| arranged |
---|
| 1812 Overture | | St. Petersburg Chamber Choir, Leningrad Military Orchestra, St. Petersburg Philharmonic Orchestra, Vladimir Ashkenazy | 16:10 |
| Café-concert et Music-Hall : Légende californienne | | Jean‐Yves Thibaudet | 1:34 |
| balance engineered |
---|
| Herr Gott, nun schleuß den Himmel auf, BWV 617 | | Kun Woo Paik | 3:10 |
| In dir ist Freude, BWV 615 | | Kun Woo Paik | 2:01 |
| Jesus Christus | | Kun Woo Paik | 6:07 |
| Nun freut euch, liebe Christen g'mein, BWV 734 | | Kun Woo Paik | 2:09 |
| Toccata in C major for Organ, BWV 564: Fuga. Moderamente scharzando, un poco umorisitico | | Kun Woo Paik | 4:28 |
| Toccata in C major for Organ, BWV 564: Intermezzo. Adagio | | Kun Woo Paik | 6:04 |
| Toccata in C major for Organ, BWV 564: Preludio. Quasi improvvisando - Tempo moderato | | Kun Woo Paik | 6:59 |
| produced |
---|
1979-11 | La traviata: “Un dì felice” | assistant | Luciano Pavarotti, Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | 3:30 |
1979-11 | La traviata: Act I. “È strano! … Ah, fors’è lui … Sempre libera” | assistant | Joan Sutherland | 12:00 |
1979-11 | La traviata: Act II, Scene I. “Lunge da lei … O mio rimorso!” | assistant | Luciano Pavarotti | 7:41 |
1979-11 | La traviata: Act III. “Parigi, o cara” | assistant | Luciano Pavarotti, Joan Sutherland | 5:00 |
1979-11 | La traviata: Atto I. “Che è ciò?” (Coro, Violetta, Alfredo) | assistant | Della Jones, Marjon Lambriks, Matteo Manuguerra, Alexander Oliver, Luciano Pavarotti, Jonathan Summers, Joan Sutherland, Giorgio Tadeo, John Tomlinson, National Philharmonic Orchestra, Richard Bonynge | 2:10 |
1979-11 | La traviata: Atto I. “Dell'invito trascorsa” (Coro, Violetta, Alfredo) | assistant | Terry Edwards, Della Jones, London Opera Chorus, Alexander Oliver, Luciano Pavarotti, Jonathan Summers, Joan Sutherland, John Tomlinson, National Philharmonic Orchestra, Richard Bonynge | 4:39 |
1979-11 | La traviata: Atto I. “È strano! è strano! ...Ah! fors'è lui...” (Violetta) | assistant | Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | 6:54 |
1979-11 | La traviata: Atto I. “Follie! ...Sempre libera” (Violetta) | assistant | Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | 5:14 |
1979-11 | La traviata: Atto I. “Libiamo ne’lieti calici” (Brindisi) | assistant | London Opera Chorus, Luciano Pavarotti, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | 2:52 |
1979-11 | La traviata: Atto I. “Un dì felice, eterea” (Alfredo, Violetta) | assistant | Alexander Oliver, Luciano Pavarotti, Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | 6:10 |
1979-11 | La traviata: Atto II, scena 1. “Dammi tu forza, o cielo! ...Amami, Alfredo” (Violetta, Annina, Alfredo) | assistant | William Elvin, Ubaldo Gardini, Marjon Lambriks, Luciano Pavarotti, Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | 6:48 |
1979-11 | La traviata: Atto II, scena 1. “De' miei bollenti spiriti” (Alfredo) | assistant | Marjon Lambriks, Luciano Pavarotti, National Philharmonic Orchestra, Richard Bonynge | 2:45 |
1979-11 | La traviata: Atto II, scena 1. “Di Provenza il mar, il suol...” (Germont) | assistant | Matteo Manuguerra, National Philharmonic Orchestra, Richard Bonynge | 4:32 |
