| arranged |
---|
| Gnossienne no. 1. Lent | | [unknown] | 0:47 |
| Septet in E-flat major, op. 65: IV | | [unknown] | 2:04 |
| conducted |
---|
1995-12 | Powder Her Face: Act I, Scene 1, Nineteen ninety: I see. This is what it has come to (Duchess/Electrician/Maid) | | Almeida Ensemble, Thomas Adès | 2:52 |
1995-12 | Powder Her Face: Act I, Scene 1, Nineteen ninety: Interlude (Orchestra) | | Almeida Ensemble, Thomas Adès | 1:07 |
1995-12 | Powder Her Face: Act I, Scene 1, Nineteen ninety: Oo aa! ha ha ha ha ha (Maid/Electrician) | | Almeida Ensemble, Thomas Adès | 4:12 |
1995-12 | Powder Her Face: Act I, Scene 1, Nineteen ninety: Take it from me (Duchess/Electrician/Maid) | | Almeida Ensemble, Thomas Adès | 5:07 |
1995-12 | Powder Her Face: Act I, Scene 2, Nineteen thirty-four: I could never grow bored of dukedoms (Confidante/Lounge Lizard/Duchess) | | Almeida Ensemble, Thomas Adès | 1:52 |
1995-12 | Powder Her Face: Act I, Scene 2, Nineteen thirty-four: I hear him coming (Pantomime) (Duchess/Confidante/Lounge Lizard/Duke) | | Almeida Ensemble, Thomas Adès | 5:08 |
1995-12 | Powder Her Face: Act I, Scene 2, Nineteen thirty-four: Interlude (Orchestra) | | Almeida Ensemble, Thomas Adès | 2:38 |
1995-12 | Powder Her Face: Act I, Scene 2, Nineteen thirty-four: Of course she's done well (Confidante/Lounge Lizard/Duchess) | | Almeida Ensemble, Thomas Adès | 2:14 |
1995-12 | Powder Her Face: Act I, Scene 3, Nineteen thirty-six: Fancy, fancy being rich (Waitress) | | Almeida Ensemble, Thomas Adès | 4:46 |
1995-12 | Powder Her Face: Act I, Scene 4, Nineteen fifty-three: ...mm...ah!...How may I help you? (Duchess/Laundryman/Other Guest) | | Almeida Ensemble, Thomas Adès | 3:50 |
1995-12 | Powder Her Face: Act I, Scene 4, Nineteen fifty-three: ...mm...ah!...Room service? | | Almeida Ensemble, Thomas Adès | 3:24 |
1995-12 | Powder Her Face: Act I, Scene 4, Nineteen fifty-three: Come here (Duchess/Waiter) | | Almeida Ensemble, Thomas Adès | 6:19 |
1995-12 | Powder Her Face: Act I, Scene 4, Nineteen fifty-three: Interlude (Orchestra) | | Almeida Ensemble, Thomas Adès | 2:04 |
1995-12 | Powder Her Face: Act I, Scene 4, Nineteen fifty-three: What have you got there? | | Almeida Ensemble, Thomas Adès | 3:08 |
1995-12 | Powder Her Face: Act I, Scene 5, Nineteen fifty-three: Are you saying the Duchess is a whore? | | Almeida Ensemble, Thomas Adès | 4:57 |
1995-12 | Powder Her Face: Act I, Scene 5, Nineteen fifty-three: Ha ha ha ha... (Paper chase) (Mistress/Duke) | | Almeida Ensemble, Thomas Adès | 2:18 |
1995-12 | Powder Her Face: Act I, Scene 5, Nineteen fifty-three: Is Daddy squiffy? | | Almeida Ensemble, Thomas Adès | 5:43 |
1995-12 | Powder Her Face: Act I: Overture (Orchestra) | | Almeida Ensemble, Thomas Adès | 2:58 |
1995-12 | Powder Her Face: Act II, Scene 6, Nineteen fifty-five: But now I have heard something new (Judge) | | Almeida Ensemble, Thomas Adès | 3:46 |
1995-12 | Powder Her Face: Act II, Scene 6, Nineteen fifty-five: Did she?...Of course she did (Rubberneckers) | | Almeida Ensemble, Thomas Adès | 3:10 |
1995-12 | Powder Her Face: Act II, Scene 6, Nineteen fifty-five: Did you hear - What he said? (Rubberneckers) | | Almeida Ensemble, Thomas Adès | 1:44 |
1995-12 | Powder Her Face: Act II, Scene 6, Nineteen fifty-five: Interlude (Orchestra) | | Almeida Ensemble, Thomas Adès | 1:05 |
1995-12 | Powder Her Face: Act II, Scene 6, Nineteen fifty-five: Order, Silence | | Almeida Ensemble, Thomas Adès | 5:30 |
1995-12 | Powder Her Face: Act II, Scene 6, Nineteen fifty-five: So that is all (Duchess/Rubberneckers) | | Almeida Ensemble, Thomas Adès | 5:09 |
