| vocals |
|---|
| 1957 | The Gondoliers: Act I. “I stole the Prince” (Don Alhambra, Casilda, Luiz, Duke, Duchess) | lead vocals [Don Alhambra] | Gilbert & Sullivan | 2:16 |
| 1957 | The Gondoliers: Act II. “There lived a king” (Don Alhambra, Marco, Giuseppe) | lead vocals [Don Alhambra] | Gilbert & Sullivan | 3:06 |
| 1957 | The Mikado: Act II. "A more humane Mikado" (Mikado, Nobles) | bass vocals | Gilbert & Sullivan | 4:15 |
| 1957 | The Mikado: Act II. "Miya sama, miya sama" (Girls, Nobles, Mikado, Katisha) | bass vocals | Gilbert & Sullivan | 2:45 |
| 1957 | The Mikado: Act II. "See how the Fates their gifts allot" (Mikado, Pitti-Sing, Poo-Bah, Ko-Ko, Katisha) | bass vocals | Gilbert & Sullivan | 2:04 |
| 1957 | The Yeomen of the Guard: Act II. “Here-upon we’re both agreed” (Point, Wilfred) | lead vocals [Wilfred Shadbolt] | Gilbert & Sullivan | 1:49 |
| 1958-12 | Peter Grimes: Act II, Scene I. “Now is gossip put on trial” (Mrs. Sedley, Boles, Rector, Keene, Swallow, Chorus) | bass vocals | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 2:12 |
| 1958-12 | Peter Grimes: Act II, Scene II. “Now!... Now!…” (Boles, Rector, Swallow, Keene, Chorus) | bass vocals | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 2:09 |
| 1958-12 | Peter Grimes: Act III, Scene I. “Assign your prettiness to me” (Swallow) | bass vocals | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 2:36 |
| 1958-12 | Peter Grimes: Act III, Scene I. “Pah!… Ahoy!” (Swallow, Keene) | bass vocals | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 2:49 |
| 1958-12 | Peter Grimes: Prologue. “Peter Grimes, I here advise you!” (Swallow) | bass vocals | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 2:10 |
| 1958-12 | Peter Grimes: Prologue. “You sailed your boat round the coast” (Swallow) | bass vocals | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 3:04 |
| 1959 | Iolanthe: Act II. “When all night long a chap remains” (Sentry Song) (Private Willis) | lead vocals [Private Willis] | Gilbert & Sullivan | 4:19 |
| 1961-11-28 | Excerpt from Belshazzar's Feast | bass vocals | Owen Brannigan, Hoffnung Festival Choral Society, Hoffnung Symphony Orchestra, William Walton | 1:55 |
| 1961-11-28 | The Barber of Darmstadt | bass vocals [Herr Knochen] | John Amis, Owen Brannigan, Hoffnung Festival Choral Society, Hoffnung Symphony Orchestra, Humphrey Searle | 3:00 |
| 1961-12 | The Crucifixion: And as Moses lifted up the serpent | bass vocals | Owen Brannigan, Brian Runnett | 1:06 |
| 1961-12 | The Crucifixion: And one of the malefactors which were hanged | bass vocals | Richard Lewis, Owen Brannigan, Brian Runnett | 2:47 |
| 1961-12 | The Crucifixion: And they came to a place named Gethsemane | bass vocals | Richard Lewis, Owen Brannigan, Choir of St John’s College, Cambridge, Brian Runnett, George Guest | 8:41 |
| 1961-12 | The Crucifixion: And when they had come to the place called Calvary | bass vocals | Owen Brannigan, Brian Runnett | 0:55 |
| 1961-12 | The Crucifixion: He made Himself of no reputation | bass vocals | Owen Brannigan, Brian Runnett | 1:21 |
| 1961-12 | The Crucifixion: Is it nothing to you | bass vocals | Owen Brannigan, Brian Runnett | 1:19 |
| 1961-12 | The Crucifixion: Jesus said: Father, forgive them | bass vocals | Richard Lewis, Owen Brannigan, Brian Runnett | 5:55 |
| 1961-12 | The Crucifixion: King ever glorious! | bass vocals | Richard Lewis, Owen Brannigan, Brian Runnett | 4:37 |
| 1961-12 | The Crucifixion: When Jesus therefore saw His Mother | bass vocals | Richard Lewis, Owen Brannigan, Choir of St John’s College, Cambridge, Brian Runnett, George Guest | 3:20 |
| 1961 | Noye's Fludde, Op. 59: II. I God, that all this worlde hath wroughte | bass-baritone vocals | Owen Brannigan | 2:05 |
