La clemenza di Tito, K. 621: Act II, No. 21 Aria "S'altro che lagrime" (Servilia) | | | | | | | |
La Fille du régiment : Acte II, Scène 6. “Pour ce contrat fatal” … “Salut à la France” (Marie) | | | | Aria | | | |
La sonnambula: Atto II, scena 2. “Ah! Se una volta solo rivederlo potessi” (Amina, Rodolfo, Teresa, Tutti) | | - Maria Callas, Coro del Teatro alla Scala di Milano, Fiorenza Cossotto, Nicola Zaccaria, Orchestra del Teatro alla Scala di Milano, Antonino Votto
- Maria Callas, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
- Anna Netrebko, Mahler Chamber Orchestra, Claudio Abbado
- Maria Callas, Gabriella Carturan, Coro del Teatro alla Scala di Milano, Giuseppe Modesti, Orchestra del Teatro alla Scala di Milano, Leonard Bernstein
- (show 17 more)
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Lachen und Weinen, D. 777 | | | | Song | | | |
Le nozze di Figaro, K. 492: Atto I, Scena V. (no. 6) Aria “Non so più cosa son, cosa faccio” (Cherubino) | | | | Aria | | | |
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa) | | | | | | | |
Le nozze di Figaro, K. 492: Atto III, Scena V. (no. 19) Sestetto “Riconosci in questo amplesso” (Susanna, Marcellina, Don Curzio, Il Conte, Bartolo, Figaro) | | - Wiener Philharmoniker, Herbert von Karajan
- Francis Egerton, Carlos Feller, Rodney Gilfry, Alison Hagley, Susan McCulloch, Bryn Terfel, English Baroque Soloists, Sir John Eliot Gardiner
- Wiener Philharmoniker, Erich Kleiber
- Wiener Philharmoniker, Claudio Abbado
- (show 34 more)
| | | | | |
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) | | | | | | | |
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Recitativo “Giunse alfin il momento” (Susanna) | | | | | | | |
Les Roses d'lspahan, op. 39 no. 4 | | | | Song | | | |
Liebhaber in allen Gestalten, D. 558 | | | | Song | | | |
Linda di Chamounix: Atto I. No. 3 Recitativo e cavatina “Ah! Tardai troppo” … “O luce di quest'anima” (Linda) | | | | Aria | | | |
Louise: Acte III, Scène I. “Depuis le jour” (Louise) | | | | | | | |
Lulu Suite: III. Lied der Lulu: Comodo | | | | | | | |
Lulu Suite: V. Adagio: Sostenuto - Lento - Grave | | | | | | | |
Manon : Acte II. « Adieu, notre petite table » (Manon) | | | | Aria | | | |
Manon: Acte III, Scène I. Fabliau I. "Voici les èlegantes !...Suis-je gentille ainsi ?" (Manon, Chœur) | | | | | | | |
Mary Had a Baby | | | | | | | |
Mary’s Boy Child | | | | Song | | - 4514865 (AGADU ID)
- 4334352 (APDAYC ID)
- (show 29 more)
- 001080 041 31 (SUISA ID)
| |
Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano) | | - Simon Preston, Christ Church Cathedral Choir, Oxford, Judith Nelson, Academy of Ancient Music, Christopher Hogwood
- Helen Donath, London Philharmonic Orchestra, Karl Richter
- Arnold Schönberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt
- Sara Macliver, Orchestra of the Antipodes, Antony Walker
- (show 77 more)
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Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano) | | | | | | | |
Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano) | | - Margaret Price, English Chamber Orchestra, Johannes Somary
