| Cantata for Mixed Chorus and Orchestra, op. 112 "Meeresstille und glückliche Fahrt" | | | | Cantata | | | |
| Cantata on the Accession of Emperor Leopold II, WoO 88: I. Recitative & Chorus "Er schlummert, laßt sanft den großen Fürsten ruhen!" (soprano) | | | | | | | |
| Cantata on the Accession of Emperor Leopold II, WoO 88: II. Aria "Fließe, Wonnezähren, fließe!" (soprano) | | | | | | | |
| Cantata on the Accession of Emperor Leopold II, WoO 88: III. Recitative "Ihr staunt, Völker der Erde!" (bass) | | | | | | | |
| Cantata on the Accession of Emperor Leopold II, WoO 88: IV. Recitative "Wie bebt mein Herz vor Wonne!" (tenor) | | | | | | | |
| Cantata on the Accession of Emperor Leopold II, WoO 88: V. Chorus "Heil! Stürzet nieder, Millionen" (solo quartet) | | - Eesti Riiklik Sümfooniaorkester, Tõnu Kaljuste, Mati Kõrts, Leonid Savitski, Teele Jõks, Fiona Cameron
- Ludwig van Beethoven
- John Mark Ainsley, Corydon Singers, Judith Howarth, Jean Rigby, José van Dam, Corydon Orchestra, Matthew Best
| | | | | |
| Cantata on the Death of Emperor Joseph II, WoO 87: I. Chorus "Tot! Tot, stöhnt es durch die öde Nacht" (solo quartet) | | | | | | | |
| Cantata on the Death of Emperor Joseph II, WoO 87: II. Recitative "Ein Ungeheuer, sein Name Fanatismus" (bass) | | | | | | | |
| Cantata on the Death of Emperor Joseph II, WoO 87: III. Aria "Da kam Joseph" (bass) | | | | Aria | | | |
| Cantata on the Death of Emperor Joseph II, WoO 87: IV. Aria & Chorus "Da stiegen die Menschen ans Licht" (soprano) | | | | Aria | | | |
| Cantata on the Death of Emperor Joseph II, WoO 87: V. Recitative "Er schläft" (soprano) | | | | | | | |
| Cantata on the Death of Emperor Joseph II, WoO 87: VI. Aria "Hier schlummert seinen stillen Frieden" (soprano) | | | | Aria | | | |
| Cantata on the Death of Emperor Joseph II, WoO 87: VII. Chorus "Tot, stöhnt es durch die öde Nacht" (solo quartet) | | | | | | | |
| Come Love, Come Lord | | | | Song | | | |
| Dies Natalis, op. 8: I. Intrada | | | | | | | |
| Dies Natalis, op. 8: II. Rhapsody. Recitativo stromentato | | | | | | | |
| Dies Natalis, op. 8: III. The Rapture. Danza | | | | | | | |
| Dies Natalis, op. 8: IV. Wonder. Arioso | | | | | | | |
| Dies Natalis, op. 8: V. The Salutation. Aria | | | | | | | |
| Dona nobis pacem: I. Agnus Dei | | - Sheila Armstrong, John Carol Case, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult
- Ralph Vaughan Williams
- Atlanta Symphony Orchestra and Chorus, Robert Shaw, Carmen Pelton, Nathan Gunn
- Edith Wiens, Brian Rayner Cook, The London Philharmonic, London Philharmonic Choir, Bryden Thomson
- (show 6 more)
| | | | | |
| Dona nobis pacem: II. "Beat! beat! drums!" (Allegro moderato) | | | | | | | |
| Dona nobis pacem: III. Reconciliation (Andantino) | | - Sheila Armstrong, John Carol Case, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult
- Ralph Vaughan Williams
- Atlanta Symphony Orchestra and Chorus, Robert Shaw, Carmen Pelton, Nathan Gunn
- Edith Wiens, Brian Rayner Cook, The London Philharmonic, London Philharmonic Choir, Bryden Thomson
- (show 6 more)
| | | | | |
| Dona nobis pacem: IV. Dirge for Two Veterans (Moderato alla marcia) | | - Sheila Armstrong, John Carol Case, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult
- Ralph Vaughan Williams
- Atlanta Symphony Orchestra and Chorus, Robert Shaw, Carmen Pelton, Nathan Gunn