1995-12 | Powder Her Face: Act II, Scene 7, Nineteen seventy: Ah! None left (Duchess/Society Journalist/Delivery Boy) | | Almeida Ensemble, Thomas Adès | 4:11 |
1995-12 | Powder Her Face: Act II, Scene 7, Nineteen seventy: I'd like to make one thing entirely clear | | Almeida Ensemble, Thomas Adès | 3:07 |
1995-12 | Powder Her Face: Act II, Scene 7, Nineteen seventy: Interlude - Fifty-eight, seventy-nine (Duchess) | | Almeida Ensemble, Thomas Adès | 1:16 |
1995-12 | Powder Her Face: Act II, Scene 8, Nineteen ninety: Agh - Who are you? (Duchess/Hotel Manager) | | Almeida Ensemble, Thomas Adès | 6:34 |
1995-12 | Powder Her Face: Act II, Scene 8, Nineteen ninety: Broken. It's broken (Duchess/Hotel Manager) | | Almeida Ensemble, Thomas Adès | 8:07 |
1995-12 | Powder Her Face: Act II, Scene 8, Nineteen ninety: That will do, you may go (Duchess) | | Almeida Ensemble, Thomas Adès | 4:45 |
1995-12 | Powder Her Face: Ghost Epilogue: Enough...Or too much! (Maid/Electrician) | | Almeida Ensemble, Thomas Adès | 2:41 |
1997-05 | The Origin of the Harp, op. 13: I. Dolcissimo ed espressivo | | Lynsey Marsh, Richard Benjafield, Judith Busbridge, Louise Hopkins, Susan Knight, James Boyd, Paul Richards, Barnaby Robson, Jonathan Tunnell, Paul Watkins, Thomas Adès | 2:13 |
1997-05 | The Origin of the Harp, op. 13: II. Largo con moto | | Lynsey Marsh, Richard Benjafield, Judith Busbridge, Louise Hopkins, Susan Knight, James Boyd, Paul Richards, Barnaby Robson, Jonathan Tunnell, Paul Watkins, Thomas Adès | 2:06 |
1997-05 | The Origin of the Harp, op. 13: III. Spettrale | | Lynsey Marsh, Richard Benjafield, Judith Busbridge, Louise Hopkins, Susan Knight, James Boyd, Paul Richards, Barnaby Robson, Jonathan Tunnell, Paul Watkins, Thomas Adès | 2:32 |
1997-05 | The Origin of the Harp, op. 13: IV. [untitled] | | Lynsey Marsh, Richard Benjafield, Judith Busbridge, Louise Hopkins, Susan Knight, James Boyd, Paul Richards, Barnaby Robson, Jonathan Tunnell, Paul Watkins, Thomas Adès | 2:29 |
2016-03-09 | Brahms, op. 21 | | Samuel Dale Johnson, London Symphony Orchestra, Thomas Adès | 5:05 |
2016-03-09 | Polaris "Voyage for Orchestra" | | London Symphony Orchestra, Thomas Adès | 13:30 |
2016-03-09 | Tevot | | London Symphony Orchestra, Thomas Adès | 20:19 |
2016-03-16 | Asyla, op. 17: I. | | London Symphony Orchestra, Thomas Adès | 5:50 |
2016-03-16 | Asyla, op. 17: I. | | London Symphony Orchestra, Thomas Adès | 5:50 |
2016-03-16 | Asyla, op. 17: II. | | London Symphony Orchestra, Thomas Adès | 6:34 |
2016-03-16 | Asyla, op. 17: II. | | London Symphony Orchestra, Thomas Adès | 6:34 |
2016-03-16 | Asyla, op. 17: III. Ecstasio | | London Symphony Orchestra, Thomas Adès | 6:35 |
2016-03-16 | Asyla, op. 17: III. Ecstasio | | London Symphony Orchestra, Thomas Adès | 6:35 |
2016-03-16 | Asyla, op. 17: IV. Quasi leggiero | | London Symphony Orchestra, Thomas Adès | 5:02 |
2016-03-16 | Asyla, op. 17: IV. Quasi leggiero | | London Symphony Orchestra, Thomas Adès | 5:02 |
2016-03-16 | Brahms, op. 21 | | London Symphony Orchestra, Thomas Adès | 5:05 |
2016-03-16 | Polaris "Voyage for Orchestra" | | London Symphony Orchestra, Thomas Adès | 13:30 |
2016-03-16 | Tevot | | London Symphony Orchestra, Thomas Adès | 20:19 |
2016 | Totentanz: Der Handwerker – Der Tod zum Handwerker | | Mark Stone, Christianne Stotijn, Boston Symphony Orchestra, Thomas Adès | 2:20 |
2016 | Totentanz: Der Prediger | | Mark Stone, Boston Symphony Orchestra, Thomas Adès | 1:16 |
2016 | Totentanz: Der Tod | | Mark Stone, Boston Symphony Orchestra, Thomas Adès | 1:56 |