1979-11 | La traviata: Atto II, scena 1. “Dite alla giovine ...Morrò! La mia memoria” (Violetta, Germont) | assistant | Matteo Manuguerra, Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | 9:37 |
1979-11 | La traviata: Atto II, scena 1. “Lunge da lei...” (Alfredo) | assistant | Luciano Pavarotti, National Philharmonic Orchestra, Richard Bonynge | 2:02 |
1979-11 | La traviata: Atto II, scena 1. “No, nun udrai rimproveri” (Germont) | assistant | Matteo Manuguerra, National Philharmonic Orchestra, Richard Bonynge | 3:42 |
1979-11 | La traviata: Atto II, scena 1. “O mio rimorso!” (Alfredo) | assistant | Ubaldo Gardini, Marjon Lambriks, Matteo Manuguerra, Luciano Pavarotti, Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | 6:45 |
1979-11 | La traviata: Atto II, scena 1. “Pura siccome un angelo” (Germont, Violetta) | assistant | Matteo Manuguerra, Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | 6:48 |
1979-11 | La traviata: Atto II, Scena II. “Alfredo! Voi!” – “Or tutti a me” – “Ogni suo aver” (Tutti, Alfredo, Violetta) | assistant | Della Jones, Marjon Lambriks, Matteo Manuguerra, Alexander Oliver, Luciano Pavarotti, Jonathan Summers, Joan Sutherland, Giorgio Tadeo, John Tomlinson, David Wilson‐Johnson, National Philharmonic Orchestra, Richard Bonynge | 8:50 |
1979-11 | La traviata: Atto II, Scena II. “Avrem lieta di maschere la notte” – “Noi siamo zingarelle” (Flora, Marchese, Dottore, tutti) | assistant | Della Jones, Giorgio Tadeo, John Tomlinson, National Philharmonic Orchestra, Richard Bonynge | 6:58 |
1979-11 | La traviata: Atto II, Scena II. “Di sprezzo degno” (Germont, Alfredo, Violetta, tutti) | assistant | Della Jones, Matteo Manuguerra, Alexander Oliver, Luciano Pavarotti, Jonathan Summers, Joan Sutherland, Giorgio Tadeo, John Tomlinson, National Philharmonic Orchestra, Richard Bonynge | 6:28 |
1979-11 | La traviata: Atto III. “Ah, Violetta!” – “Se una pudica vergine” (Germont, Violetta, Alfredo, Annina, Dottore) | assistant | Marjon Lambriks, London Opera Chorus, Matteo Manuguerra, Luciano Pavarotti, Joan Sutherland, Giorgio Tadeo, National Philharmonic Orchestra, Richard Bonynge | 6:31 |
1979-11 | La traviata: Atto III. “Annina?” – “Comandate?” (Violetta, Annina, Dottore) | assistant | Marjon Lambriks, Joan Sutherland, Giorgio Tadeo, National Philharmonic Orchestra, Richard Bonynge | 10:28 |
1979-11 | La traviata: Atto III. “Parigi, o cara” – “Ah! Gran Dio! Morir sì giovine” (Alfredo, Violetta) | assistant | Luciano Pavarotti, Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | 9:58 |
1979-11 | La traviata: Atto III. “Signora!” – “Che t’accade?” (Annina, Violetta, Alfredo) | assistant | Marjon Lambriks, Luciano Pavarotti, Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | 1:53 |
1979-11 | La traviata: Atto III. “Teneste la promessa … È tardi! … Addio, del passato” (Violetta) | assistant | Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | 6:38 |
1979-11 | La traviata: Atto III. “Teneste la promessa … È tardi! … Addio, del passato” (Violetta) | assistant | Joan Sutherland | 8:36 |
1979-11 | La traviata: Atto III. Baccanale: “Largo al quadrupede” (Coro di maschere) | assistant | Terry Edwards, London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | 0:46 |
1979-11 | La traviata: Preludio | assistant | National Philharmonic Orchestra, Richard Bonynge | 4:08 |
