| vocals |
|---|
| 1984-11 – 1984-12 | Norma: Atto I. “Vanne, e li cela entrambi” (Norma, Clotilde) | mezzo-soprano vocals [Clotilde] | Andrew Greenwood, Diana Montague, Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | 3:55 |
| 1984-11 – 1984-12 | Norma: Atto II, scena 1. “Dormono entrambi... non vedran la mano che li percuote” (Norma, Clotilde) | mezzo-soprano vocals [Clotilde] | Andrew Greenwood, Diana Montague, Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | 5:04 |
| 1984-11 – 1984-12 | Norma: Atto II. “Ei tornerà” (Norma, Clotilde) | mezzo-soprano vocals [Clotilde] | Andrew Greenwood, Diana Montague, Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | 3:43 |
| 1984-11 – 1984-12 | Norma: Atto II. “Né compi il rito, o Norma? né la vittima acceni?” (Oroveso, Norma, Clotilde, Pollione, Druidi, Sacerdotesse) | mezzo-soprano vocals [Clotilde] | Andrew Greenwood, Chorus of the Welsh National Opera, Diana Montague, Luciano Pavarotti, Samuel Ramey, Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | 3:34 |
| 1985-02 | Iphigénie en Tauride: Act I, Scene 1. Air "Ô toi qui prolongeas mes jours" / Choeur "Quand verrons-nous tarir nos pleurs?" | mezzo-soprano vocals [Iphigénie] | Christoph Willibald Gluck | 4:27 |
| 1985-02 | Iphigénie en Tauride: Act I, Scene 1. Introduction et choeur "Grands Dieux! soyez-nous secourables" | mezzo-soprano vocals [Iphigénie] | Christoph Willibald Gluck | 7:04 |
| 1985-02 | Iphigénie en Tauride: Act I, Scene 1. Récitatif "Iphigénie, ô ciel!" / Choeur "Ô songe affreux!" / Récitatif "Ô race de Pélops" | mezzo-soprano vocals [Iphigénie] | Christoph Willibald Gluck | 6:30 |
| 1985-02 | Iphigénie en Tauride: Act I, Scene 2. Récitatif "Dieux! le malheur en tous lieux suit mes pas" / Air "De noirs pressentiments" | mezzo-soprano vocals [Iphigénie] | Christoph Willibald Gluck | 2:53 |
| 1985-02 | Iphigénie en Tauride: Act I, Scene 3. Choeur "Les Dieux apaisent leur courroux" / Récitatif "Dieux! étouffez en moi" / Scene 4. Récitatif "Et vous, à vos Dieux tutélaires" / Choeur "Il nous fallait du sang" | mezzo-soprano vocals [Iphigénie] | Christoph Willibald Gluck | 3:09 |
| 1985-02 | Iphigénie en Tauride: Act II, Scene 5. Air et choeur "Ô malheureuse Iphigénie!!" | mezzo-soprano vocals [Iphigénie] | Christoph Willibald Gluck | 4:29 |
| 1985-02 | Iphigénie en Tauride: Act II, Scene 5. Récitatif "Honorez avec moi ce héros" / Choeur "Contemplez ces tristes apprêts" / Air "Ô mon frère" | mezzo-soprano vocals [Iphigénie] | Christoph Willibald Gluck | 4:37 |
| 1985-02 | Iphigénie en Tauride: Act II, Scene 5. Récitatif "Je vois toute l'horreur" / Scene 6. Choeur "Patrie infortunée" | mezzo-soprano vocals [Iphigénie] | Christoph Willibald Gluck | 5:45 |
| 1985-02 | Iphigénie en Tauride: Act III, Scene 1. Récitatif "Je cède à vos désirs" / Air "D'une image, hélas! trop chérie" / Scene 2. Récitatif "Voici ces captifs malheureux" / Scene 3. Récitatif "Ô joie inattendue!" | mezzo-soprano vocals [Iphigénie] | Christoph Willibald Gluck | 5:18 |
| 1985-02 | Iphigénie en Tauride: Act III, Scene 3. Trio "Je pourrais du tyran tromper la barbarie" / Scene 4. Récitatif "Ô moment trop heureux!" | mezzo-soprano vocals [Iphigénie] | Christoph Willibald Gluck | 4:08 |
| 1985-02 | Iphigénie en Tauride: Act III, Scene 5. Récitatif "Malgré toi, je saurai t'arracher au trépas!" / "Quoi? toujours à mes vœux" / Scene 6. Récitatif "Puisque le ciel à vos jours s'intéresse" | mezzo-soprano vocals [Iphigénie] | Christoph Willibald Gluck | 3:34 |
