Alleluia | Lily Pons | | | 2:26 | |
Après un rêve | Lily Pons | | | 2:49 | |
Aria: Dancing Doll | Lily Pons | | | 2:14 | |
Aria: The Song of a Young Iranian Girl | Lily Pons | | | 3:01 | |
Aria: This Never Happened Before | Lily Pons | | | 3:01 | |
Aria: Vocalising | Lily Pons | | | 3:11 | |
Ave Maria | Lily Pons | | | 2:52 | |
Blue Danube Swing | Lily Pons | | | 3:51 | |
Caro nome | Lily Pons | | | ?:?? | |
Chansons de Ronsard : À Cupidon | Lily Pons, André Kostelanetz | | | 2:54 | |
Chansons de Ronsard : À une Fontaine | Lily Pons, André Kostelanetz | | | 2:00 | |
Chansons de Ronsard : Dieu vous gard’ | Lily Pons, André Kostelanetz | | | 2:23 | |
Chansons de Ronsard : Tais-toi, babillarde | Lily Pons, André Kostelanetz | | | 1:22 | |
Clair de lune | Lily Pons, Frank La Forge | | | 2:57 | |
Conversation Piece (1951), musical: Act One. A cloud has passed across the sun | Noël Coward & Lily Pons | | | 0:55 | |
Conversation Piece (1951), musical: Act One. Dialogue: Go and dress | Noël Coward & Lily Pons | | | 0:28 | |
Conversation Piece (1951), musical: Act One. Dialogue: Good morning, Rose | Noël Coward, Lily Pons & Ellen Faull | | | 3:14 | |
Conversation Piece (1951), musical: Act One. Dialogue: I am the Duchess of Beneden | Ethel Griffies, Rex Evans & Lily Pons | | | 2:17 | |
Conversation Piece (1951), musical: Act One. Dialogue: It is a very nice day, is it not? | Lily Pons & Richard Burton | | | 4:07 | |
Conversation Piece (1951), musical: Act One. Dialogue: Mademoiselle will be with you in a moment | Ellen Faull, Lily Pons, Eileen Turner & Dorothy Johnson | | | 3:06 | |
Conversation Piece (1951), musical: Act One. Dialogue: The seventh! | Cathleen Nesbitt, Noël Coward & Lily Pons | | | 1:42 | |
Conversation Piece (1951), musical: Act One. I'll follow my secret heart | Lily Pons | | | 2:16 | |
Conversation Piece (1951), musical: Act One. Quartet: Charming! Charming! Charming! | Norah Howard, Dorothy Johnson, Rosalind Nadell & Lily Pons | | | 3:36 | |
Conversation Piece (1951), musical: Act One. Soldiers! | Dorothy Johnson, Rosalind Nadell, Norah Howard & Lily Pons | | | 1:59 | |
Conversation Piece (1951), musical: Act One. You ask me to have a discrete heart | Noël Coward & Lily Pons | | | 1:45 | |
Conversation Piece (1951), musical: Act Three. All comedies must come to an end | Noël Coward & Lily Pons | | | 1:20 | |
Conversation Piece (1951), musical: Act Three. Dear Friend | Lily Pons | | | 1:48 | |
Conversation Piece (1951), musical: Act Three. Dialogue: I hope I am not intruding | Noël Coward, Lily Pons & Richard Burton | | | 2:16 | |
Conversation Piece (1951), musical: Act Three. Dialogue: What will we speak of? | Lily Pons & Richard Burton | | | 1:05 | |
Conversation Piece (1951), musical: Act Two. Aria: C'est assez de mensonge | Lily Pons | | | 2:55 | |
Conversation Piece (1951), musical: Act Two. Aria: Dear friends | Lily Pons | | | 2:34 | |
Conversation Piece (1951), musical: Act Two. Dialogue: Do you think that is wise? | Noël Coward, Cathleen Nesbitt & Lily Pons | | | 1:27 | |
Conversation Piece (1951), musical: Act Two. Dialogue: Julia, Lord Sheere is our only definite proposal so far | Noël Coward, Cathleen Nesbitt & Lily Pons | | | 1:18 | |
Conversation Piece (1951), musical: Act Two. Dialogue: Thank you, my dear, for being so sweet to me | Lily Pons, Richard Burton & Noël Coward | | | 0:22 | |
