| vocals |
---|
1929 | Le Rossignol et la rose | soprano vocals | Lily Pons | 2:50 |
1935-05-25 | Die Zauberflöte: Act 2. “Ah! L'ingrat par son silence” (Pamina) | soprano vocals [Pamina] | Lily Pons, Sir John Barbirolli | 4:05 |
1935-05-25 | Il barbiere di Siviglia: Act 1. “Una voce poco fà” (Rosina) | soprano vocals [Rosina] | Lily Pons, Sir John Barbirolli | 7:13 |
1935-05-25 | The Comedy of Errors: “Lo! Here the gentle Lark” | soprano vocals | Lily Pons, Sir John Barbirolli | 4:33 |
1935-12-28 | Rigoletto: Atto III. Duet "Tutte le feste al tempio" | soprano vocals [Gilda] | Lily Pons, Lawrence Tibbett, Metropolitan Opera Orchestra, Ettore Panizza | 8:10 |
1935-12-28 | Rigoletto: Atto III. Recitative and Chorus "Mio padre!" | soprano vocals [Gilda] | Lily Pons, Lawrence Tibbett, Metropolitan Opera Orchestra, Ettore Panizza | 1:49 |
1935-12-28 | Rigoletto: Atto III. Recitative and Duet "Compiuto pur quanto... Sì vendetta, tremenda vendetta" | soprano vocals [Gilda] | Alfredo Gandolfi, Lily Pons, Lawrence Tibbett, Metropolitan Opera Orchestra, Ettore Panizza | 3:54 |
1935-12-28 | Rigoletto: Atto IV. Quartet "Un dì, se ben rammentomi" | soprano vocals [Gilda] | Frederick Jagel, Helen Olheim, Lily Pons, Lawrence Tibbett, Metropolitan Opera Orchestra, Ettore Panizza | 6:06 |
1935-12-28 | Rigoletto: Atto IV. Recitative "Della vendetta alfin giunge l'istante!" | soprano vocals [Gilda] | Virgilio Lazzari, Lily Pons, Lawrence Tibbett, Metropolitan Opera Orchestra, Ettore Panizza | 5:20 |
1935-12-28 | Rigoletto: Atto IV. Recitative "E l'ami?" | soprano vocals [Gilda] | Frederick Jagel, Virgilio Lazzari, Lily Pons, Lawrence Tibbett, Metropolitan Opera Orchestra, Ettore Panizza | 2:21 |
1935-12-28 | Rigoletto: Atto IV. Recitative "M'odi! Ritorna a casa" | soprano vocals [Gilda] | Lily Pons, Lawrence Tibbett, Metropolitan Opera Orchestra, Ettore Panizza | 5:14 |
1935-12-28 | Rigoletto: Atto IV. Recitative and Final Duet "Chi è mai in sua vece?" | soprano vocals [Gilda] | Lily Pons, Lawrence Tibbett, Metropolitan Opera Orchestra, Ettore Panizza | 6:32 |
1935-12-28 | Rigoletto: Atto IV. Trio and Storm "Somiglia un Apollo" | soprano vocals [Gilda] | Virgilio Lazzari, Helen Olheim, Lily Pons, Metropolitan Opera Orchestra, Ettore Panizza | 4:22 |
1938 | Blue Danube Swing | soprano vocals | Lily Pons | 3:51 |
1939 | Rigoletto: Atto II. Duet "Deh non parlare al misero" | soprano vocals [Gilda] | Lily Pons, Lawrence Tibbett, Metropolitan Opera Orchestra, Ettore Panizza | 7:54 |
1939 | Rigoletto: Atto II. Recitative and Aria "Gualtier Maldè... Caro nome che il mio cor" | soprano vocals [Gilda] | George Cehanovsky, Giordano Paltrinieri, Lily Pons, Hubert Raidich, Metropolitan Opera Orchestra, Ettore Panizza | 7:03 |
1939 | Rigoletto: Atto II. Recitative and Duet "Giovanna, ho dei rimorsi... Signor ne principe io lo verrei" | soprano vocals [Gilda] | Jan Kiepura, Lily Pons, Thelma Votipka, Metropolitan Opera Orchestra, Ettore Panizza | 8:08 |
1939 | Rigoletto: Atto II. Recitative and Scene "Pari Siamo" | soprano vocals [Gilda] | Lily Pons, Lawrence Tibbett, Metropolitan Opera Orchestra, Ettore Panizza | 5:42 |
