Concertino for Cello and String Orchestra, op. 87: I. Molto moderato – Quasi allegro | | | | | | | |
Concertino for Cello and String Orchestra, op. 87: II. Adagio | | | | | | | |
Concertino for Cello and String Orchestra, op. 87: III. Allegretto ritenuto assai | | | | | | | |
Concertino for Violin and String Orchestra, op. 52: I. Andante tranquillo | | | | | | | |
Concertino for Violin and String Orchestra, op. 52: II. Rigaudon: Allegro giusto | | | | | | | |
Concerto for Piano and Orchestra, op. 57: I. Allegro energico ma non troppo | | | | | | | |
Concerto for Piano and Orchestra, op. 57: II. Adagio | | | | | | | |
Concerto for Piano and Orchestra, op. 57: III. Allegretto vivace | | | | | | | |
Concerto for Piano no. 22 in E-flat major, K. 482: I. Allegro | | | | | | | |
Concerto for Piano no. 22 in E-flat major, K. 482: II. Andante | | | | | | | |
Concerto for Piano no. 22 in E-flat major, K. 482: III. Allegro | | | | | | | |
Concerto for Viola and Orchestra: I. Allegro | | | | | | | |
Concerto for Viola and Orchestra: II. Andante | | | | | | | |
Concerto for Viola and Orchestra: III. Allegro moderato | | | | | | | |
Concerto for Violin and Small Orchestra, op. 39: I. Fantasia | | | | | | | |
Concerto for Violin and Small Orchestra, op. 39: II. Arioso | | | | | | | |
Concerto for Violin and Small Orchestra, op. 39: III. Rondo | | | | | | | |
Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde | | | | | | | |
Das Lied von der Erde: II. Der Einsame im Herbst | | | | | | | |
Das Lied von der Erde: III. Von der Jugend | | | | | | | |
Das Lied von der Erde: IV. Von der Schönheit | | | | | | | |
Das Lied von der Erde: V. Der Trunkene im Frühling | | | | | | | |
Das Lied von der Erde: VI. Der Abschied | | | | | | | |
Double Concerto for Violin and Cello: I. Allegro moderato | | | | | | | |
Double Concerto for Violin and Cello: II. Andante | | | | | | | |
Double Concerto for Violin and Cello: III. Allegro vivo | | | | | | | |
Estampes, L. 100: II. La Soirée dans Grenade. Mouvement de Habanera | | | | | | | |
Goyescas, H.64, No. 4: Quejas o la maja y el ruiseñor | | | | | | | |
Haru no umi redux | | | | | | | |
Jane Eyre: Act I | | - April Fredrick, David Stout, English Symphony Orchestra, Kenneth Woods
- April Fredrick, English Symphony Orchestra, Kenneth Woods
- April Fredrick, Lesley-Jane Rogers, English Symphony Orchestra, Kenneth Woods
- April Fredrick, Gwion Thomas, English Symphony Orchestra, Kenneth Woods
- David Stout, English Symphony Orchestra, Kenneth Woods
| | | | | |
Jane Eyre: Act II | | - April Fredrick, David Stout, English Symphony Orchestra, Kenneth Woods
- Joseph Bolger, Alan Fairs, April Fredrick, Andrew Mayor, Clare McCaldin, Lorraine Payne, Andrew Randall, David Stout, English Symphony Orchestra, Kenneth Woods
- Alan Fairs, April Fredrick, Andrew Mayor, Mark Milhofer, David Stout, English Symphony Orchestra, Kenneth Woods
- Clare McCaldin, Joseph Bolger, Alan Fairs, April Fredrick, Andrew Mayor, David Stout, Mark Milhofer, Lorraine Payne, Andrew Randall, English Symphony Orchestra, Kenneth Woods
- (show 4 more)
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La primavera: I. Allegro | | | | | | | |
La primavera: II. Andante | | | | | | | |
La primavera: III. Quick | | | | | | | |
Lieder eines fahrenden Gesellen: I. "Wenn mein Schatz Hochzeit macht" | | - Jean-Luc Chaignaud, Arditti Quartet, Håkon Austbø, Isabelle Berteletti, Marc Marder, Paul Meyer, Michel Moraguès, Louise Bessette
