Antonello Palombi (tenor)

~ Person

Relationships

Wikipedia:en: Antonello Palombi [info]
Discogs:https://www.discogs.com/artist/4183492 [info]
official homepages:http://www.liricopera.com/ [info]
other databases:http://id.loc.gov/authorities/names/n94058816 [info]
https://catalogue.bnf.fr/ark:/12148/cb14071314x [info]
https://d-nb.info/gnd/135227356 [info]
Allmusic:https://www.allmusic.com/artist/mn0002222589 [info]
VIAF ID:2676341 [info]
Wikidata:Q3618973 [info]
Songkick:https://www.songkick.com/artists/2233438 [info]

Appearances

DateTitleAttributesArtistLength
vocals
1998-07-16 – 1998-07-21Falstaff: Atto I, scena 2. “E'un ribaldo, un furbo, un ladro“ (Cajus)tenor vocals [Fenton]Peter Bronder, Francis Egerton, Rebecca Evans, Eirian James, Hillevi Martinpelto, Anthony Michaels-Moore, Sara Mingardo, Gabriele Monici, Antonello Palombi, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner2:08
1998-07-16 – 1998-07-21Falstaff: Atto I, scena 2. “Fulgida Alice! amor t'offro …” (Meg)tenor vocals [Fenton]Peter Bronder, Francis Egerton, Rebecca Evans, Eirian James, Hillevi Martinpelto, Anthony Michaels-Moore, Sara Mingardo, Gabriele Monici, Antonello Palombi, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner3:23
1998-07-16 – 1998-07-21Falstaff: Atto I, scena 2. “Pst, pst, Nannetta” (Fenton)tenor vocals [Fenton]Rebecca Evans, Antonello Palombi, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner1:48
1998-07-16 – 1998-07-21Falstaff: Atto I, scena 2. “Torno all'assalto” (Fenton)tenor vocals [Fenton]Rebecca Evans, Antonello Palombi, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner2:19
1998-07-16 – 1998-07-21Falstaff: Atto II, scena 2. “Se t'agguanto!“ (Ford)tenor vocals [Fenton]Peter Bronder, Francis Egerton, Rebecca Evans, Eirian James, Jean‐Philippe Lafont, Hillevi Martinpelto, Anthony Michaels-Moore, Sara Mingardo, Gabriele Monici, Monteverdi Choir, Antonello Palombi, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner5:34
1998-07-16 – 1998-07-21Falstaff: Atto III, scena 2. “Ah! Ah! Ah! Ah!” (Tutti)tenor vocals [Fenton]Peter Bronder, Francis Egerton, Rebecca Evans, Eirian James, Jean‐Philippe Lafont, Hillevi Martinpelto, Anthony Michaels-Moore, Sara Mingardo, Gabriele Monici, Monteverdi Choir, Antonello Palombi, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner1:43
1998-07-16 – 1998-07-21Falstaff: Atto III, scena 2. “Dal labbro il canto” (Fenton)tenor vocals [Fenton]Rebecca Evans, Antonello Palombi, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner5:34
1998-07-16 – 1998-07-21Falstaff: Atto III, scena 2. “Ogni sorta di gente dozzinale” (Falstaff)tenor vocals [Fenton]Peter Bronder, Francis Egerton, Rebecca Evans, Eirian James, Jean‐Philippe Lafont, Hillevi Martinpelto, Anthony Michaels-Moore, Sara Mingardo, Gabriele Monici, Monteverdi Choir, Antonello Palombi, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner2:35
1998-07-16 – 1998-07-21Falstaff: Atto III, scena 2. “Tutto nel mondo è burla” (Falstaff)tenor vocals [Fenton]Peter Bronder, Francis Egerton, Rebecca Evans, Eirian James, Jean‐Philippe Lafont, Hillevi Martinpelto, Anthony Michaels-Moore, Sara Mingardo, Gabriele Monici, Monteverdi Choir, Antonello Palombi, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner3:12