1980-10 – | Piano Sonata no. 2 in B-Flat minor, op. 35: III. Marche funèbre (Lento) | | Vladimir Ashkenazy | 9:01 |
1982-06 – | Pictures at an Exhibition, for Piano: Promenade: Gnomus | | Vladimir Ashkenazy | 4:06 |
1984-05 – | Bagatelle no. 25 in A minor, WoO 59 "Für Elise" | | Vladimir Ashkenazy | 2:58 |
1984-09 | Piano Concerto No. 2 in C minor, Op. 18: II. Adagio sostenuto | | Vladimir Ashkenazy, Koninklijk Concertgebouworkest, Bernard Haitink | 11:27 |
1985-08 – | Piano Concerto no. 3, I. Allegro ma non tanto (excerpt) | | Vladimir Ashkenazy, Koninklijk Concertgebouworkest, Bernard Haitink | 5:06 |
1986-11 – | Rhapsody on a Theme of Paganini, op. 43: Variation 18 | | Vladimir Ashkenazy, Philharmonia Orchestra, Bernard Haitink | 3:06 |
1987-05 | Ernani: Atto I. “Che ma vegg'io!” / “Infelice! … e tuo credevi” / “L'offeso onor, signori” (Silva) | | Paata Burchuladze, Orchestra of the Welsh National Opera, Richard Bonynge | 3:38 |
1987-05 | Ernani: Atto I. “Da quel di che t'ho veduta” (Carlo, Elvira) | | Leo Nucci, Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | 3:47 |
1987-05 | Ernani: Atto I. “Dell' esilio nel dolore … O tu che l'alma adoro” (Ernani, Coro) | | Andrew Greenwood, Chorus of the Welsh National Opera, Luciano Pavarotti, Orchestra of the Welsh National Opera, Richard Bonynge | 3:08 |
1987-05 | Ernani: Atto I. “Fa' che a me venga …” (Carlo, Giovanna, Elvira) | | Linda McLeod, Leo Nucci, Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | 3:13 |
1987-05 | Ernani: Atto I. “Infin che un brando vindice” (Silva) | | Paata Burchuladze, Orchestra of the Welsh National Opera, Richard Bonynge | 2:58 |
1987-05 | Ernani: Atto I. “Mercé, diletti amici … Come rugiada al cespite” / “Si rapisca …” (Ernani, Coro) | | Andrew Greenwood, Chorus of the Welsh National Opera, Luciano Pavarotti, Orchestra of the Welsh National Opera, Richard Bonynge | 4:02 |
1987-05 | Ernani: Atto I. “Mio signor, dolente i sono” / “Io tuo fido? …” (SIlva, Carlo, Elvira, Ernani, Riccardo, Giovanna, Jago, Coro) | | Andrew Greenwood, Paata Burchuladze, Chorus of the Welsh National Opera, Linda McLeod, Alastair Miles, Richard Morton, Leo Nucci, Luciano Pavarotti, Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | 3:57 |
1987-05 | Ernani: Atto I. “Non t'ascolto, mia sarai” / “Tu se' Ernani! … mel dice lo sdegno” (Carlo, Ernani, Elvira) | | Leo Nucci, Luciano Pavarotti, Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | 3:44 |
1987-05 | Ernani: Atto I. “Surta è la notte” / “Ernani! … Ernani involami” (Elvira) / “Quante d'Iberia giovani” (Coro, Elvira) | | Andrew Greenwood, Chorus of the Welsh National Opera, Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | 6:22 |
1987-05 | Ernani: Atto I. “Tutto sprezzo che d'Ernani” (Elvira, Coro) | | Andrew Greenwood, Chorus of the Welsh National Opera, Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | 3:13 |
1987-05 | Ernani: Atto I. “Uscite...Ma signore …” / “Vedi come il buon vegliardo” (Silva, Ernani, Carlo, Jago, Riccardo, Elvira, Giovanna, Coro) | | Andrew Greenwood, Paata Burchuladze, Chorus of the Welsh National Opera, Linda McLeod, Alastair Miles, Richard Morton, Leo Nucci, Luciano Pavarotti, Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | 4:14 |
