Dido and Aeneas, Z. 626: Act II, Scene I, 13. Prelude for the Witches – “Wayward sisters” (Sorceress, First Witch) | | | | | | | |
Dido and Aeneas, Z. 626: Act II, Scene I, 14. “Harm’s our delight” (Witches chorus) | | | | | | | |
Dido and Aeneas, Z. 626: Act II, Scene I, 15. Recitative “The Queen of Carthage, whom we hate” (Sorceress) | | - Henry Purcell
- Academy of Ancient Music Chorus, Elisabeth Priday, Sara Stowe, David Thomas, Academy of Ancient Music, Christopher Hogwood
- The English Concert Choir, Elisabeth Priday, Nigel Rogers, The English Concert, Trevor Pinnock
- Teodor Currentzis, MusicAeterna
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Dido and Aeneas, Z. 626: Act II, Scene I, 16. “Ho ho ho!” (Chorus) | | | | | | | |
Dido and Aeneas, Z. 626: Act II, Scene I, 17. Recitative “Ruin’d ere the set of sun?” (Two Witches, Sorceress) | | | | | | | |
Dido and Aeneas, Z. 626: Act II, Scene I, 18. “Ho ho ho!” (Chorus) | | | | | | | |
Dido and Aeneas, Z. 626: Act II, Scene I, 19. “But ere we this perform” (Two Witches) | | | | | | | |
Dido and Aeneas, Z. 626: Act II, Scene I, 20. “In our deep vaulted cell” (Chorus) | | | | | | | |
Dido and Aeneas, Z. 626: Act II, Scene I, 21. Echo Dance of Furies | | | | | | | |
Dido and Aeneas, Z. 626: Act II, Scene II. Chorus “Then since our charmes have sped” (Sorceress, Two Witches) | | - Susan Bickley, Choir of Clare College, Cambridge, Orchestra of the Age of Enlightenment, René Jacobs
- Les Arts Florissants, William Christie
- The Mermaid Singers
- Jürgen Jürgens, Margaret Baker, Patricia Johnson, Margaret Lensky, Kammerorchester des Norddeutschen Rundfunks, Charles Mackerras
- (show 3 more)
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Dido and Aeneas, Z. 626: Act II, Scene II. The Groves Dance | | - Orchestra of the Age of Enlightenment, René Jacobs
- Jürgen Jürgens, Margaret Baker, Patricia Johnson, Margaret Lensky, Kammerorchester des Norddeutschen Rundfunks, Charles Mackerras
- Taverner Players, Andrew Parrott
- Jean Allister, Arda Mandikian, Rosemary Phillips, Purcell Singers, George Malcolm, English Opera Group Orchestra, Benjamin Britten
- (show 2 more)
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Dido and Aeneas, Z. 626: Act III | | - Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon, Tafelmusik Chamber Choir · Ivars Taurins
- Henry Purcell
- Purcell; Alfred Deller, Oriana Concert Choir and Orchestra
- Jean Allister, Arda Mandikian, Peter Pears, Rosemary Phillips, Purcell Singers, Michael Ronayne, Jeannette Sinclair, Claire Watson, George Malcolm, English Opera Group Orchestra, Benjamin Britten
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H.M.S. Pinafore: Act I, Recitative and Song “Hail! Men-o’-War’s Men” / “I’m Called Little Buttercup” (Buttercup, Boatswain) | | | | Song | | | |
O Little Town of Bethlehem | | | | Song | | | |
The Happy Prince | | - John Alldis, April Cantelo, Maureen Lehane, Pauline Stevens, Sir Richard Rodney Bennett, Tristan Fry, John Gray, Joy Hall, James Holland, Anthony Howard, Sir Neville Marriner, Stephen Shingles, Malcolm Williamson, String Quintet from the Academy of St. Martin in the Fields, Marcus Dods
- John Alldis, Jean Allister, April Cantelo, Margaret Humphrey-Clark, Pauline Stevens, Sir Richard Rodney Bennett, Tristan Fry, John Gray, Joy Hall, James Holland, Anthony Howard, Sir Neville Marriner, Stephen Shingles, Malcolm Williamson, String Quintet from the Academy of St. Martin in the Fields, Marcus Dods
- John Alldis, April Cantelo, Guildhall Chamber Choir, Sheila Rex, Pauline Stevens, Sir Richard Rodney Bennett, Tristan Fry, John Gray, Joy Hall, James Holland, Anthony Howard, Sir Neville Marriner, Stephen Shingles, Malcolm Williamson, String Quintet from the Academy of St. Martin in the Fields, Marcus Dods
- John Alldis, Jean Allister, April Cantelo, Guildhall Chamber Choir, Margaret Humphrey-Clark, Sheila Rex, Pauline Stevens, Sir Richard Rodney Bennett, Tristan Fry, John Gray, Joy Hall, James Holland, Anthony Howard, Sir Neville Marriner, Stephen Shingles, Malcolm Williamson, String Quintet from the Academy of St. Martin in the Fields, Marcus Dods
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| | Opera | | | |
The Mikado: Act I, no. 7. “Three little maids from school are we” (Yum-Yum, Peep-Bo, Pitti-Sing, and Girls) | | | | Song | | | |
The Pirates of Penzance: Act II, no. 17. “When the foeman bares his steel” (Mabel, Edith, Sergeant, Policemen, Girls) | | | | | | | |