| performed |
|---|
| Highlights from "Messiah" - Part One | | Georg Friedrich Händel | 27:31 |
| Highlights from "Messiah" - Part Two | | Georg Friedrich Händel | 29:17 |
| vocals |
|---|
| 1961-10 | Dido and Aeneas, Z. 626: Act I. "See, your royal guest appears" (Belinda) | baritone vocals [Aeneas] | English Chamber Orchestra, Anthony Lewis | 4:52 |
| 1961-10 | Dido and Aeneas, Z. 626: Act II. "Behold, upon my bending spear" (Aeneas) | baritone vocals [Aeneas] | English Chamber Orchestra, Anthony Lewis | 1:21 |
| 1961-10 | Dido and Aeneas, Z. 626: Act II. "Stay, Prince, and hear great Jove's command" (Spirit) | baritone vocals [Aeneas] | English Chamber Orchestra, Anthony Lewis | 2:46 |
| 1961-10 | Dido and Aeneas, Z. 626: Act III. "Your counsel all is urg'd in vain" (Dido) | baritone vocals [Aeneas] | English Chamber Orchestra, Anthony Lewis | 3:26 |
| 1969-10 | Les Troyens: Act V: No. 40 Duo: "Par Bacchus! ils sont fous" | bass vocals [1re sentinelle] | Raimund Herincx, Dennis Wicks, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 2:12 |
| 1973-07-23 – 1973-07-29 | The Knot Garden: Act I "Confrontation". "Ca - ca - Caliban" (Dov, Mel, Thea, Mangus, Faber, Flora) | baritone vocals | Thomas Carey, Jill Gomez, Thomas Hemsley, Raimund Herincx, Yvonne Minton, Robert Tear, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 2:26 |
| 1973-07-23 – 1973-07-29 | The Knot Garden: Act I "Confrontation". "Do, do not, do not torment me" (Mel, Dov, Flora, Faber, Thea, Denise) | baritone vocals | Josephine Barstow, Thomas Carey, Jill Gomez, Raimund Herincx, Yvonne Minton, Robert Tear, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 4:12 |
| 1973-07-23 – 1973-07-29 | The Knot Garden: Act I "Confrontation". "What is it you do to Flora?" (Thea, Faber, Magnus) | baritone vocals | Thomas Hemsley, Raimund Herincx, Yvonne Minton, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 4:24 |
| 1973-07-23 – 1973-07-29 | The Knot Garden: Act II "Labyrinth". "Fear! What do I fear?" (Thea, Denise, Faber, Flora, Dov, Mel) | baritone vocals | Josephine Barstow, Thomas Carey, Jill Gomez, Raimund Herincx, Yvonne Minton, Robert Tear, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 11:47 |
| 1973-07-23 – 1973-07-29 | The Knot Garden: Act III "Charade". "And what are you, Magnus?" (Thea, Mangus-Prospero, Flora-Miranda, Faber-Ferdinand) | baritone vocals | Jill Gomez, Thomas Hemsley, Raimund Herincx, Yvonne Minton, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 2:56 |
| 1973-07-23 – 1973-07-29 | The Knot Garden: Act III "Charade". "Enough! Enough!" (Magnus, Dov, Mel, Faber, Thea, Flora, Denise) | baritone vocals | Josephine Barstow, Thomas Carey, Jill Gomez, Thomas Hemsley, Raimund Herincx, Yvonne Minton, Robert Tear, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 8:21 |