| 1985-02 | Iphigénie en Tauride: Act IV, Scene 1. Récitatif "Non, cet affreux devoir" / Air "Je t'implore et je tremble" | mezzo-soprano vocals [Iphigénie] | Christoph Willibald Gluck | 3:54 |
| 1985-02 | Iphigénie en Tauride: Act IV, Scene 2. Choeur "Ô Diane, sois-nous propice" / Récitatif "La force m'abandonne" | mezzo-soprano vocals [Iphigénie] | Christoph Willibald Gluck | 4:02 |
| 1985-02 | Iphigénie en Tauride: Act IV, Scene 2. Récitatif "Quel moment! Dieux puissants" / Scene 3. Récitatif "Tremblez! tremblez!" | mezzo-soprano vocals [Iphigénie] | Christoph Willibald Gluck | 4:27 |
| 1985-02 | Iphigénie en Tauride: Act IV, Scene 4. Air "De tes forfaits la trame est découverte" / Récitatif "Qu'oses-tu proposer, barbare?" / Scene 5. Récitatif "C'est à toi de mourir!" / Scene 6. Récitatif "Arrêtez! écoutez mes decrets éternels" | mezzo-soprano vocals [Iphigénie] | Christoph Willibald Gluck | 3:32 |
| 1985-12 | L'Orfeo: Atto quarto. "Signor, quel infelice" / "Benché severo" / "O degli abitator" / "Quali grazie ti rendo" / "Tue soavi parole" | mezzo-soprano vocals [Proserpina] | John Eliot Gardiner, The English Baroque Soloists, Diana Montague, Willard White, Howard Milner, Nicolas Robertson | 6:54 |
| 1986-11 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Alois Schmitt & John Eliot Gardiner reconstruction) "Great": IIa. Gloria: "Gloria in excelsis" | soprano vocals | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 2:27 |
| 1986-11 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Alois Schmitt & John Eliot Gardiner reconstruction) "Great": IIb. Gloria: "Laudamus te" | soprano vocals | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 4:35 |
| 1986-11 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Alois Schmitt & John Eliot Gardiner reconstruction) "Great": IIc. Gloria: "Gratias agimus tibi" | soprano vocals | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 1:24 |
| 1986-11 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Alois Schmitt & John Eliot Gardiner reconstruction) "Great": IId. Gloria: "Domine Deus" | soprano vocals | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 2:40 |
| 1986-11 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Alois Schmitt & John Eliot Gardiner reconstruction) "Great": IIf. Gloria: "Quoniam tu solus" | soprano vocals | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 3:51 |
| 1986-11 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Alois Schmitt & John Eliot Gardiner reconstruction) "Great": IIg. Gloria: "Jesu Christe" | soprano vocals | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 0:43 |
| 1986-11 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Alois Schmitt & John Eliot Gardiner reconstruction) "Great": IIh. Gloria: "Cum Sancto Spiritu" | soprano vocals | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 3:51 |
| 1986-11 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Alois Schmitt & John Eliot Gardiner reconstruction) "Great": IIIa. Credo: "Credo in unum Deum" | soprano vocals | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 3:30 |
| 1986-11 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Alois Schmitt & John Eliot Gardiner reconstruction) "Great": IIIb. Credo: "Et incarnatus est" | soprano vocals | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 8:09 |
| 1986-11 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Alois Schmitt & John Eliot Gardiner reconstruction) "Great": IVa. Sanctus: "Sanctus" | soprano vocals | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 3:43 |