1987-05 | Ernani: Atto I. Coro dintroduzione "Evviva! Beviam!” / “Ernani pensoso” (Coro) | | Andrew Greenwood, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Armstrong, Richard Bonynge | 3:21 |
1987-05 | Ernani: Atto I. Preludio | | Orchestra of the Welsh National Opera, Richard Bonynge | 3:23 |
1987-05 | Ernani: Atto II. "Cugino, a che munito il tuo castel ritrovo?" (Carlo, Silva) | | Leo Nucci, Paata Burchuladze | 3:27 |
1987-05 | Ernani: Atto II. "D'Ernani i fidi chiedono" (Jago, Silva, Ernani, Coro) | | Luciano Pavarotti, Leo Nucci, Alastair Miles | 7:48 |
1987-05 | Ernani: Atto II. "Fu esplorata el castello" (Coro, Carlo, Elvira, Silva) | | Leo Nucci, Dame Joan Sutherland, Paata Burchuladze | 2:39 |
1987-05 | Ernani: Atto II. "Lo vedremo, veglio audace" (Carlo Silva) | | Leo Nucci, Paata Burchuladze | 2:15 |
1987-05 | Ernani: Atto II. "Vieni meco, sol di rose" (Carlo, Giovanna, Riccardo, Silva, Coro) | | Leo Nucci, Linda McLeod, Richard Morton, Paata Burchuladze | 3:31 |
1987-05 | Ernani: Atto II. "Vigili pure i ciel sempre su te" (Silva, Ernani) | | Paata Burchuladze, Luciano Pavarotti | 4:14 |
1987-05 | Ernani: Atto II. “Ah, morir potessi adesso“ (Ernani, Elvira) | | Luciano Pavarotti, Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | 2:21 |
1987-05 | Ernani: Atto II. “Cugino, a che munito” (Carlo, Silva) | | Paata Burchuladze, Leo Nucci, Orchestra of the Welsh National Opera, Richard Bonynge | 3:27 |
1987-05 | Ernani: Atto II. “D'Ernani i fidi chiedono” (Jago Silva, Ernani, Coro) / “In arcion, in arcion cavalieri” (Silva, Ernani, Coro) | | Andrew Greenwood, Paata Burchuladze, Chorus of the Welsh National Opera, Alastair Miles, Luciano Pavarotti, Orchestra of the Welsh National Opera, Richard Bonynge | 7:59 |
1987-05 | Ernani: Atto II. “Fu esplorata el castello” (Coro, Carlo, Elvira, Silva) | | Andrew Greenwood, Paata Burchuladze, Chorus of the Welsh National Opera, Leo Nucci, Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | 2:39 |
1987-05 | Ernani: Atto II. “Jago, qui tosto il pellegrin adduci” (Silva, Ernani, Elvira) | | Paata Burchuladze, Luciano Pavarotti, Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | 2:12 |
1987-05 | Ernani: Atto II. “Lo vedremo, veglio audace” (Carlo, Silva) | | Paata Burchuladze, Leo Nucci, Orchestra of the Welsh National Opera, Richard Bonynge | 2:15 |
1987-05 | Ernani: Atto II. “Oro, quant'oro ogn'avido” (Ernani, Elvira, Silva) / “In queste mura ogn'ospite"“(Silva) | | Paata Burchuladze, Luciano Pavarotti, Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | 3:19 |
1987-05 | Ernani: Atto II. “Scellerati, il mio furore” (Silva, Jago, Ernani) / “No, vendetta più tremenda” (Silva, Ernani, Elvira) | | Paata Burchuladze, Luciano Pavarotti, Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | 3:20 |
1987-05 | Ernani: Atto II. “Tu, perfida … Come fissarmi ardisci?“ (Ernani, Elvira) | | Luciano Pavarotti, Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | 1:50 |
1987-05 | Ernani: Atto II. “Vieni meco, sol di rose” (Carlo, Elvira, Giovanna, Riccardo, Silva, Coro) | | Andrew Greenwood, Paata Burchuladze, Chorus of the Welsh National Opera, Linda McLeod, Richard Morton, Leo Nucci, Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | 3:31 |
1987-05 | Ernani: Atto II. “Vigili pure i ciel sempre su te” / “Esci … a te … scegli, seguimi” (Silva, Ernani) | | Paata Burchuladze, Luciano Pavarotti, Orchestra of the Welsh National Opera, Richard Bonynge | 4:14 |