- Simon Preston, Christ Church Cathedral Choir, Oxford, Judith Nelson, Academy of Ancient Music, Christopher Hogwood
- Helen Donath, London Philharmonic Orchestra, Karl Richter
- Arleen Augér, The English Concert, Trevor Pinnock
- (show 73 more)
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Messiah, HWV 56: Part I, no. 18: Air “Rejoice greatly, O daughter of Zion” (Soprano) | | | | Aria | | | |
Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto) | | - Yvonne Minton, Margaret Price, English Chamber Orchestra, Johannes Somary
- Judith Nelson, Academy of Ancient Music, Christopher Hogwood
- April Cantelo, London Philharmonic Orchestra, Walter Süsskind
- Elsie Morison, Marjorie Thomas, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent
- (show 93 more)
| | Aria | | | |
Messiah, HWV 56: Part II, no. 38. Aria “How beautiful are the feet…” (Soprano) | | | | Aria | | | |
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) | | - Ambrosian Singers, Elizabeth Harwood, English Chamber Orchestra, Charles Mackerras
- Kiri Te Kanawa, Chicago Symphony Orchestra, Sir Georg Solti
- Christopher Hogwood, The Academy of Ancient Music, Christ Church Cathedral Choir, Oxford
- Arleen Augér, The English Concert, Trevor Pinnock
- (show 100 more)
| | Aria | | | |
Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Soprano) | | | | Aria | | | |
Mignon: Acte II, no. 12ter. Polonaise "Oui! Pour ce soir" ... "Je suis Titania" (Philine) | | | | Aria | | | |
Missa in c-Moll, K.427/417a ('Große Messe'): I. Kyrie | | | | | | | |
Missa in c-Moll, K.427/417a ('Große Messe'): IIb. Gloria: “Laudamus te” | | | | | | | |
Missa in c-Moll, K.427/417a ('Große Messe'): IId. Gloria: “Domine Deus” | | | | | | | |
Missa in c-Moll, K.427/417a ('Große Messe'): IIf. Gloria: “Quoniam tu solus” | | | | | | | |
Missa in c-Moll, K.427/417a ('Große Messe'): IIIb. Credo: “Et incarnatus est” | | | | | | | |
Missa in c-Moll, K.427/417a ('Große Messe'): V. Benedictus | | - Berliner Philharmoniker, Herbert von Karajan
- Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein
- Hertha Töpper, Maria Stader, Ernst Haefliger, Ivan Sardi, Chor der St. Hedwigs‐Kathedrale Berlin, Radio‐Symphonie‐Orchester Berlin, Ferenc Fricsay
- Kölner Kammerchor, Collegium Cartusianum, Peter Neumann
- (show 32 more)
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Missa in C, K. 317 “Krönungs-Messe”: I. Kyrie | | - Anna Tomowa‐Sintow, Werner Krenn, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Kathleen Battle, Gösta Winbergh, Wiener Singverein, Wiener Philharmoniker, Herbert von Karajan
- Wolfgang Amadeus Mozart
- Ileana Cotrubaş, Robert Tear, George Malcolm, Schola Cantorum of Oxford, Academy of St Martin in the Fields, Sir Neville Marriner
- (show 40 more)
| | Mass | | | |
Missa in C, K. 317 “Krönungs-Messe”: II. Gloria | | - Anna Tomowa‐Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Erwin Ortner, Arnold Schönberg Chor, Elisabeth von Magnus, László Polgár, Josef Protschka, Joan Rodgers, Concentus Musicus Wien, Nikolaus Harnoncourt
- Kathleen Battle, Trudeliese Schmidt, Gösta Winbergh, Ferruccio Furlanetto, Wiener Singverein, Wiener Philharmoniker, Herbert von Karajan
- Wolfgang Amadeus Mozart
- (show 45 more)