| 1986-11 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Alois Schmitt & John Eliot Gardiner reconstruction) "Great": V. Benedictus | soprano vocals | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 5:22 |
| 1986-11 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Alois Schmitt & John Eliot Gardiner reconstruction) "Great":IIe. Gloria: "Qui tollis" | soprano vocals | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 6:19 |
| 1986-11 | Messe e-moll KV 427 - Große Messe | soprano vocals | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | 7:23 |
| 1988-02 – 1988-03 | Le Comte Ory : Acte I. « Cet écrit, noble châtelaine » | mezzo-soprano vocals [Isolier] | John Aler, Gilles Cachemaille, Maryse Castets, Chœur de l’Opéra de Lyon, Sumi Jo, Diana Montague, Raquel Pierotti, Gino Quilico, Orchestre de l’Opéra de Lyon, Sir John Eliot Gardiner | 2:24 |
| 1988-02 – 1988-03 | Le Comte Ory : Acte I. « Cet ermite, ma belle enfant » | mezzo-soprano vocals [Isolier] | Gilles Cachemaille, Maryse Castets, Chœur de l’Opéra de Lyon, Diana Montague, Orchestre de l’Opéra de Lyon, Sir John Eliot Gardiner | 2:28 |
| 1988-02 – 1988-03 | Le Comte Ory : Acte I. « Cette aventure fort singulière » | mezzo-soprano vocals [Isolier] | Gilles Cachemaille, Maryse Castets, Chœur de l’Opéra de Lyon, Diana Montague, Orchestre de l’Opéra de Lyon, Sir John Eliot Gardiner | 2:56 |
| 1988-02 – 1988-03 | Le Comte Ory : Acte I. « Ciel ! Ô terreur » | mezzo-soprano vocals [Isolier] | John Aler, Gilles Cachemaille, Maryse Castets, Chœur de l’Opéra de Lyon, Sumi Jo, Diana Montague, Raquel Pierotti, Gino Quilico, Orchestre de l’Opéra de Lyon, Sir John Eliot Gardiner | 2:39 |
| 1988-02 – 1988-03 | Le Comte Ory : Acte I. « Je ne puis plus longtemps » | mezzo-soprano vocals [Isolier] | Gilles Cachemaille, Diana Montague, Orchestre de l’Opéra de Lyon, Sir John Eliot Gardiner | 1:52 |
| 1988-02 – 1988-03 | Le Comte Ory : Acte I. « Ô bon ermite / C'est bien … je suis content » | mezzo-soprano vocals [Isolier] | John Aler, Gilles Cachemaille, Chœur de l’Opéra de Lyon, Sumi Jo, Diana Montague, Gino Quilico, Orchestre de l’Opéra de Lyon, Sir John Eliot Gardiner | 5:33 |
| 1988-02 – 1988-03 | Le Comte Ory : Acte I. « Une dame de haut parage » | mezzo-soprano vocals [Isolier] | John Aler, Diana Montague, Orchestre de l’Opéra de Lyon, Sir John Eliot Gardiner | 7:02 |
| 1988-02 – 1988-03 | Le Comte Ory : Acte I. « Venez amis, retirons-nous » | mezzo-soprano vocals [Isolier] | John Aler, Gilles Cachemaille, Maryse Castets, Chœur de l’Opéra de Lyon, Sumi Jo, Diana Montague, Raquel Pierotti, Gino Quilico, Orchestre de l’Opéra de Lyon, Sir John Eliot Gardiner | 3:53 |
| 1988-02 – 1988-03 | Le Comte Ory : Acte I. « Vous avez entendu sa touchante prière » | mezzo-soprano vocals [Isolier] | John Aler, Sumi Jo, Diana Montague, Orchestre de l’Opéra de Lyon, Sir John Eliot Gardiner | 1:55 |
| 1988-02 – 1988-03 | Le Comte Ory : Acte I. Marche | mezzo-soprano vocals [Isolier] | John Aler, Sumi Jo, Diana Montague, Orchestre de l’Opéra de Lyon, Sir John Eliot Gardiner | 2:02 |
| 1988-02 – 1988-03 | Le Comte Ory : Acte II. « Écoutez ces chants de victoire » | mezzo-soprano vocals [Isolier] | John Aler, Chœur de l’Opéra de Lyon, Sumi Jo, Diana Montague, Raquel Pierotti, Orchestre de l’Opéra de Lyon, Sir John Eliot Gardiner | 2:06 |