| 1961 | Noye's Fludde, Op. 59: III. Have done, you men and wemen all | bass-baritone vocals | Owen Brannigan, Sheila Rex, English Chamber Orchestra, Norman Del Mar | 2:39 |
| 1961 | Noye's Fludde, Op. 59: IV. Now in the name of God I will begyne | bass-baritone vocals | Owen Brannigan, Sheila Rex, English Chamber Orchestra, Norman Del Mar | 4:18 |
| 1961 | Noye's Fludde, Op. 59: IX. Noye, take thy wife anone | bass-baritone vocals | Owen Brannigan, Sheila Rex, English Chamber Orchestra, Norman Del Mar | 2:39 |
| 1961 | Noye's Fludde, Op. 59: V. Noye, Noye, take thou thy company | bass-baritone vocals | Owen Brannigan, English Chamber Orchestra, Norman Del Mar | 6:07 |
| 1961 | Noye's Fludde, Op. 59: VI. Wiffe, come in! why standes thou their? | bass-baritone vocals | Owen Brannigan, Sheila Rex, English Chamber Orchestra, Norman Del Mar | 5:09 |
| 1961 | Noye's Fludde, Op. 59: VII. Ha! Children, me thinkes my botte removes | bass-baritone vocals | Owen Brannigan, Sheila Rex, English Chamber Orchestra, Norman Del Mar | 8:18 |
| 1961 | Noye's Fludde, Op. 59: VIII. Now forty dayes are fullie gone | bass-baritone vocals | Owen Brannigan, English Chamber Orchestra, Norman Del Mar | 5:10 |
| 1961 | Noye's Fludde, Op. 59: XI. The spacious firmament on high | bass-baritone vocals | Owen Brannigan, Sheila Rex, English Chamber Orchestra, Norman Del Mar | 7:17 |
| 1964-04 | Albert Herring, op. 39: Act I, Scene I. “Beggin’ your pardon” (Superintendent Budd) | bass vocals | Owen Brannigan, English Chamber Orchestra, Benjamin Britten | 6:12 |
| 1964-04 | Albert Herring, op. 39: Act II, Scene I. “Er–humph! Er–humph! I’m no great shakes” (Superintendent Budd) | bass vocals | Owen Brannigan, English Chamber Orchestra, Benjamin Britten | 2:40 |
| 1964-04 | Albert Herring, op. 39: Act III. “Albert…!” (All) | bass vocals | Sheila Amit, Owen Brannigan, April Cantelo, Edgar Evans, Sylvia Fisher, John Noble, Peter Pears, Johanna Peters, Sheila Rex, Stephen Terry, Joseph Ward, Catherine Wilson, English Chamber Orchestra, Benjamin Britten | 0:40 |
| 1964-04 | Albert Herring, op. 39: Act III. “Give me a decent murder with a corpse!” (Superintendent Budd) | bass vocals | Owen Brannigan, English Chamber Orchestra, Benjamin Britten | 1:09 |
| 1964-04 | Albert Herring, op. 39: Act III. “In the midst of life is death” (All) | bass vocals | Sheila Amit, Owen Brannigan, April Cantelo, Edgar Evans, Sylvia Fisher, John Noble, Peter Pears, Johanna Peters, Sheila Rex, Stephen Terry, Joseph Ward, Catherine Wilson, English Chamber Orchestra, Benjamin Britten | 4:22 |
| A-hunting we will go | bass vocals | Owen Brannigan, Hendon Grammar School Choir, Pro Arte Orchestra, Charles Mackerras | 2:12 |
| Charlie is my darling | bass vocals | Owen Brannigan, Elizabeth Harwood, Hendon Grammar School Choir, Pro Arte Orchestra, Charles Mackerras | 2:11 |
| H.M.S. Pinafore: Act II, Finale, Quartette, “Oh Joy, Oh Rapture Unforeseen” | bass vocals | Glyndebourne Festival Chorus, Pro Arte Orchestra, Sir Malcolm Sargent | 3:09 |
| H.M.S. Pinafore: Act II. Finale “Oh Joy, oh Rapture” | bass vocals | Owen Brannigan, Glyndebourne Festival Chorus, Richard Lewis, Elsie Morison, Marjorie Thomas, Pro Arte Orchestra, Sir Malcolm Sargent | 3:10 |
| Heart of Oak | bass vocals | Owen Brannigan, Hendon Grammar School Choir, Pro Arte Orchestra, Charles Mackerras | 2:16 |
| I rage, I melt, I burn ... O ruddier than the cherry (Acis and Galatea) | bass vocals | Owen Brannigan, Philomusica of London, Sir Adrian Boult | 5:12 |
| It was a lover and his lass | bass vocals | Owen Brannigan, Elizabeth Harwood, Hendon Grammar School Choir, Pro Arte Orchestra, Charles Mackerras | 2:22 |
| John Peel | bass vocals | Owen Brannigan, Hendon Grammar School Choir, Pro Arte Orchestra, Charles Mackerras | 2:27 |
| Messiah: Behold, I Tell You a Mystery | bass vocals and solo | Owen Brannigan, London Philharmonic Orchestra, Sir Adrian Boult | 0:42 |
