Pétrouchka : Tableau I. Fête populaire de la semaine grasse | | | | | | | |
Pétrouchka : Tableau II. Chez Pétrouchka | | | | | | | |
Pétrouchka : Tableau II. Chez Pétrouchka | | | | | | | |
Pétrouchka : Tableau III. Chez le Maure | | | | | | | |
Pétrouchka : Tableau IV. Fête populaire de la semaine grasse (vers le soir) | | | | | | | |
Pétrouchka : Tableau IV. Fête populaire de la semaine grasse (vers le soir) | | | | | | | |
Piano Concerto in F minor, op. 114: I. Allegro moderato | | | | | | | |
Piano Concerto in F minor, op. 114: II. Largo con gran espressione | | | | | | | |
Piano Concerto in F minor, op. 114: III. Allegretto con spirito | | | | | | | |
Piano Concerto no. 2 in C minor, op. 18: I. Moderato | | | | | | | |
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto | | | | | | | |
Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando | | | | | | - 310153545 (ASCAP ID)
- C-1257183085 (CASH ID)
- (show 3 more)
- 747957 (SAYCO ID)
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Platée: Acte I | | | | | | | |
Platée: Acte I. "Quittez, Nymphes" (Platée) | | | | | | | |
Platée: Acte I. "Soleil, fuis de ces lieux !" (Clarine) | | | | | | | |
Platée: Acte I. Tambourin | | | | | | | |
Platée: Acte II | | | | | | | |
Platée: Acte II. "Formons les plus brillants concerts" ... "Honneur à la Folie" (Folie, Chœurs) | | - Carolyn Sampson, Ex Cathedra Baroque Ensemble, Jeffrey Skidmore
- Janine Micheau, Hans Rosbaud, Orchestre de la Société des Concerts du Conservatoire
- Carolyn Sampson, Ex Cathedra Choir, Ex Cathedra Baroque Ensemble, Jeffrey Skidmore
- Carolyn Sampson, Paul Agnew, James Gilchrist, Roderick Williams, Ex Cathedra Choir, Ex Cathedra Baroque Ensemble, Jeffrey Skidmore
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Platée: Acte III | | | | | | | |
Platée: Prologue | | | | | | | |
Poésie pour pouvoir | | | | | | | |
Polyphonie X | | | | | | | |
Polyphonie X: I. Modéré | | | | | | | |
Polyphonie X: II. Lent | | | | | | | |
Polyphonie X: III. Vif | | | | | | | |
Quintette à la mémoire d'Anton Webern | | | | | | | |
Réveil des oiseaux | | | | | | | |
Scènes historiques I, op. 25: No. 3. Festivo | | | | | | | |
Sechs Stücke für Orchester, op. 6: I. Langsam | | | | | | | |
Sechs Stücke für Orchester, op. 6: II. Bewegt | | | | | | | |
Sechs Stücke für Orchester, op. 6: III. Mäßig | | | | | | | |
Sechs Stücke für Orchester, op. 6: IV. Sehr mäßig | | | | | | | |
Sechs Stücke für Orchester, op. 6: V. Sehr langsam | | | | | | | |
Sechs Stücke für Orchester, op. 6: VI. Langsam | | | | | | | |
Serenade, op. 24: I. Marsch | | - John Shirley‐Quirk, Ensemble intercontemporain, Pierre Boulez
- Stephen Varcoe, The Twentieth Century Classics Ensemble, Robert Craft
- Louis-Jacques Rondeleux, Serge Collot, Guy Deplus, Paul Grund, Jean Huchot, Louis Montaigne, Paul Stingl, Luben Yordanoff, Pierre Boulez
- Nicholas Isherwood, Ensemble 2e2m, Paul Méfano
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Serenade, op. 24: II. Menuett | | - John Shirley‐Quirk, Ensemble intercontemporain, Pierre Boulez
- Stephen Varcoe, The Twentieth Century Classics Ensemble, Robert Craft
- Louis-Jacques Rondeleux, Serge Collot, Guy Deplus, Paul Grund, Jean Huchot, Louis Montaigne, Paul Stingl, Luben Yordanoff, Pierre Boulez
- Nicholas Isherwood, Ensemble 2e2m, Paul Méfano
- (show 2 more)
