| Alfred: Rule Britannia | Anne Collins, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Sir Charles Groves | | | 6:02 | |
| Arne arr. Sargent: Rule Britannia | Royal Liverpool Philharmonic Orchestra, Anne Collins & Royal Liverpool Philharmonic Choir | | | 6:01 | |
| Beatus vir (Psalm 111) in G major, RV 597: VI. Andante molto "In memoria aeterna" - Antiphon. Allegro "Beatus vir" | Anne Collins, Robert Holl, Anthony Rolfe Johnson, The John Alldis Choir, Alastair Ross, Jeffrey Tate, English Chamber Orchestra, Vittorio Negri | | | 5:18 | |
| Dialog: 'Schöner Jüngling' | Francisco Araiza, Anne Collins, Yvonne Kenny, Iris Vermillion, Academy of St Martin in the Fields, Sir Neville Marriner | | | 0:46 | |
| Die Zauberflöte, K. 620: Act I, Scene I. Introduction "Zu Hilfe! Zu Hilfe!" (Tamino) | Francisco Araiza, Anne Collins, Yvonne Kenny, Iris Vermillion, Academy of St Martin in the Fields, Sir Neville Marriner | | | 6:02 | |
| Die Zauberflöte, K. 620: Act I, Scene III. No. 2 Aria "He da!... Was da?" (Tamino, Papageno) | Francisco Araiza, Olaf Bär, Anne Collins, Yvonne Kenny, Iris Vermillion, Academy of St Martin in the Fields, Sir Neville Marriner | | | 2:33 | |
| Die Zauberflöte, K. 620: Act I, Scene VIII. No. 5 Quintet "Hm! Hm! Hm!" (Papageno, Tamino) | Francisco Araiza, Olaf Bär, Anne Collins, Yvonne Kenny, Iris Vermillion, Academy of St Martin in the Fields, Sir Neville Marriner | | | 6:27 | |
| Die Zauberflöte, K. 620: Act II, Scene V. No. 12 Quintet "Wie? Wie? Wie? Ihr an diesem Schreckensort?" (Papageno, Tamino) | John McCarthy, Ambrosian Opera Chorus, Francisco Araiza, Olaf Bär, Anne Collins, Yvonne Kenny, Iris Vermillion, Academy of St Martin in the Fields, Sir Neville Marriner | | | 3:01 | |
| Die Zauberflöte, K. 620: Act II, Scene XXX. "Nur stille! Stille! Die Strahlen der Sonne" (Chor, Monostatos, Königin, Damen) | John McCarthy, Aldo Baldin, Ambrosian Opera Chorus, Anne Collins, Yvonne Kenny, Cheryl Studer, Iris Vermillion, Academy of St Martin in the Fields, Sir Neville Marriner | | | 4:59 | |
| Dixit Dominus, RV 594: IV. Andante "Tecum principium" | José‐Luis García, Anne Collins, Alastair Ross, Jeffrey Tate, English Chamber Orchestra, Vittorio Negri | | | 4:03 | |
| Glagolitic Mass: II. Gospodi pomiluj | Teresa Kubiak, Anne Collins, Brighton Festival Chorus, Royal Philharmonic Orchestra, Rudolf Kempe | | | 3:56 | |
| Glagolitic Mass: III. Slava | Teresa Kubiak, Anne Collins, Robert Tear, Brighton Festival Chorus, Royal Philharmonic Orchestra, Rudolf Kempe | | | 7:10 | |
| Glagolitic Mass: VI. Agneče Božij | Teresa Kubiak, Anne Collins, Robert Tear, Wolfgang Schöne, Brighton Festival Chorus, Royal Philharmonic Orchestra, Rudolf Kempe | | | 4:35 | |
| Iolanthe: Act I Finale. 13. When Darkly Looms the Day | Alexander Oliver, Kate Flowers, Thomas Hemsley, Beverley Mills, David Hillman, Derek Hammond-Stroud, Anne Collins, Sandra Dugdale, Pamela Field, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 17:41 | |
| Iolanthe: Act I. 2. Iolanthe! From Thy Dark Exile | Anne Collins, Sandra Dugdale, Pamela Field, Beverley Mills, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 3:34 | |
| Iolanthe: Act I. 4. Fare Thee Well, Attractive Stranger | Anne Collins, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 1:07 | |