- Sara Mingardo, Musici Aurei, Luigi Piovano
- Roderick Williams, Attacca Quartet, Virginia Arts Festival Chamber Players, JoAnn Falletta
- Christoph Prégardien, Ensemble Kontraste
- (show 5 more)
| | Song | | | |
Lieder eines fahrenden Gesellen: II. "Ging heut morgen übers Feld" | | - Jean-Luc Chaignaud, Arditti Quartet, Håkon Austbø, Isabelle Berteletti, Marc Marder, Paul Meyer, Michel Moraguès, Louise Bessette
- Sara Mingardo, Musici Aurei, Luigi Piovano
- Roderick Williams, Attacca Quartet, Virginia Arts Festival Chamber Players, JoAnn Falletta
- Christoph Prégardien, Ensemble Kontraste
- (show 5 more)
| | Song | | | |
Lieder eines fahrenden Gesellen: III. "Ich hab' ein glühend Messer" | | - Jean-Luc Chaignaud, Arditti Quartet, Håkon Austbø, Isabelle Berteletti, Marc Marder, Paul Meyer, Michel Moraguès, Louise Bessette
- Sara Mingardo, Musici Aurei, Luigi Piovano
- Roderick Williams, Attacca Quartet, Virginia Arts Festival Chamber Players, JoAnn Falletta
- Christoph Prégardien, Ensemble Kontraste
- (show 5 more)
| | Song | | | |
Lieder eines fahrenden Gesellen: IV. "Die zwei blauen Augen von meinem Schatz" | | - Jean-Luc Chaignaud, Arditti Quartet, Håkon Austbø, Isabelle Berteletti, Marc Marder, Paul Meyer, Michel Moraguès, Louise Bessette
- Sara Mingardo, Musici Aurei, Luigi Piovano
- Roderick Williams, Attacca Quartet, Virginia Arts Festival Chamber Players, JoAnn Falletta
- Christoph Prégardien, Ensemble Kontraste
- (show 5 more)
| | Song | | | |
Noches en los jardines de España: I. En el Generalife | | | | | | | |
Noches en los jardines de España: II. Danza lejana | | | | | | | |
Noches en los jardines de España: III. En los jardines de la sierra de Córdoba | | | | | | | |
Octet | | | | | | | |
Piano Trio in E major, op. 18: I. Tranquillo ma con moto | | | | | | | |
Piano Trio in E major, op. 18: II. Allegro violento | | | | | | | |
Piano Trio in E major, op. 18: III. Adagio mesto | | | | | | | |
Piano Trio no. 2 in E minor, op. 67: I. Andante – Moderato | | | | | | | |
Piano Trio no. 2 in E minor, op. 67: II. Allegro con brio | | | | | | | |
Piano Trio no. 2 in E minor, op. 67: III. Largo | | | | | | | |
Piano Trio no. 2 in E minor, op. 67: IV. Allegretto | | | | | | | |
Psalm: A Song of Ascents | | | | | | | |
Rapsodia sinfónica, op. 66 | | | | | | | |
Remembrance for Strings | | | | | | | |
Shakuhachi Concerto: I. Hazy Awareness | | | | | | | |
Shakuhachi Concerto: II. Crystal Solitude | | | | | | | |
Shakuhachi Concerto: III. Outside | | | | | | | |
Skyspace: I. Aurum | | | | | | | |
Skyspace: II. Aurum Resonance | | | | | | | |
Skyspace: III. Light Iridescent | | | | | | | |
Skyspace: IV. Opaque | | | | | | | |
Skyspace: V. Opaque Resonance | | | | | | | |
Skyspace: VI. Dark Iridescent | | | | | | | |
Skyspace: VII. Cerulean | | | | | | | |
Symphony no. 2: I. | | | | | | | |
Symphony no. 2: II. | | | | | | | |
Symphony no. 2: III. | | | | | | | |
Symphony no. 10 | | | | | | | |
Symphony no. 12: I. | | | | | | | |
Symphony no. 12: II. | | | | | | | |
Toccata und Fugue d-Moll, BWV 565, BV B 29 no. 2 | | | | | | | |
Triptych. Three Movements for Orchestra, op. 100: I. Impromptu: Allegro risoluto | | | | | | | |
Triptych. Three Movements for Orchestra, op. 100: II. Lament: Andante | | | | | | | |
Triptych. Three Movements for Orchestra, op. 100: III. Comedy: Allegro con spirito | | | | | | | |
Variationen über eine Wiener Heurigenmelodie, op. 9 | | | | | | | |
Variations symphoniques pour piano et orchestre, FWV 46 | | | | | | | |