allegro | | | | | | | |
| The Sword in the Stone: I. Introduction & Boys' Tunes | | | | | | | |
| The Sword in the Stone: II. Merlyn's Tune & Tree Music | | | | | | | |
| The Sword in the Stone: III. Merlyn's Spell & Witch Tune | | | | | | | |
| The Sword in the Stone: IV. Bird Music | | | | | | | |
| The Sword in the Stone: V. Lullaby | | | | | | | |
| The Sword in the Stone: VI. Water Theme & End Music | | | | | | | |
| The World's Winter: I. Nothing will die | | | | | | | |
| The World's Winter: II. All things will die | | | | | | | |
| Violin Concerto no. 2 in C major: I. Allegro moderato | | | | | | | |
| Violin Concerto no. 2 in C major: II. Lento | | | | | | | |
| Violin Concerto no. 2 in C major: III. Allegro fuoco | | | | | | | |
