| A Smuggler’s Song | | | | Song | | | |
| A-hunting we will go | | | | | | | |
| Acis and Galatea, HWV 49: Act II, no. 11. Recitativo accompagnato "I rage, I melt, I burn!" (Polyphemus) | | | | | | | |
| Acis and Galatea, HWV 49: Act II, no. 12. Aria "O ruddier than the cherry" (Polyphemus) | | | | Aria | | | |
| Albert Herring, op. 39: Act I, Scene I. "Beggin' your pardon" (Superintendent Budd) | | | | | | | |
| Albert Herring, op. 39: Act II, Scene I. "Er-humph! Er-humph! I'm no great shakes" (Superintendent Budd) | | | | | | | |
| Albert Herring, op. 39: Act III. "Albert...!" (All) | | - Sheila Amit, Owen Brannigan, April Cantelo, Edgar Evans, Sylvia Fisher, John Noble, Peter Pears, Johanna Peters, Sheila Rex, Stephen Terry, Joseph Ward, Catherine Wilson, English Chamber Orchestra, Benjamin Britten
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| Albert Herring, op. 39: Act III. "Give me a decent murder with a corpse!" (Superintendent Budd) | | | | | | | |
| Albert Herring, op. 39: Act III. "In the midst of life is death" (All) | | - Sheila Amit, Owen Brannigan, April Cantelo, Edgar Evans, Sylvia Fisher, John Noble, Peter Pears, Johanna Peters, Sheila Rex, Stephen Terry, Joseph Ward, Catherine Wilson, English Chamber Orchestra, Benjamin Britten
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| Belshazzar’s Feast | | - John Shirley‐Quirk, London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn
- Australian Intervarsity Choral Festival Choir
- Atlanta Symphony Orchestra, Atlanta Symphony Orchestra Chorus, Robert Shaw
- BBC Symphony Chorus, Leeds Festival Chorus, Willard White, BBC Symphony Orchestra, Andrew Davis
- Owen Brannigan, Hoffnung Festival Choral Society, Hoffnung Symphony Orchestra, William Walton
| | Cantata | | | |
| Billy Budd: Act I, Scene I. "Christ! the poor chap" | | | | | | | |
| Billy Budd: Act I, Scene I. "Starry Vere we call him" | | | | | | | |
| Billy Budd: Act I, Scene I. "What's that? What's those whistles?" | | | | | | | |
| Billy Budd: Act I, Scene III. "Dansker, old friend, glad to see you" | | | | | | | |
| Billy Budd: Act I, Scene III. "Hi! You...a...a..." | | - Peter Glossop, Owen Brannigan, Gregory Dempsey, David Bowman, Robert Bowman, Michael Langdon, James Newby, Ambrosian Opera Chorus, London Symphony Orchestra, Benjamin Britten
- Benjamin Britten
- London Symphony Orchestra, Daniel Harding
| | | | | |
| Billy Budd: Act I, Scene III. "We're off to Samoa" | | | | | | | |
| Billy Budd: Act II, Scene I. "Who'll volunteer to board 'em" | | | | | | | |
| Billy Budd: Act II, Scene III. "Here! Baby!" | | | | | | | |
| Charlie Is My Darlin’ | | | | Song | | | |
| D’ye ken John Peel | | | | Song | | | |
| First Book of Ayres: It Was a Lover and His Lass | | | | Song | | | |
| H.M.S. Pinafore: Act I Finale, no. 12 “Oh Joy, Oh Rapture Unforeseen” (Josephine, Hebe, Ralph) | | | | | | | |
| Heart of Oak | | | | | | | |
| Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass) | | | | | | | |
| Messiah, HWV 56: Part I, no. 6. Air “But who may abide” | | | | Aria | | | |
| Messiah, HWV 56: Part I, no. 10. Recitative “For behold, darkness shall cover the earth” (Bass) | | | | | | | |
| Messiah, HWV 56: Part I, no. 11. Air “The people that walked in darkness” (Bass) | | | | Aria | | | |
| Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass) | | | | | | | |
| Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) | | - John Tomlinson, The English Concert, Trevor Pinnock
- Simon Preston, Christ Church Cathedral Choir, Oxford, David Thomas, Academy of Ancient Music, Christopher Hogwood
- Justino Díaz, English Chamber Orchestra, Johannes Somary
- Donald McIntyre, London Philharmonic Orchestra, Karl Richter
- (show 80 more)
