As Long As He Needs Me | Josephine Barstow | | | 4:18 | |
I'd Do Anything | Lionel Bart, Irfan Ahmad, Josephine Barstow, Richard South, Megan Kelly & Julian Forsyth | | | 3:26 | |
Médée : Acte III: « Eh quoi je suis Médée ! » | Josephine Barstow, Scottish Opera Chorus, John Treleaven, Orchestra of the Scottish Opera, John Mauceri | | | 17:50 | |
Oliver!: I’d Do Anything | Irfan Ahmad, Josephine Barstow, Richard South, Megan Kelly, National Symphony Orchestra, John Owen Edwards | | | 3:26 | |
Salome, op. 54, TrV 215, Scene 4: „Es ist kein Laut … Ich habe deinen Mund geküßt” | Josephine Barstow, Claire Livingstone, Orchestra of the Scottish Opera, John Mauceri | | | 20:12 | |
So in Love | Josephine Barstow | | | 2:51 | |
Street Scene: Act I. No. 4 "When a woman has a baby" | Josephine Barstow, Orchestra of the Scottish Opera, John Mauceri | | | 1:55 | |
Street Scene: Act I. No. 5a Scene | Josephine Barstow, Samuel Ramey, Orchestra of the Scottish Opera, John Mauceri | | | 2:36 | |
Street Scene: Act I. No. 5b "Somehow I could never believe" | Josephine Barstow, Orchestra of the Scottish Opera, John Mauceri | | | 7:25 | |
Street Scene: Act I. No. 9b "Wrapped in a ribbon" | Josephine Barstow, Barbara Bonney, Fiona Kimm, Orchestra of the Scottish Opera, John Mauceri | | | 7:08 | |
Street Scene: Act II, Scene 1. No. 16 "There'll be trouble" | Josephine Barstow, Samuel Ramey, Angelina Réaux, Orchestra of the Scottish Opera, John Mauceri | | | 7:53 | |
Street Scene: Act II, Scene 1. No. 17 "A boy like you" | Josephine Barstow, Orchestra of the Scottish Opera, John Mauceri | | | 5:22 | |
Street Scene: Act II, Scene 1. No. 19a "The woman who lived up there" | Josephine Barstow, Jerry Hadley, Angelina Réaux, Orchestra of the Scottish Opera, John Mauceri | | | 4:40 | |
Symphony no. 3 “Kaddish”: Ia. Invocation: Adagio | Josephine Barstow, Coro dell’Accademia Nazionale di Santa Cecilia, Coro di voci bianche dell'Accademia di Santa Cecilia, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano | | | 3:01 | |
Symphony no. 3 “Kaddish”: Ib. Kaddish 1: L’istesso tempo – Allegro molto | Josephine Barstow, Coro dell’Accademia Nazionale di Santa Cecilia, Coro di voci bianche dell'Accademia di Santa Cecilia, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano | | | 5:29 | |
Symphony no. 3 “Kaddish”: IIa. Din-Torah: Di nuovo adagio | Josephine Barstow, Coro dell’Accademia Nazionale di Santa Cecilia, Coro di voci bianche dell'Accademia di Santa Cecilia, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano | | | 6:51 | |
Symphony no. 3 “Kaddish”: IIb. Kaddish 2: Andante con tenerezza | Josephine Barstow, Coro dell’Accademia Nazionale di Santa Cecilia, Coro di voci bianche dell'Accademia di Santa Cecilia, Nadine Sierra, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano | | | 7:31 | |
Symphony no. 3 “Kaddish”: IIIa. Scherzo: Presto scherzando, sempre pianissimo | Josephine Barstow, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano | | | 5:03 | |
Symphony no. 3 “Kaddish”: IIIb: Kaddish 3 | Josephine Barstow, Coro dell’Accademia Nazionale di Santa Cecilia, Coro di voci bianche dell'Accademia di Santa Cecilia, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano | | | 2:54 | |
Symphony no. 3 “Kaddish”: IIIc. Finale: Adagio come nel “Din-Torah” – | Josephine Barstow, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano | | | 5:32 | |
Symphony no. 3: Part 2 | Dame Josephine Barstow, BBC Symphony Orchestra, Raymond Leppard | | | 28:13 | |
Symphony no. 9 in D minor, op. 125: IVa. Presto - Presto "O Freude, nicht diese Tone!" - | City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Walter Weller, Josephine Barstow, Linda Finnie, David Rendall, John Tomlinson | | | 6:36 | |
Symphony no. 9 in D minor, op. 125: IVb. Allegro assai | City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Walter Weller, Josephine Barstow, Linda Finnie, David Rendall, John Tomlinson | | | 18:19 | |
The Knot Garden: Act I "Confrontation". "Do, do not, do not torment me" (Mel, Dov, Flora, Faber, Thea, Denise) | Josephine Barstow, Thomas Carey, Jill Gomez, Raimund Herincx, Yvonne Minton, Robert Tear, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | | | 4:12 | |
The Knot Garden: Act I "Confrontation". "O, you may stare in horror" (Denise) | Josephine Barstow, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | | | 7:42 | |