1941-07-14 | La Fille du régiment : “Chacun le sait” | soprano vocals | Lily Pons, Metropolitan Opera Orchestra, Pietro Cimara | 3:29 |
1941-07-14 | La Fille du régiment : “Et mon cœur va changer” | soprano vocals | Lily Pons, Metropolitan Opera Orchestra, Pietro Cimara | 4:24 |
1941-07-14 | La Fille du régiment : “Il faut partir” | soprano vocals | Lily Pons, Metropolitan Opera Orchestra, Pietro Cimara | 4:26 |
1941-07-14 | La Fille du régiment : “Salut à la France” | soprano vocals | Lily Pons, Metropolitan Opera Orchestra, Pietro Cimara | 4:36 |
1941-07-31 | Home, Sweet Home | soprano vocals | Lily Pons, André Kostelanetz & His Orchestra | 4:11 |
1941-07-31 | Porgy and Bess: “Summertime” | soprano vocals | Lily Pons, André Kostelanetz & His Orchestra | 2:38 |
1941-07-31 | Sadko: “Song of India” | soprano vocals | Lily Pons, André Kostelanetz & His Orchestra, André Kostelanetz | 3:39 |
1941-07-31 | The Russian Nightingale | soprano vocals | Lily Pons, André Kostelanetz & His Orchestra | 3:34 |
1942-01-29 | Dinorah : “Ombre légère” (Shadow Song) | soprano vocals | Lily Pons, Columbia Opera Orchestra, Pietro Cimara | 5:36 |
1942-01-29 | Lakmé : “Pourquoi dans les grands bois?” | soprano vocals | Lily Pons, Columbia Opera Orchestra, Pietro Cimara | 4:35 |
1942-01-29 | Lucia di Lammermoor: “Regnava nel silenzio … Quando rapita in estasi” | soprano vocals | Lily Pons, Columbia Opera Orchestra, Pietro Cimara | 7:21 |
1942-05-11 | Die Entführung aus dem Serail: Act I. “Ach ich liebte, war so glücklich” (Kostanze) | soprano vocals | Lily Pons, [unknown], Bruno Walter | 5:10 |
1942-05-11 | Die Entführung aus dem Serail: Act II. “Welche Wonne, welche Lust” (Blonde) | soprano vocals | Lily Pons, [unknown], Bruno Walter | 2:27 |
1942-05-11 | Die Zauberflöte: Act II. “Der Hölle Rache” (Königin der Nacht) | soprano vocals | Lily Pons, [unknown], Bruno Walter | 2:46 |
1942-05-11 | Exsultate, jubilate, K. 165 (158a): No. 3: Alleluja | soprano vocals | Lily Pons, [unknown], Bruno Walter | 2:31 |
1942-05-11 | Il re pastore: Act II. “L'amerò, sarò costante” (Aminta) | soprano vocals | Lily Pons, [unknown], Bruno Walter | 7:29 |
1942-05-11 | Le nozze di Figaro: Act II. “Voi che sapete” (Cherubino) | soprano vocals | Lily Pons, [unknown], Bruno Walter | 3:21 |
1944-11-30 | Lakmé : “Où va la jeune hindoue ?” (Bell Song) | soprano vocals | Lily Pons, Pietro Cimara | 7:08 |
1944-11-30 | Lucia di Lammermoor: “l dolce suono mi colpi … Ardon gl'incensi” | soprano vocals | Lily Pons, Pietro Cimara | 14:29 |
1944-11-30 | Rigoletto: “Caro nome” | soprano vocals | Lily Pons, Pietro Cimara | 5:10 |
1945-10-03 | Fledermaus Fantasy | soprano vocals | Lily Pons, Maurice Abravanel | 7:35 |
1946-01-05 | Mireille : “O légère hirondelle” | soprano vocals | Lily Pons, André Kostelanetz | 2:57 |
1946-01-05 | Roméo et Juliette : “Je veux vivre” | soprano vocals | Lily Pons, André Kostelanetz | 3:35 |
1946-05-15 | La traviata: “Ah, fors'e lui... Sempra libera” | soprano vocals | Lily Pons, André Kostelanetz | 7:05 |
1946-09-19 | Les Roses d’Ispahan | soprano vocals | Lily Pons, Maurice Abravanel | 3:45 |
