| 12 danzas españolas, op. 37, nº 1: Minueto | | | | | | | |
| 12 danzas españolas, op. 37, nº 2: Oriental | | | | | | | |
| 12 danzas españolas, op. 37, nº 3: Zarabanda | | | | | | | |
| 12 danzas españolas, op. 37, nº 4: Villanesca | | | | | | | |
| 12 danzas españolas, op. 37, nº 5: Andaluza (Playera) | | | | | | | |
| 12 danzas españolas, op. 37, nº 6: Rondalla aragonesa | | | | | | | |
| 12 danzas españolas, op. 37, nº 7: Valenciana o Calesera | | | | | | | |
| 12 danzas españolas, op. 37, nº 8: Sardana o Asturiana | | | | | | | |
| 12 danzas españolas, op. 37, nº 9: Mazurca | | | | | | | |
| 12 danzas españolas, op. 37, nº 10: Danza triste | | | | | | | |
| 12 danzas españolas, op. 37, nº 11: Zambra | | | | | | | |
| 12 danzas españolas, op. 37, nº 12: Arabesca | | | | | | | |
| Concerto for Lute in D major, RV 93: I. Allegro giusto | | | | | | | |
| Concerto for Mandolin in C major, RV 425: I. Allegro | | | | | | | |
| Concerto for Mandolin in C major, RV 425: II. Largo | | | | | | | |
| Concerto for Mandolin in C major, RV 425: III. Allegro | | | | | | | |
| Concerto in B minor for Four Violins, Cello and Strings, op. 3 no. 10, RV 580 | | | | Concerto | | | |
| Concerto in B minor for Four Violins, Cello and Strings, op. 3 no. 10, RV 580: I. Allegro | | - I Solisti di Zagreb, Anton Nanut
- San Antonio Symphony, Victor Alessandro, Celedonio Romero, Celin Romero, Pepe Romero, Ángel Romero
- Antonio Vivaldi
- Elizabeth Wilcock, Micaela Comberti, Miles Golding, Simon Standage, Jaap ter Linden, The English Concert, Trevor Pinnock
- (show 67 more)
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| Concerto in B minor for Four Violins, Cello and Strings, op. 3 no. 10, RV 580: II. Largo | | - I Solisti di Zagreb, Anton Nanut
- Celedonio Romero, Celin Romero, Pepe Romero, Ángel Romero, San Antonio Symphony, Victor Alessandro
- Accademia I Filarmonici, Alberto Martini
- Elizabeth Wilcock, Micaela Comberti, Miles Golding, Simon Standage, Jaap ter Linden, The English Concert, Trevor Pinnock
- (show 64 more)
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| Concerto in B minor for Four Violins, Cello and Strings, op. 3 no. 10, RV 580: III. Allegro | | - I Solisti di Zagreb, Anton Nanut
- Antonio Vivaldi
- Celedonio Romero, Celin Romero, Pepe Romero, Ángel Romero, San Antonio Symphony, Victor Alessandro
- Elizabeth Wilcock, Micaela Comberti, Miles Golding, Simon Standage, Jaap ter Linden, The English Concert, Trevor Pinnock
- (show 63 more)
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| Concierto andaluz: I. Tempo de bolero | | - Los Romeros, Academy of St Martin in the Fields, Sir Neville Marriner
- Celedonio Romero, Celin Romero, Pepe Romero, Ángel Romero, San Antonio Symphony, Victor Alessandro
- Minerva Garibay, Cecilia López, Alfonso Moreno, Jesús Ruiz, Orquesta Sinfónica del Estado de México, Enrique Bátiz
- entreQuatre, Orquesta Sinfónica del Principado de Asturias, Maximiano Valdés
- (show 2 more)
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| Concierto andaluz: II. Adagio | | - Los Romeros, Academy of St Martin in the Fields, Sir Neville Marriner
- Celedonio Romero, Celin Romero, Pepe Romero, Ángel Romero, San Antonio Symphony, Victor Alessandro
- Minerva Garibay, Cecilia López, Alfonso Moreno, Jesús Ruiz, Orquesta Sinfónica del Estado de México, Enrique Bátiz
- entreQuatre, Orquesta Sinfónica del Principado de Asturias, Maximiano Valdés
- (show 2 more)
| | | | | |
| Concierto andaluz: III. Allegretto | | - Los Romeros, Academy of St Martin in the Fields, Sir Neville Marriner
- Celedonio Romero, Celin Romero, Pepe Romero, Ángel Romero, San Antonio Symphony, Victor Alessandro
- Minerva Garibay, Cecilia López, Alfonso Moreno, Jesús Ruiz, Orquesta Sinfónica del Estado de México, Enrique Bátiz