The Knot Garden: Act II "Labyrinth". "Fear! What do I fear?" (Thea, Denise, Faber, Flora, Dov, Mel) | Josephine Barstow, Thomas Carey, Jill Gomez, Raimund Herincx, Yvonne Minton, Robert Tear, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | | | 11:47 | |
The Knot Garden: Act III "Charade". "Enough! Enough!" (Magnus, Dov, Mel, Faber, Thea, Flora, Denise) | Josephine Barstow, Thomas Carey, Jill Gomez, Thomas Hemsley, Raimund Herincx, Yvonne Minton, Robert Tear, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | | | 8:21 | |
The Knot Garden: Act III "Charade". "Mei! O crude, o obscene" (Denise, Mel-Caliban, Mel, Dov) | Josephine Barstow, Thomas Carey, Robert Tear, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | | | 3:03 | |
The Knot Garden: Act III "Charade". "Two unruly spirits born!" (Thea, Denise) | Josephine Barstow, Yvonne Minton, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | | | 2:35 | |
The Knot Garden: Act III "Charade". "You must both hold with me" (Magnus, Thea, Denise) | Josephine Barstow, Thomas Hemsley, Yvonne Minton, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | | | 2:26 | |
Tosca: “Vissi d’arte” | Josephine Barstow, Royal Philharmonic Orchestra, Norman Del Mar | | | 3:22 | |
Turandot: Atto III. “Principessa di morte!” | Josephine Barstow, Lando Bartolini, Scottish Opera Chorus, Orchestra of the Scottish Opera, John Mauceri | | | 19:27 | |
Un ballo in maschera: Atto Primo, Quadro II. Terzetto "Che v'agita cosi?" / "Della città all'occaso" (Ulrica, Amelia, Gustavo, Voci) | Josephine Barstow, Plácido Domingo, Florence Quivar, Wiener Philharmoniker, Herbert von Karajan | | | 5:47 | |
Un ballo in maschera: Atto Secondo. Duetto "Teco io sto" / "Oh, qual soave brivido" (Gustavo, Amelia) | Josephine Barstow, Leo Nucci, Wiener Philharmoniker, Herbert von Karajan | | | 9:33 | |
Un ballo in maschera: Atto Secondo. Quaretto "Sequitemi" (Renato, Amelia, Horn, Ribbing, Coro) | Josephine Barstow, Konzertvereinigung Wiener Staatsopernchor, Leo Nucci, Kurt Rydl, Goran Simić, Wiener Philharmoniker, Herbert von Karajan | | | 8:12 | |
Un ballo in maschera: Atto Secondo. Scena ed Aria "Ecco l'orrido campo ove s'accoppia" / "Ma dall'arido stelo divulsa" (Amelia) | Josephine Barstow, Wiener Philharmoniker, Herbert von Karajan | | | 6:21 | |
Un ballo in maschera: Atto Secondo. Terzetto "Ahimè! S'appressa alcum!" / "Odi tu come fremono cupi" (Amelia, Gustavo, Renato) | Josephine Barstow, Plácido Domingo, Leo Nucci, Wiener Philharmoniker, Herbert von Karajan | | | 4:54 | |
Un ballo in maschera: Atto Terzo, Quadro I. "A tal colpa è nulla il pianto" (Renato, Amelia) | Josephine Barstow, Leo Nucci, Wiener Philharmoniker, Herbert von Karajan | | | 2:26 | |
Un ballo in maschera: Atto Terzo, Quadro I. Aria "Morrò, ma prima in grazia" (Amelia, Renato) / "Alzati; là tuo figlio" (Renato) | Josephine Barstow, Leo Nucci, Wiener Philharmoniker, Herbert von Karajan | | | 6:27 | |
Un ballo in maschera: Atto Terzo, Quadro I. Quartetto "Siam soli. Udite" / "Dunque l'onta di tutti sol una" (Renato, Ribing, Horn, Amelia) | Josephine Barstow, Leo Nucci, Kurt Rydl, Goran Simić, Wiener Philharmoniker, Herbert von Karajan | | | 8:55 | |
Un ballo in maschera: Atto Terzo, Quadro I. Quintetto "Il messaggio entri" / "Ah! di che fulgor, che musiche" (Renato, Oscar, Amelia, Horn, Ribbing) | Josephine Barstow, Sumi Jo, Leo Nucci, Kurt Rydl, Goran Simić, Wiener Philharmoniker, Herbert von Karajan | | | 4:08 | |
Un ballo in maschera: Atto Terzo, Quadro III. Duetto "Ah! Perché qui! fuggite..." / "T'amo, si, t'amo, e in lagrime" (Amelia, Gustavo) / "E tu ricevi il mio!" (Renato, Gustavo, Amelia, Oscar, Coro) | Josephine Barstow, Plácido Domingo, Sumi Jo, Konzertvereinigung Wiener Staatsopernchor, Leo Nucci, Wiener Philharmoniker, Herbert von Karajan | | | 5:16 | |
Un ballo in maschera: Atto Terzo, Quadro III. Scena Finale "Ella è pura, in braccio a morte" (Gustavo, Amelia, Oscar, Renato, Coro, Horn, Ribbing) | Josephine Barstow, Plácido Domingo, Sumi Jo, Konzertvereinigung Wiener Staatsopernchor, Leo Nucci, Kurt Rydl, Goran Simić, Wiener Philharmoniker, Herbert von Karajan | | | 5:43 | |
Vec Makropulos (The Makropulos Case): Act 3. “Ona pije whisku” | Josephine Barstow, Graham Clark, Alasdair Elliott, Jason Howard, Steven Page, Scottish Opera Chorus, Orchestra of the Scottish Opera, John Mauceri | | | 19:14 | |