Armonico tributo: Sonata I in D major: I. Sonata. Grave | | | | | | | |
Armonico tributo: Sonata I in D major: II. Allegro e Presto | | | | | | | |
Armonico tributo: Sonata I in D major: III. Allemanda. Grave e Forte | | | | | | | |
Armonico tributo: Sonata I in D major: IV. Grave | | | | | | | |
Armonico tributo: Sonata I in D major: V. Gavotta. Allegro e Forte | | | | | | | |
Armonico tributo: Sonata I in D major: VI. Grave | | | | | | | |
Armonico tributo: Sonata I in D major: VII. Menuet. Allegro e Forte | | | | | | | |
Armonico tributo: Sonata II in G minor: I. Sonata. Grave | | | | | | | |
Armonico tributo: Sonata II in G minor: II. Allegro | | | | | | | |
Armonico tributo: Sonata II in G minor: III. Grave - Forte e Allegro - Grave | | | | | | | |
Armonico tributo: Sonata II in G minor: IV. Aria | | | | | | | |
Armonico tributo: Sonata II in G minor: VI. Sarabanda. Grave | | | | | | | |
Armonico tributo: Sonata II in G minor: VII. Grave | | | | | | | |
Armonico tributo: Sonata II in G minor: VIII. Borea. Alla breve | | | | | | | |
Armonico tributo: Sonata III in A major: I. Sonata. Grave | | | | | | | |
Armonico tributo: Sonata III in A major: II. Allegro | | | | | | | |
Armonico tributo: Sonata III in A major: III. Corrente | | | | | | | |
Armonico tributo: Sonata III in A major: IV. Adagio | | | | | | | |
Armonico tributo: Sonata III in A major: V. Gavotta | | | | | | | |
Armonico tributo: Sonata III in A major: VI. Rondeau | | | | | | | |
Armonico tributo: Sonata IV in E minor: I. Sonata. Grave - Allegro | | | | | | | |
Armonico tributo: Sonata IV in E minor: II. Balletto | | | | | | | |
Armonico tributo: Sonata IV in E minor: III. Adagio - Presto - Adagio - Presto - Adagio | | | | | | | |
Armonico tributo: Sonata IV in E minor: IV. Menuet | | | | | | | |
Armonico tributo: Sonata IV in E minor: V. Adagio | | | | | | | |
Armonico tributo: Sonata IV in E minor: VI. Aria. Presto | | | | | | | |
Armonico tributo: Sonata V in G major: I. Allemanda. Grave | | | | | | | |
Armonico tributo: Sonata V in G major: II. Adagio | | | | | | | |
Armonico tributo: Sonata V in G major: III. Fuga | | | | | | | |
Armonico tributo: Sonata V in G major: IV. Adagio | | | | | | | |
Armonico tributo: Sonata V in G major: V. Passacaglia. Grave | | | | | | | |
Concerto for 2 chalumeaux, 2 violins, viola & harpsichord in C major, GWV 303: I. Vivace | | | | | | | |
Concerto for 2 chalumeaux, 2 violins, viola & harpsichord in C major, GWV 303: II. Andante | | | | | | | |
Concerto for 2 chalumeaux, 2 violins, viola & harpsichord in C major, GWV 303: III. Allegro | | | | | | | |
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro | | - Alexander Permovalsky, Baroque Festival Orchestra, The English Philharmonic Orchestra, Musici di San Marco, I Solisti Napoli, Salzburger Kammerorchester, Slovak Chamber Orchestra, I Musici di Zagreb, Südwest-Studioorchester, Simon Addison, Alberto Lizzio, Heribert Münchner, Alexander von Pitamic, Bohdan Warchal
- [unknown]
- Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser
- Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy
- (show 424 more)
| | | | | |
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo | | | | | | | |
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale | | - Alexander Permovalsky, Baroque Festival Orchestra, Südwest-Studioorchester, Alberto Lizzio, Heribert Münchner
- I Solisti di Zagreb, Musici di San Marco, Slovak Chamber Orchestra, Alberto Lizzio, Bohdan Warchal
- [unknown]
- Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy
- (show 371 more)
| | | | | |
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: I. Allegro | | | | | | | |