2016 | Totentanz: Der Tod zum Arzt – Der Arzt – Der Tod zum Wucherer – Der Wucherer | | Mark Stone, Christianne Stotijn, Boston Symphony Orchestra, Thomas Adès | 0:45 |
2016 | Totentanz: Der Tod zum Bauer – Der Bauer | | Mark Stone, Christianne Stotijn, Boston Symphony Orchestra, Thomas Adès | 2:13 |
2016 | Totentanz: Der Tod zum Kaiser – Der Kaiser | | Mark Stone, Christianne Stotijn, Boston Symphony Orchestra, Thomas Adès | 2:16 |
2016 | Totentanz: Der Tod zum Kardinal – Der Kardinal | | Mark Stone, Christianne Stotijn, Boston Symphony Orchestra, Thomas Adès | 2:42 |
2016 | Totentanz: Der Tod zum Kaufmann – Der Kaufmann | | Mark Stone, Christianne Stotijn, Boston Symphony Orchestra, Thomas Adès | 2:05 |
2016 | Totentanz: Der Tod zum Kind – Das Kind | | Mark Stone, Christianne Stotijn, Boston Symphony Orchestra, Thomas Adès | 4:50 |
2016 | Totentanz: Der Tod zum König – Der König | | Mark Stone, Christianne Stotijn, Boston Symphony Orchestra, Thomas Adès | 1:55 |
2016 | Totentanz: Der Tod zum Küster – Der Küster – Der Tod zum Küster | | Mark Stone, Christianne Stotijn, Boston Symphony Orchestra, Thomas Adès | 4:01 |
2016 | Totentanz: Der Tod zum Mädchen – Das Mädchen | | Mark Stone, Christianne Stotijn, Boston Symphony Orchestra, Thomas Adès | 2:58 |
2016 | Totentanz: Der Tod zum Mönch – Der Mönch | | Mark Stone, Christianne Stotijn, Boston Symphony Orchestra, Thomas Adès | 1:41 |
2016 | Totentanz: Der Tod zum Papst – Der Papst | | Mark Stone, Christianne Stotijn, Boston Symphony Orchestra, Thomas Adès | 1:52 |
2016 | Totentanz: Der Tod zum Ritter – Der Ritter – Der Tod zum Bürgermeister – Der Bürgermeister | | Mark Stone, Christianne Stotijn, Boston Symphony Orchestra, Thomas Adès | 1:49 |
2017-05-19 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio | | Britten Sinfonia, Thomas Adès | 15:27 |
2017-05-19 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai | | Britten Sinfonia, Thomas Adès | 13:42 |
2017-05-19 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace - Trio | | Britten Sinfonia, Thomas Adès | 5:39 |
2017-05-19 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale. Allegro molto | | Britten Sinfonia, Thomas Adès | 10:18 |
2017-05-20 | Symphony no. 1 in C major, op. 21: I. Adagio molto – Allegro con brio | | Britten Sinfonia, Thomas Adès | 8:52 |
2017-05-20 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | | Britten Sinfonia, Thomas Adès | 6:56 |
2017-05-20 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace - Trio | | Britten Sinfonia, Thomas Adès | 3:54 |
2017-05-20 | Symphony no. 1 in C major, op. 21: IV. Finale. Adagio – Allegro molto e vivace | | Britten Sinfonia, Thomas Adès | 5:17 |
2017-05-20 | Symphony no. 2 in D major, op. 36: I. Adagio molto – Allegro con bio | | Britten Sinfonia, Thomas Adès | 11:45 |
2017-05-20 | Symphony no. 2 in D major, op. 36: II. Larghetto | | Britten Sinfonia, Thomas Adès | 9:56 |
2017-05-20 | Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro vivo | | Britten Sinfonia, Thomas Adès | 3:56 |
2017-05-20 | Symphony no. 2 in D major, op. 36: IV. Allegro molto | | Britten Sinfonia, Thomas Adès | 6:08 |
2017-06-02 | Beethoven | | Mark Stone, Britten Sinfonia, Thomas Adès | 17:35 |
2018-05-22 | Piano Concerto | | Nicolas Hodges, Britten Sinfonia, Thomas Adès | 22:41 |
2018-05-22 | Symphony no. 4 in B-flat major, op. 60: I. Adagio – Allegro vivace | | Britten Sinfonia, Thomas Adès | 11:35 |
2018-05-22 | Symphony no. 4 in B-flat major, op. 60: II. Adagio | | Britten Sinfonia, Thomas Adès | 8:57 |
2018-05-22 | Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace | | Britten Sinfonia, Thomas Adès | 5:25 |
