| vocals |
|---|
| 1973-01-08 – 1973-01-09 | Missa Choralis (S. 10): Agnus Dei | bass vocals | Choir of St John’s College, Cambridge, Stephen Cleobury, George Guest | 6:05 |
| 1973-01-08 – 1973-01-09 | Missa Choralis (S. 10): Benedictus | bass vocals | Choir of St John’s College, Cambridge, Stephen Cleobury, George Guest | 5:04 |
| 1973-01-08 – 1973-01-09 | Missa Choralis (S. 10): Credo | bass vocals | Choir of St John’s College, Cambridge, Stephen Cleobury, George Guest | 6:45 |
| 1989-12-15 – 1989-12-18 | Candide: Act I, No. 9. Auto‐da‐fé | baritone vocals [inquisitor] | Clive Bayley, Lindsay Benson, Adolph Green, Jerry Hadley, Neil Jenkins, London Symphony Chorus, Richard Suart, John Treleaven, London Symphony Orchestra, Leonard Bernstein | 7:55 |
| 1989-12-15 – 1989-12-18 | Candide: Act I, No. 9. Auto‐da‐fé | baritone vocals [junkman] | Clive Bayley, Lindsay Benson, Adolph Green, Jerry Hadley, Neil Jenkins, London Symphony Chorus, Richard Suart, John Treleaven, London Symphony Orchestra, Leonard Bernstein | 7:55 |
| 1989-12-15 – 1989-12-18 | Candide: Act II, No. 25. The Kings’ Barcarolle | baritone vocals [King Hermann Augustus] | Clive Bayley, Lindsay Benson, Adolph Green, Jerry Hadley, Neil Jenkins, Richard Suart, John Treleaven, London Symphony Orchestra, Leonard Bernstein | 3:53 |
| 1991-09-02 – 1991-09-04 | The Mikado: Act I. “As some day it may happen” | baritone vocals [Ko-Ko] | Chorus of the Welsh National Opera, Richard Suart, Orchestra of the Welsh National Opera, Charles Mackerras | 2:00 |
| 1991-09-02 – 1991-09-04 | The Mikado: Act I. “Behold the Lord High Executioner!” | baritone vocals [Ko-Ko] | Chorus of the Welsh National Opera, Richard Suart, Orchestra of the Welsh National Opera, Charles Mackerras | 2:39 |
| 1991-09-02 – 1991-09-04 | The Mikado: Act I. “I am so proud” | baritone vocals [Ko-Ko] | Richard van Allan, Nicholas Folwell, Richard Suart, Orchestra of the Welsh National Opera, Charles Mackerras | 3:01 |
| 1991-09-02 – 1991-09-04 | The Mikado: Act II. “For he’s gone and married Yum-Yum” | baritone vocals [Ko-Ko] | Donald Adams, Richard van Allan, Chorus of the Welsh National Opera, Nicholas Folwell, Anne Howells, Marie McLaughlin, Felicity Palmer, Anthony Rolfe Johnson, Richard Suart, Janice Watson, Orchestra of the Welsh National Opera, Charles Mackerras | 1:54 |
| 1991-09-02 – 1991-09-04 | The Mikado: Act II. “Here’s a how-de-do! If I marry you” | baritone vocals [Ko-Ko] | Marie McLaughlin, Anthony Rolfe Johnson, Richard Suart, Orchestra of the Welsh National Opera, Charles Mackerras | 1:14 |
| 1991-09-02 – 1991-09-04 | The Mikado: Act II. “On a tree by a river, a little tom-tit sang, ‘Willow, tit-willow’” | baritone vocals [Ko-Ko] | Richard Suart, Orchestra of the Welsh National Opera, Charles Mackerras | 2:31 |
| 1991-09-02 – 1991-09-04 | The Mikado: Act II. “See how the Fates their gifts allot” | baritone vocals [Ko-Ko] | Donald Adams, Richard van Allan, Anne Howells, Felicity Palmer, Richard Suart, Orchestra of the Welsh National Opera, Charles Mackerras | 2:03 |
