Befreit, op. 39 no. 4 | | | | Song | | | |
Cello Sonata in F major, for cello and piano: 1. Allegro con brio | | | | | | | |
Cello Sonata in F major, for cello and piano: 2. Andante ma non troppo | | | | | | | |
Cello Sonata in F major, for cello and piano: 3. Finale: Allegro vivo | | | | | | | |
Concerto for Two Pianos and Orchestra in D minor, FP 61: I. Allegro ma non troppo | | - Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit
- Jacques Février, Francis Poulenc, Orchestre de la Société des Concerts du Conservatoire, Pierre Dervaux
- Frank Braley, Éric Le Sage, Orchestre Philharmonique de Liège, Stéphane Denève
- Martha Argerich, Alexander Gurning, Orchestra della Svizzera italiana, Erasmo Capilla
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Concerto for Two Pianos and Orchestra in D minor, FP 61: II. Larghetto | | - Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit
- Jacques Février, Francis Poulenc, Orchestre de la Société des Concerts du Conservatoire, Pierre Dervaux
- Anne Queffélec, Jean‐Bernard Pommier, City of London Sinfonia, Richard Hickox
- Frank Braley, Éric Le Sage, Orchestre Philharmonique de Liège, Stéphane Denève
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Concerto for Two Pianos and Orchestra in D minor, FP 61: III. Finale (Allegro molto) | | - Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit
- Jacques Février, Francis Poulenc, Orchestre de la Société des Concerts du Conservatoire, Pierre Dervaux
- Frank Braley, Éric Le Sage, Orchestre Philharmonique de Liège, Stéphane Denève
- Martha Argerich, Alexander Gurning, Orchestra della Svizzera italiana, Erasmo Capilla
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Fantasy on George Gershwin's Porgy and Bess | | | | | | | |
Goldberg-Variationen, BWV 988: Aria | | | | | | | |
Goldberg-Variationen, BWV 988: Aria da capo | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 1. a 1 Clav. | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 2. a 1 Clav. | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 3. Canone all Unisuono. a 1 Clav. | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 4. a 1 Clav. | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 5. a 1 ô vero 2 Clav. | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 6. Canone alla Seconda. a 1 Clav. | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 7. a 1 ô vero 2 Clav. al tempo di Giga | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 8. a 2 Clav. | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 9. Canone alla Terza. a 1 Clav. | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 10. Fughetta. a 1 Clav. | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 11. a 2 Clav. | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 12. Canone alla Quarta | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 13. a 2 Clav. | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 14. a 2 Clav. | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 15. Canone alla Quinta. a 1 Clav. andante | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 16. Ouverture. a 1 Clav. | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 17. a 2 Clav. | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 18. Canone alla Sexta. a 1 Clav. | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 19. a 1 Clav. | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 20. a 2 Clav. | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 21. Canone alla Settima | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 22. a 1 Clav. alla breve | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 23. a 2 Clav. | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 24. Canone all'Ottava. a 1 Clav. | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 25. a 2 Clav. adagio | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 26. a 2 Clav. | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 27. Canone alla Nona. a 2 Clav. | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 28. a 2 Clav. | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 29. a 1 ô vero 2 Clav. | | | | | | | |