| Iolanthe: Act II. 18. Oh, Foolish Fay | Anne Collins, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 3:14 | |
| Iolanthe: Act II. 24. It May Not Be | Derek Hammond-Stroud, Beverley Mills, Anne Collins, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 2:48 | |
| Iolanthe: Act II. 25. Soon as We May, Off and Away / Credits | Kate Flowers, Beverley Mills, Anne Collins, Thomas Hemsley, Derek Hammond-Stroud, David Hillman, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 3:36 | |
| Magnificat, RV 611: X: Andante "Sicut locutus est" | José‐Luis García, Anne Collins, Adrian Beers, John Constable, Olga Hegedus, English Chamber Orchestra, Vittorio Negri | | | 2:53 | |
| Missa Sacrum, RV 586: IIc. Gloria: Allegro non molto "Laudamus te" | Anne Collins, Robert Holl, The John Alldis Choir, Margaret Marshall, Adrian Beers, John Constable, Olga Hegedus, English Chamber Orchestra, Vittorio Negri | | | 1:21 | |
| Missa Sacrum, RV 586: IId. Gloria: Andante "Gratias agimus tibi" | Anne Collins, Adrian Beers, John Constable, Olga Hegedus | | | 0:35 | |
| Missa Sacrum, RV 586: IIe. Gloria: Allegro "Domine Deus" | Anne Collins, Robert Holl, Margaret Marshall, Anthony Rolfe Johnson, Adrian Beers, John Constable, Olga Hegedus, English Chamber Orchestra, Vittorio Negri | | | 1:25 | |
| Missa Sacrum, RV 586: IIIa. Credo: Allegro "Credo in unum Deum" | Anne Collins, The John Alldis Choir, Margaret Marshall, Adrian Beers, John Constable, Olga Hegedus, English Chamber Orchestra, Vittorio Negri | | | 1:54 | |
| Missa Sacrum, RV 586: IIIb. Credo: Andante "Et incarnatus est" | Anne Collins, Robert Holl, Anthony Rolfe Johnson, Adrian Beers, John Constable, Olga Hegedus, English Chamber Orchestra, Vittorio Negri | | | 3:27 | |
| Missa Sacrum, RV 586: IIIc. Credo: Allegro "Et resurrexit" | Anne Collins, Robert Holl, The John Alldis Choir, Margaret Marshall, Anthony Rolfe Johnson, Adrian Beers, John Constable, Olga Hegedus, English Chamber Orchestra, Vittorio Negri | | | 2:14 | |
| Missa Sacrum, RV 586: Va. Agnus Dei: Adagio. Allegro "Agnus Dei" | Anne Collins, The John Alldis Choir, Adrian Beers, John Constable, Olga Hegedus, English Chamber Orchestra, Vittorio Negri | | | 2:00 | |
| Missa Sacrum, RV 586: Vb. Agnus Dei: Adagio "Agnus Dei". Allegro non molto "Dona nobis pacem" | Anne Collins, Robert Holl, The John Alldis Choir, Margaret Marshall, Anthony Rolfe Johnson, Adrian Beers, John Constable, Olga Hegedus, English Chamber Orchestra, Vittorio Negri | | | 1:48 | |
| Patience: Act I, no. 9, Let the Merry Cymbals Sound | Derek Hammond-Stroud, Donald Adams, Terry Jenkins, Anne Collins, Sandra Dugdale, Roderick Kennedy, Shelagh Squires, Shirley Chapman, Patricia Hay, John Fryatt, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 17:29 | |
| Patience: Act II, no. 11, Sad Is That Woman’s Lot | Anne Collins, London Symphony Orchestra, Alexander Faris | | | 4:29 | |
| Patience: Act II, no. 15, So Go to Him, and Say to Him | Anne Collins, Derek Hammond-Stroud, London Symphony Orchestra, Alexander Faris | | | 3:18 | |
| Princess Ida: Act II. Merrily Ring the Luncheon Bell | Anne Collins, Bernard Dickerson, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 1:25 | |
| Princess Ida: Act II. Now Wouldn’t You Like | Claire Powell, Anne Collins, London Symphony Orchestra, Alexander Faris | | | 2:22 | |