| 1973-07-23 – 1973-07-29 | The Knot Garden: Act III "Charade". "Goodbye island: goodbye cave" (Flora-Miranda, Mangus-Prospero, Faber-Ferdinand, Dov-Ariel, Mel-Caliban) | baritone vocals | Thomas Carey, Jill Gomez, Raimund Herincx, Robert Tear, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 3:47 |
| 1975-03 | Das Liebesverbot: Erster Aufzug. "Du schmähest jene and're Liebe" (Isabella, Friedrich) | bass vocals [Friedrich] | BBC Northern Symphony Orchestra, Sir Edward Downes | 7:25 |
| 1975-03 | Das Liebesverbot: Erster Aufzug. "Kennst du das Leid der Elternlosen" (Isabella, Friedrich) | bass vocals [Friedrich] | BBC Northern Symphony Orchestra, Sir Edward Downes | 3:30 |
| 1975-03 | Das Liebesverbot: Erster Aufzug. "Maria - wie, o Götterlieb!" (Isabella, Friedrich, Dorella, Luzio, Claudio, Antonio, Pontio, Angelo, Danieli, Brighella, Chor) | bass vocals [Friedrich] | BBC Northern Symphony Orchestra, Sir Edward Downes | 11:57 |
| 1975-03 | Das Liebesverbot: Erster Aufzug. "Nun, wird es bald?" (Antonio, Pontio, Angelo, Danieli, Chor, Dorella, Brighella, Friedrich) | bass vocals [Firedrich] | BBC Northern Symphony Orchestra, Sir Edward Downes | 3:45 |
| 1975-03 | Das Liebesverbot: Erster Aufzug. "O Gott, was hör ich!" (Isabella, Friedrich, Dorella, Luzio, Claudio, Antonio, Angelo, Pontio, Danieli, Brighella, Chor) | bass vocals [Friedrich] | BBC Northern Symphony Orchestra, Sir Edward Downes | 4:31 |
| 1975-03 | Das Liebesverbot: Erster Aufzug. "Sie schweiget in stummem Schmerz" (Angelo, Danieli, Brighella, Dorella, Luzio, Claudio, Antonio, Pontio, Friedrich, Isabella, Chor) | bass vocals [Friedrich] | BBC Northern Symphony Orchestra, Sir Edward Downes | 3:10 |
| 1975-03 | Das Liebesverbot: Erster Aufzug. "Verworfnes Volk!" (Friedrich, Antonio, Angelo, Brighella, Danieli, Pontio, Dorella, Claudio, Isabella, Chor, Luzio) | bass vocals [Friedrich] | BBC Northern Symphony Orchestra, Sir Edward Downes | 7:59 |
| 1975-03 | Das Liebesverbot: Zweiter Aufzug. "Hier soll sie sein; wo mag sie weilen?" (Friedrich, Luzio, Dorella, Isabella, Brighella, Pontio) | bass vocals [Friedrich] | BBC Northern Symphony Orchestra, Sir Edward Downes | 6:45 |
| 1975-03 | Das Liebesverbot: Zweiter Aufzug. "Ihr Heil'gen, welche Schändlichkeit!" (Isabella, Antonio, Angelo, Danieli, Chor, Luzio, Pontio, Mariana, Friedrich, Claudio, Dorella) | bass vocals [Friedrich] | BBC Northern Symphony Orchestra, Sir Edward Downes | 7:21 |
| 1975-03 | Das Liebesverbot: Zweiter Aufzug. "So spät und noch kein Brief von Isabella?" (Friedrich) | bass vocals [Friedrich] | BBC Northern Symphony Orchestra, Sir Edward Downes | 10:00 |
| 1975-06-16 – 1975-06-25 | I Capuleti e i Montecchi: Atto I. “Accorriam... Romeo!” | bass vocals [Lorenzo] | Dame Janet Baker, Nicolai Gedda, Raimund Herincx, The John Alldis Choir, Robert Lloyd, Beverly Sills, New Philharmonia Orchestra, Giuseppe Patanè | 4:21 |
| 1975-06-16 – 1975-06-25 | I Capuleti e i Montecchi: Atto I. “Che miro?” | bass vocals [Lorenzo] | Dame Janet Baker, Nicolai Gedda, Raimund Herincx, Robert Lloyd, Beverly Sills, New Philharmonia Orchestra, Giuseppe Patanè | 3:02 |