1987-05 | Ernani: Atto II. Coro d'introduzione “Esultiamo! Letizia ne innondi” (Coro) | | Andrew Greenwood, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | 2:33 |
1987-05 | Ernani: Atto III. "Ad augusta! Chi va là?" (Coro, Ernani, Silva, Jago) | | Luciano Pavarotti, Leo Nucci, Paata Burchuladze, Alastair Miles | 4:10 |
1987-05 | Ernani: Atto III. "E questo il loco?" (Carlo, Riccardo) | | Leo Nucci, Richard Morton | 3:39 |
1987-05 | Ernani: Atto III. "Gran Dio! Costor sui sepolcrali marmi" (Carlo) | | Leo Nucci | 1:33 |
1987-05 | Ernani: Atto III. "Io son conte, duca sono" (Ernani, Carlo, Elvira) | | Luciano Pavarotti, Dame Joan Sutherland, Leo Nucci | 1:25 |
1987-05 | Ernani: Atto III. "O sommo Carlo, più del tuo nome" (Carlo, Elvira, Ernani, Riccardo, Giovanna, Jago, Silva, Coro) | | Luciano Pavarotti, Dame Joan Sutherland, Leo Nucci, Paata Burchuladze, Linda McLeod, Richard Morton, Alastair Miles | 3:49 |
1987-05 | Ernani: Atto III. "Oh de' verd'anni miei" (Carlo) | | Leo Nucci | 2:58 |
1987-05 | Ernani: Atto III. "Qual rumore? Che sarà" (Ernani, Silva, Jago, Carlo, Riccardo, Coro) | | Luciano Pavarotti, Leo Nucci, Paata Burchuladze, Richard Morton, Alastair Miles | 2:12 |
1987-05 | Ernani: Atto III. "Un patto! Un giuramento!" (Tutti) | | Chorus of the Welsh National Opera | 1:37 |
1987-05 | Ernani: Atto III. “Ad augusta! Chi va là?” (Coro, Silva, Ernani, Jago) | | Andrew Greenwood, Paata Burchuladze, Chorus of the Welsh National Opera, Alastair Miles, Luciano Pavarotti, Orchestra of the Welsh National Opera, Richard Bonynge | 4:10 |
1987-05 | Ernani: Atto III. “È questo il loco?” (Carlo, Riccardo) | | Richard Morton, Leo Nucci, Orchestra of the Welsh National Opera, Richard Bonynge | 3:39 |
1987-05 | Ernani: Atto III. “Gran Dio! Costor sui sepolcrali marmi” (Carlo) | | Leo Nucci, Orchestra of the Welsh National Opera, Richard Bonynge | 1:33 |
1987-05 | Ernani: Atto III. “Io son conte, duca sono“ (Ernani, Carlo, Elvira) | | Leo Nucci, Luciano Pavarotti, Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | 1:25 |
1987-05 | Ernani: Atto III. “O sommo Carlo, più del tuo nome“ (Carlo, Silva, Elvira, Ernani, Giovanna, Jago, Riccardo, Coro) | | Andrew Greenwood, Paata Burchuladze, Chorus of the Welsh National Opera, Linda McLeod, Alastair Miles, Richard Morton, Leo Nucci, Luciano Pavarotti, Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | 3:56 |
1987-05 | Ernani: Atto III. “Oh, de' verd'anni miei” (Carlo) | | Leo Nucci, Orchestra of the Welsh National Opera, Richard Bonynge | 2:59 |
1987-05 | Ernani: Atto III. “Qual rumore!! Che sarà“ (Coro, Carlo, Riccardo, Ernani) | | Andrew Greenwood, Chorus of the Welsh National Opera, Richard Morton, Leo Nucci, Luciano Pavarotti, Orchestra of the Welsh National Opera, Richard Bonynge | 2:12 |
1987-05 | Ernani: Atto III. “Si redeste il Leon di Castiglia” (Ernani, Jago, Silva, Coro) | | Andrew Greenwood, Paata Burchuladze, Chorus of the Welsh National Opera, Alastair Miles, Luciano Pavarotti, Orchestra of the Welsh National Opera, Richard Bonynge | 1:37 |
1987-05 | Ernani: Atto IV. "Cessaro i suoni, dispari ogni face" (Ernani, Elvira, Silva) | | Luciano Pavarotti, Dame Joan Sutherland, Paata Burchuladze | 5:17 |