| 1988-02 – 1988-03 | Le Comte Ory : Acte II. « Elle revient … silence ! » | mezzo-soprano vocals [Isolier] | John Aler, Chœur de l’Opéra de Lyon, Sumi Jo, Diana Montague, Raquel Pierotti, Orchestre de l’Opéra de Lyon, Sir John Eliot Gardiner | 10:02 |
| 1988-02 – 1988-03 | Le Comte Ory : Acte II. « J'entends d'ici le bruit des armes » | mezzo-soprano vocals [Isolier] | John Aler, Sumi Jo, Diana Montague, Orchestre de l’Opéra de Lyon, Sir John Eliot Gardiner | 4:39 |
| 1989-09-06 – 1989-09-09 | The Student Prince: Act III. "Just we two" (Princess, Tarnitz, Chorus) | mezzo-soprano vocals [Princess Margaret] | John McCarthy, Ambrosian Chorus, Diana Montague, Steven Page, Philharmonia Orchestra, John Owen Edwards | 5:27 |
| 1990-02-18 – 1990-02-19 | Serenade to Music | mezzo-soprano vocals | John Mark Ainsley, Sir Thomas Allen, Elizabeth Connell, John Connell, Arthur Davies, Maldwyn Davies, Anne Dawson, Martyn Hill, Gwynne Howell, Linda Kitchen, Diana Montague, Alan Opie, Jean Rigby, Amanda Roocroft, Sarah Walker, Catherine Wyn‐Rogers, English Chamber Orchestra, Matthew Best | 13:45 |
| 1991-09 | Lucia di Lammermoor: Atto I, Scena 2. (no. 3b) “Regnava nel silenzio” (Lucia, Alisa) | mezzo-soprano vocals [Alisa] | Edita Gruberová, Diana Montague, London Symphony Orchestra, Richard Bonynge | 4:24 |
| 1991-09 | Lucia di Lammermoor: Atto I, Scena 2. (no. 3c) Stretta “Quando rapito in estasi” (Lucia, Alisa) | mezzo-soprano vocals [Alisa] | Edita Gruberová, Diana Montague, London Symphony Orchestra, Richard Bonynge | 4:54 |
| 1991-09 | Lucia di Lammermoor: Atto II, Scena 2. (no. 9c) Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro, Arturo) | mezzo-soprano vocals [Alisa] | Alexandru Agache, Ambrosian Singers, Edita Gruberová, Bernard Lombardo, Alastair Miles, Diana Montague, Neil Shicoff, London Symphony Orchestra, Richard Bonynge | 3:55 |
| 1994 | Rosmonda d'Inghilterra: Atto I, Scena II. "Dove t'inoltri? Dove?" (Arturo, Leonora) | mezzo-soprano vocals | Diana Montague, Nelly Miricioiu | 3:01 |
| 1994 | Rosmonda d'Inghilterra: Atto I, Scena II. "Ti vedro, donzella audace" (Leonora, Voices, Arturo) | mezzo-soprano vocals | Nelly Miricioiu, Diana Montague | 2:33 |
| 1994 | Rosmonda d'Inghilterra: Atto I, Scena IX. Finale "È dessa... alfin la perfida" (Leonora, Enrico, Rosmonda, Arturo, Clifford, Coro) | mezzo-soprano vocals | Nelly Miricioiu, Bruce Ford, Renée Fleming, Diana Montague, Alastair Miles | 3:50 |
| 1994 | Rosmonda d'Inghilterra: Atto I, Scena IX. Finale "Tace ogun! nessun risponde?" (Tutti) | mezzo-soprano vocals | Renée Fleming, Nelly Miricioiu, Bruce Ford, Alastair Miles, Diana Montague | 6:20 |
| 1994 | Rosmonda d'Inghilterra: Atto I, Scena V. "Pérche non ho del vento" (Rosmonda, Arturo) | mezzo-soprano vocals | Renée Fleming, Diana Montague | 6:56 |
| 1994 | Rosmonda d'Inghilterra: Atto I, Scena VI. Duetto "T'appressa, Arturo" (Rosmonda, Arturo) / Scena VII. "E dessa?" (Clifford, Arturo, Rosmonda) | mezzo-soprano vocals | Alastair Miles, Diana Montague, Renée Fleming | 3:32 |
| 1994 | Rosmonda d'Inghilterra: Atto II, Scena II. Aria "Ma il tempo vola" (Arturo) / Scens IV. "Oh! Ciel!" (Arturo, Clifford) / Scena V. "È dessa" (Clifford, Rosmonda) | mezzo-soprano vocals | Diana Montague, Alastair Miles, Renée Fleming | 3:27 |
| 1994 | Rosmonda d'Inghilterra: Atto II, Scena III. Aria "Che pensi Arturo?" (Arturo) | mezzo-soprano vocals | Diana Montague | 1:52 |
| 1994 | Rosmonda d'Inghilterra: Atto II, Scena III. Aria "Io non ti posso offrir" (Arturo) | mezzo-soprano vocals | Diana Montague | 2:10 |
