| Arbor Cosmica: I. Andante moderato | | | | | | | |
| Arbor Cosmica: II. Allegretto | | | | | | | |
| Arbor Cosmica: III. Andante con moto | | | | | | | |
| Arbor Cosmica: IV. Prestissimo possibile | | | | | | | |
| Arbor Cosmica: IX. Andantino | | | | | | | |
| Arbor Cosmica: V. Moderato | | | | | | | |
| Arbor Cosmica: VI. Lento - Moderato - Vivacissimo | | | | | | | |
| Arbor Cosmica: VII. Larghetto | | | | | | | |
| Arbor Cosmica: VIII. Molto allegro | | | | | | | |
| Arbor Cosmica: X. Molto vivace | | | | | | | |
| Arbor Cosmica: XI. Adagietto | | | | | | | |
| Arbor Cosmica: XII. Presto | | | | | | | |
| Aufstieg und Fall der Stadt Mahagonny: Denn wie man sich bettet | | | | Song | | | |
| Choreographic Suite, op. 86a | | | | Suite | | | |
| Choreographic Suite, op. 86a: I. Preamble | | | | | | | |
| Choreographic Suite, op. 86a: II. Sarabandesque | | | | | | | |
| Choreographic Suite, op. 86a: III. Burletta | | | | | | | |
| Choreographic Suite, op. 86a: IV. Cantilena | | | | | | | |
| Choreographic Suite, op. 86a: V. Festive Dance | | | | | | | |
| Clarinet Concerto | | | | Concerto | | | |
| Clarinet Concerto: I. Slowly and expressively | | - New York Philharmonic, Leonard Bernstein, Stanley Drucker
- David Shifrin, New York Chamber Symphony, Gerard Schwarz
- Sabine Meyer, Rosemarie Schmid-Münster, Andreas Wiemer, Bamberger Symphoniker, Ingo Metzmacher
- Malmö SymfoniOrkester, Lan Shui, Martin Fröst
- (show 13 more)
| | | | | |
| Clarinet Concerto: II. Rather fast | | - New York Philharmonic, Leonard Bernstein, Stanley Drucker
- David Shifrin, New York Chamber Symphony, Gerard Schwarz
- Sabine Meyer, Rosemarie Schmid-Münster, Andreas Wiemer, Bamberger Symphoniker, Ingo Metzmacher
- Royal Scottish National Orchestra, Matthias Bamert, Janet Hilton
- (show 9 more)
| | | | | |
| Concerto for Small Orchestra: I | | | | | | | |
| Concerto for Small Orchestra: II | | | | | | | |
| Concerto for String Quartet and Orchestra: I. Largo - Allegro | | | | | | | |
| Concerto for String Quartet and Orchestra: II. Largo | | | | | | | |
| Concerto for String Quartet and Orchestra: III. Allegretto grazioso | | | | | | | |
| Concerto for String Quartet and Orchestra: IV. Hornpipe | | | | | | | |
| Der Silbersee: II. Akt: Nr. 8 Ich bin eine arme Verwandte (Fennimores Lied) | | | | Song | | | |
| Die Dreigroschenoper: Akt III. Das Lied von der Unzulänglichkeit menschlichen Strebens | | | | | | | |
| Divertimento, op. 86: I. La Visionnaire | | | | | | | |
| Divertimento, op. 86: II. Musette de Choisy / La fine Madelon / La douce Janneton / La Sézile / Musette de Taverny | | | | | | | |
| Divertimento, op. 86: III. Le Tic-Toc-Choc / La Lutine | | | | | | | |
| Divertimento, op. 86: IV. Les Fauvettes plaintives | | | | | | | |
| Divertimento, op. 86: V. Le Trophée / L'Anguille / Les jeunes Seigneurs / La Linotte effarouchée | | | | | | | |
| Divertimento, op. 86: VI. Les Tours de passe-passe | | | | | | | |
| Divertimento, op. 86: VII. Les Ombres errantes | | | | | | | |
| Divertimento, op. 86: VIII. Les Brimborions / La Badine | | | | | | | |
| Fantasy Variations on a Theme of Youth, op. 40 | | | | | | | |
| Flower of the Mountain from “Distant Hills” | | | | | | | |
| Foolish Heart | | | | Song | | | |
| H'un (Lacerations): In Memoriam 1966-1976 | | | | | | | |
| Happy End: Teil 1. No. 2: Der Leutnant des Lieben Gottes. "Obacht, gebt obacht!" | | | | Song | | | |
| Happy End: Teil 3. No. 10: Das Lied vom Surabaya-Johnny. "Ich war jung, Gott, erst sechzehn Jahre" | | | | Song | | | |
| Happy End: Teil 3. No. 11: Das Lied von der harten Nuss. "Wer will einen großen Mann hab'n" | | | | Song | | | |
| Havanaise in E major, op. 83 | | | | | | | |
| Havanna Lied | | | | Song | | | |
| I’m a Stranger Here Myself | | | | Song | | | |
| Introduction et Rondo capriccioso en la mineur pour violon et orchestre, op. 28 | | | | Concerto | | | |
| Knickerbocker Holiday: It Never Was You | | | | Song | | | |
| Konzert für Trompete und Orchester Es-Dur, Hob. VIIe:1: I. Allegro | | | | | | | |
| Konzert für Trompete und Orchester Es-Dur, Hob. VIIe:1: II. Andante cantabile | | | | | | | |
| Konzert für Trompete und Orchester Es-Dur, Hob. VIIe:1: III. Allegro | | | | | | | |
| Lady in the Dark: One Life to Live | | | | Song | | | |
| Marie Galante: J'attends un navire | | | | Song | | | |
| Marie Galante: Le Roi d'Aquitaine | | | | Song | | | |
| Marie Galante: Le Train du ciel | | | | Song | | | |
| Music for Shakespeare’s “Romeo and Juliet”: I. Overture: Allegro maestoso | | | | | | | |