| 1991-09-02 – 1991-09-04 | The Mikado: Act II. “The criminal cried as he dropped him down” | baritone vocals [Ko-Ko] | Richard van Allan, Chorus of the Welsh National Opera, Anne Howells, Richard Suart, Orchestra of the Welsh National Opera, Charles Mackerras | 3:25 |
| 1991-09-02 – 1991-09-04 | The Mikado: Act II. “The flowers that bloom in the spring” | baritone vocals [Ko-Ko] | Richard van Allan, Anne Howells, Marie McLaughlin, Anthony Rolfe Johnson, Richard Suart, Orchestra of the Welsh National Opera, Charles Mackerras | 1:36 |
| 1991-09-02 – 1991-09-04 | The Mikado: Act II. “There is beauty in the bellow of the blast” | baritone vocals [Ko-Ko] | Felicity Palmer, Richard Suart, Orchestra of the Welsh National Opera, Charles Mackerras | 2:00 |
| 1991-09-02 – 1991-09-04 | The Mikado: Act II. “With aspect stern and gloomy stride” | baritone vocals [Ko-Ko] | Richard van Allan, Chorus of the Welsh National Opera, Nicholas Folwell, Marie McLaughlin, Anthony Rolfe Johnson, Richard Suart, Janice Watson, Orchestra of the Welsh National Opera, Charles Mackerras | 14:25 |
| 1998-02-05 – 1998-02-13 | Le Grand Macabre: Scene III. "Ahh!.. Secret cypher!" (Gepopo, Prince Go-Go, White Minister, Black Minister) | baritone vocals | Sibylle Ehlert, Derek Lee Ragin, Steven Cole, Richard Suart, Philharmonia Orchestra, Esa-Pekka Salonen | 5:36 |
| 1998-02-05 – 1998-02-13 | Le Grand Macabre: Scene III. "Arse-licker, arse-kisser!" (White Minister, Black Minister, Prince Go-Go) | baritone vocals | Steven Cole, Richard Suart, Derek Lee Ragin, Philharmonia Orchestra, Esa-Pekka Salonen | 3:35 |
| 1998-02-05 – 1998-02-13 | Le Grand Macabre: Scene III. "Posture exercises!" (Black Minister, White Minister, Prince Go-Go) | baritone vocals | Richard Suart, Steven Cole, Derek Lee Ragin, Philharmonia Orchestra, Esa-Pekka Salonen | 2:27 |
| 1998-02-05 – 1998-02-13 | Le Grand Macabre: Scene III. "Tsk... - Psssst! - Ha! Head of my secret service!" (Chorus, Gepopo, Prince Go-Go, White Minister, Black Minister) | baritone vocals | Sibylle Ehlert, Derek Lee Ragin, Steven Cole, Richard Suart, London Voices, Philharmonia Orchestra, Esa-Pekka Salonen | 6:21 |
| 1998-02-05 – 1998-02-13 | Le Grand Macabre: Scene IV. "Ghost Astradamors, are you dead?" (Piet, Astradamors, Prince Go-Go, Ruffiack, Schobiack, Schabernack, Nektrotzar, Mescalina, White Minister, Black Minister) | baritone vocals | Graham Clark, Frode Olsen, Derek Lee Ragin, Martin Winkler, Marc Campbell-Griffiths, Michael Lessiter, Willard White, Jard van Nes, Steven Cole, Richard Suart, Philharmonia Orchestra, Esa-Pekka Salonen | 3:39 |
| 1998-02-05 – 1998-02-13 | Le Grand Macabre: Scene IV. Finale. Passacaglia: "Ah, it was good" (Amando, Amando, all without Nekrotzar) | baritone vocals | Charlotte Hellekant, Laura Claycomb, London Voices, Philharmonia Orchestra, Esa-Pekka Salonen | 5:07 |
| 1999-01-27 – 1999-02-02 | The Rose of Persia, Act 1: As we lie in languor lazy (Chorus of Wives) | baritone vocals | Sir Arthur Sullivan | 3:21 |
| 1999-01-27 – 1999-02-02 | The Rose of Persia, Act 1: For the Sultan's Executioner (All) | baritone vocals | Sir Arthur Sullivan | 2:14 |