Conversation Piece (1951), musical: Act Two. Dialogue: There's a lady downstairs to see you | Ellen Faull, Lily Pons, Cathleen Nesbitt & Noël Coward | | | 6:19 | |
Conversation Piece (1951), musical: Act Two. Dialogue: Well - I hope you are satisfied | Noël Coward & Lily Pons | | | 1:39 | |
Conversation Piece (1951), musical: Act Two. Dialogue: What a charming house | Noël Coward, Cathleen Nesbitt, Lily Pons, Ethel Griffies, Richard Burton, Rex Evans, Eileen Turner & Dorothy Johnson | | | 3:46 | |
Conversation Piece (1951), musical: Act Two. I'll follow my secret heart (reprise) | Lily Pons | | | 0:56 | |
Conversation Piece (1951), musical: Act Two. The tree is in the garden | Lily Pons & Children’s Chorus | | | 2:31 | |
Der Fledermaus Fantasy | Lily Pons | | | ?:?? | |
Die Entführung aus dem Serail: Act I. “Ach ich liebte, war so glücklich” (Kostanze) | Lily Pons, [unknown], Bruno Walter | | | 5:10 | |
Die Entführung aus dem Serail: Act II. “Welche Wonne, welche Lust” (Blonde) | Lily Pons, [unknown], Bruno Walter | | | 2:27 | |
Die Fledermaus: Act I. No. 1 Introduction: “Do you still belong to me” (Alfred, Adele) / No. 1a Solo and Duet: “I've a sister rarely writes me” (Rosalinda, Adele) | Lily Pons, Richard Tucker, Ljuba Welitsch, Metropolitan Opera Orchestra, Eugene Ormandy | | | 4:18 | |
Die Fledermaus: Act I. No. 4 Trio: “The graying sea, the leaden sky” (Rosalinda, Adele, Eisenstein) | Charles Kullman, Lily Pons, Ljuba Welitsch, Metropolitan Opera Orchestra, Eugene Ormandy | | | 3:38 | |
Die Fledermaus: Act II. No. 8 Ensemble and Couplet: “It seems we're entertaining an uninvited guest” - “Look me over once, look me over twice” (Adele's Laughing Song) (Orlofsky, Falke, ensemble, Adele, Eisenstein) | Kurt Adler, John Brownlee, Charles Kullman, Martha Lipton, Metropolitan Opera Chorus, Lily Pons, Metropolitan Opera Orchestra, Eugene Ormandy | | | 4:36 | |
Die Fledermaus: Act II. No. 11a Finale IIa: “A Bacchanalian revel” (Orlofsky, Eisenstein, Adele, ensemble) | Kurt Adler, Charles Kullman, Martha Lipton, Metropolitan Opera Chorus, Lily Pons, Metropolitan Opera Orchestra, Eugene Ormandy | | | 8:10 | |
Die Fledermaus: Act II. No. 11a Finale IIb: “Let's hope this never halts” (Orlofsky, ensemble, Eisenstein, Adele) | Kurt Adler, Charles Kullman, Martha Lipton, Metropolitan Opera Chorus, Lily Pons, Metropolitan Opera Orchestra, Eugene Ormandy | | | 4:19 | |
Die Fledermaus: Act III. No. 14 Couplet: “I am portraying a farm girl” (Adele, Frank) | Kurt Adler, Clifford Harvuot, Metropolitan Opera Chorus, Lily Pons, Metropolitan Opera Orchestra, Eugene Ormandy | | | 4:27 | |
Die Zauberflöte: Act 2. “Ah! L'ingrat par son silence” (Pamina) | Lily Pons, Sir John Barbirolli | | | 4:05 | |
Die Zauberflöte: Act II. “Der Hölle Rache” (Königin der Nacht) | Lily Pons, [unknown], Bruno Walter | | | 2:46 | |
Dinorah : “Ombre légère” (Shadow Song) | Lily Pons, Columbia Opera Orchestra, Pietro Cimara | | | 5:36 | |
Exsultate, jubilate, K. 165 (158a): No. 3: Alleluja | Lily Pons, [unknown], Bruno Walter | | | 2:31 | |
Fantoches | Lily Pons, Frank La Forge | | | 1:23 | |
Fantoches | Lily Pons | | | 1:26 | |
Fledermaus Fantasy | Lily Pons, Maurice Abravanel | | | 7:35 | |
Hitting a New High: I hit a new high | Lily Pons | | | 4:55 | |
Home, Sweet Home | Lily Pons, André Kostelanetz & His Orchestra | | | 4:11 | |
Hymn to the Sun | Lily Pons | | | 4:31 | |
I Dream Too Much | Lily Pons | | | 3:28 | |