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: II. Adagio molto | | - Alexander Permovalsky, Baroque Festival Orchestra, Südwest-Studioorchester, Alberto Lizzio, Heribert Münchner
- Musici di San Marco, Slovak Chamber Orchestra, Alberto Lizzio, Bohdan Warchal
- Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan
- Trevor Pinnock, Simon Standage, The English Concert
- (show 349 more)
| | | | | |
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: III. Allegro | | - Alexander Permovalsky, Baroque Festival Orchestra, The English Philharmonic Orchestra, Musici di San Marco, I Solisti Napoli, Salzburger Kammerorchester, Slovak Chamber Orchestra, I Musici di Zagreb, Südwest-Studioorchester, Simon Addison, Alberto Lizzio, Heribert Münchner, Alexander von Pitamic, Bohdan Warchal
- Musici di San Marco, Alberto Lizzio
- Baroque Festival Orchestra, Alexander Permovalsky, Alberto Lizzio
- Trevor Pinnock, Simon Standage, The English Concert
- (show 354 more)
| | | | | |
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto | | | | | | - 0O7-3717-0 (JASRAC ID)
- F minor (Key)
| |
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo | | | | | | | |
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: III. Allegro | | | | | | | |
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: I. Allegro non molto | | - Baroque Festival Orchestra, Alexander Permovalsky, Alberto Lizzio
- Musici di San Marco, Nova Filarmonia Portuguesa, Slovak Chamber Orchestra, Álvaro Cassuto, Alberto Lizzio, Bohdan Warchal
- Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan
- Trevor Pinnock, Simon Standage, The English Concert
- (show 361 more)
| | | | | |
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: II. Adagio e piano – Presto e forte | | - Alexander Permovalsky, Baroque Festival Orchestra, Alberto Lizzio
- Musici di San Marco, Salzburger Kammerorchester, Slovak Chamber Orchestra, Alberto Lizzio, Alexander von Pitamic, Bohdan Warchal
- Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan
- Trevor Pinnock, Simon Standage, The English Concert
- (show 361 more)
| | | | | |
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto | | | | | | | |
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 1 (Sopran, Alt) "Tilge, Höchster meine Sünden" | | - Robin Blaze, Carolyn Sampson, Bach Collegium Japan, 鈴木雅明
- Netherlands Bach Collegium, Pieter Jan Leusink
- Bach‐Collegium Stuttgart, Helmuth Rilling
- Franz Farnberger, Siegfried Ertelthalner, St. Florianer Sängerknaben, Michael Moucka, Martin Sturm, Ars Antiqua Austria, Gunar Letzbor
- (show 5 more)
| | | | | |
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 2 (Sopran) "Ist mein Herz in Missetaten" | | | | | | | |
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 3 (Sopran, Alt) "Missetaten, die mich drücken" | | | | | | | |
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 4 (Alt) "Dich erzürnt mein Tun und Lassen" | | | | | | | |
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 5 & 6 (Sopran, Alt) "Wer wird seine Schuld verneinen" | | | | | | | |
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 7 (Sopran, Alt) "Sieh! ich bin in Sünd empfangen" | | | | | | | |
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 8 (Sopran) "Sieh, du willst die Wahrheit haben" | | | | | | | |
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 9 (Alt) "Wasche mich doch rein von Sünden" | | | | | | | |
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 10 (Sopran, Alt) "Laß mich Freud und Wonne spüren" | | | | | | | |
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 11-15 (Sopran, Alt) "Schaue nicht auf meine Sünden" | | | | | | | |
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 16 (Alt) "Öffne Lippen, Mund und Seele" | | | | | | | |