| 1999-01-27 – 1999-02-02 | The Rose of Persia, Act 1: When my father sent me to Ispahan (Hassan and Chorus) | baritone vocals | Sir Arthur Sullivan | 2:23 |
| 1999-01-27 – 1999-02-02 | The Rose of Persia, Act 2 - Hasan, the Sultan with his Court approaches | baritone vocals | Sir Arthur Sullivan | 2:18 |
| 1999-01-27 – 1999-02-02 | The Rose of Persia, Act 2 - It's a busy, busy, busy, busy day for thee | baritone vocals | Sir Arthur Sullivan | 2:33 |
| 1999-01-27 – 1999-02-02 | The Rose of Persia, Act 2 - Laughing low, on toe-tip | baritone vocals | Sir Arthur Sullivan | 3:40 |
| 1999-01-27 – 1999-02-02 | The Rose of Persia, Act 2 - There was once a small Street Arab | baritone vocals | Sir Arthur Sullivan | 2:51 |
| 1999-01-27 – 1999-02-02 | The Rose of Persia: Act I: 10. "Musical Maidens are we... Dance and Song (Ensemble, Honey-of-Life and Hassan with Chorus and Dancers) (Hanover Band feat. conductor Tom Higgans) | baritone vocals | Sir Arthur Sullivan | 5:31 |
| 1999-01-27 – 1999-02-02 | The Rose of Persia: Act I: 11. "We have come to invade" (Abdallah with Hassan and Chorus) (Hanover Band feat. conductor Tom Higgans) | baritone vocals | Sir Arthur Sullivan | 1:36 |
| 2003-07-03 – 2003-07-04 | The Bassoon 'Humorous Song' | baritone vocals | The New London Orchestra, Ronald Corp, Laurence Perkins, Richard Suart | 3:28 |
| 2004-12-04 – 2004-12-05 | Flander & Swann: III Wind (based on Mozart's Horn Concerto K. 495, transcribed for Orchestra | baritone vocals | Richard Suart, Eric Ruske, Scottish Chamber Orchestra, Charles Mackerras | 3:04 |
| Iolanthe: Finale: Soon As We May | baritone vocals [Lord Chancellor] | Phil Blake, Philip Blake-Jones, Philip Creasy, D'Oyly Carte Opera Chorus, Jill Pert, Lawrence Richard, Richard Suart, Elizabeth Woollett, D'Oyly Carte Opera Orchestra, John Pryce-Jones | 1:54 |
| Iolanthe: Go away, Madam | baritone vocals [Lord Chancellor] | D'Oyly Carte Opera Chorus, Jill Pert, Richard Suart, Elizabeth Woollett, D'Oyly Carte Opera Orchestra, John Pryce-Jones | 1:26 |
| Iolanthe: If You Go In | baritone vocals [Lord Chancellor] | Philip Creasy, Lawrence Richard, Richard Suart, D'Oyly Carte Opera Orchestra, John Pryce-Jones | 2:17 |
| Iolanthe: It May Not Be for So the Fates Decide! | baritone vocals [Lord Chancellor] | Philip Blake-Jones, Philip Creasy, D'Oyly Carte Opera Chorus, Lawrence Richard, Richard Suart, Elizabeth Woollett, D'Oyly Carte Opera Orchestra, John Pryce-Jones | 3:03 |
| Iolanthe: Love, Unrequited, Robs Me of My Rest | baritone vocals [Lord Chancellor] | Richard Suart, D'Oyly Carte Opera Orchestra, John Pryce-Jones | 3:27 |
| Iolanthe: My Lords, It May Not Be | baritone vocals [Lord Chancellor] | Philip Blake-Jones, Philip Creasy, D'Oyly Carte Opera Chorus, Lawrence Richard, Richard Suart, Elizabeth Woollett, D'Oyly Carte Opera Orchestra, John Pryce-Jones | 3:00 |
| Iolanthe: Oh! Chancellor unwary | baritone vocals [Lord Chancellor] | D'Oyly Carte Opera Chorus, Madeleine Mitchell, Yvonne Patrick, Jill Pert, Richard Suart, D'Oyly Carte Opera Orchestra, John Pryce-Jones | 2:06 |