2018-05-22 | Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | | Britten Sinfonia, Thomas Adès | 6:44 |
2018-05-22 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | | Britten Sinfonia, Thomas Adès | 7:21 |
2018-05-22 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | | Britten Sinfonia, Thomas Adès | 9:18 |
2018-05-22 | Symphony no. 5 in C minor, op. 67: III. Scherzo: Allegro | | Britten Sinfonia, Thomas Adès | 4:38 |
2018-05-22 | Symphony no. 5 in C minor, op. 67: IV. Allegro | | Britten Sinfonia, Thomas Adès | 10:47 |
2018-05-24 | Symphony no. 6 in F major, op. 68 “Pastoral”: I. Allegro ma non troppo “Awakening of Happy Feelings” | | Britten Sinfonia, Thomas Adès | 10:56 |
2018-05-24 | Symphony no. 6 in F major, op. 68 “Pastoral”: II. Andante molto moto “Scene by the Brook” | | Britten Sinfonia, Thomas Adès | 11:38 |
2018-05-24 | Symphony no. 6 in F major, op. 68 “Pastoral”: III. Allegro “Peasants’ Merrymaking” | | Britten Sinfonia, Thomas Adès | 4:53 |
2018-05-24 | Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Allegro “The Storm” | | Britten Sinfonia, Thomas Adès | 3:38 |
2018-05-24 | Symphony no. 6 in F major, op. 68 “Pastoral”: V. Allegretto “Joyous Thanksgiving After the Storm” | | Britten Sinfonia, Thomas Adès | 8:49 |
2018-05-24 | The Conquest of Ireland | | Joshua Bloom, Britten Sinfonia, Thomas Adès | 19:37 |
2019-05-21 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto – Vivace | | Britten Sinfonia, Thomas Adès | 13:57 |
2019-05-21 | Symphony no. 7 in A major, op. 92: II. Allegretto | | Britten Sinfonia, Thomas Adès | 8:08 |
2019-05-21 | Symphony no. 7 in A major, op. 92: III. Presto – Assai meno presto | | Britten Sinfonia, Thomas Adès | 8:54 |
2019-05-21 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | | Britten Sinfonia, Thomas Adès | 8:09 |
2019-05-21 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | | Britten Sinfonia, Thomas Adès | 8:10 |
2019-05-21 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | | Britten Sinfonia, Thomas Adès | 3:50 |
2019-05-21 | Symphony no. 8 in F major, op. 93: III. Tempo di menuetto | | Britten Sinfonia, Thomas Adès | 4:33 |
2019-05-21 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | | Britten Sinfonia, Thomas Adès | 6:54 |
| See all 164 relationships |
| instruments |
---|
1997-03-07 | La captive, op. 12 | piano | Felicity Lott, Steven Isserlis, Thomas Adès | 4:13 |
1997-03 – 1997-05 | Sonata da caccia, op. 11: I. Gravement | harpsichord | Thomas Adès, Andrew Clark, Michael Niesemann | 3:20 |
1997-03 – 1997-05 | Sonata da caccia, op. 11: II. Gayëment | harpsichord | Thomas Adès, Andrew Clark, Michael Niesemann | 3:32 |
1997-03 – 1997-05 | Sonata da caccia, op. 11: III. Naïvement | harpsichord | Thomas Adès, Andrew Clark, Michael Niesemann | 4:10 |
1997-03 – 1997-05 | Sonata da caccia, op. 11: IV. Galament | harpsichord | Thomas Adès, Andrew Clark, Michael Niesemann | 1:34 |
1997-06-01 – 1997-06-03 | (Nocturne et) Scherzo | piano | Steven Isserlis, Thomas Adès | 3:53 |
1997-06-01 – 1997-06-03 | Andante con Variazioni | piano | Steven Isserlis, Maggie Cole | 8:59 |
1997-06-01 – 1997-06-03 | Dance of the Elves, op. 39 | piano | Steven Isserlis, Thomas Adès | 3:05 |
1997-06-01 – 1997-06-03 | Donkey & Driver | piano | Steven Isserlis, Thomas Adès | 3:41 |
1997-06-01 – 1997-06-03 | Intermezzo (Violin Sonata no. 3) | piano | Steven Isserlis, Thomas Adès | 3:20 |
1997-06-01 – 1997-06-03 | Lied | piano | Steven Isserlis, Thomas Adès | 2:25 |
1997-06-01 – 1997-06-03 | Morceau de concours | piano | Steven Isserlis, Thomas Adès | 2:46 |
1997-06-01 – 1997-06-03 | Romance | piano | Steven Isserlis, Thomas Adès | 1:58 |