| 1975-06-16 – 1975-06-25 | I Capuleti e i Montecchi: Atto I. “Deh! Per pieta, t'arresta” | bass vocals [Lorenzo] | Dame Janet Baker, Raimund Herincx, The John Alldis Choir, New Philharmonia Orchestra, Giuseppe Patanè | 3:13 |
| 1975-06-16 – 1975-06-25 | I Capuleti e i Montecchi: Atto I. “L'amo tanto, e m'e sì car” | bass vocals [Lorenzo] | Nicolai Gedda, Raimund Herincx, The John Alldis Choir, Robert Lloyd, New Philharmonia Orchestra, Giuseppe Patanè | 4:41 |
| 1975-06-16 – 1975-06-25 | I Capuleti e i Montecchi: Atto I. “O di Capellio, generosi amici” | bass vocals [Lorenzo] | Nicolai Gedda, Raimund Herincx, The John Alldis Choir, Robert Lloyd, New Philharmonia Orchestra, Giuseppe Patanè | 2:48 |
| 1975-06-16 – 1975-06-25 | I Capuleti e i Montecchi: Atto I. “Propizià è l'ora” | bass vocals [Lorenzo] | Dame Janet Baker, Raimund Herincx, Beverly Sills, New Philharmonia Orchestra, Giuseppe Patanè | 2:57 |
| 1975-06-16 – 1975-06-25 | I Capuleti e i Montecchi: Atto I. “Sì: M'abbraccia” | bass vocals [Lorenzo] | Nicolai Gedda, Raimund Herincx, The John Alldis Choir, Robert Lloyd, New Philharmonia Orchestra, Giuseppe Patanè | 1:13 |
| 1975-06-16 – 1975-06-25 | I Capuleti e i Montecchi: Atto I. “Soccorso, sostegno accordagli” | bass vocals [Lorenzo] | Dame Janet Baker, Nicolai Gedda, Raimund Herincx, Robert Lloyd, Beverly Sills, New Philharmonia Orchestra, Giuseppe Patanè | 3:06 |
| 1975-06-16 – 1975-06-25 | I Capuleti e i Montecchi: Atto II. “Ah! Crudel! Che mai facesti?” | bass vocals [Lorenzo] | Dame Janet Baker, Raimund Herincx, The John Alldis Choir, Robert Lloyd, Beverly Sills, New Philharmonia Orchestra, Giuseppe Patanè | 4:50 |
| 1975-06-16 – 1975-06-25 | I Capuleti e i Montecchi: Atto II. “Deh! Padre mio, deh padre mio!” | bass vocals [Lorenzo] | Raimund Herincx, The John Alldis Choir, Robert Lloyd, Beverly Sills, New Philharmonia Orchestra, Giuseppe Patanè | 6:38 |
| 1975-06-16 – 1975-06-25 | I Capuleti e i Montecchi: Atto II. “Morte lo non temo il sai” | bass vocals [Lorenzo] | Raimund Herincx, Beverly Sills, New Philharmonia Orchestra, Giuseppe Patanè | 3:31 |
| 1975-06-16 – 1975-06-25 | I Capuleti e i Montecchi: Atto II. “Né alcun ritorna!” | bass vocals [Lorenzo] | Raimund Herincx, Beverly Sills, New Philharmonia Orchestra, Giuseppe Patanè | 4:32 |
| 1975-06-16 – 1975-06-25 | I Capuleti e i Montecchi: Atto II. “Prendi, gl'istanti volano” | bass vocals [Lorenzo] | Raimund Herincx, The John Alldis Choir, Robert Lloyd, Beverly Sills, New Philharmonia Orchestra, Giuseppe Patanè | 1:49 |
| 1975 | I Capuleti e i Montecchi: Atto II. "Morte io non temo, il sai" (Giulietta, Lorenzo) / "Ah! non poss'io partire" (Giulietta, Capellio, Lorenzo) | baritone vocals | John Aldis, Raimund Herincx, The John Alldis Choir, Robert Lloyd, Beverly Sills, Philharmonia Orchestra, Giuseppe Patanè | 10:55 |
| Documentary | baritone vocals | Raimund Herincx, Alvar Lidell, London Sinfonietta Chorus, Anna Reynolds, John Tavener, London Sinfonietta, David Atherton | 7:12 |