| 1994 | Rosmonda d'Inghilterra: Atto II, Scena III. Aria "Ritorna a splendere" (Arturo) | mezzo-soprano vocals | Diana Montague | 2:44 |
| 1994 | Rosmonda d'Inghilterra: Atto II, Scena V. "Io fuggirò quel perfido" (Rosmonda, Clifford, Arturo) | mezzo-soprano vocals | Renée Fleming, Alastair Miles, Diana Montague | 6:14 |
| 1994 | Rosmonda d'Inghilterra: Atto II, Scena V. "Senza pace, e senza speme" (Rosmonda, Arturo, Clifford) | mezzo-soprano vocals | Renée Fleming, Diana Montague, Alastair Miles | 3:37 |
| 1997-01-31 – 1997-02-01 | Pulcinella: Allegretto: Contento forse vivere | mezzo-soprano vocals | Mark Beesley, Robin Leggate, Diana Montague, Philharmonia Orchestra, Robert Craft | 1:42 |
| 1997-01-31 – 1997-02-01 | Pulcinella: Allegro (alla breve): Con queste paroline | mezzo-soprano vocals | Mark Beesley, Robin Leggate, Diana Montague, Philharmonia Orchestra, Robert Craft | 3:32 |
| 1997-01-31 – 1997-02-01 | Pulcinella: Allegro alla breve | mezzo-soprano vocals | Mark Beesley, Robin Leggate, Diana Montague, Philharmonia Orchestra, Robert Craft | 1:11 |
| 1997-01-31 – 1997-02-01 | Pulcinella: Allegro assai | mezzo-soprano vocals | Mark Beesley, Robin Leggate, Diana Montague, Philharmonia Orchestra, Robert Craft | 1:55 |
| 1997-01-31 – 1997-02-01 | Pulcinella: Allegro moderato: Gavotta con due variazioni (Allegretto, Allegro) | mezzo-soprano vocals | Mark Beesley, Robin Leggate, Diana Montague, Philharmonia Orchestra, Robert Craft | 3:58 |
| 1997-01-31 – 1997-02-01 | Pulcinella: Allegro moderato: Tarantella | mezzo-soprano vocals | Mark Beesley, Robin Leggate, Diana Montague, Philharmonia Orchestra, Robert Craft | 1:10 |
| 1997-01-31 – 1997-02-01 | Pulcinella: Allegro: Ncè sta quaccuna po' | mezzo-soprano vocals | Mark Beesley, Robin Leggate, Diana Montague, Philharmonia Orchestra, Robert Craft | 0:32 |
| 1997-01-31 – 1997-02-01 | Pulcinella: Andantino: Se tu m'ami | mezzo-soprano vocals | Mark Beesley, Robin Leggate, Diana Montague, Philharmonia Orchestra, Robert Craft | 2:08 |
| 1997-01-31 – 1997-02-01 | Pulcinella: Chi disse cà la femmena | mezzo-soprano vocals | Mark Beesley, Robin Leggate, Diana Montague, Philharmonia Orchestra, Robert Craft | 0:26 |
| 1997-01-31 – 1997-02-01 | Pulcinella: Finale: Allegro assai | mezzo-soprano vocals | Mark Beesley, Robin Leggate, Diana Montague, Philharmonia Orchestra, Robert Craft | 2:09 |
| 1997-01-31 – 1997-02-01 | Pulcinella: Larghetto | mezzo-soprano vocals | Mark Beesley, Robin Leggate, Diana Montague, Philharmonia Orchestra, Robert Craft | 0:25 |
| 1997-01-31 – 1997-02-01 | Pulcinella: Largo: Sento dire no' ncè pace | mezzo-soprano vocals | Mark Beesley, Robin Leggate, Diana Montague, Philharmonia Orchestra, Robert Craft | 1:02 |
| 1997-01-31 – 1997-02-01 | Pulcinella: Minuet: Pupillette, fiammette | mezzo-soprano vocals | Mark Beesley, Robin Leggate, Diana Montague, Philharmonia Orchestra, Robert Craft | 2:14 |
| 1997-01-31 – 1997-02-01 | Pulcinella: Overture | mezzo-soprano vocals | Mark Beesley, Robin Leggate, Diana Montague, Philharmonia Orchestra, Robert Craft | 1:56 |
| 1997-01-31 – 1997-02-01 | Pulcinella: Presto: Una te fa la 'nzempece | mezzo-soprano vocals | Mark Beesley, Robin Leggate, Diana Montague, Philharmonia Orchestra, Robert Craft | 1:04 |
| 1997-01-31 – 1997-02-01 | Pulcinella: Scherzino; Allegro; Andantino; Allegro | mezzo-soprano vocals | Mark Beesley, Robin Leggate, Diana Montague, Philharmonia Orchestra, Robert Craft | 6:00 |