1947-04-02 | Chansons de Ronsard : À Cupidon | soprano vocals | Lily Pons, André Kostelanetz | 2:54 |
1947-04-02 | Chansons de Ronsard : À une Fontaine | soprano vocals | Lily Pons, André Kostelanetz | 2:00 |
1947-04-02 | Chansons de Ronsard : Dieu vous gard’ | soprano vocals | Lily Pons, André Kostelanetz | 2:23 |
1947-04-02 | Chansons de Ronsard : Tais-toi, babillarde | soprano vocals | Lily Pons, André Kostelanetz | 1:22 |
1947-04-02 | L’Invitation au voyage | soprano vocals | Lily Pons, André Kostelanetz | 4:04 |
1947-12-11 | Le Coq d’or: “Hymne au soleil” | soprano vocals | Lily Pons, André Kostelanetz | 4:18 |
1947-12-11 | Les Contes d’Hoffmann : “Les Oiseaux dans la charmille” | soprano vocals | Lily Pons, André Kostelanetz | 4:03 |
1947-12-19 | Zémire et Azor : “La Fauvette” | soprano vocals | Lily Pons, Columbia Concert Orchestra, André Kostelanetz | 7:55 |
1949-04-23 | I puritani: “Son vergin vezzosa” | soprano vocals | Lily Pons, Columbia Symphony Orchestra, André Kostelanetz | 4:02 |
1949-04-23 | Mignon : “Je suis Titania” | soprano vocals | Lily Pons, Columbia Symphony Orchestra, André Kostelanetz | 4:32 |
1949-10-06 | La sonnambula: “Ah, non credea... Ah, non giunge” | soprano vocals | Lily Pons, Columbia Symphony Orchestra, André Kostelanetz | 7:03 |
1949-10-06 | Linda di Chamounix: “O luce di quest'anima” | soprano vocals | Lily Pons, Columbia Symphony Orchestra, André Kostelanetz | 3:21 |
1950-04-21 | Clair de lune | soprano vocals | Lily Pons, Frank La Forge | 2:57 |
1950-04-21 | Fantoches | soprano vocals | Lily Pons, Frank La Forge | 1:23 |
1950-05-01 | Plaisir d'amour | soprano vocals | Lily Pons, André Kostelanetz & His Orchestra | 4:16 |
1950-12-24 | Die Fledermaus: Act I. No. 1 Introduction: “Do you still belong to me” (Alfred, Adele) / No. 1a Solo and Duet: “I've a sister rarely writes me” (Rosalinda, Adele) | soprano vocals [Adele] | Lily Pons, Richard Tucker, Ljuba Welitsch, Metropolitan Opera Orchestra, Eugene Ormandy | 4:18 |
1950-12-24 | Die Fledermaus: Act I. No. 4 Trio: “The graying sea, the leaden sky” (Rosalinda, Adele, Eisenstein) | soprano vocals [Adele] | Charles Kullman, Lily Pons, Ljuba Welitsch, Metropolitan Opera Orchestra, Eugene Ormandy | 3:38 |
1950-12-24 | Die Fledermaus: Act II. No. 8 Ensemble and Couplet: “It seems we're entertaining an uninvited guest” - “Look me over once, look me over twice” (Adele's Laughing Song) (Orlofsky, Falke, ensemble, Adele, Eisenstein) | soprano vocals [Adele] | Kurt Adler, John Brownlee, Charles Kullman, Martha Lipton, Metropolitan Opera Chorus, Lily Pons, Metropolitan Opera Orchestra, Eugene Ormandy | 4:36 |
1950-12-24 | Die Fledermaus: Act II. No. 11a Finale IIa: “A Bacchanalian revel” (Orlofsky, Eisenstein, Adele, ensemble) | soprano vocals [Adele] | Kurt Adler, Charles Kullman, Martha Lipton, Metropolitan Opera Chorus, Lily Pons, Metropolitan Opera Orchestra, Eugene Ormandy | 8:10 |
1950-12-24 | Die Fledermaus: Act II. No. 11a Finale IIb: “Let's hope this never halts” (Orlofsky, ensemble, Eisenstein, Adele) | soprano vocals [Adele] | Kurt Adler, Charles Kullman, Martha Lipton, Metropolitan Opera Chorus, Lily Pons, Metropolitan Opera Orchestra, Eugene Ormandy | 4:19 |