| Iolanthe: The Law Is The True Embodiment | baritone vocals [Lord Chancellor] | D'Oyly Carte Opera Chorus, Richard Suart, D'Oyly Carte Opera Orchestra, John Pryce-Jones | 2:15 |
| Iolanthe: This Gentleman is Seen | baritone vocals [Lord Chancellor] | Philip Blake-Jones, Lawrence Richard, Richard Suart, Elizabeth Woollett, D'Oyly Carte Opera Orchestra, John Pryce-Jones | 2:56 |
| Iolanthe: When darkly looms the day | baritone vocals [Lord Chancellor] | Philip Blake-Jones, Philip Creasy, D'Oyly Carte Opera Chorus, Lawrence Richard, Richard Suart, Elizabeth Woollett, D'Oyly Carte Opera Orchestra, John Pryce-Jones | 3:07 |
| Iolanthe: When I went to the bar | baritone vocals [Lord Chancellor] | Richard Suart, D'Oyly Carte Opera Orchestra, John Pryce-Jones | 1:40 |
| Miserere II in C minor: IX. Cor mundum crea in me, Deus | bass vocals | Richard Suart, Simon Lawford, The Wren Orchestra, Bernard Rose | 3:05 |
| Miserere II in C minor: VII. Auditui meo | bass vocals | Rogers Covey‐Crump, David James, Richard Suart, Simon Lawford, The Wren Orchestra, Bernard Rose | 2:44 |
| Miserere II in C minor: XI. Domine, labia mea aperies | bass vocals | Richard Suart, Simon Lawford, The Wren Orchestra, Bernard Rose | 2:52 |
| Miserere II in C minor: XIII. Sacrificium Deo | bass vocals | Rogers Covey‐Crump, David James, Richard Suart, Simon Lawford, The Wren Orchestra, Bernard Rose | 1:59 |
| Pirates of Penzance: “I Am the Very Model of a Modern Major General” | baritone vocals | Chorus of the Welsh National Opera, Richard Suart, Orchestra of the Welsh National Opera, Charles Mackerras | 2:56 |
| The Gondoliers, Act I: “From the Sunny Spanish Shore” | | Philip Creasy, Jill Pert, Richard Suart, Elizabeth Woollett, D'Oyly Carte Opera Orchestra, John Pryce-Jones | 1:49 |
| The Gondoliers, Act I: “I Stole the Prince, and I Brought Him Here” | | Philip Creasy, Jill Pert, John Rath, Richard Suart, Elizabeth Woollett, D'Oyly Carte Opera Orchestra, John Pryce-Jones | 2:18 |
| The Gondoliers, Act I: “In the Enterprise of Martial Kind” | | Philip Creasy, Jill Pert, Richard Suart, Elizabeth Woollett, D'Oyly Carte Opera Orchestra, John Pryce-Jones | 1:38 |
| The Gondoliers, Act I: “Try We Life‐Long” | | Philip Creasy, Jill Pert, Richard Suart, Elizabeth Woollett, D'Oyly Carte Opera Orchestra, John Pryce-Jones | 2:08 |
| The Gondoliers, Act II: “I Am a Courtier Grave and Serious” | | David Fieldsend, Alan Oke, Jill Pert, Richard Suart, Elizabeth Woollett, D'Oyly Carte Opera Orchestra, John Pryce-Jones | 4:05 |
| The Gondoliers, Act II: “To Help Unhappy Commoners” | | Jill Pert, Richard Suart, D'Oyly Carte Opera Orchestra, John Pryce-Jones | 3:49 |
| The Gondoliers, Act II: “With Ducal Pomp and Ducal Pride” | | D'Oyly Carte Opera Chorus, Jill Pert, Richard Suart, D'Oyly Carte Opera Orchestra, John Pryce-Jones | 1:52 |
| The pirates of penzance: "I am the very model of a modern Major- General" | baritone vocals | Chorus of the Welsh National Opera, Richard Suart, Orchestra of the Welsh National Opera, Charles Mackerras | 2:52 |