1987-05 | Ernani: Atto IV. "Ecco il pegno" (Silva, Ernani) | | Luciano Pavarotti, Paata Burchuladze | 2:21 |
1987-05 | Ernani: Atto IV. "Ferma, crudele, estinguere perché vuoi tu due vite?" (Elvira, Silva, Ernani) | | Luciano Pavarotti, Dame Joan Sutherland, Paata Burchuladze | 8:12 |
1987-05 | Ernani: Atto IV. “Cessaro i suoni, dispari ogni face“ (Ernani, Elvira, Silva) | | Paata Burchuladze, Luciano Pavarotti, Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | 5:17 |
1987-05 | Ernani: Atto IV. “Ecco il pegno” (Silva, Ernani) | | Paata Burchuladze, Luciano Pavarotti, Orchestra of the Welsh National Opera, Richard Bonynge | 2:21 |
1987-05 | Ernani: Atto IV. “Ferma, crudele, estinguere” (Elvira, Silva, Ernani) | | Paata Burchuladze, Luciano Pavarotti, Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | 8:12 |
1987-05 | Ernani: Atto IV. “Oh, come felici gioiscon gli sposi!“ (Coro) | | Andrew Greenwood, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | 3:12 |
1987-05 | Ernani: AttoIV. "Oh, come felici gioiscon gli sposi!" (Coro) | | Chorus of the Welsh National Opera | 3:12 |
1990-10-08 | Siegfried Idyll in E major, WWV 103 | | San Francisco Symphony, Herbert Blomstedt | 19:44 |
1990-10-08 | Symphony No. 6 in A major: I. Majestoso | | San Francisco Symphony, Herbert Blomstedt | 16:39 |
1990-10-08 | Symphony No. 6 in A major: II. Adagio: Sehr feierlich | | San Francisco Symphony, Herbert Blomstedt | 18:53 |
1990-10-08 | Symphony No. 6 in A major: III. Scherzo: Nicht schnell - Trio: Nicht langsam | | San Francisco Symphony, Herbert Blomstedt | 8:16 |
1990-10-08 | Symphony No. 6 in A major: IV. Finale: Bewegt, doch nicht zu schnell | | San Francisco Symphony, Herbert Blomstedt | 14:04 |
1995-05-19 – 1995-05-20 | Sonata, op. 1: Mässig bewegt | | Royal Concertgebouw Orchestra, Riccardo Chailly | 12:35 |
1995-10 | Panic | | John Harle, Paul Clarvis, BBC Symphony Orchestra, Andrew Davis | 18:30 |
1996-11 | Serenade for Strings in C major, Op. 48: II. Waltz | | St. Petersburg Philharmonic Orchestra, Vladimir Ashkenazy | 3:47 |
2000-01-17 – 2000-01-20 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part Two. Gerettet ist das edle Glied | executive | Royal Concertgebouw Orchestra, Riccardo Chailly | 3:33 |
2003-11-15 – 2003-11-24 | Samson, HWV 57: Let the bright seraphim | | Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | 5:37 |
| See all 3,161 relationships |
| recording engineer for |
---|
| Adagetto in F major | | Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | 4:15 |
| Cessato il suon dell’armi (1887) | | Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | 7:25 |
| Corazzata Sicilia (on themes from “La bohème”) | | Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | 2:33 |
| Ecce sacerdos magnus | | Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | 0:25 |
| Inno a Roma | | Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | 3:23 |
| Manon Lescaut (ed. Pietro Spada): Act 2. Preludio | | Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | 4:27 |
| Mottetto per San Paolino | | Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | 11:08 |
| Preludio a Orchestra | | Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | 2:30 |
| Requiem | | Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | 5:29 |