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 17 & 18 (Sopran, Alt) "Denn du willst kein Opfer haben" | | | | | | | |
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 19 & 20 (Sopran, Alt) "Laß dein Zion blühend dauern" | | | | | | | |
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": XIV. (Sopran, Alt) "Amen" | | | | | | | |
Overture for 2 horns, timpani, 2 chalumeaux, 2 violins, viola, bassoon & harpsichord in F major, GWV 452: I. ( ) - Largo - da capo | | | | | | | |
Overture for 2 horns, timpani, 2 chalumeaux, 2 violins, viola, bassoon & harpsichord in F major, GWV 452: II. Menuet | | | | | | | |
Overture for 2 horns, timpani, 2 chalumeaux, 2 violins, viola, bassoon & harpsichord in F major, GWV 452: III. Air | | | | | | | |
Overture for 2 horns, timpani, 2 chalumeaux, 2 violins, viola, bassoon & harpsichord in F major, GWV 452: IV. Tempo di Sarabande | | | | | | | |
Overture for 2 horns, timpani, 2 chalumeaux, 2 violins, viola, bassoon & harpsichord in F major, GWV 452: V. Air - da capo | | | | | | | |
Overture for 3 chalumeaux, 2 violins, viola & harpsichord in F major, GWV 449: I. ( ) | | | | | | | |
Overture for 3 chalumeaux, 2 violins, viola & harpsichord in F major, GWV 449: II. Allegro | | | | | | | |
Overture for 3 chalumeaux, 2 violins, viola & harpsichord in F major, GWV 449: III. Bergerie | | | | | | | |
Overture for 3 chalumeaux, 2 violins, viola & harpsichord in F major, GWV 449: IV. Air | | | | | | | |
Overture for 3 chalumeaux, 2 violins, viola & harpsichord in F major, GWV 449: V. Le Desire | | | | | | | |
Overture for 3 chalumeaux, 2 violins, viola & harpsichord in F major, GWV 449: VI. Rejouissance | | | | | | | |
Overture for 3 chalumeaux, 2 violins, viola & harpsichord in F major, GWV 449: VII. La Speranza amorosa | | | | | | | |
Overture for 3 chalumeaux, 2 violins, viola & harpsichord in F major, GWV 449: VIII. Menuet | | | | | | | |
Prothimia Suavissima, Parte Seconda: Sonata 1 a 3 | | | | | | | |
Prothimia Suavissima, Parte Seconda: Sonata 2 a 4 | | | | | | | |
Prothimia Suavissima, Parte Seconda: Sonata 3 a 3 | | | | | | | |
Prothimia Suavissima, Parte Seconda: Sonata 4 a 3 | | | | | | | |
Prothimia Suavissima, Parte Seconda: Sonata 5 a 3 | | | | | | | |
Prothimia Suavissima, Parte Seconda: Sonata 6 a 3 | | | | | | | |
Prothimia Suavissima, Parte Seconda: Sonata 7 a 3 | | | | | | | |
Prothimia Suavissima, Parte Seconda: Sonata 8 a 3 | | | | | | | |
Prothimia Suavissima, Parte Seconda: Sonata 9 a 3 | | | | | | | |
Prothimia Suavissima, Parte Seconda: Sonata 10 a 3 | | | | | | | |
Prothimia Suavissima, Parte Seconda: Sonata 11 a 3 | | | | | | | |
Prothimia Suavissima, Parte Seconda: Sonata 12 a 4 | | | | | | | |
Sonata for violin & harpsichord in G minor, GWV 709: I. Largo | | | | | | | |
Sonata for violin & harpsichord in G minor, GWV 709: II. Allegro | | | | | | | |
Sonata for violin & harpsichord in G minor, GWV 709: III. Andante | | | | | | | |
Sonata for violin & harpsichord in G minor, GWV 709: IV. Vivace | | | | | | | |
Sonata in G minor, GWV 711: I. Largo | | | | | | | |
Sonata in G minor, GWV 711: II. Presto | | | | | | | |
Sonata in G minor, GWV 711: III. Largo | | | | | | | |
Sonata in G minor, GWV 711: IV. Menuet | | | | | | | |
Sonata Representativa: I. Allegro | | | | | | | |
Sonata Representativa: II. Nachtigal (Nightingale) | | | | | | | |
Sonata Representativa: III. CuCu (Cuckoo) | | | | | | | |
Sonata Representativa: IV. Frosch (Frog) | | | | | | | |
Sonata Representativa: IX. Allemande | | | | | | | |
Sonata Representativa: V. Die Henn & Der Hann (Cock & Hen) | | | | | | | |
Sonata Representativa: VI. Die Wachtel (Quail) | | | | | | | |