| | Mass | | | |
Mythodea: Movement 9 | | | | Song | | | |
Nacht und Träume, D. 827 | | | | Song | | | |
Nähe des Geliebten, D. 162 | | | | Song | | | |
Neue Liebe, op. 19a no. 4 | | | | Song | | | |
Notre Amour, op. 23 no. 2 | | | | Song | | | |
Ode for the Birthday of Queen Anne, HWV 74 | | - Choir of King’s College, Cambridge, Academy of Ancient Music, Stephen Cleobury
- Deller Consort, Alfred Deller
- Edita Gruberová, Wynton Marsalis, English Chamber Orchestra, Raymond Leppard
- Kathleen Battle, Wynton Marsalis, Orchestra of St. Luke’s, John Nelson
- (show 9 more)
| | Cantata | | | |
Oedipus, King of Thebes, Z. 583: II. "Music for a While" | | | | | | | |
Oh! quand je dors, S. 282/2 | | | | Song | | | |
Olinto pastore, Tebro fiume, Gloria, HWV 143 | | | | Cantata | | | |
Para ninhar | | | | Song | | | |
Pausanias, the Betrayer of his Country, Z. 585: I. "Sweeter than roses" | | | | | | | |
Porgy and Bess: Act II, Scene III. “I loves you, Porgy” | | | | Aria | | | |
Prelude to a Kiss | | | | Song | | - 4576175 (AGADU ID)
- 8437401 (AKM ID)
- (show 29 more)
- 000076 966 64 (SUISA ID)
| |
Rastlose Liebe, D. 138 | | | | Song | | | |
Recitative and Aria for Soprano & Orchestra in E-flat major, K. 369: "Misera, dove son… Ah! non son io" | | | | | | | |
Recitative and Aria for Soprano, Piano & Orchestra in E-flat major, K. 505: "Ch'io mi scordi di te… Non temer, amato bene" | | | | Aria | | | |
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam | | - [unknown]
- Aldo Baldin, Gerhard Faulstich, RIAS Chamber Chorus, Gabriele Schreckenbach, Edith Wiens, Berlin Radio Symphony Orchestra, Uwe Gronostay
- Stefan Klimo, Magdaléna Hajóssyová, Slovak Philharmonic Chorus, Vladimír Rusó, Slovak Philharmonic Orchestra, Zdeněk Košler
- Wolfgang Amadeus Mozart
- (show 51 more)
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Requiem in D minor, K. 626: III. Sequenz: b. Tuba mirum | | - [unknown]
- Wolfgang Amadeus Mozart
- Arleen Augér, Siegfried Jerusalem, Siegmund Nimsgern, Carolyn Watkinson, Bach‐Collegium Stuttgart, Helmuth Rilling
- Walter Berry, Anton Dermota, Wilma Lipp, Hilde Rössel-Majdan, Berliner Philharmoniker, Herbert von Karajan
- (show 31 more)
| | | | | |
Requiem in D minor, K. 626: III. Sequenz: d. Recordare, Jesu pie | | - Wolfgang Amadeus Mozart
- [unknown]
- Arleen Augér, Siegfried Jerusalem, Siegmund Nimsgern, Carolyn Watkinson, Bach‐Collegium Stuttgart, Helmuth Rilling
- Frederick Guthrie, Lucretia West, Sena Jurinac, Hans Loeffler, Vienna State Opera Orchestra, Hermann Scherchen
- (show 27 more)
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Requiem in D minor, K. 626: IV. Offertorium: a. Domine Jesu Christie | | - Wolfgang Amadeus Mozart
- Arleen Augér, Gächinger Kantorei Stuttgart, Siegfried Jerusalem, Siegmund Nimsgern, Carolyn Watkinson, Bach‐Collegium Stuttgart, Helmuth Rilling
- [unknown]
- Walter Berry, Anton Dermota, Wilma Lipp, Hilde Rössel-Majdan, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- (show 25 more)
| | | | | |
Requiem in D minor, K. 626: V. Sanctus: b. Benedictus | | - Rachel Yakar, Ortrun Wenkel, Kurt Equiluz, Robert Holl, Konzertvereinigung Wiener Staatsopernchor, Concentus Musicus Wien, Nikolaus Harnoncourt