| Salve Regina | | Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | 4:40 |
| Scherzo | | Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | 4:56 |
| Scossa elettrica (Marcia brillante) | | Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | 1:45 |
| Turandot (completed by Luciano Berio, final revised version): Act 3. Finale | | Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | 23:13 |
| Vexilla regis prodeunt | | Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | 3:38 |
| liner notes for |
---|
| Mantra | | Robert Moran | |
| produced |
---|
| Corrado d'Altamura: Highlights | | Federico Ricci; Philharmonia Orchestra, Roland Böer | |
| Discoveries | executive | Verdi; Jean‐Yves Thibaudet, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | |
| Dreams and Fables: Italian Arias | executive | Gluck; Cecilia Bartoli | |
| Edward Elgar: Violin Concerto / Ernest Chausson: Poème | executive | Edward Elgar, Chausson; Royal Liverpool Philharmonic Orchestra, Vernon Handley, Philippe Graffin | |
| Italian Arias | executive | Gluck; Cecilia Bartoli, Akademie für Alte Musik Berlin, Bernhard Forck | |
| Piano Works | executive | Dmitry Shostakovich; Vladimir Ashkenazy | |
| Pictures at an Exhibition: original piano version / Ashkenazy orchestral version | | Mussorgsky; Philharmonia Orchestra, Vladimir Ashkenazy | |
| Romeo and Juliet, op. 64 | executive | Prokofiev; Royal Philharmonic Orchestra, Vladimir Ashkenazy | |
| Saul en David • Amphitrion • Cyrano de Bergerac • The Taming of the Shrew | | Johan Wagenaar; Riccardo Chailly, Koninklijk Concertgebouworkest | |
| Serenades for Strings and Winds | | Antonín Dvořák; London Philharmonic Orchestra, Christopher Hogwood | |
| Shamans | executive | Aziza Mustafa Zadeh | |
| Symphony no. 4 in G major | executive | Gustav Mahler; Royal Liverpool Philharmonic Orchestra, Gerard Schwarz, Maureen McKay | |
| Symphony no. 7 / Tapiola | | Jean Sibelius; Philharmonia Orchestra, Vladimir Ashkenazy | |
| Symphony no. 7 / Tapiola | | Jean Sibelius; Philharmonia Orchestra, Vladimir Ashkenazy | |
| The Complete Solo Piano Music | executive | Satie; Jean‐Yves Thibaudet | |
| The Four Piano Concertos | | Rachmaninov; Vladimir Ashkenazy, Concertgebouw Orchestra, Bernard Haitink | |
| The Isle of the Dead / Symphonic Dances | | Rachmaninoff; Concertgebouw Orchestra, Vladimir Ashkenazy | |
| The Symphonies | executive | Mahler; Chailly, Royal Concertgebouw Orchestra, RSO Berlin | |
| Turangalîla-Symphonie | | Olivier Messiaen; Royal Concertgebouw Orchestra, Riccardo Chailly, Jean‐Yves Thibaudet, Takashi Harada | |
| Turangalîla‐Symphonie | | Olivier Messiaen; Jean‐Yves Thibaudet, Takashi Harada, Royal Concertgebouw Orchestra, Riccardo Chailly | |
| Violin Concertos | executive | Beethoven, Mendelssohn; Viktoria Mullova, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | |
| Violin Concertos | executive | Beethoven, Mendelssohn; Viktoria Mullova, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | |
| arranged |
---|
1997 | Suite From Cheryomushki | | | |
1997 | Suite From Cheryomushki: I. A Spin Through Moscow | | | |
1997 | Suite From Cheryomushki: II. Waltz | | | |
1997 | Suite From Cheryomushki: III. Dances (Polka - Gallop) | | | |
1997 | Suite From Cheryomushki: IV. Ballet | | | |