| In the Belly | baritone vocals | Raimund Herincx, Alvar Lidell, London Sinfonietta Chorus, Anna Reynolds, John Tavener, London Sinfonietta, David Atherton | 9:27 |
| Invocation | baritone vocals | Raimund Herincx, Alvar Lidell, London Sinfonietta Chorus, Anna Reynolds, John Tavener, London Sinfonietta, David Atherton | 0:43 |
| Le Messie Part 1: No. 4 Récitatif: Thus saith the Lord | bass vocals | Raimund Herincx, English Chamber Orchestra, Charles Mackerras | 1:39 |
| Le Messie Part 1: No. 10 Récitatif arioso: For, behold! Darkness shall cover the earth | bass vocals | Raimund Herincx, English Chamber Orchestra, Charles Mackerras | 2:28 |
| Le Messie Part 1: No. 11 Aria: The people that walked in darkness | bass vocals | Raimund Herincx, English Chamber Orchestra, Charles Mackerras | 4:05 |
| Le Messie Part 2: No. 38. Aria: Why do the nations | bass vocals | Raimund Herincx, English Chamber Orchestra, Charles Mackerras | 2:56 |
| Le Messie Part 3: No. 45. Récitatif: Behold, I tell you a mystery | bass vocals | Raimund Herincx, English Chamber Orchestra, Charles Mackerras | 0:32 |
| Le Messie Part 3: No. 46. Aria: The trumpet shall sound | bass vocals | Raimund Herincx, English Chamber Orchestra, Charles Mackerras | 9:30 |
| Melodrama and Pantomime | baritone vocals | Raimund Herincx, Alvar Lidell, London Sinfonietta Chorus, Anna Reynolds, John Tavener, London Sinfonietta, David Atherton | 3:14 |
| Messiah, HWV 56, Part 1: For unto us a child is born (chorus: Andante allegro) | solo | The Ambrosian Singers, Dame Janet Baker, Paul Esswood, Elizabeth Harwood, Raimund Herincx, Robert Tear, English Chamber Orchestra, Charles Mackerras | 4:18 |
| Messiah, HWV 56, Part 2: Hallelujah (chorus: Allegro) | solo | The Ambrosian Singers, Dame Janet Baker, Paul Esswood, Elizabeth Harwood, Raimund Herincx, Robert Tear, English Chamber Orchestra, Charles Mackerras | 3:59 |
| Overture: The Heaving Bagpipe | spoken vocals | Gerard Hoffnung | 9:40 |
| The Cougher | | Gerard Hoffnung | 5:27 |
| The Prayer | baritone vocals | Raimund Herincx, Alvar Lidell, London Sinfonietta Chorus, Anna Reynolds, John Tavener, London Sinfonietta, David Atherton | 3:08 |
| The Storm | baritone vocals | Raimund Herincx, Alvar Lidell, London Sinfonietta Chorus, Anna Reynolds, John Tavener, London Sinfonietta, David Atherton | 2:39 |
| The Swallowing | baritone vocals | Raimund Herincx, Alvar Lidell, London Sinfonietta Chorus, Anna Reynolds, John Tavener, London Sinfonietta, David Atherton | 4:45 |
| The Vomiting | baritone vocals | Raimund Herincx, Alvar Lidell, London Sinfonietta Chorus, Anna Reynolds, John Tavener, London Sinfonietta, David Atherton | 0:54 |
| vocals |
|---|
| Benvenuto Cellini | baritone vocals | Berlioz; Gedda, Eda‐Pierre, Bastin, Berbié, Soyer, Massard, Chorus of the Royal Opera House, Covent Garden, BBC Symphony Orchestra. Sir Colin Davis | |