| Princess Ida: Act II. Oh, Joy! Our Chief Is Saved | Nan Christie, Neil Howlett, Claire Powell, Josephine Gordon, Anne Collins, Bernard Dickerson, Laurence Dale, Richard Jackson, Tano Rea, Peter Savidge, Christopher Booth-Jones, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 11:21 | |
| Rule, Britannia! | Anne Collins, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Sir Charles Groves | | | 6:01 | |
| Siegfried: Act III Scene 1: Strong Is Your Call (Erda, Wanderer) | Anne Collins & Norman Bailey | | | 12:17 | |
| Suor Angelica: “Suor Angelica! – Madre, Madre, parlate!” | Anne Collins, Finchley Children’s Music Group, London Opera Chorus, Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | | | 3:21 | |
| The Beggar's Opera: Act 2, "Fortune, be with you Lucy" | John Gay, Benjamin Britten; Philip Langridge, Anne Collins, Robert Lloyd, Ann Murray, John Rawnsley, Yvonne Kenny, Nuala Willis, Christopher Gillett, Steuart Bedford | | | 0:29 | |
| The Beggar's Opera: Act 2, "It is the pleasure of all you fine men..." / no. 28 "How cruel are the traitors" | John Gay, Benjamin Britten; Philip Langridge, Anne Collins, Robert Lloyd, Ann Murray, John Rawnsley, Yvonne Kenny, Nuala Willis, Christopher Gillett, Steuart Bedford | | | 1:55 | |
| The Beggar's Opera: Act 2, "Noble Captain, you are welcome once more" / no. 26 "Man may escape from rope and gun" | John Gay, Benjamin Britten; Philip Langridge, Anne Collins, Robert Lloyd, Ann Murray, John Rawnsley, Yvonne Kenny, Nuala Willis, Christopher Gillett, Steuart Bedford | | | 3:51 | |
| The Beggar's Opera: Act 2, "O Macheath! I will stay with thee till death..." / no. 32 "Thus when the swallow" | John Gay, Benjamin Britten; Philip Langridge, Anne Collins, Robert Lloyd, Ann Murray, John Rawnsley, Yvonne Kenny, Nuala Willis, Christopher Gillett, Steuart Bedford | | | 1:48 | |
| The Beggar's Opera: Act 2, "Really, Miss Peachum, you expose yourself" / no. 34 "Cease your funning" | John Gay, Benjamin Britten; Philip Langridge, Anne Collins, Robert Lloyd, Ann Murray, John Rawnsley, Yvonne Kenny, Nuala Willis, Christopher Gillett, Steuart Bedford | | | 3:03 | |
| The Beggar's Opera: Act 2, "Shall I not claim my own?" / no. 33 "How happy I could be with either" | John Gay, Benjamin Britten; Philip Langridge, Anne Collins, Robert Lloyd, Ann Murray, John Rawnsley, Yvonne Kenny, Nuala Willis, Christopher Gillett, Steuart Bedford | | | 1:12 | |
| The Beggar's Opera: Act 2, "Such language, brother!" / no. 30 "When you can censure the age" | John Gay, Benjamin Britten; Philip Langridge, Anne Collins, Robert Lloyd, Ann Murray, John Rawnsley, Yvonne Kenny, Nuala Willis, Christopher Gillett, Steuart Bedford | | | 0:48 | |
| The Beggar's Opera: Act 2, no. 27 "Thus when a good woman sees a rat" | John Gay, Benjamin Britten; Philip Langridge, Anne Collins, Robert Lloyd, Ann Murray, John Rawnsley, Yvonne Kenny, Nuala Willis, Christopher Gillett, Steuart Bedford | | | 0:45 | |
| The Beggar's Opera: Act 2, no. 29 "The first time at the looking-glass" | John Gay, Benjamin Britten; Philip Langridge, Anne Collins, Robert Lloyd, Ann Murray, John Rawnsley, Yvonne Kenny, Nuala Willis, Christopher Gillett, Steuart Bedford | | | 1:06 | |