| 1997-01-31 – 1997-02-01 | Pulcinella: Serenata: Mentre l'erbetta | mezzo-soprano vocals | Mark Beesley, Robin Leggate, Diana Montague, Philharmonia Orchestra, Robert Craft | 2:29 |
| 1997-01-31 – 1997-02-01 | Pulcinella: Toccata | mezzo-soprano vocals | Mark Beesley, Robin Leggate, Diana Montague, Philharmonia Orchestra, Robert Craft | 0:55 |
| 1997-01-31 – 1997-02-01 | Pulcinella: Vivo | mezzo-soprano vocals | Mark Beesley, Robin Leggate, Diana Montague, Philharmonia Orchestra, Robert Craft | 1:34 |
| 2006 | Hansel and Gretel: Act II. "I am the little sandman" (Sandman, Hansel, Gretel) | mezzo-soprano vocals | Rebecca Evans, Jennifer Larmore, Diana Montague, Philharmonia Orchestra, Charles Mackerras | 2:39 |
| Ah, perdona al primo affetto from La Clemenza di Tito | mezzo-soprano vocals | Barbara Bonney, Academy of Ancient Music, Christopher Hogwood | 2:54 |
| Dixit Dominus, HWV 232: II. Virgam virtutis | contralto vocals | Diana Montague, Orchestra of Westminster Abbey, Simon Preston | 2:50 |
| Dixit Dominus, HWV 232: VI. Dominus a dextris tuis | contralto vocals | Arleen Augér, Lynne Dawson, Diana Montague, Leigh Nixon, Simon Birchall, Choir of Westminster Abbey, Orchestra of Westminster Abbey, Simon Preston | 3:17 |
| Encore: Now | | Robert Wright & George Forrest | 1:18 |
| Exit of Louisa | | Robert Wright & George Forrest | 0:59 |
| Finale Act 1 | | Robert Wright & George Forrest | 4:09 |
| Finaletto Part One | | Robert Wright & George Forrest | 2:51 |
| Finaletto Part One | | Robert Wright & George Forrest | 1:50 |
| La Perichole: Act III, First Tableau. “You Don’t Have Looks, You Don’t Have Cash” | mezzo-soprano vocals | Diana Montague, Philharmonia Orchestra, David Parry | 2:58 |
| Lakmé : Flower Duet | mezzo-soprano vocals | Diana Montague, Mary Plazas, Philharmonia Orchestra, David Parry | 6:50 |
| Louisa Changes Her Mind | | Robert Wright & George Forrest | 0:22 |
| Louisa Discover's Grieg | | Robert Wright & George Forrest | 0:37 |
| Lucia di Lammermoor: Atto II, Scena 2. (no. 9c) Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro, Arturo) | mezzo-soprano vocals [Alisa] | Alexandru Agache, Edita Gruberová, Bernard Lombardo, Alastair Miles, Diana Montague, Neil Shicoff, London Symphony Orchestra, Richard Bonynge | 3:58 |
| Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": I. "Kyrie" | soprano vocals | Kölner Kammerchor, Collegium Cartusianum, Peter Neumann | 1:23 |
| Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": II. "Gloria" | soprano vocals | Kölner Kammerchor, Collegium Cartusianum, Peter Neumann | 2:14 |
| Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": III. "Credo" | soprano vocals | Kölner Kammerchor, Collegium Cartusianum, Peter Neumann | 4:57 |
| Mass No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a/65 "Missa brevis": IV. "Sanctus" | soprano vocals | Kölner Kammerchor, Collegium Cartusianum, Peter Neumann | 0:49 |
| See all 202 relationships |
| vocals |
|---|
| BBC Music, Volume 5, Number 10: Alfred [excerpts] | mezzo-soprano vocals [Emma] | Thomas Arne; Orchestra of the Age of Enlightenment, Nicholas Kraemer | |
| BBC Music, Volume 5, Number 10: Alfred [excerpts] | mezzo-soprano vocals [Edith] | Thomas Arne; Orchestra of the Age of Enlightenment, Nicholas Kraemer | |
| La clemenza di Tito | mezzo-soprano vocals [Annio] | Mozart; Bartoli, Heilmann, Jones, Montague, Cachemaille, Bonney, Academy of Ancient Music Orchestra & Chorus, Christopher Hogwood | |