| Messiah: But Who May Abide | bass vocals and solo | Owen Brannigan, London Philharmonic Orchestra, Sir Adrian Boult | 4:42 |
| Messiah: For Behold, Darkness Shall Cover the Earth | bass vocals and solo | Owen Brannigan, London Philharmonic Orchestra, Sir Adrian Boult | 2:37 |
| Messiah: The People That Walked in Darkness | bass vocals and solo | Owen Brannigan, London Philharmonic Orchestra, Sir Adrian Boult | 3:36 |
| Messiah: The Trumpet Shall Sound | bass vocals and solo | Owen Brannigan, London Philharmonic Orchestra, Sir Adrian Boult | 8:54 |
| Messiah: The Trumpet Shall Sound | bass vocals | Owen Brannigan, London Philharmonic Orchestra, Sir Adrian Boult | 4:40 |
| Messiah: Thou art gone up on high | bass vocals and solo | Owen Brannigan, London Philharmonic Orchestra, Sir Adrian Boult | 3:37 |
| Messiah: Thus Saith the Lord | bass vocals and solo | Owen Brannigan, London Philharmonic Orchestra, Sir Adrian Boult | 1:46 |
| Messiah: Why do the Nations | bass vocals | Owen Brannigan, London Philharmonic Orchestra, Sir Adrian Boult | 2:44 |
| Messiah: Why do the Nations | bass vocals and solo | Owen Brannigan, London Philharmonic Orchestra, Sir Adrian Boult | 2:44 |
| The Bailiff's Daughter of Islington | bass vocals | Owen Brannigan, Elizabeth Harwood, Hendon Grammar School Choir, Pro Arte Orchestra, Charles Mackerras | 3:03 |
| The Bay of Biscay | bass vocals | Owen Brannigan, Elizabeth Harwood, Hendon Grammar School Choir, Pro Arte Orchestra, Charles Mackerras | 2:37 |
| The Gondoliers: Act I. “But bless my heart” (Casilda, Don Alhambra) | bass vocals | Gilbert & Sullivan | 1:04 |
| The Gondoliers: Act I. “Do not give way” (Don Alhambra, Gianetta, Tessa, Marco, Giuseppe) | bass vocals | Gilbert & Sullivan | 0:41 |
| The Gondoliers: Act I. “I stole the Prince” (Don Alhambra, Casilda, Luiz, Duke, Duchess) | bass vocals | Gilbert & Sullivan | 2:16 |
| The Gondoliers: Act I. “Try we life-long” (Casilda, Duchess, Luiz, Duke, Don Alhambra) | bass vocals | Gilbert & Sullivan | 1:59 |
| The Gondoliers: Act II. “Now let the loyal lieges gather round” (Don Alhambra, All) | bass vocals | Gilbert & Sullivan | 1:10 |
| The Gondoliers: Act II. “The Royal Prince” (Inez, All) | bass vocals | Gilbert & Sullivan | 4:35 |
| The Gondoliers: Act II. “There lived a king” (Don Alhambra, Marco, Giuseppe) | bass vocals | Gilbert & Sullivan | 3:06 |
| The Miller of Dee | bass vocals | Owen Brannigan, Pro Arte Orchestra, Charles Mackerras | 1:35 |
| The Pirates of Penzance: Act II, Song “When a Felon’s not Engaged in his Employment” | bass vocals | Glyndebourne Festival Chorus, Pro Arte Orchestra, Sir Malcolm Sargent | 2:21 |
| The Pirates of Penzance: Act II. “When a felon’s not engaged” | bass vocals | Owen Brannigan, Pro Arte Orchestra, Sir Malcolm Sargent | 2:20 |
| The Pirates of Penzance: When the Foeman Bares His Steel | | Gilbert & Sullivan | 4:53 |
| The Smuggler’s Song | bass vocals | Owen Brannigan | 3:37 |
| The Vicar of Bray | bass vocals | Owen Brannigan, Hendon Grammar School Choir, Pro Arte Orchestra, Charles Mackerras | 3:44 |
| Yarmouth Fair | bass vocals | Owen Brannigan | 1:40 |
| Yarmouth Fair | bass vocals | Owen Brannigan, Ernest Lush | 1:39 |
| performed |
|---|
| The World of Gilbert & Sullivan | | Gilbert, Sullivan; The D’Oyly Carte Opera Company, Sir Malcolm Sargent | |
| vocals |
|---|
| 1958 | The Yeomen of the Guard (Glyndebourne Festival Chorus, Pro Arte Orchestra feat. conductor: Sir Malcolm Sargent) | bass vocals | Gilbert & Sullivan | |
| La Calisto | bass-baritone vocals [Silvano] | Francesco Cavalli, Ileana Cotrubaș, Dame Janet Baker, James Bowman, London Philharmonic Orchestra & Raymond Leppard | |
| The Pirates of Penzance | bass vocals [Sergeant of Police] | Gilbert & Sullivan | |