- [unknown]
- Wolfgang Amadeus Mozart
- Arleen Augér, Gächinger Kantorei Stuttgart, Siegfried Jerusalem, Siegmund Nimsgern, Carolyn Watkinson, Bach‐Collegium Stuttgart, Helmuth Rilling
- (show 31 more)
| | | | | |
Requiem in D minor, K. 626: VII. Communio: Lux aeterna | | - Wolfgang Amadeus Mozart
- [unknown]
- Arleen Augér, Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart, Helmuth Rilling
- Frederick Guthrie, Hans Loeffler, Vienna Academy Chamber Choir, Lucretia West, Sena Jurinac, Vienna Academy Chamber Choir, Vienna State Opera Orchestra, Hermann Scherchen
- (show 31 more)
| | | | | |
Requiem, op. 48: I. Introït et Kyrie | | - Schola Cantorum of Oxford, Oxford Camerata, Jeremy Summerly
- Kathleen Battle, Andreas Schmidt, Philharmonia Chorus and Orchestra, Carlo Maria Giulini
- Choir of St John’s College, Cambridge, George Guest
- Rotterdams Philharmonisch Orkest, Elly Ameling, Bernard Kruysen, Netherlands Radio Choir, Jean Fournet
- (show 68 more)
| | | | | |
Requiem, op. 48: II. Offertoire | | - Kathleen Battle, Andreas Schmidt, Philharmonia Chorus and Orchestra, Carlo Maria Giulini
- Choir of St John’s College, Cambridge, George Guest
- Nicholas Gedge, Colm Carey, Schola Cantorum of Oxford, Oxford Camerata, Jeremy Summerly
- Rotterdams Philharmonisch Orkest, Elly Ameling, Bernard Kruysen, Netherlands Radio Choir, Jean Fournet
- (show 65 more)
| | | | | |
Requiem, op. 48: III. Sanctus | | - Colm Carey, Schola Cantorum of Oxford, Oxford Camerata, Jeremy Summerly
- John Carol Case, Robert Chilcott, Choir of King’s College, Cambridge, John Wells, New Philharmonia Orchestra, David Willcocks
- Kathleen Battle, Andreas Schmidt, Philharmonia Chorus and Orchestra, Carlo Maria Giulini
- Choir of St John’s College, Cambridge, George Guest
- (show 83 more)
| | | | | |
Requiem, op. 48: IV. Pie Jesu | | | | | | | |
Requiem, op. 48: Pie Jesu | | | | | | | |
Requiem, op. 48: V. Agnus Dei et Lux Aeterna | | - Horst Neumann, Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Timothy Farrell, Philharmonia Orchestra, Carlo Maria Giulini
- Schola Cantorum of Oxford, Colm Carey, Oxford Camerata, Jeremy Summerly
- Rotterdams Philharmonisch Orkest, Elly Ameling, Bernard Kruysen, Netherlands Radio Choir, Jean Fournet
- Choir of St John’s College, Cambridge, George Guest
- (show 77 more)
| | | | | |
Requiem, op. 48: VI. Libera me | | - Kathleen Battle, Andreas Schmidt, Philharmonia Chorus and Orchestra, Carlo Maria Giulini
- Colm Carey, Schola Cantorum of Oxford, Oxford Camerata, Jeremy Summerly
- Rotterdams Philharmonisch Orkest, Elly Ameling, Bernard Kruysen, Netherlands Radio Choir, Jean Fournet
- Choir of St John’s College, Cambridge, George Guest
- (show 77 more)
| | | | | |
Requiem, op. 48: VII. In Paradisum | | - Choir of King’s College, Cambridge, José‐Luis García, Peter Barley, English Chamber Orchestra, Stephen Cleobury
- Oxford Camerata, Schola Cantorum of Oxford, Colm Carey, Jeremy Summerly
- [unknown]
- John Carol Case, Robert Chilcott, Choir of King’s College, Cambridge, John Wells, New Philharmonia Orchestra, David Willcocks
- (show 117 more)