1997-06-01 – 1997-06-03 | Romantic Piece, Op. 75 No. 4 | piano | Steven Isserlis, Thomas Adès | 7:16 |
1997-06-01 – 1997-06-03 | Song of the Black Swan | piano | Steven Isserlis, Thomas Adès | 2:53 |
1997-06-01 – 1997-06-03 | Souvenir russe | piano | Steven Isserlis, Thomas Adès | 2:29 |
1997-06-01 – 1997-06-03 | Traditional Japanese Melodies: Aki no Tsuki | piano | Steven Isserlis, Chamber Orchestra of Europe, Sir Roger Norrington | 3:16 |
1997-06-01 – 1997-06-03 | Traditional Japanese Melodies: Mokko | piano | Steven Isserlis, Chamber Orchestra of Europe, Sir Roger Norrington | 3:05 |
1997-06-01 – 1997-06-03 | Traditional Japanese Melodies: Sakura Sakura | piano | Steven Isserlis, Chamber Orchestra of Europe, Sir Roger Norrington | 3:12 |
1999-02-27 | Vers la flamme / Eclips | piano and solo | Schönberg Ensemble, Reinbert de Leeuw, Thomas Adès | 11:41 |
2002-07 | Piano Quintet: 1 | piano | Thomas Adès, Irvine Arditti, Graeme Jennings, Rohan de Saram, Dov Scheindlin | 12:03 |
2002-07 | Piano Quintet: 2 | piano | Thomas Adès, Irvine Arditti, Graeme Jennings, Rohan de Saram, Dov Scheindlin | 5:05 |
2002-07 | Piano Quintet: 3 | piano | Thomas Adès, Irvine Arditti, Graeme Jennings, Rohan de Saram, Dov Scheindlin | 2:51 |
2004-09 | Piano Quintet in A major, D. 667 "Trout": Allegretto | piano | Thomas Adès, Corina Belcea, Krzysztof Chorzelski, Corin Long, Alasdair Tait | 1:18 |
2004-09 | Piano Quintet in A major, D. 667 "Trout": I. Allegro Vivace | piano | Thomas Adès, Corina Belcea, Krzysztof Chorzelski, Corin Long, Alasdair Tait | 12:17 |
2004-09 | Piano Quintet in A major, D. 667 "Trout": II. Andante | piano | Thomas Adès, Corina Belcea, Krzysztof Chorzelski, Corin Long, Alasdair Tait | 7:12 |
2004-09 | Piano Quintet in A major, D. 667 "Trout": III. Scherzo: Presto | piano | Thomas Adès, Corina Belcea, Krzysztof Chorzelski, Corin Long, Alasdair Tait | 3:48 |
2004-09 | Piano Quintet in A major, D. 667 "Trout": IV. Thema: Andantino | piano | Thomas Adès, Corina Belcea, Krzysztof Chorzelski, Corin Long, Alasdair Tait | 0:59 |
2004-09 | Piano Quintet in A major, D. 667 "Trout": V. Finale: Allegro giusto | piano | Thomas Adès, Corina Belcea, Krzysztof Chorzelski, Corin Long, Alasdair Tait | 9:52 |
2004-09 | Piano Quintet in A major, D. 667 "Trout": Variation I | piano | Thomas Adès, Corina Belcea, Krzysztof Chorzelski, Corin Long, Alasdair Tait | 0:57 |
2004-09 | Piano Quintet in A major, D. 667 "Trout": Variation II | piano | Thomas Adès, Corina Belcea, Krzysztof Chorzelski, Corin Long, Alasdair Tait | 1:04 |
2004-09 | Piano Quintet in A major, D. 667 "Trout": Variation III | piano | Thomas Adès, Corina Belcea, Krzysztof Chorzelski, Corin Long, Alasdair Tait | 0:53 |
2004-09 | Piano Quintet in A major, D. 667 "Trout": Variation IV | piano | Thomas Adès, Corina Belcea, Krzysztof Chorzelski, Corin Long, Alasdair Tait | 1:05 |
2004-09 | Piano Quintet in A major, D. 667 "Trout": Variation V | piano | Thomas Adès, Corina Belcea, Krzysztof Chorzelski, Corin Long, Alasdair Tait | 1:52 |
2011-05-13 – 2011-05-15 | Cello Sonata no. 2 in G minor, op. 117: Allegro | piano | Steven Isserlis, Thomas Adès | 6:25 |
2011-05-13 – 2011-05-15 | Cello Sonata no. 2 in G minor, op. 117: Allegro vivo | piano | Steven Isserlis, Thomas Adès | 4:59 |
2011-05-13 – 2011-05-15 | Cello Sonata no. 2 in G minor, op. 117: Andante | piano | Steven Isserlis, Thomas Adès | 7:28 |
2011-05-13 – 2011-05-15 | Die Trauergondel (La luggubre gondola), S134 | piano | Steven Isserlis, Thomas Adès | 8:09 |