| The Beggar's Opera: Act 2, no. 31 "Is then his fate decreed, sir?" | John Gay, Benjamin Britten; Philip Langridge, Anne Collins, Robert Lloyd, Ann Murray, John Rawnsley, Yvonne Kenny, Nuala Willis, Christopher Gillett, Steuart Bedford | | | 2:18 | |
| The Beggar's Opera: Act 2, no. 35 "Why how now, Madam Flirt!" | John Gay, Benjamin Britten; Philip Langridge, Anne Collins, Robert Lloyd, Ann Murray, John Rawnsley, Yvonne Kenny, Nuala Willis, Christopher Gillett, Steuart Bedford | | | 0:52 | |
| The Beggar's Opera: Act 2, no. 36 "No power on earth can e'er divide" | John Gay, Benjamin Britten; Philip Langridge, Anne Collins, Robert Lloyd, Ann Murray, John Rawnsley, Yvonne Kenny, Nuala Willis, Christopher Gillett, Steuart Bedford | | | 1:49 | |
| The Beggar's Opera: Act 3, "And Macheath, at liberty and at large..." / no. 40 "The modes of the Court" | John Gay, Benjamin Britten; Philip Langridge, Anne Collins, Robert Lloyd, Ann Murray, John Rawnsley, Yvonne Kenny, Nuala Willis, Christopher Gillett, Steuart Bedford | | | 2:47 | |
| The Beggar's Opera: Act 3, "And those two good old friends" | John Gay, Benjamin Britten; Philip Langridge, Anne Collins, Robert Lloyd, Ann Murray, John Rawnsley, Yvonne Kenny, Nuala Willis, Christopher Gillett, Steuart Bedford | | | 0:23 | |
| The Beggar's Opera: Act 3, "Bring us then more liquor!" / no. 41 "What Gudgeons are we men!" | John Gay, Benjamin Britten; Philip Langridge, Anne Collins, Robert Lloyd, Ann Murray, John Rawnsley, Yvonne Kenny, Nuala Willis, Christopher Gillett, Steuart Bedford | | | 1:39 | |
| The Beggar's Opera: Act 3, "But all scores have a reckoning" | John Gay, Benjamin Britten; Philip Langridge, Anne Collins, Robert Lloyd, Ann Murray, John Rawnsley, Yvonne Kenny, Nuala Willis, Christopher Gillett, Steuart Bedford | | | 0:44 | |
| The Beggar's Opera: Act 3, "But perhaps he hath a heart not capable of it" / no. 45 "Among the men coquets we find" | John Gay, Benjamin Britten; Philip Langridge, Anne Collins, Robert Lloyd, Ann Murray, John Rawnsley, Yvonne Kenny, Nuala Willis, Christopher Gillett, Steuart Bedford | | | 0:39 | |
| The Beggar's Opera: Act 3, "Dear sir, mention not my education..." / no. 37 "When young at the bar" | John Gay, Benjamin Britten; Philip Langridge, Anne Collins, Robert Lloyd, Ann Murray, John Rawnsley, Yvonne Kenny, Nuala Willis, Christopher Gillett, Steuart Bedford | | | 2:53 | |
| The Beggar's Opera: Act 3, "Dear, dear father, sink the evidence..." / no. 49 "When my hero in court appears" | John Gay, Benjamin Britten; Philip Langridge, Anne Collins, Robert Lloyd, Ann Murray, John Rawnsley, Yvonne Kenny, Nuala Willis, Christopher Gillett, Steuart Bedford | | | 1:49 | |
| The Beggar's Opera: Act 3, "Jealously, rage, love and fear..." / no. 43 "I'm like a skiff on the ocean tossed" | John Gay, Benjamin Britten; Philip Langridge, Anne Collins, Robert Lloyd, Ann Murray, John Rawnsley, Yvonne Kenny, Nuala Willis, Christopher Gillett, Steuart Bedford | | | 2:31 | |
| The Beggar's Opera: Act 3, "Oh sir, if Peachum's heart is hardened..." / no. 50 "When he holds up his hand" | John Gay, Benjamin Britten; Philip Langridge, Anne Collins, Robert Lloyd, Ann Murray, John Rawnsley, Yvonne Kenny, Nuala Willis, Christopher Gillett, Steuart Bedford | | | 1:58 | |