- entreQuatre, Orquesta Sinfónica del Principado de Asturias, Maximiano Valdés
- (show 3 more)
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| Concierto de Málaga | | | | Concerto | | | |
| Concierto de Málaga: I. Allegro vivace | | | | | | | |
| Concierto de Málaga: II. Andante - Allegretto | | | | | | | |
| Concierto de Málaga: III. Tangos y tientos | | | | | | | |
| Danza andaluza no. 1 | | | | | | | |
| El amor brujo: VIII. Danza ritual del fuego | | | | | | | |
| El Maestro: Pavana III | | | | | | | |
| El Maestro: Pavana IV | | | | | | | |
| El Maestro: Pavana VI | | | | | | | |
| Espagnoletta | | | | | | | |
| Grande Ouverture, op. 61 | | | | | | | |
| Introduction and Variations on a Theme by Mozart, op. 9 | | | | | | | |
| La Petenera | | | | | | | |
| Les Fêtes d'Hébé: Troisième Entrée (La Danse), Scène VI. Première et Deuxième Gavottes | | | | Opera | | | |
| Los maestros | | | | | | | |
| Los maestros: I. Copla | | | | | | | |
| Los maestros: II. La rueda | | | | | | | |
| Los maestros: III. Baile | | | | | | | |
| Los seys libros del Delphín de música, Libro sesto: Guárdame las vacas (7 diferencias) | | | | Étude | | | |
| Malagueña | | | | | | | |
| Menuett in d-Moll, BWV Anh. 132 | | | | | | | |
| Mi jardín solitario | | | | Song-cycle | | | |
| Mi jardín solitario: I. La Encarnilla | | | | | | | |
| Mi jardín solitario: II. ¡Soledad! | | | | | | | |
| Mi jardín solitario: III. La rueda verde | | | | | | | |
| Mi jardín solitario: IV. La alondra y el ruiseñor | | | | | | | |
| Mi jardín solitario: IX. Susurros | | | | | | | |
| Mi jardín solitario: V. Canción burlesca | | | | | | | |
| Mi jardín solitario: VI. El corazón se me parte | | | | | | | |
| Mi jardín solitario: VII. Estrella de la mañana | | | | | | | |
| Mi jardín solitario: VIII. La tarde | | | | | | | |
| Mi jardín solitario: X. Callen los pinos | | | | | | | |
| Mi jardín solitario: XI. Canción del bambú | | | | | | | |
| Noche en Málaga | | | | | | | |
| Prelude for guitar no. 8 in A- "Lágrima" | | | | | | | |
| Prelude in C minor, BWV 999 | | | | | | | |
| Preludio no. 1 "Plegaria" | | | | | | | |
| Preludio no. 2 "Aleluya" | | | | | | | |
| Preludio romántico | | | | | | | |
| Recuerdos de la Alhambra | | | | | | | |
| Serenata española | | | | | | | |
| Suite andaluza | | | | Suite | | | |
| Suite andaluza: I. Soleares | | | | | | | |
| Suite andaluza: II. Alegrías | | | | | | | |
| Suite andaluza: III. Tango | | | | | | | |
| Suite andaluza: IV. Zapateado | | | | | | | |
| Suite andaluza: V. Fantasía | | | | | | | |
| Suite Española | | | | Suite | | | |
| Suite española no. 1, op. 47: V. Asturias (Leyenda) | | | | | | | |
| Suite für Violoncello solo no. 6 D-Dur, BWV 1012: V. Gavottes I & II | | | | | | | |
| Suite in D minor: I. Prelude | | | | | | | |
| Suite in D minor: Minuet I | | | | Suite | | | |
| Suite in D minor: Minuet II | | | | Suite | | | |
| Suite in D minor: V. Gavotte | | | | | | | |
| Suite no. 4 Es-Dur, BWV 1010: V. Bourrées I & II | | | | | | | |
| Suite no. 6 D‐Dur, BWV 1012: V. Gavottes I & II | | | | | | | |
| Suite of Six Dances | | | | | | | |
| The Most High and Mightie Christianus the fourth King of Denmarke, his Galliard, P. 40 | | | | | | | |
| Trio in C major for Lute, Violin, Cello and Continuo, RV 82 | | | | Sonata | | | |
| Trio in C major for Lute, Violin, Cello and Continuo, RV 82: I. Allegro non molto | | | | | | | |
| Trio in C major for Lute, Violin, Cello and Continuo, RV 82: II. Larghetto | | | | | | | |
| Trio in C major for Lute, Violin, Cello and Continuo, RV 82: III. Allegro | | | | | | | |
| Variationen über ein Thema von G. F. Händel, op. 107 "Der Harmonische Grobschmied" | | | | Suite | | | |
| Variazioni concertanti, op. 130 | | | | | | | |