2011-05-13 – 2011-05-15 | Die Zelle in Nonnenwerth, S382 | piano | Steven Isserlis, Thomas Adès | 5:35 |
2011-05-13 – 2011-05-15 | Lieux retrouvés: La montagne | piano | Steven Isserlis, Thomas Adès | 4:28 |
2011-05-13 – 2011-05-15 | Lieux retrouvés: La ville: Cancun macabre | piano | Steven Isserlis, Thomas Adès | 3:59 |
2011-05-13 – 2011-05-15 | Lieux retrouvés: Les champs | piano | Steven Isserlis, Thomas Adès | 4:18 |
2011-05-13 – 2011-05-15 | Lieux retrouvés: Les eaux | piano | Steven Isserlis, Thomas Adès | 4:34 |
2011-05-13 – 2011-05-15 | Pohádka, A Tale: Allegro | piano | Steven Isserlis, Thomas Adès | 2:56 |
2011-05-13 – 2011-05-15 | Pohádka, A Tale: Con moto | piano | Steven Isserlis, Thomas Adès | 4:03 |
2011-05-13 – 2011-05-15 | Pohádka, A Tale: Con moto | piano | Steven Isserlis, Thomas Adès | 4:55 |
2011-05-13 – 2011-05-15 | Romance oubliée, S132 | piano | Steven Isserlis, Thomas Adès | 3:42 |
2018-12-13 – 2018-12-15 | From The Street 1. X. 1905, “Piano Sonata”: Předtucha | piano | Thomas Adès | 5:51 |
2018-12-13 – 2018-12-15 | From The Street 1. X. 1905, “Piano Sonata”: Smrt | piano | Thomas Adès | 7:21 |
2018-12-13 – 2018-12-15 | Po zarostlém chodníčku, Series I: Dobrou noc! | piano | Thomas Adès | 2:56 |
2018-12-13 – 2018-12-15 | Po zarostlém chodníčku, Series I: Frýdecká panna Maria | piano | Thomas Adès | 3:34 |
2018-12-13 – 2018-12-15 | Po zarostlém chodníčku, Series I: Lístek odvanutý | piano | Thomas Adès | 2:20 |
2018-12-13 – 2018-12-15 | Po zarostlém chodníčku, Series I: Naše večery | piano | Thomas Adès | 3:08 |
2018-12-13 – 2018-12-15 | Po zarostlém chodníčku, Series I: Nelze domluvit! | piano | Thomas Adès | 1:55 |
2018-12-13 – 2018-12-15 | Po zarostlém chodníčku, Series I: Pojďte s námi! | piano | Thomas Adès | 1:06 |
2018-12-13 – 2018-12-15 | Po zarostlém chodníčku, Series I: Štěbetaly jak laštovičky | piano | Thomas Adès | 1:43 |
2018-12-13 – 2018-12-15 | Po zarostlém chodníčku, Series I: Sýček neodletěl! | piano | Thomas Adès | 3:20 |
2018-12-13 – 2018-12-15 | Po zarostlém chodníčku, Series I: Tak neskonale úzko | piano | Thomas Adès | 2:29 |
2018-12-13 – 2018-12-15 | Po zarostlém chodníčku, Series I: V pláči | piano | Thomas Adès | 2:12 |
2018-12-13 – 2018-12-15 | Po zarostlém chodníčku, Series II: Allegretto (Presto) | piano | Thomas Adès | 2:31 |
2018-12-13 – 2018-12-15 | Po zarostlém chodníčku, Series II: Allegro | piano | Thomas Adès | 6:23 |
2018-12-13 – 2018-12-15 | Po zarostlém chodníčku, Series II: Andante | piano | Thomas Adès | 3:22 |
2018-12-13 – 2018-12-15 | Po zarostlém chodníčku, Series II: Più mosso | piano | Thomas Adès | 2:14 |
2018-12-13 – 2018-12-15 | V mlhách: Andante | piano | Thomas Adès | 3:36 |
2018-12-13 – 2018-12-15 | V mlhách: Andantino | piano | Thomas Adès | 2:02 |
2018-12-13 – 2018-12-15 | V mlhách: Molto adagio | piano | Thomas Adès | 4:21 |
2018-12-13 – 2018-12-15 | V mlhách: Presto | piano | Thomas Adès | 4:16 |
| A Reminiscence, JW VIII/32 | piano | Thomas Adès | 0:59 |
| Airs du rossignol et Marche chinoise: Airs du rossignol | piano | Anthony Marwood, Thomas Adès | 4:19 |
| Airs du rossignol et Marche chinoise: Marche chinoise | piano | Anthony Marwood, Thomas Adès | 3:27 |
| Andante, JW VIII/31 | piano | Thomas Adès | 0:48 |
| Ballade | piano | Anthony Marwood, Thomas Adès | 3:08 |
| Berceuse | piano | Anthony Marwood, Thomas Adès | 2:48 |
| Canon a 4 voci | piano | Thomas Adès | 4:29 |
| Catch, op. 4 | piano | Thomas Adès, Louise Hopkins, Lynsey Marsh, Anthony Marwood | 10:31 |
| Chanson du Cygne Noir | piano | Thomas Adès, Steven Isserlis | 2:50 |
| Chanson russe | piano | Anthony Marwood, Thomas Adès | 3:18 |