- Edith Wiens, Brian Rayner Cook, The London Philharmonic, London Philharmonic Choir, Bryden Thomson
- (show 6 more)
| | | | | |
| Dona nobis pacem: V. "The Angel of Death has been abroad" (L'istesso tempo) | | - Sheila Armstrong, John Carol Case, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult
- Ralph Vaughan Williams
- Atlanta Symphony Orchestra and Chorus, Robert Shaw, Carmen Pelton, Nathan Gunn
- Edith Wiens, Brian Rayner Cook, The London Philharmonic, London Philharmonic Choir, Bryden Thomson
- (show 6 more)
| | | | | |
| Dona nobis pacem: VI. O man greatly beloved | | - Sheila Armstrong, John Carol Case, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult
- Ralph Vaughan Williams
- Atlanta Symphony Orchestra and Chorus, Robert Shaw, Carmen Pelton, Nathan Gunn
- Edith Wiens, Brian Rayner Cook, The London Philharmonic, London Philharmonic Choir, Bryden Thomson
- (show 7 more)
| | | | | |
| Evening Hymn | | | | Song | | | |
| Intimations of Immortality, op. 29: I. There was a time when meadow, grove, and stream | | - Ian Tracey, Philip Langridge, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Richard Hickox
- John Mark Ainsley, Corydon Singers, Corydon Orchestra, Matthew Best
- Choral Arts Society of Philadelphia, Donald Nally
- Bournemouth Symphony Orchestra, David Hill
- Bournemouth Symphony Chorus, James Gilchrist, Bournemouth Symphony Orchestra, David Hill
| | | | | |
| Intimations of Immortality, op. 29: II. The rainbow comes and goes | | - Ian Tracey, Philip Langridge, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Richard Hickox
- John Mark Ainsley, Corydon Singers, Corydon Orchestra, Matthew Best
- Choral Arts Society of Philadelphia, Donald Nally
- Bournemouth Symphony Chorus, James Gilchrist, Bournemouth Symphony Orchestra, David Hill
| | | | | |
| Intimations of Immortality, op. 29: III. Now, while the birds thus sing a joyous song | | - Ian Tracey, Philip Langridge, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Richard Hickox
- John Mark Ainsley, Corydon Singers, Corydon Orchestra, Matthew Best
- Choral Arts Society of Philadelphia, Donald Nally
- Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, David Hill
| | | | | |
| Intimations of Immortality, op. 29: IV. Ye blessèd Creatures, I have heard the call | | - John Mark Ainsley, Corydon Singers, Corydon Orchestra, Matthew Best
- Ian Tracey, Philip Langridge, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Richard Hickox
- Bournemouth Symphony Chorus, James Gilchrist, Bournemouth Symphony Orchestra, David Hill
- Choral Arts Society of Philadelphia, Donald Nally
- Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, David Hill
| | | | | |
| Intimations of Immortality, op. 29: IX. And O, ye Fountains, Meadows, Hills and Groves | | - Ian Tracey, Philip Langridge, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Richard Hickox
- John Mark Ainsley, Corydon Singers, Corydon Orchestra, Matthew Best
- Choral Arts Society of Philadelphia, Donald Nally
- Bournemouth Symphony Chorus, James Gilchrist, Bournemouth Symphony Orchestra, David Hill
| | | | | |
| Intimations of Immortality, op. 29: V. Our birth is but a sleep and a forgetting | | - Ian Tracey, Philip Langridge, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Richard Hickox