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Ride On, King Jesus | | | | Song | | | |
Ridente la calma, K. 210a/152 | | | | Aria | | | |
Roméo et Juliette : Acte I. No. 3 Ariette « Je veux vivre dans ce rêve » (Juliette) | | | | Aria | | | |
Roméo et Juliette : Acte IV. « Amour ranime mon courage » (Juliette) | | | | | | | |
Roméo et Juliette : Acte IV. No. 14 Duo « Va! je t'ai pardonné » … « Nuit d'hyménée » (Roméo, Juliette) | | - Anna Netrebko, Rolando Villazón, Staatskapelle Dresden, Nicola Luisotti
- Plácido Domingo, Renata Scotto, National Philharmonic Orchestra, Kurt Herbert Adler
- Roberto Alagna, Angela Gheorghiu, Orchestre national du Capitole de Toulouse, Michel Plasson
- Vittorio Grigolo, Sonya Yoncheva
- (show 14 more)
| | Aria | | | |
S’il est un charmant gazon, S. 284/2 | | | | Song | | | |
Samson, HWV 57: Act III, no. 107. “Let the Bright Seraphim” (Israelite Woman) | | - Kiri Te Kanawa, Crispian Steele‐Perkins, English Chamber Orchestra, Barry Rose
- Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Harry Dilley, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari‐Pradelli
- Susanne Rydén, Niklas Eklund, London Baroque, Charles Medlam
- Kathleen Battle, Wynton Marsalis, Orchestra of St. Luke’s, John Nelson
- (show 40 more)
| | Aria | | | |
Säusle, liebe Myrte, op. 68 no. 3 | | | | Song | | | |
Schlagende Herzen, op. 29 no. 2 | | | | Song | | | |
Schlichte Weisen, op. 76: No. 52. Mariä Wiegenlied | | | | Song | | | |
Seligkeit, D. 433 | | | | Song | | | |
Semele, HWV 58, Act I Scene 1: Alas! She Yields | | - Kathleen Battle, Michael Chance, Marilyn Horne, English Chamber Orchestra, John Nelson
- English Baroque Soloists, Sir John Eliot Gardiner
- Barockorchester Frankfurt, Joachim Carlos Martini
- John McCarthy, Amor Artis Chorale, Sheila Armstrong, Mark Deller, Justino Díaz, Edgar Fleet, Felicity Palmer, Robert Tear, Helen Watts, Harold Lester, English Chamber Orchestra, Johannes Somary
| | | | | |
Semele, HWV 58, Act I Scene 1: O Jove! in Pity Teach Me Which to Choose | | | | | | | |
Semele, HWV 58, Act I Scene 1: Why Dost Thou Thus Untimely Grieve | | | | | | | |
Semele, HWV 58, Act II Scene 3: Ah, Me! | | - John Aler, Kathleen Battle, English Chamber Orchestra, John Nelson
- Georg Friedrich Händel
- English Baroque Soloists, Sir John Eliot Gardiner
- Barockorchester Frankfurt, Joachim Carlos Martini
- John McCarthy, Amor Artis Chorale, Sheila Armstrong, Mark Deller, Justino Díaz, Edgar Fleet, Felicity Palmer, Robert Tear, Helen Watts, Harold Lester, English Chamber Orchestra, Johannes Somary
| | | | | |
Semele, HWV 58, Act II Scene 3: By My Command | | - John Aler, Kathleen Battle, English Chamber Orchestra, John Nelson
- English Baroque Soloists, Sir John Eliot Gardiner
- Barockorchester Frankfurt, Joachim Carlos Martini
- John McCarthy, Amor Artis Chorale, Sheila Armstrong, Mark Deller, Justino Díaz, Edgar Fleet, Felicity Palmer, Robert Tear, Helen Watts, Harold Lester, English Chamber Orchestra, Johannes Somary
| | | | | |
Semele, HWV 58, Act II Scene 3: Let Me Not Another Moment | | - Kathleen Battle, English Chamber Orchestra, John Nelson
- English Baroque Soloists, Sir John Eliot Gardiner
- Barockorchester Frankfurt, Joachim Carlos Martini