| Chonguri | piano | Thomas Adès, Steven Isserlis | 1:13 |
| Christ the Lord Is Born, JW VIII/20 | piano | Thomas Adès | 0:49 |
| Come io passo l'estate: I. Arrivo a Tires | piano | Thomas Adès | 1:08 |
| Come io passo l'estate: II. La fossa del Lupo | piano | Thomas Adès | 1:12 |
| Come io passo l'estate: III. Andiamo al rifugio Bergamo | piano | Thomas Adès | 0:47 |
| Come io passo l'estate: IV. La valle del Ciamin | piano | Thomas Adès | 0:50 |
| Come io passo l'estate: IX. Il fantasma del castello di Presule | piano | Thomas Adès | 0:35 |
| Come io passo l'estate: V. Il buco dell'orso | piano | Thomas Adès | 1:01 |
| Come io passo l'estate: VI. La fontanella di Ganna | piano | Thomas Adès | 0:30 |
| Come io passo l'estate: VII. Ghiaccio sul Rosengarten | piano | Thomas Adès | 1:06 |
| Come io passo l'estate: VIII. Antonio Ballista dorme in casa dei carabinieri | piano | Thomas Adès | 1:46 |
| Come io passo l'estate: X. Canzone per il mio compleanno | piano | Thomas Adès | 0:59 |
| Concert Paraphrase on "Powder Her Face" (arr. for 2 pianos): I. — | piano | Thomas Adès, Kirill Gerstein | 5:12 |
| Concert Paraphrase on "Powder Her Face" (arr. for 2 pianos): II. — | piano | Thomas Adès, Kirill Gerstein | 1:22 |
| Concert Paraphrase on "Powder Her Face" (arr. for 2 pianos): III. — | piano | Thomas Adès, Kirill Gerstein | 7:45 |
| Concert Paraphrase on "Powder Her Face" (arr. for 2 pianos): IV. — | piano | Thomas Adès, Kirill Gerstein | 1:54 |
| Concert Paraphrase on Powder Her Face: I | piano | Thomas Adès | 5:38 |
| Concert Paraphrase on Powder Her Face: II | piano | Thomas Adès | 1:24 |
| Concert Paraphrase on Powder Her Face: III | piano | Thomas Adès | 7:55 |
| Concert Paraphrase on Powder Her Face: IV | piano | Thomas Adès | 2:05 |
| Concerto Conciso, op. 18: [𝅘𝅥𝅯. = 116] | piano | Thomas Adès, Birmingham Contemporary Music Group | 1:52 |
| Concerto Conciso, op. 18: I | piano | Thomas Adès, Birmingham Contemporary Music Group | 2:39 |
| Concerto Conciso, op. 18: II | piano | Thomas Adès, Birmingham Contemporary Music Group | 4:54 |
| See all 242 relationships |
| arranged |
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1994 | Les Barricades mistérieuses | | | |
| Cardiac Arrest | | | |
| composed |
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1990 | Chamber Symphony, op. 2 | | | |
1990 | Chamber Symphony, op. 2: I | | | |
1990 | Chamber Symphony, op. 2: II | | | |
1990 | Chamber Symphony, op. 2: III | | | |
1990 | Chamber Symphony, op. 2: IV | | | |
1990 | Five Eliot Landscapes, op. 1 | | | |
1990 | Five Eliot Landscapes, op. 1: I. New Hampshire | | | |
1990 | Five Eliot Landscapes, op. 1: II. Virginia | | | |
1990 | Five Eliot Landscapes, op. 1: III. Usk | | | |
1990 | Five Eliot Landscapes, op. 1: IV. Rannoch, by Glencoe | | | |
1990 | Five Eliot Landscapes, op. 1: V. Cape Ann | | | |
1990 | Gefriolsae me, op. 3b | | | |
1991 | Catch, op. 4 | | | |
1992 | Darknesse Visible | | | |
1992 | Still Sorrowing, op. 7 | | | |
1992 | Under Hamelin Hill, op. 6 | | | |
1992 | Under Hamelin Hill, op. 6: I. Preambulum | | | |
1992 | Under Hamelin Hill, op. 6: II. Fuga a tre voci con alcune licenze | | | |
1992 | Under Hamelin Hill, op. 6: III. Arietta | | | |
1993 | …but all shall be well, op. 10 | | | |
1993 | Life Story, op. 8 | | | |
1993 | Life Story, op. 8b | | | |
1993 | Living Toys, op. 9 | | | |
1993 | Living Toys, op. 9: BALETT | | | |
1993 | Living Toys, op. 9: BATTLE | | | |
1993 | Living Toys, op. 9: I. Angels | | | |
1993 | Living Toys, op. 9: II. Aurochs | | | |
1993 | Living Toys, op. 9: III. Militiamen | | | |