- John Mark Ainsley, Corydon Singers, Corydon Orchestra, Matthew Best
- Choral Arts Society of Philadelphia, Donald Nally
- Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, David Hill
| | | | | |
| Intimations of Immortality, op. 29: VI. Earth fills her lap with pleasures of her own | | - Ian Tracey, Philip Langridge, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Richard Hickox
- John Mark Ainsley, Corydon Singers, Corydon Orchestra, Matthew Best
- Choral Arts Society of Philadelphia, Donald Nally
- James Gilchrist, Bournemouth Symphony Orchestra, David Hill
| | | | | |
| Intimations of Immortality, op. 29: VII. O joy! that in our embers | | - Ian Tracey, Philip Langridge, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Richard Hickox
- John Mark Ainsley, Corydon Singers, Corydon Orchestra, Matthew Best
- Bournemouth Symphony Chorus, James Gilchrist, Bournemouth Symphony Orchestra, David Hill
- Choral Arts Society of Philadelphia, Donald Nally
| | | | | |
| Intimations of Immortality, op. 29: VIII. Then sing, ye Birds, sing, sing a joyous song! | | - Ian Tracey, Philip Langridge, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Richard Hickox
- Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, David Hill
- John Mark Ainsley, Corydon Singers, Corydon Orchestra, Matthew Best
- Choral Arts Society of Philadelphia, Donald Nally
| | | | | |
| L'Enfance du Christ, op. 25: Deuxième Partie: La Fuite en Egypte: No. 7 Ouverture | | | | | | | |
| L'Enfance du Christ, op. 25: Deuxième Partie: La Fuite en Egypte: No. 9. Le Repos de la Sainte Famille "Les pèlerins étant venus" | | - Monteverdi Choir, Anthony Rolfe Johnson, Orchestre de l'Opéra de Lyon, Sir John Eliot Gardiner
- Roberto Alagna, Chœur d'enfants de la Maîtrise de Notre-Dame de Paris, Orchestra of the Royal Opera House, Covent Garden, Bertrand de Billy
- Lorna Cooke deVaron, New England Conservatory Chorus, Cesare Valletti, Boston Symphony Orchestra, Charles Munch
- Orchestre symphonique de Montréal, Charles Dutoit
- (show 12 more)
| | | | | |
| L'Enfance du Christ: Première Partie: Prologue | | | | | | | |
| L'Enfance du Christ: Première Partie: Scène I: Marche nocturne | | | | | | | |
| L'Enfance du Christ: Première Partie: Scène II: Air D'Hérode | | | | | | | |
| L'Enfance du Christ: Première Partie: Scène III: Hérode, Plydorus (Récit.) - Seigneur! | | | | | | | |
| L'Enfance du Christ: Première Partie: Scène IV: Hérode et les Devins | | - Lorna Cooke deVaron, New England Conservatory Chorus, Giorgio Tozzi, Boston Symphony Orchestra, Charles Munch
- Tenebrae Choir, London Symphony Orchestra, Sir Colin Davis
- Corydon Singers, Alastair Miles, Corydon Orchestra, Matthew Best
- Monteverdi Choir, José van Dam, Orchestre de l'Opéra de Lyon, Sir John Eliot Gardiner
- (show 12 more)
| | | | | |
| L'Enfance du Christ: Première Partie: Scène V: L'étable de Béthléem | | | | | | | |
| L'Enfance du Christ: Première Partie: Scène VI: Choeur d'anges | | - Gilles Cachemaille, Monteverdi Choir, Anne Sofie von Otter, Orchestre de l'Opéra de Lyon, Sir John Eliot Gardiner
- Lorna Cooke deVaron, Florence Kopleff, New England Conservatory Chorus, Gérard Souzay, Boston Symphony Orchestra, Charles Munch
- Orchestre symphonique de Montréal, Charles Dutoit
- Tenebrae Choir, London Symphony Orchestra, Sir Colin Davis
- (show 9 more)
| | | | | |