| The Beggar's Opera: Act 3, "We are ready, sir, to conduct you to the Old Bailey!" / no. 52 "The charge is prepared" | John Gay, Benjamin Britten; Philip Langridge, Anne Collins, Robert Lloyd, Ann Murray, John Rawnsley, Yvonne Kenny, Nuala Willis, Christopher Gillett, Steuart Bedford | | | 1:58 | |
| The Beggar's Opera: Act 3, "What do I see! Oh! Macheath again in custody!!" / no. 47 "Hither, dear husband, turn your eyes" | John Gay, Benjamin Britten; Philip Langridge, Anne Collins, Robert Lloyd, Ann Murray, John Rawnsley, Yvonne Kenny, Nuala Willis, Christopher Gillett, Steuart Bedford | | | 1:42 | |
| The Beggar's Opera: Act 3, no. 38 "Ungrateful Macheath!" | John Gay, Benjamin Britten; Philip Langridge, Anne Collins, Robert Lloyd, Ann Murray, John Rawnsley, Yvonne Kenny, Nuala Willis, Christopher Gillett, Steuart Bedford | | | 1:26 | |
| The Beggar's Opera: Act 3, no. 39 "Thus gamesters united in friendship" | John Gay, Benjamin Britten; Philip Langridge, Anne Collins, Robert Lloyd, Ann Murray, John Rawnsley, Yvonne Kenny, Nuala Willis, Christopher Gillett, Steuart Bedford | | | 1:38 | |
| The Beggar's Opera: Act 3, no. 42 "In the days of my youth" | John Gay, Benjamin Britten; Philip Langridge, Anne Collins, Robert Lloyd, Ann Murray, John Rawnsley, Yvonne Kenny, Nuala Willis, Christopher Gillett, Steuart Bedford | | | 2:31 | |
| The Beggar's Opera: Act 3, no. 44 "A curse attends a woman's love" | John Gay, Benjamin Britten; Philip Langridge, Anne Collins, Robert Lloyd, Ann Murray, John Rawnsley, Yvonne Kenny, Nuala Willis, Christopher Gillett, Steuart Bedford | | | 1:30 | |
| The Beggar's Opera: Act 3, no. 46 "Come, sweet lass" | John Gay, Benjamin Britten; Philip Langridge, Anne Collins, Robert Lloyd, Ann Murray, John Rawnsley, Yvonne Kenny, Nuala Willis, Christopher Gillett, Steuart Bedford | | | 1:06 | |
| The Beggar's Opera: Act 3, no. 48 "Which way shall I turn me" | John Gay, Benjamin Britten; Philip Langridge, Anne Collins, Robert Lloyd, Ann Murray, John Rawnsley, Yvonne Kenny, Nuala Willis, Christopher Gillett, Steuart Bedford | | | 0:39 | |
| The Beggar's Opera: Act 3, no. 51 "Ourselves, like the great" | John Gay, Benjamin Britten; Philip Langridge, Anne Collins, Robert Lloyd, Ann Murray, John Rawnsley, Yvonne Kenny, Nuala Willis, Christopher Gillett, Steuart Bedford | | | 0:38 | |
| The Beggar's Opera: Act 3, no. 53 "O cruel, cruel case!" | John Gay, Benjamin Britten; Philip Langridge, Anne Collins, Robert Lloyd, Ann Murray, John Rawnsley, Yvonne Kenny, Nuala Willis, Christopher Gillett, Steuart Bedford | | | 5:14 | |
| The Beggar's Opera: Act 3, no. 54 "Would I might be hanged!" | John Gay, Benjamin Britten; Philip Langridge, Anne Collins, Robert Lloyd, Ann Murray, John Rawnsley, Yvonne Kenny, Nuala Willis, Christopher Gillett, Steuart Bedford | | | 2:36 | |
| The Beggar's Opera: Act 3, no. 55 "Thus I stand like the Turk" | John Gay, Benjamin Britten; Philip Langridge, Anne Collins, Robert Lloyd, Ann Murray, John Rawnsley, Yvonne Kenny, Nuala Willis, Christopher Gillett, Steuart Bedford | | | 1:51 | |
| The Gondoliers, Act I: “From the Sunny Spanish Shore” | Eric Shilling, Anne Collins, Sandra Dugdale, Christopher Booth-Jones, London Symphony Orchestra, Alexander Faris | | | 1:36 | |