1950-12-24 | Die Fledermaus: Act III. No. 14 Couplet: “I am portraying a farm girl” (Adele, Frank) | soprano vocals [Adele] | Kurt Adler, Clifford Harvuot, Metropolitan Opera Chorus, Lily Pons, Metropolitan Opera Orchestra, Eugene Ormandy | 4:27 |
1950-12-29 | Die Fledermaus: Act I. No. 1 Introduction: “Do you still belong to me” (Alfred, Adele) / No. 1a Solo and Duet: “I've a sister rarely writes me” (Rosalinda, Adele) | soprano vocals [Adele] | Lily Pons, Richard Tucker, Ljuba Welitsch, Metropolitan Opera Orchestra, Eugene Ormandy | 4:18 |
1950-12-29 | Die Fledermaus: Act I. No. 4 Trio: “The graying sea, the leaden sky” (Rosalinda, Adele, Eisenstein) | soprano vocals [Adele] | Charles Kullman, Lily Pons, Ljuba Welitsch, Metropolitan Opera Orchestra, Eugene Ormandy | 3:38 |
1950-12-29 | Die Fledermaus: Act II. No. 8 Ensemble and Couplet: “It seems we're entertaining an uninvited guest” - “Look me over once, look me over twice” (Adele's Laughing Song) (Orlofsky, Falke, ensemble, Adele, Eisenstein) | soprano vocals [Adele] | Kurt Adler, John Brownlee, Charles Kullman, Martha Lipton, Metropolitan Opera Chorus, Lily Pons, Metropolitan Opera Orchestra, Eugene Ormandy | 4:36 |
1950-12-29 | Die Fledermaus: Act II. No. 11a Finale IIa: “A Bacchanalian revel” (Orlofsky, Eisenstein, Adele, ensemble) | soprano vocals [Adele] | Kurt Adler, Charles Kullman, Martha Lipton, Metropolitan Opera Chorus, Lily Pons, Metropolitan Opera Orchestra, Eugene Ormandy | 8:10 |
1950-12-29 | Die Fledermaus: Act II. No. 11a Finale IIb: “Let's hope this never halts” (Orlofsky, ensemble, Eisenstein, Adele) | soprano vocals [Adele] | Kurt Adler, Charles Kullman, Martha Lipton, Metropolitan Opera Chorus, Lily Pons, Metropolitan Opera Orchestra, Eugene Ormandy | 4:19 |
1950-12-29 | Die Fledermaus: Act III. No. 14 Couplet: “I am portraying a farm girl” (Adele, Frank) | soprano vocals [Adele] | Kurt Adler, Clifford Harvuot, Metropolitan Opera Chorus, Lily Pons, Metropolitan Opera Orchestra, Eugene Ormandy | 4:27 |
1951-01-07 | Die Fledermaus: Act I. No. 1 Introduction: “Do you still belong to me” (Alfred, Adele) / No. 1a Solo and Duet: “I've a sister rarely writes me” (Rosalinda, Adele) | soprano vocals [Adele] | Lily Pons, Richard Tucker, Ljuba Welitsch, Metropolitan Opera Orchestra, Eugene Ormandy | 4:18 |
1951-01-07 | Die Fledermaus: Act I. No. 4 Trio: “The graying sea, the leaden sky” (Rosalinda, Adele, Eisenstein) | soprano vocals [Adele] | Charles Kullman, Lily Pons, Ljuba Welitsch, Metropolitan Opera Orchestra, Eugene Ormandy | 3:38 |
1951-01-07 | Die Fledermaus: Act II. No. 8 Ensemble and Couplet: “It seems we're entertaining an uninvited guest” - “Look me over once, look me over twice” (Adele's Laughing Song) (Orlofsky, Falke, ensemble, Adele, Eisenstein) | soprano vocals [Adele] | Kurt Adler, John Brownlee, Charles Kullman, Martha Lipton, Metropolitan Opera Chorus, Lily Pons, Metropolitan Opera Orchestra, Eugene Ormandy | 4:36 |