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Serenade, op. 24: III. Variationen | | - Stephen Varcoe, Toby Appel, Alan R. Kay, Charles Neidich, Peter Press, Rolf Schulte, Fred Sherry, David Starobin, The Twentieth Century Classics Ensemble, Robert Craft
- John Shirley‐Quirk, Ensemble intercontemporain, Pierre Boulez
- Louis-Jacques Rondeleux, Serge Collot, Guy Deplus, Paul Grund, Jean Huchot, Louis Montaigne, Paul Stingl, Luben Yordanoff, Pierre Boulez
- Nicholas Isherwood, Ensemble 2e2m, Paul Méfano
- (show 2 more)
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Serenade, op. 24: IV. Sonett Nr. 217 von Petrarca | | - John Shirley‐Quirk, Ensemble intercontemporain, Pierre Boulez
- Stephen Varcoe, The Twentieth Century Classics Ensemble, Robert Craft
- Louis-Jacques Rondeleux, Serge Collot, Guy Deplus, Paul Grund, Jean Huchot, Louis Montaigne, Paul Stingl, Luben Yordanoff, Pierre Boulez
- Nicholas Isherwood, Ensemble 2e2m, Paul Méfano
- (show 2 more)
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Serenade, op. 24: V. Tanzscene | | - John Shirley‐Quirk, Ensemble intercontemporain, Pierre Boulez
- Stephen Varcoe, The Twentieth Century Classics Ensemble, Robert Craft
- Louis-Jacques Rondeleux, Serge Collot, Guy Deplus, Paul Grund, Jean Huchot, Louis Montaigne, Paul Stingl, Luben Yordanoff, Pierre Boulez
- Nicholas Isherwood, Ensemble 2e2m, Paul Méfano
- (show 2 more)
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Serenade, op. 24: VI. Lied (ohne Worte) | | - John Shirley‐Quirk, Ensemble intercontemporain, Pierre Boulez
- Stephen Varcoe, The Twentieth Century Classics Ensemble, Robert Craft
- Louis-Jacques Rondeleux, Serge Collot, Guy Deplus, Paul Grund, Jean Huchot, Louis Montaigne, Paul Stingl, Luben Yordanoff, Pierre Boulez
- Nicholas Isherwood, Ensemble 2e2m, Paul Méfano
- (show 2 more)
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Serenade, op. 24: VII. Finale | | - John Shirley‐Quirk, Ensemble intercontemporain, Pierre Boulez
- Stephen Varcoe, The Twentieth Century Classics Ensemble, Robert Craft
- Louis-Jacques Rondeleux, Serge Collot, Guy Deplus, Paul Grund, Jean Huchot, Louis Montaigne, Paul Stingl, Luben Yordanoff, Pierre Boulez
- Nicholas Isherwood, Ensemble 2e2m, Paul Méfano
- (show 2 more)
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Sinfonia nro 2 D-duuri, op. 43: I. Allegretto | | | | | | | |
Sinfonia nro 2 D-duuri, op. 43: II. Tempo andante, ma rubato | | | | | | | |
Sinfonia nro 2 D-duuri, op. 43: III. Vivacissimo | | | | | | | |
Sinfonia nro 2 D-duuri, op. 43: IV. Finale. Allegro moderato | | | | | | | |
Suite no. 1 for Small Orchestra: I. Andante | | | | | | | |
Suite no. 1 for Small Orchestra: II. Napolitana | | | | | | | |
Suite no. 1 for Small Orchestra: III. Española | | | | | | | |
Suite no. 1 for Small Orchestra: IV. Balalaika | | | | | | | |
Suite no. 2 for Small Orchestra: I. Marche | | | | | | | |
Suite no. 2 for Small Orchestra: II. Valse | | | | | | | |
Suite no. 2 for Small Orchestra: III. Polka | | | | | | | |
Suite no. 2 for Small Orchestra: IV. Galop | | | | | | | |
Suites from Platée: IX. Orage | | | | | | | |
Suites from Platée: V. Passepieds | | | | | | | |
Suites from Platée: VIII. Passepieds | | | | | | | |
Suites from Platée: X. Air, pour fous gais | | | | | | | |
Suites from Platée: XI. Air, pour fous, tristes | | | | | | | |
Suites from Platée: XII. Menuet | | | | | | | |
Symphonie Nr. 4 in G-Dur: I. Bedächtig. Nicht eilen - Recht gemächlich | | | | | | | |