1993 | Living Toys, op. 9: IV. H.A.L.'s Death | | | |
1993 | Living Toys, op. 9: TABLET | | | |
1993 | Living Toys, op. 9: V. Playing Funerals | | | |
1993 | Sonata da caccia, op. 11 | | | |
1993 | Sonata da caccia, op. 11: I. Gravement | | | |
1993 | Sonata da caccia, op. 11: II. Gayëment | | | |
1993 | Sonata da caccia, op. 11: III. Naïvement | | | |
1993 | Sonata da caccia, op. 11: IV. Galament | | | |
1994 | Arcadiana, op. 12 | | | |
1994 | Arcadiana, op. 12: I. Venezia notturna | | | |
1994 | Arcadiana, op. 12: II. Das klinget so herrlich, das klinget so schön | | | |
1994 | Arcadiana, op. 12: III. Auf dem Wasser zu singen | | | |
1994 | Arcadiana, op. 12: IV. Et... (tango mortale) | | | |
1994 | Arcadiana, op. 12: V. L'Embarquement | | | |
1994 | Arcadiana, op. 12: VI. O Albion | | | |
1994 | Arcadiana, op. 12: VII. Lethe | | | |
1994 | The Origin of the Harp, op. 13 | | | |
1994 | The Origin of the Harp, op. 13: I. Dolcissimo ed espressivo | | | |
1994 | The Origin of the Harp, op. 13: II. Largo con moto | | | |
1994 | The Origin of the Harp, op. 13: III. Spettrale | | | |
1994 | The Origin of the Harp, op. 13: IV. [untitled] | | | |
1995 | Powder Her Face | | | |
1995 | Powder Her Face: Act I | | | |
1995 | Powder Her Face: Act II | | | |
1995 | Powder Her Face: Overture | | | |
1996 | These Premises are Alarmed, op. 16 | | | |
1996 | Traced Overhead, op. 15 | | | |
1996 | Traced Overhead, op. 15: I. Sursum | | | |
1996 | Traced Overhead, op. 15: II. Aetheria | | | |
1996 | Traced Overhead, op. 15: III. Chori | | | |
1997 | Asyla, op. 17 | | | |
1997 | Asyla, op. 17: I | | | |
1997 | Asyla, op. 17: II | | | |
1997 | Asyla, op. 17: III. Ecstasio | | | |
1997 | Asyla, op. 17: IV | | | |
1997 | Concerto Conciso, op. 18 | | | |
1997 | Concerto Conciso, op. 18: I | | | |
1997 | Concerto Conciso, op. 18: II | | | |
1999 | America (A Prophecy), op. 19 | | | |
1999 | America (A Prophecy), op. 19: Part I "Oh my nation prepare..." | | | |
1999 | America (A Prophecy), op. 19: Part II "Burn, burn, burn" | | | |
2000 | Piano Quintet, op. 20: II. | | | |
2000 | Piano Quintet, op. 20: III. | | | |
2000 | Sola | | | |
2001 | Brahms, op. 21 | | | |
2003 | The Tempest | | | |
2003 | The Tempest: Act I | | | |
2003 | The Tempest: Act II | | | |
2003 | The Tempest: Act III | | | |
2005 | Court Studies from The Tempest | | | |
2005 | Violin Concerto "Concentric Paths" | | | |
2005 | Violin Concerto "Concentric Paths": I. Rings | | | |
2005 | Violin Concerto "Concentric Paths": II. Paths | | | |
2005 | Violin Concerto "Concentric Paths": III. Rounds | | | |
2006 | Three Studies from Couperin | | | |
2007 | Dances from Powder Her Face | | | |
2007 | Dances from Powder Her Face: I. Overture | | | |
2007 | Dances from Powder Her Face: II. Waltz | | | |
2007 | Dances from Powder Her Face: III. Finale | | | |
2007 | Tevot | | | |
2009 | Concert Paraphrase on Powder Her Face | | | |
2009 | Lieux retrouvés | | | |
2009 | Lieux retrouvés: I. Les eaux | | | |
2009 | Lieux retrouvés: II. La montagne | | | |
2009 | Lieux retrouvés: III. Les champs | | | |
2009 | Lieux retrouvés: IV. La ville: Cancun macabre | | | |
2009 | Three Mazurkas for Piano, op. 27: First Mazurka | | | |
2009 | Three Mazurkas for Piano, op. 27: Second Mazurka | | | |
2009 | Three Mazurkas for Piano, op. 27: Third Mazurka | | | |
2010 | Polaris (Voyage for Orchestra) | | | |
2011 | Thrift: A Cliff Flower. Mazurka-cortège | | | |
2013 | Totentanz | | | |
| See all 188 relationships |
| wrote |
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2000 | Piano Quintet, op. 20 | | | |
2000 | Piano Quintet, op. 20: I. | | | |