1951-01-07 | Die Fledermaus: Act II. No. 11a Finale IIa: “A Bacchanalian revel” (Orlofsky, Eisenstein, Adele, ensemble) | soprano vocals [Adele] | Kurt Adler, Charles Kullman, Martha Lipton, Metropolitan Opera Chorus, Lily Pons, Metropolitan Opera Orchestra, Eugene Ormandy | 8:10 |
1951-01-07 | Die Fledermaus: Act II. No. 11a Finale IIb: “Let's hope this never halts” (Orlofsky, ensemble, Eisenstein, Adele) | soprano vocals [Adele] | Kurt Adler, Charles Kullman, Martha Lipton, Metropolitan Opera Chorus, Lily Pons, Metropolitan Opera Orchestra, Eugene Ormandy | 4:19 |
1951-01-07 | Die Fledermaus: Act III. No. 14 Couplet: “I am portraying a farm girl” (Adele, Frank) | soprano vocals [Adele] | Kurt Adler, Clifford Harvuot, Metropolitan Opera Chorus, Lily Pons, Metropolitan Opera Orchestra, Eugene Ormandy | 4:27 |
| Alleluia | | Lily Pons | 2:26 |
| Après un rêve | soprano vocals | Lily Pons | 2:49 |
| Aria: Dancing Doll | soprano vocals | Lily Pons | 2:14 |
| Aria: The Song of a Young Iranian Girl | soprano vocals | Lily Pons | 3:01 |
| Aria: This Never Happened Before | soprano vocals | Lily Pons | 3:01 |
| Aria: Vocalising | soprano vocals | Lily Pons | 3:11 |
| Ave Maria | soprano vocals | Lily Pons | 2:52 |
| Caro nome | | Lily Pons | ?:?? |
| Conversation Piece (1951), musical: Act One. A cloud has passed across the sun | | Noël Coward & Lily Pons | 0:55 |
| Conversation Piece (1951), musical: Act One. Dialogue: Go and dress | | Noël Coward & Lily Pons | 0:28 |
| Conversation Piece (1951), musical: Act One. Dialogue: Good morning, Rose | | Noël Coward, Lily Pons & Ellen Faull | 3:14 |
| Conversation Piece (1951), musical: Act One. Dialogue: I am the Duchess of Beneden | | Ethel Griffies, Rex Evans & Lily Pons | 2:17 |
| Conversation Piece (1951), musical: Act One. Dialogue: It is a very nice day, is it not? | | Lily Pons & Richard Burton | 4:07 |
| Conversation Piece (1951), musical: Act One. Dialogue: Mademoiselle will be with you in a moment | | Ellen Faull, Lily Pons, Eileen Turner & Dorothy Johnson | 3:06 |
| Conversation Piece (1951), musical: Act One. Dialogue: The seventh! | | Cathleen Nesbitt, Noël Coward & Lily Pons | 1:42 |
| Conversation Piece (1951), musical: Act One. I'll follow my secret heart | | Lily Pons | 2:16 |
| Conversation Piece (1951), musical: Act One. Quartet: Charming! Charming! Charming! | | Norah Howard, Dorothy Johnson, Rosalind Nadell & Lily Pons | 3:36 |
| Conversation Piece (1951), musical: Act One. Soldiers! | | Dorothy Johnson, Rosalind Nadell, Norah Howard & Lily Pons | 1:59 |
| Conversation Piece (1951), musical: Act One. You ask me to have a discrete heart | | Noël Coward & Lily Pons | 1:45 |
| Conversation Piece (1951), musical: Act Three. All comedies must come to an end | | Noël Coward & Lily Pons | 1:20 |
| Conversation Piece (1951), musical: Act Three. Dear Friend | | Lily Pons | 1:48 |
| Conversation Piece (1951), musical: Act Three. Dialogue: I hope I am not intruding | | Noël Coward, Lily Pons & Richard Burton | 2:16 |
| Conversation Piece (1951), musical: Act Three. Dialogue: What will we speak of? | | Lily Pons & Richard Burton | 1:05 |
| Conversation Piece (1951), musical: Act Two. Aria: C'est assez de mensonge | | Lily Pons | 2:55 |
| See all 157 relationships |