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| Messiah, HWV 56: Part III, no. 47. Recitativo “Behold, I tell you a mystery” (Bass) | | | | | | | |
| Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass) | | | | Aria | | | |
| Miller of Dee | | | | Song | | | |
| Noye's Fludde, op. 59: II. I God, that all this worlde hath wroughte | | | | | | | |
| Noye's Fludde, op. 59: III. Have done, you men and wemen all | | | | | | | |
| Noye's Fludde, op. 59: IV. Now in the name of God I will begyne | | | | | | | |
| Noye's Fludde, op. 59: IX. Noye, take thy wife anone | | | | | | | |
| Noye's Fludde, op. 59: V. Noye, Noye, take thou thy company | | | | | | | |
| Noye's Fludde, op. 59: VI. Wiffe, come in! why standes thou their? | | | | | | | |
| Noye's Fludde, op. 59: VII. Ha! Children, me thinkes my botte removes | | | | | | | |
| Noye's Fludde, op. 59: VIII. Now forty dayes are fullie gone | | | | | | | |
| Noye's Fludde, op. 59: XI. The spacious firmament on high | | | | | | | |
| The Bailiff’s Daughter of Islington | | | | Song | | | |
| The Barber of Darmstadt | | | | | | | |
| The Bay of Biscay | | | | Song | | | |
| The Crucifixion: And As Moses Lifted Up the Serpent (bass recitative) | | | | | | | |
| The Crucifixion: And One of the Malefactors (bass solo and male chorus) | | | | | | | |
| The Crucifixion: And They Came to a Place Named Gethsemane (tenor recitative) | | | | | | | |
| The Crucifixion: And When They Were Come (bass recitative) | | | | | | | |
| The Crucifixion: He Made Himself of No Reputation (bass recitative) | | | | | | | |
| The Crucifixion: Is It Nothing to You? (bass solo) | | | | | | | |
| The Crucifixion: Jesus Said, 'Father, Forgive Them' (tenor and male chorus recitative) | | | | | | | |
| The Crucifixion: So Thou Liftest Thy Divine Petition (tenor and bass solo duet) | | | | | | | |
| The Crucifixion: The Agony (tenor and bass solo and chorus) | | - Richard Lewis, Owen Brannigan, Choir of St John’s College, Cambridge, Brian Runnett, George Guest
- Sir John Stainer
- Benjamin Luxon, Robert Tear, Westminster Singers, John Scott, Richard Hickox
- BBC Singers, Michael George, Martyn Hill, Leith Hill Festival Singers, Margaret Phillips, Brian Kay
- John Stainer / Peterborough Cathedral Choir / Stanley Vann
| | Aria | | | |
| The Crucifixion: The Majesty of the Divine Humiliation (tenor solo) | | | | | | | |
| The Crucifixion: When Jesus Therefore Saw His Mother (tenor solo and male chorus) | | - Richard Lewis, Owen Brannigan, Choir of St John’s College, Cambridge, Brian Runnett, George Guest
- Sir John Stainer
- Benjamin Luxon, Robert Tear, John Scott, Richard Hickox
- BBC Singers, Martyn Hill, Leith Hill Festival Singers, Margaret Phillips, Brian Kay
- John Stainer / Peterborough Cathedral Choir / Stanley Vann
| | | | | |
| The Fairy Queen, Z. 629: Part III "The sweet passion": "The Plaint: O let me weep, for ever weep!" | | - Emma Kirkby, Richard Campbell, Catherine Mackintosh, Anthony Rooley
- Jennifer Vyvyan, James Bowman, Charles Brett, Peter Pears, Mary Wells, Ian Partridge, John Shirley‐Quirk, Owen Brannigan, Norma Burrowes, Alfreda Hodgson, Ambrosian Opera Chorus, English Chamber Orchestra
- Alfred Deller, William Christie, Wieland Kuijken, Roderick Skeaping
- English Chamber Orchestra, Benjamin Britten
- (show 19 more)
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| The Pirates of Penzance: Act II, no. 17. “When the foeman bares his steel” (Mabel, Edith, Sergeant, Policemen, Girls) | | | | | | | |
| The Pirates of Penzance: Act II, no. 24. “When a felon’s not engaged in his employment” (Sergeant, Policemen) | | | | Song | | | |
| The Vicar of Bray | | | | Song | | | |
| Yarmouth Fair | | | | Song | | | |
