A Pilgrimes Solace: No. 10. From silent night, true register of moanes | | | | | | | |
Absalon, fili mi | | | | Motet | | | |
Amores pasados: I. Al son de los arroyuelos | | | | | | | |
Amores pasados: II. No dormía | | | | | | | |
Amores pasados: III. So ell encina | | | | | | | |
Aria di Giovannini, BWV 518: Willst du dein Herz mir schenken | | | | Aria | | | |
Aria, BWV 508 “Bist du bei mir” | | | | Aria | | | |
Being Dufay: I. Ma belle dame souveraine | | | | | | | |
Being Dufay: II. Je me complains | | | | | | | |
Being Dufay: III. Being Dufay | | | | | | | |
Being Dufay: IV. Je vous pri | | | | | | | |
Being Dufay: V. Presque quelque chose | | | | | | | |
Being Dufay: VI. Sanctus | | | | | | | |
Being Dufay: VII. La dolce vista | | | | | | | |
Benedicta es | | | | Motet | | | |
Bonjour mon coeur | | | | | | | |
Bredon Hill and Other Songs: II. Oh Fair Enough Are Sky and Plain | | | | | | | |
Bury me deep in the greenwood | - Sting (lyricist, composer)
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Choralsatz F-Dur, BWV 510 “Gib dich zufrieden und sei stille” | | | | | | | |
Choralsatz, BWV 511 “Gib dich zufrieden und sei stille” | | | | | | | |
Déploration sur la mort de Johannes Ockeghem | | | | Song | | | |
Dezí, flor resplandeçiente | | | | | | | |
El Jubilate | | | | Song | | | |
Fas et nefas | | | | | | | |
Follow thy fair sun | | | | | | | |
Follow thy fair sun | | | | | | | |
Fortune My Foe | | | | Song | | | |
Gloria ad modum tubae | | | | Mass | | | |
Glorious Hill | | | | | | | |
Greensleeves | | | | Song | | | |
Hear, O Heav'ns | | - Deller Consort, Alfred Deller
- James Bowman, Robert Tear, Christopher Keyte, Choir of St John’s College, Cambridge, Matheson Consort, Philomusica of London, George Guest
- The Choir of Clare College, Cambridge, Drew Minter, John Potter, David Thomas, Romanesca, Nicholas McGegan
- Christ Church Cathedral Choir, Oxford, Stephen Darlington
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Homo, natus ad laborem | | | | | | | |
In Darkness Let Me Dwell | | | | | | | |
In nomine | | | | | | | |
Inviolata, integra et casta es | | | | Motet | | | |
Lachrimæ, or Seaven Teares: Lachrimae Amantis | | | | | | | |
Lachrimæ, or Seaven Teares: Lachrimae Tristes | | | | | | | |
Lachrimæ, or Seaven Teares: Lachrimae Verae | | | | | | | |
Le Chant des oiseaux | | | | Song | | | |
Missa Surge propera: Agnus Dei | | | | | | | |
Missa Surge propera: Credo | | | | | | | |
Missa Surge propera: Gloria | | | | | | | |
Missa Surge propera: Kyrie | | | | | | | |
Missa Surge propera: Sanctus & Benedictus | | | | | | | |
Most clear of colour | | | | | | | |
Ne irascaris, Domine - Civitas sancti tui | | | | Motet | | | |
Nesciens mater virgo virum | | | | Motet | | | |
Nuevas, nuevas ¡Por tu fe! | | | | | | | |
O Ewigkeit, du Donnerwort, BWV 513 | | | | | | | |
O give thanks unto the Lord | | - James Bowman, Robert Tear, Christopher Keyte, Choir of St John’s College, Cambridge, Matheson Consort, Philomusica of London, George Guest
- Henry Purcell
- Drew Minter, Rogers Covey‐Crump, John Potter, David Thomas, The Choir of Clare College, Cambridge, Romanesca, Nicholas McGegan
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O magnum mysterium | | | | Motet | | | |
O nata lux | | | | | | | |
O qui fontem gratie | | | | | | | |
Obsecro te | | | | | | | |
Oft have I sighed | | | | | | | |
Olim sudor Herculis | | | | | | | |
Per dan que d'amor mi veigna | | | | | | | |
Planctus ante nescia | | | | | | | |
Salve regina | | | | | | | |
Sancta Mater, istud agas | | | | Motet | | | |
Sarah Was Ninety Years Old | | | | | | | |
Sleep | | | | Song | | | |
The cypress curtain of the night | | | | | | | |
The cypress curtain of the night | | | | | | | |
The First Booke of Songes or Ayres: XII. Farwell, Dear Love | | | | Madrigal | | | |
The First Booke of Songs or Ayres, No. 6: "Now, o now I needs must part" | | | | Song | | | |
The First Booke of Songs or Ayres, No. 9: "Go Crystal Tears" | | | | Song | | | |
The First Booke of Songs or Ayres, No. 17: "Come Again: Sweet Love Doth Now Invite" | | | | Song | | | |
The First Booke of Songs or Ayres, No. 20: “Come, Heavy Sleep” | | | | Song | | | |
The Hilliard Songbook: III. True Beautie | | | | | | | |
The Second Booke of Songs or Ayres, No. 2: "Flow My Tears" | | | | Song | | | |
The Second Booke of Songs or Ayres, No. 12: "Fine Knacks for Ladies" | | | | Song | | | |
The Second Set of Madrigals for 3-6 voices: XXIII. Weepe, Weepe Mine Eyes | | | | Madrigal | | | |
The Third Booke of Songs or Ayres, No. 15: "Weep you no more, sad fountains" | | | | Song | | | |
The Third Booke of Songs or Ayres, No. 19: "The lowest trees have tops" | | | | Song | | | |
Tota pulchra es | | | | | | | |
Transgressus legem Domini | | | | | | | |
Twenty-Five Scottish Songs, op. 108: No. 25, "Sally in Our Alley" | | | | | | | |
Vergene bella | | | | Motet | | | |
Vite perdite | | | | | | | |