Aria “Warum betrübst du dich”, BWV 516 | | | | | | | |
Aria, BWV 508 “Bist du bei mir” | | | | Aria | | | |
Banchetto musicale: Suite no. 3 in E minor: I. Pavane | | | | | | | |
Banchetto musicale: Suite no. 3 in E minor: II. Gaillarde | | | | | | | |
Banchetto musicale: Suite no. 3 in E minor: III. Courante | | | | | | | |
Banchetto musicale: Suite no. 3 in E minor: IV. Allemande - Tripla | | | | | | | |
Banchetto musicale: Suite no. 4 in G major: I. Pavane | | | | | | | |
Banchetto musicale: Suite no. 4 in G major: II. Gaillarde | | | | | | | |
Banchetto musicale: Suite no. 4 in G major: III. Courante | | | | | | | |
Banchetto musicale: Suite no. 4 in G major: IV. Allemande - Tripla | | | | | | | |
Banchetto musicale: Suite no. 5 in G major: I. Pavane | | | | | | | |
Banchetto musicale: Suite no. 5 in G major: II. Gaillarde | | | | | | | |
Banchetto musicale: Suite no. 5 in G major: III. Courante | | | | | | | |
Banchetto musicale: Suite no. 5 in G major: IV. Allemande - Tripla | | | | | | | |
Choral “Schaffs mit mir, Gott”, BWV 514 | | | | | | | |
Humorous Quartet for 4 voices in E-flat major, K. 571a / KV Anh 5 (Erik Smith completion): (Soprano, 2 Tenors, Bass) "Caro mio Druck und Schluck" | | - Julie Kaufmann, Hans Peter Blochwitz, Peter Schreier, Anton Scharinger, Rudolf Jansen
- Margot Guilleaume, Helmut Krebs, Hans Günter Nöcker, Fritz Wunderlich, Fritz Neumeyer
- Walter Berry, Erika Köth, Hermann Prey, Peter Schreier, Convivium musicum München, Erich Keller
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Kantate, BWV 82 "Ich habe genung": III. Aria (Bass) "Schlummert ein, ihr matten Augen" | | - Peter Kooij, La Chapelle Royale, Philippe Herreweghe
- Dietrich Fischer‐Dieskau, Karl Kolbinger, Herbert Duft, Johannes Fink, Fritz Kiskalt, Manfred Clement, Detlef Kühl, Elmar Schloter, Hedwig Bilgram, Münchener Bach‐Orchester, Karl Richter
- Dietrich Fischer‐Dieskau, Hermann Töttcher, Kammerorchester Karl Ristenpart, Karl Ristenpart
- Netherlands Bach Collegium, Pieter Jan Leusink
- (show 40 more)
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Musikalischer Tugendspiegel, No. 3: Magdalena | | | | | | | |
Musikalischer Tugendspiegel, No. 6: Clara | | | | | | | |
Musikalischer Tugendspiegel, No. 12: Regina | | | | | | | |
Musikalischer Tugendspiegel, No. 13: Sophia / No. 4: Anna | | | | | | | |
Musikalischer Tugendspiegel, No. 15: Agatha | | | | | | | |
O Ewigkeit, du Donnerwort, BWV 513 | | | | | | | |
Sonata in E-flat major, RV 130 “Al Santo Sepolcro”: I. Largo molto | | | | | | | |
Sonata in E-flat major, RV 130 “Al Santo Sepolcro”: II. Allegro, ma poco | | | | | | | |
Sonate für Viola da Gamba und Cembalo D-Dur, BWV 1028: I. Adagio | | | | | | | |
Sonate für Viola da Gamba und Cembalo D-Dur, BWV 1028: II. Allegro | | | | | | | |
Sonate für Viola da Gamba und Cembalo D-Dur, BWV 1028: III. Andante | | | | | | | |
Sonate für Viola da Gamba und Cembalo G-Dur, BWV 1027: I. Adagio | | | | | | | |
Sonate für Viola da Gamba und Cembalo G-Dur, BWV 1027: II. Allegro ma non tanto | | | | | | | |
Sonate für Viola da Gamba und Cembalo G-Dur, BWV 1027: III. Andante | | | | | | | |
Sonate für Viola da Gamba und Cembalo G-Dur, BWV 1027: IV. Allegro moderato | | | | | | | |
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029: I. Vivace | | | | | | | |
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029: II. Adagio | | | | | | | |
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029: III. Allegro | | | | | | | |
Song for 3 Voices, 2 Violins, Viola and Bass in G major, K. 441: Andante sostenuto. (Soprano, Tenor, Bass) "Liebes Manndel, wo ist's Bandel?" | | - Hans Peter Blochwitz, Julie Kaufmann, Anton Scharinger, Klaus von Wildemann, Münchner Rundfunkorchester, Jörg‐Peter Weigle
- Sandrine Piau, Topi Lehtipuu, Frédéric Caton, Quatuor Galuppi
- Walter Berry, Erika Köth, Peter Schreier, Convivium musicum München, Erich Keller
- Margot Guilleaume, Helmut Krebs, Hans Günter Nöcker, Fritz Wunderlich, Fritz Neumeyer
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Spagnoletta | | | | | | | |
Terpsichore, No. 1 (excerpt): Gavotte No. 1 / Gavotte No. 2 / Gavotte No. 3 / Gavotte No. 6 / Gavotte No. 1 / Gavotte No. 2 / Gavotte No. 3 | | | | | | | |
Terpsichore, No. 27: Spagnoletta à 4 | | | | | | | |
Terpsichore, No. 32: La Bourrée à 4 | | | | | | | |
Terpsichore, No. 183: Entrée / No. 117: Courante | | | | | | | |
Terpsichore, No. 201: Volte à 5 | | | | | | | |
Terpsichore, No. 268: Ballet à 4 | | | | | | | |