| L'Enfance du Christ: Troisième Partie : No. 11. L’Intérieur de la ville de Saïs « Dans cette ville immense » (La Vierge Marie, Joseph, Chœur) | | - Jules Bastin, Gilles Cachemaille, Monteverdi Choir, Anne Sofie von Otter, Orchestre de l'Opéra de Lyon, Sir John Eliot Gardiner
- Lorna Cooke deVaron, Florence Kopleff, New England Conservatory Chorus, Gérard Souzay, Boston Symphony Orchestra, Charles Munch
- Orchestre symphonique de Montréal, Charles Dutoit
- Tenebrae Choir, London Symphony Orchestra, Sir Colin Davis
- (show 8 more)
| | | | | |
| L'Enfance du Christ: Troisième Partie: Scène II: No. 12 L'intérieur de la maison des Ismaélites | | - Jules Bastin, Gilles Cachemaille, Monteverdi Choir, Anne Sofie von Otter, Orchestre de l'Opéra de Lyon, Sir John Eliot Gardiner
- Gwynne Howell, Corydon Orchestra, Matthew Best
- Lorna Cooke deVaron, New England Conservatory Chorus, Giorgio Tozzi, Boston Symphony Orchestra, Charles Munch
- Lorna Cooke deVaron, New England Conservatory Chorus, Gérard Souzay, Giorgio Tozzi, Boston Symphony Orchestra, Charles Munch
- (show 15 more)
| | | | | |
| L'Enfance du Christ: Troisième Partie: Scène II: No. 14 "Vous pleurez, jeune mère" | | - Jules Bastin, Gilles Cachemaille, Monteverdi Choir, Anne Sofie von Otter, Orchestre de l'Opéra de Lyon, Sir John Eliot Gardiner
- Lorna Cooke deVaron, Florence Kopleff, New England Conservatory Chorus, Gérard Souzay, Giorgio Tozzi, Boston Symphony Orchestra, Charles Munch
- Orchestre symphonique de Montréal, Charles Dutoit
- Tenebrae Choir, London Symphony Orchestra, Sir Colin Davis
- (show 8 more)
| | | | | |
| L'Enfance du Christ: Troisième Partie: Scène III: No. 15 Épilogue | | | | | | | |
| L’Enfance du Christ, op. 25: Deuxième Partie: La Fuite en Egypte: No. 8. Adieu des bergers à la sainte famille | | | | | | | |
| L’Enfance du Christ: Troisième partie, L’Arrivée à Saïs: Scène 2: Trio pour deux flûtes et harpe exécuté par les jeunes Ismaélites | | | | | | | |
| L’Enfance du Christ: Troisième Partie: No. 10. L’Arrivée à Saïs « Depuis trois jours, malgré l’ardeur du vent » (Le Récitant) | | | | | | | |
| Lord, Come Away | | | | Song | | | |
| Lord, thou hast been our refuge | | | | | | | |
| Marche funèbre | | | | | | | |
| Mass no. 1 in D minor, WAB 26: I. Kyrie | | | | | | | |
| Mass no. 1 in D minor, WAB 26: II. Gloria | | - Edith Mathis, Marga Schiml, Wiesław Ochman, Karl Ridderbusch, Chor & Symphonieorchester des Bayerischen Rundfunks, Eugen Jochum
- Württembergische Philharmonie Reutlingen, Nicol Matt
- Corydon Singers, Corydon Orchestra, Matthew Best
- Monteverdi Choir, Wiener Philharmoniker, Sir John Eliot Gardiner
| | | | | |
| Mass no. 1 in D minor, WAB 26: III. Credo | | - Edith Mathis, Marga Schiml, Wiesław Ochman, Karl Ridderbusch, Chor & Symphonieorchester des Bayerischen Rundfunks, Eugen Jochum
- Württembergische Philharmonie Reutlingen, Nicol Matt
- Corydon Singers, Corydon Orchestra, Matthew Best
- Monteverdi Choir, Wiener Philharmoniker, Sir John Eliot Gardiner
| | | | | |
| Mass no. 1 in D minor, WAB 26: IV. Sanctus | | | | | | | |
| Mass no. 1 in D minor, WAB 26: V. Benedictus | | - Edith Mathis, Marga Schiml, Wiesław Ochman, Karl Ridderbusch, Chor & Symphonieorchester des Bayerischen Rundfunks, Eugen Jochum
- Württembergische Philharmonie Reutlingen, Nicol Matt
- Corydon Singers, Corydon Orchestra, Matthew Best