Symphonie Nr. 4 in G-Dur: II. In gemächlicher Bewegung. Ohne Hast | | | | | | | |
Symphonie Nr. 4 in G-Dur: III. Ruhevoll. Poco adagio | | | | | | | |
Symphonie Nr. 4 in G-Dur: IV. Sehr behaglich. „Wir genießen die himmlischen Freuden“ | | | | | | | |
Symphony no. 1 | | | | Symphony | | | |
Symphony no. 2 "Adagio" | | | | Symphony | | | |
Symphony no. 2 in C minor, WAB 102: I. Moderato | | | | | | | |
Symphony no. 2 in C minor, WAB 102: II. Andante. Feierlich, etwas bewegt | | | | | | | |
Symphony no. 2 in C minor, WAB 102: III. Scherzo: Mäßig schnell - Trio: Gleiches Tempo | | | | | | | |
Symphony no. 2 in C minor, WAB 102: IV. Finale: Ziemlich schnell | | | | | | | |
Symphony no. 3 in D minor, WAB 103: I. Mehr langsam, misterioso | | | | | | | |
Symphony no. 3 in D minor, WAB 103: II. Adagio, bewegt, quasi andante | | | | | | | |
Symphony no. 3 in D minor, WAB 103: III. Scherzo: Ziemlich schnell | | | | | | | |
Symphony no. 3 in D minor, WAB 103: IV. Finale: Allegro | | | | | | | |
Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio | | | | | | | |
Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace | | | | | | | |
Symphony no. 4 in A minor, op. 63: III. Il tempo largo | | | | | | | |
Symphony no. 4 in A minor, op. 63: IV. Allegro | | | | | | | |
Symphony no. 4 in C minor, D. 417 "Tragic": I. Adagio molto - Allegro vivace | | | | | | | |
Symphony no. 4 in C minor, D. 417 "Tragic": II. Andante | | | | | | | |
Symphony no. 4 in C minor, D. 417 "Tragic": III. Menuetto. Allegro vivace | | | | | | | |
Symphony no. 4 in C minor, D. 417 "Tragic": IV. Allegro | | | | | | | |
Symphony no. 4 in E-flat major, WAB 104 "Romantische": I. Bewegt, nicht zu schnell | | | | | | | |
Symphony no. 4 in E-flat major, WAB 104 "Romantische": II. Andante, quasi allegretto | | | | | | | |
Symphony no. 4 in E-flat major, WAB 104 "Romantische": III. Scherzo (Bewegt) - Trio (Nicht zu schnell, Keinesfalls schleppend) | | | | | | | |
Symphony no. 4 in E-flat major, WAB 104 "Romantische": IV. Finale. Bewegt, doch nicht zu schnell | | | | | | | |
Symphony no. 5 in B-flat major, WAB 105 "Tragische": I. Introduction (Adagio) - Allegro. | | | | | | | |
Symphony no. 5 in B-flat major, WAB 105 "Tragische": II. Adagio. Sehr langsam. | | | | | | | 3 |
Symphony no. 5 in B-flat major, WAB 105 "Tragische": III. Scherzo. Molto vivace | | | | | | | 3 |
Symphony no. 5 in B-flat major, WAB 105 "Tragische": IV. Finale: Adagio - Allegro moderato. | | | | | | | 3 |
Symphony no. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt) | | | | | | | |
Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz | | | | | | | |
Symphony no. 5 in C-sharp minor: III. Scherzo. Kräftig, nicht zu schnell | | | | | | | |
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam | | | | | | | |
Symphony no. 5 in C-sharp minor: V. Rondo-Finale. Allegro - Allegro giocoso. Frisch | | | | | | | |
Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato - Allegro moderato (ma poco a poco stretto) - Presto - Più presto | | | | | | | |
Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto | | | | | | | |
Symphony no. 5 in E-flat major, op. 82: III. Allegro molto | | | | | | | |
Symphony no. 6 in A-major, WAB 106: I. Majestoso | | | | | | | |
Symphony no. 6 in A-major, WAB 106: II. Adagio. Sehr feierlich | | | | | | | |
Symphony no. 6 in A-major, WAB 106: III. Scherzo. Nicht schnell – Trio. Langsam | | | | | | | |