| Music for Shakespeare’s “Romeo and Juliet”: II. Balcony Scene: Andante semplice | | | | | | | |
| Music for Shakespeare’s “Romeo and Juliet”: III. Romeo and Friar Laurence: Andante | | | | | | | |
| Music for Shakespeare’s “Romeo and Juliet”: IV. Juliet and Her Nurse: Allegretto scherzando | | | | | | | |
| Music for Shakespeare’s “Romeo and Juliet”: V. The Death of Romeo and Juliet: Adagio sospirando | | | | | | | |
| Music for the Theatre: I. Prologue | | | | | | | |
| Music for the Theatre: II. Dance | | | | | | | |
| Music for the Theatre: III. Interlude | | | | | | | |
| Music for the Theatre: IV. Burlesque | | | | | | | |
| Music for the Theatre: V. Epilogue | | | | | | | |
| Notturno for Strings and Harp: I. Lento | | | | | | | |
| Notturno for Strings and Harp: II. Animato | | | | | | | |
| Notturno for Strings and Harp: III. Adagio | | | | | | | |
| Pastorale for Oboe, Harp and Strings, op. 38 | | | | | | | |
| Quiet City | | - Michael Laird, Celia Nicklin, Academy of St Martin in the Fields, Sir Neville Marriner
- Philip Smith, Thomas Stacy, New York Philharmonic, Leonard Bernstein
- Tim Morrison, Laurence Thorstenberg, Boston Pops Orchestra, John Williams
- William Lang, Michael Winfield, London Symphony Orchestra, Aaron Copland
- (show 15 more)
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| Serenade for Flute, Harp and Strings, op. 35 | | - New York Chamber Symphony, Gerard Schwarz, Judith Mendenhall, Susan Jolles
- The Philadelphia Orchestra, Eugene Ormandy
- Cleveland Sinfonietta, Louis Lane, Maurice Sharp, Alice Chalifoux
- Alexa Still, New Zealand Chamber Orchestra, Nicholas Braithwaite
- John Wummer, New York Philharmonic, Leopold Stokowski
| | | | | |
| Serenata: III. Con spirito | | | | | | | |
| Sinfonietta: I. Allegro grazioso | | | | | | | |
| Sinfonietta: II. Adagio | | | | | | | |
| Sinfonietta: III. Allegro vivo | | | | | | | |
| Street Scene: Act I. No. 10 "Lonely House" (Sam Kaplan) | | | | | | | |
| Symphony in Waves | | | | Symphony | | | |
| Symphony in Waves: I. Continuous Wave | | | | | | | |
| Symphony in Waves: II. Scherzo | | | | | | | |
| Symphony in Waves: III. Still Movement | | | | | | | |
| Symphony in Waves: IV. Intermezzo | | | | | | | |
| Symphony in Waves: V. Finale | | | | | | | |
| Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo “Awakening of cheerful feelings upon arrival in the country” | | - Berliner Philharmoniker, Herbert von Karajan
- London Festival Orchestra, Münchner Philharmoniker, Munich Symphony Orchestra, Philharmonia Slavonica, Slowakische Philharmonie, Süddeutsche Philharmonica, Henry Adolph, Bystrík Režucha, Alfred Scholz, Hans Swarowski, Hans Swarowsky
- [unknown]
- Royal Philharmonic Orchestra, Mark Ermler
- (show 232 more)
| | | | | |
| Symphony no. 6 in F major, op. 68 “Pastorale”: II. Andante molto mosso “Scene at the brook” | | | | | | | |
| Symphony no. 6 in F major, op. 68 “Pastorale”: III. Allegro “Happy gathering of country folk” | | | | | | | |
| Symphony no. 6 in F major, op. 68 “Pastorale”: IV. Allegro “Thunderstorm” | | | | | | | |
| Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto “Shepherds’ song: Cheerful and thankful feelings after the storm” | | | | | | | |
| Thaïs: Acte II. Entr’acte “Méditation” | | | | | | | |
| The Minotaur: Scene 1, King Minos' Palace in Crete: I. Overture | | | | | | | |
| The Minotaur: Scene 1, King Minos' Palace in Crete: II. Queen Pasiphaë Prepares for a Tryst With the Sacred Bull | | | | | | | |
| The Minotaur: Scene 1, King Minos' Palace in Crete: III. Entrance of the Bulls and the Sacred Bull | | | | | | | |
| The Minotaur: Scene 1, King Minos' Palace in Crete: IV. Dance of the Bulls and Pasiphaë with the Sacred Bull | | | | | | | |
| The Minotaur: Scene 1, King Minos' Palace in Crete: V. Interlude: Pasiphaë's heartbeat becomes the Pounding of Hammers Used in Building the Labyrinth | | | | | | | |
| The Minotaur: Scene 2, Before the Labyrinth: I. Building the Labyrinth to Imprison the Minotaur who Destroys Men | | | | | | | |
| The Minotaur: Scene 2, Before the Labyrinth: II. Entrance of King Minos | | | | | | | |
| The Minotaur: Scene 2, Before the Labyrinth: III. Selection of Greek Victims to be Sent Into the Labyrinth | | | | | | | |
| The Minotaur: Scene 2, Before the Labyrinth: IV. Ariadne, Princess of Crete, Dances with Theseus, a Greek Victim | | | | | | | |
| The Minotaur: Scene 2, Before the Labyrinth: IX. Ariadne Rewinds Her Thread to Lead Theseus out of the Labyrinth | | | | | | | |