| The Gondoliers, Act I: “I Stole the Prince” | Keith Michell, Eric Shilling, Anne Collins, Sandra Dugdale, Christopher Booth-Jones, London Symphony Orchestra, Alexander Faris | | | 2:13 | |
| The Gondoliers, Act I: “Try Me Life-Long” | Eric Shilling, Anne Collins, Sandra Dugdale, Christopher Booth-Jones, Keith Michell, London Symphony Orchestra, Alexander Faris | | | 2:01 | |
| The Gondoliers, Act II: “Here Is a Case Unprecedented” | Francis Egerton, Tom McDonnell, Sandra Dugdale, Nan Christie, Fiona Kimm, Keith Michell, Eric Shilling, Anne Collins, Christopher Booth-Jones, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 8:58 | |
| The Gondoliers, Act II: “I Am a Courtier Grave and Serious” | Eric Shilling, Anne Collins, Sandra Dugdale, Francis Egerton, Tom McDonnell, London Symphony Orchestra, Alexander Faris | | | 2:35 | |
| The Gondoliers, Act II: “On the Day When I Was Wedded” | Anne Collins, London Symphony Orchestra, Alexander Faris | | | 2:22 | |
| The Gondoliers, Act II: “To Help Unhappy Commoners” | Eric Shilling, Anne Collins, London Symphony Orchestra, Alexander Faris | | | 3:02 | |
| The Gondoliers, Act II: “With Ducal Pomp” | Eric Shilling, Anne Collins, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 1:52 | |
| The Magic Flute: Hm! Hm! Hm! Hm! Hm! Hm! Hm! | Anne Collins, Academy of St Martin in the Fields, Sir Neville Marriner | | | 6:29 | |
| The Mikado, Act I: 11. With Aspect Stern and Gloomy Stride (Finale) | John McCarthy, Ambrosian Opera Chorus, Cynthia Buchan, Anne Collins, Stafford Dean, Fiona Dobie, Kate Flowers, John Stewart, London Symphony Orchestra, Alexander Faris | | | 14:54 | |
| The Mikado, Act II: 5. Mi-Ya-Sa-Ma, Mi-Ya-Sa-Ma | John McCarthy, Ambrosian Opera Chorus, Anne Collins, William Conrad, London Symphony Orchestra, Alexander Faris | | | 3:13 | |
| The Mikado, Act II: 8. See How the Fates Their Gifts Allot | John McCarthy, Ambrosian Opera Chorus, Cynthia Buchan, Anne Collins, William Conrad, Stafford Dean, Clive Revill, London Symphony Orchestra, Alexander Faris | | | 1:37 | |
| The Mikado, Act II: 10. Alone, and Yet Alive | Anne Collins, London Symphony Orchestra, Alexander Faris | | | 2:17 | |
| The Mikado, Act II: 12. There Is Beauty in the Bellow of the Blast | Anne Collins, Clive Revill, London Symphony Orchestra, Alexander Faris | | | 1:18 | |
| The Mikado, Act II: Dialogue 6 | Cynthia Buchan, Anne Collins, William Conrad, Stafford Dean, Clive Revill | | | 3:13 | |
| The Mikado, Act II: Dialogue 8 | Anne Collins, Clive Revill | | | 2:07 | |
| The Mikado, Act II: Dialogue 9 | Anne Collins, Clive Revill | | | 0:53 | |
| The Mikado, Act II: Dialogue 10 | Anne Collins, William Conrad, Stafford Dean, Gordon Sandison, Clive Revill, John Stewart | | | 2:03 | |
| The Rhinegold: Scene 4: Yield It, Wotan, Yield It! (Erda, Wotan, Fricka, Froh), "Erda's Warning" | Anne Collins, Norman Bailey, Robert Ferguson, Katherine Pring | | | 5:44 | |
| Twilight of the Gods: Prelude: Now the Gods Will Seize the Spear That Was Shattered (3 Norns) | Anne Collins, Gillian Knight & Anne Evans | | | 4:35 | |
| Twilight of the Gods: Prelude: That Mighty Hall the Giants Have Raised (3 Norns) | Anne Collins | | | 4:48 | |
| Twilight of the Gods: Prelude: What Light Shines Down There? (3 Norns) | Anne Collins, Gillian Knight, Anne Evans | | | 8:08 | |