Goldberg-Variationen, BWV 988: Variatio 30. a 1 Clav. Quodlibet | | | | | | | |
Invierno porteño | | | | | | | |
Les Noces: Part 1, Scene 1. The Bride's Chamber "The Tresses" | | - Nicholas Cleobury, English Bach Festival Chorus, Paul Hudson, John Mitchinson, Martha Argerich, Homero Francesch, Cyprien Katsaris, Krystian Zimerman, Leonard Bernstein
- Игорь Фёдорович Стравинский
- Margaret Hillis, Milfred Allen, Regina Sarfaty, Robert Oliver, Loren Driscoll, The American Concert Choir, Samuel Barber, Roger Sessions, Lukas Foss, Aaron Copland, Columbia Percussion Ensemble, Igor Stravinsky
- Nadine Koutcher, Natalya Buklaga, Stanislav Leontieff, Vasiliy Korostelev, MusicAeterna Chorus, MusicAeterna, Teodor Currentzis
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Les Noces: Part 1, Scene 2. The Bridegroom's House | | - Nicholas Cleobury, English Bach Festival Chorus, Paul Hudson, John Mitchinson, Martha Argerich, Homero Francesch, Cyprien Katsaris, Krystian Zimerman, Leonard Bernstein
- Игорь Фёдорович Стравинский
- Margaret Hillis, Milfred Allen, Regina Sarfaty, Robert Oliver, Loren Driscoll, The American Concert Choir, Samuel Barber, Roger Sessions, Lukas Foss, Aaron Copland, Columbia Percussion Ensemble, Igor Stravinsky
- Nadine Koutcher, Natalya Buklaga, Stanislav Leontieff, Vasiliy Korostelev, MusicAeterna Chorus, MusicAeterna, Teodor Currentzis
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Les Noces: Part 1, Scene 3. The Departure of the Bride | | - Nicholas Cleobury, English Bach Festival Chorus, Paul Hudson, John Mitchinson, Martha Argerich, Homero Francesch, Cyprien Katsaris, Krystian Zimerman, Leonard Bernstein
- Margaret Hillis, Milfred Allen, Regina Sarfaty, Robert Oliver, Loren Driscoll, The American Concert Choir, Samuel Barber, Roger Sessions, Lukas Foss, Aaron Copland, Columbia Percussion Ensemble, Igor Stravinsky
- Игорь Фёдорович Стравинский
- Nadine Koutcher, Natalya Buklaga, Stanislav Leontieff, Vasiliy Korostelev, MusicAeterna Chorus, MusicAeterna, Teodor Currentzis
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Les Noces: Part 2, Scene 4. The Wedding Feast | | - Nicholas Cleobury, English Bach Festival Chorus, Paul Hudson, John Mitchinson, Martha Argerich, Homero Francesch, Cyprien Katsaris, Krystian Zimerman, Leonard Bernstein
- Margaret Hillis, Milfred Allen, Regina Sarfaty, Robert Oliver, Loren Driscoll, The American Concert Choir, Samuel Barber, Roger Sessions, Lukas Foss, Aaron Copland, Columbia Percussion Ensemble, Igor Stravinsky
- Игорь Фёдорович Стравинский
- Nadine Koutcher, Natalya Buklaga, Stanislav Leontieff, Vasiliy Korostelev, MusicAeterna Chorus, MusicAeterna, Teodor Currentzis
- (show 10 more)
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Morgen!, op. 27 no. 4 | | | | Song | | | |
Otoño porteño | | | | | | | |
Préludes, Livre I, L. 117, CD 125: VIII. La fille aux cheveux de lin. Très calme et doucement expressif | | | | | | | |
Primavera porteña | | | | | | | |
Romanze in F major for Violoncello & Orchestra, AV 75 | | | | | | | |
Sonata for Piano no. 6 in F major, op. 10 no. 2: I. Allegro | | | | | | | |
Sonata for Piano no. 6 in F major, op. 10 no. 2: II. Allegretto | | | | | | | |
Sonata for Piano no. 6 in F major, op. 10 no. 2: III. Presto | | | | | | | |
Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: I. Allegro assai | | | | | | | |
Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: II. Andante con moto | | | | | | | |
Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: III. Allegro ma non troppo | | | | | | | |
Sonata for Piano no. 27 in E minor, op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | | | | | | | |
Sonata for Piano no. 27 in E minor, op. 90: II. Nicht zu geschwind und sehr singbar vorzutragen | | | | | | | |
Verano porteño | | | | | | | |
Wiegenlied, op. 41 no. 1 | | | | | | | |