I puritani: “Son vergin vezzosa” | Lily Pons, Columbia Symphony Orchestra, André Kostelanetz | | | 4:02 | |
I'll Follow My Secret Heart | Lily Pons | | | 3:19 | |
Il barbiere di Siviglia: Act 1. “Una voce poco fà” (Rosina) | Lily Pons, Sir John Barbirolli | | | 7:13 | |
Il Barbiere di Siviglia: Un voce poco fa | Lily Pons | | | 5:47 | |
Il re pastore: Act II. “L'amerò, sarò costante” (Aminta) | Lily Pons, [unknown], Bruno Walter | | | 7:29 | |
Kiss Me Again | Lily Pons | | | ?:?? | |
L'amour, toujours l'amour | Lily Pons | | | 3:56 | |
L’Invitation au voyage | Lily Pons, André Kostelanetz | | | 4:04 | |
La Bohème: Sì, mi chiamano Mimì | Lily Pons | | | 3:51 | |
La Fille du régiment : “Chacun le sait” | Lily Pons, Metropolitan Opera Orchestra, Pietro Cimara | | | 3:29 | |
La Fille du régiment : “Et mon cœur va changer” | Lily Pons, Metropolitan Opera Orchestra, Pietro Cimara | | | 4:24 | |
La Fille du régiment : “Il faut partir” | Lily Pons, Metropolitan Opera Orchestra, Pietro Cimara | | | 4:26 | |
La Fille du régiment : “Salut à la France” | Lily Pons, Metropolitan Opera Orchestra, Pietro Cimara | | | 4:36 | |
La Fille du Régiment: Chacun le Sait | Lily Pons | | | 3:31 | |
La fille du Régiment: Il faut partir | Lily Pons | | | 4:27 | |
La promessa | Lily Pons | | | 3:29 | |
La sonnambula: “Ah, non credea... Ah, non giunge” | Lily Pons, Columbia Symphony Orchestra, André Kostelanetz | | | 7:03 | |
La traviata: “Ah, fors'e lui... Sempra libera” | Lily Pons, André Kostelanetz | | | 7:05 | |
Lakmé : “Où va la jeune hindoue ?” (Bell Song) | Lily Pons, Pietro Cimara | | | 7:08 | |
Lakmé : “Pourquoi dans les grands bois?” | Lily Pons, Columbia Opera Orchestra, Pietro Cimara | | | 4:35 | |
Lakmé : The Bell Song | Lily Pons | | | 6:32 | |
Lakmé: Air des clochettes (Bell Song) | Lily Pons | | | 5:15 | |
Lakmé: Bell Song | Lily Pons | | | 7:06 | |
Lakmé: Dans la forêt, près de nous | Lily Pons | | | 2:53 | |
Lakmé: Là-bas dans la forèt (Glöckchenarie) | Lily Pons, Rosario Bourdon | | | 3:14 | |
Lakmé: Pourquoi dans les brands bois? | Lily Pons | | | 3:06 | |
Le Coq d’or: “Hymne au soleil” | Lily Pons, André Kostelanetz | | | 4:18 | |
Le nozze di Figaro: Act II. “Voi che sapete” (Cherubino) | Lily Pons, [unknown], Bruno Walter | | | 3:21 | |
Le Nozze di Figaro: Voi che sapete | Lily Pons | | | 3:06 | |
Le Rossignol et la rose | Lily Pons | | | 2:50 | |
Les Contes d’Hoffmann : “Les Oiseaux dans la charmille” | Lily Pons, André Kostelanetz | | | 4:03 | |
Les Contes d’Hoffmann : Act I. Les Oiseaux dans la charmille | Lily Pons | | | 2:43 | |
Les Roses d’Ispahan | Lily Pons, Maurice Abravanel | | | 3:45 | |
Linda di Chamounix: “O luce di quest'anima” | Lily Pons, Columbia Symphony Orchestra, André Kostelanetz | | | 3:21 | |
Look Me Over Once | Lily Pons, Metropolitan Opera Orchestra & Eugene Ormandy | | | ?:?? | |
Lucia di Lammermoor: “l dolce suono mi colpi … Ardon gl'incensi” | Lily Pons, Pietro Cimara | | | 14:29 | |
Lucia di Lammermoor: “Regnava nel silenzio … Quando rapita in estasi” | Lily Pons, Columbia Opera Orchestra, Pietro Cimara | | | 7:21 | |
Lucia di Lammermoor: Air de la Folie | Lily Pons | | | 8:06 | |
Lucia di Lammermoor: Ardon gl'incensi...Spargi d'amaro pianto | Lily Pons | | | 8:18 | |
Mignon : “Je suis Titania” | Lily Pons, Columbia Symphony Orchestra, André Kostelanetz | | | 4:32 | |
Mignon: Je suis Titania | Lily Pons | | | 4:33 | |