- Monteverdi Choir, Wiener Philharmoniker, Sir John Eliot Gardiner
| | | | | |
| Mass no. 1 in D minor, WAB 26: VI. Agnus Dei | | | | | | - D major (Key)
- G minor (Key)
| |
| Messe Nr. 3 in f-Moll, WAB 28: I. Kyrie | | | | | | | |
| Messe Nr. 3 in f-Moll, WAB 28: II. Gloria | | - Juliet Booth, Corydon Singers, Jean Rigby, Corydon Orchestra, Matthew Best
- Chor & Symphonieorchester des Bayerischen Rundfunks, Eugen Jochum
- Corydon Singers, Corydon Orchestra, Matthew Best
- Corydon Singers, Jean Rigby, Corydon Orchestra, Matthew Best
- (show 10 more)
| | | | | |
| Messe Nr. 3 in f-Moll, WAB 28: III. Credo | | - Chor & Symphonieorchester des Bayerischen Rundfunks, Eugen Jochum
- Corydon Singers, Corydon Orchestra, Matthew Best
- Juliet Booth, Corydon Singers, Jean Rigby, Corydon Orchestra, Matthew Best
- Corydon Singers, Gwynne Howell, Corydon Orchestra, Matthew Best
- (show 13 more)
| | | | | |
| Messe Nr. 3 in f-Moll, WAB 28: IV. Sanctus | | | | | | | |
| Messe Nr. 3 in f-Moll, WAB 28: V. Benedictus | | | | | | | |
| Messe Nr. 3 in f-Moll, WAB 28: VI. Agnus Dei | | | | | | | |
| O clap your hands | | | | | | | |
| Opferlied, op. 121b | | - Großer Chor des Berliner Rundfunks, Ingeborg Springer, Rundfunk‐Sinfonieorchester Berlin, Helmut Koch
- John McCarthy, Ambrosian Singers, Lorna Haywood, London Symphony Orchestra, Michael Tilson Thomas
- Key Ensemble, Johanna Lehesvuori, Turku Philharmonic Orchestra, Leif Segerstam
- Ludwig van Beethoven
- (show 3 more)
| | Song | | | |
| Psalm 150, WAB 38 | | - Margaret Hillis, Ruth Welting, Chicago Symphony Chorus, Chicago Symphony Orchestra, Daniel Barenboim
- Juliet Booth, Corydon Singers, Corydon Orchestra, Matthew Best
- Anton Bruckner
- Chor der Bamberger Symphoniker, Bamberger Symphoniker, Karl Anton Rickenbacher
- Maria Stader, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Eugen Jochum
| | | | | |
| Requiem in C minor: I. Introitus et Kyrie | | | | | | | |
| Requiem in C minor: II. Graduale | | | | | | | |
| Requiem in C minor: III. Dies irae | | | | | | | |
| Requiem in C minor: IV. Offertorium | | | | | | | |
| Requiem in C minor: V. Sanctus | | | | | | | |
| Requiem in C minor: VI. Pie Jesu | | | | | | | |
| Requiem in C minor: VII. Agnus Dei | | | | | | | |
| Te Deum in C major: I. Te Deum. Allegro moderato | | | | | | | |
| Te Deum in C major: II. Te ergo. Moderato | | | | | | | |
| Te Deum in C major: III. Aeterna fac. Allegro - Moderato - Feierlich, mit Kraft | | | | | | | |
| Te Deum in C major: IV. Salvum fac populum tuum | | | | | | | |
| Te Deum in C major: IVa. Salvum fac. Moderato | | | | | | | |
| Te Deum in C major: IVb. Per singulos dies benedicimus te. Allegro moderato | | | | | | | |
| Te Deum in C major: Va. In te, Domine, speravi. Mäßig bewegt | | - Martha Lipton, David Lloyd, Frances Yeend, New York Philharmonic, Bruno Walter
- Corydon Singers, Corydon Orchestra, Matthew Best
- Westminster Choir, New York Philharmonic, Bruno Walter
- Andrzej Biegun, Kraków Philharmonic Chorus, Jerzy Knetig, Elżbieta Towarnicka, Małgorzata Walewska, Filharmonia Krakowska, Roland Bader
- Chor der Deutschen Oper Berlin, Ernst Haefliger, Peter Lagger, Maria Stader, Sieglinde Wagner, Berliner Philharmoniker, Eugen Jochum
| | | | | |
| Toward the Unknown Region | | | | Song | | | |
| Who is this fair one? | | | | Song | | | |