- John McCarthy, Amor Artis Chorale, Sheila Armstrong, Mark Deller, Justino Díaz, Edgar Fleet, Felicity Palmer, Robert Tear, Helen Watts, Harold Lester, English Chamber Orchestra, Johannes Somary
| | | | | |
Semele, HWV 58, Act II Scene 4: Dear Sister, How Was Your Passage Hither? | | - Kathleen Battle, Marilyn Horne, English Chamber Orchestra, John Nelson
- English Baroque Soloists, Sir John Eliot Gardiner
- Barockorchester Frankfurt, Joachim Carlos Martini
- John McCarthy, Amor Artis Chorale, Sheila Armstrong, Mark Deller, Justino Díaz, Edgar Fleet, Felicity Palmer, Robert Tear, Helen Watts, Harold Lester, English Chamber Orchestra, Johannes Somary
| | | | | |
Semele, HWV 58, Act III Scene 2: My Racking Thoughts by No Kind Slumbers Freed | | | | | | | |
Semele, HWV 58, Act III Scene 3: Rich Odours Fill the Fragrant Air | | - Kathleen Battle, Marilyn Horne, English Chamber Orchestra, John Nelson
- English Baroque Soloists, Sir John Eliot Gardiner
- Barockorchester Frankfurt, Joachim Carlos Martini
- John McCarthy, Amor Artis Chorale, Sheila Armstrong, Mark Deller, Justino Díaz, Edgar Fleet, Felicity Palmer, Robert Tear, Helen Watts, Harold Lester, English Chamber Orchestra, Johannes Somary
| | | | | |
Semele, HWV 58, Act III Scene 3: Thus Shap'd Like Ino | | | | | | | |
Semele, HWV 58, Act III Scene 4: Speak, Speak Your Desire | | - John Aler, Kathleen Battle, English Chamber Orchestra, John Nelson
- English Baroque Soloists, Sir John Eliot Gardiner
- Barockorchester Frankfurt, Joachim Carlos Martini
- John McCarthy, Amor Artis Chorale, Sheila Armstrong, Mark Deller, Justino Díaz, Edgar Fleet, Felicity Palmer, Robert Tear, Helen Watts, Harold Lester, English Chamber Orchestra, Johannes Somary
| | | | | |
Semele, HWV 58: Act II, no. 35. "Oh sleep, why dost thou leave me?" (Semele) | | | | Aria | | | |
Semele, HWV 58: Act III. Air "Myself I shall adore" | | | | | | | |
Semele, oratorio, HWV 58: Act I. Air and Chorus: "Endless pleasure, endless love" (Semele, Chorus) | | | | | | | |
Semele, oratorio, HWV 58: Act II. Air: "With fond desiring" (Semele) | | | | | | | |
Semele, oratorio, HWV 58: Act II. Duetto: "Prepare then, ye immortal choir" (Semele, Ino, Chorus) | | | | | | | |
Semele, oratorio, HWV 58: Act III. Air: "I ever am granting, you always complain" (Semele) | | | | | | | |
Semele, oratorio, HWV 58: Act III. Air: "No, no! I'll take no less" (Semele) | | | | | | | |
Semele, oratorio, HWV 58: Act III. Air: "Thus let my thanks de paid" (Semele) | | | | | | | |
Semele, oratorio, HWV 58: Act III. Recitative: "O ecstasy of happiness" (Semele) | | - Kathleen Battle, English Chamber Orchestra, John Nelson
- Beverly Sills
- Barockorchester Frankfurt, Joachim Carlos Martini
- John McCarthy, Amor Artis Chorale, Sheila Armstrong, Mark Deller, Justino Díaz, Edgar Fleet, Felicity Palmer, Robert Tear, Helen Watts, Harold Lester, English Chamber Orchestra, Johannes Somary
| | | | | |
Serse, HWV 40: Atto I. Recitativo “Frondi tenere” / Arioso “Ombra mai fù” (Serse) | | | | Aria | | | |
Seven for Luck | | | | Song-cycle | | | |
Siete canciones populares españolas, G. 40, nº 2: Seguidilla murciana | | | | Song | | | |